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man who "did this". Kirsty tries to escape, but is held by Julia and Frank. Frank reveals his true identity to Kirsty and, when his sexual advances are rejected, he decides to kill her to complete his rejuvenation. He accidentally stabs Julia instead and drains her without remorse. Frank chases Kirsty to the attic and, when he is about to kill her, the
Cenobites appear after hearing him confess to killing her father. Now certain he is the one they are looking for, they ensnare him with chains with hooks and tear him to pieces. When the Cenobites double-cross Kirsty and attempt to take her, she grabs the puzzle box from Julia's dead hands and banishes them by reversing the motions needed to open the puzzle box. Kirsty's boyfriend Steve arrives and they both escape the collapsing house.
613:. Two and a half shots were excised from the first hammer murder, including a closeup of the hammer lodged in the victim's head. In the scene where Julia murders another man, the actor playing the victim felt that it made sense for him to do so naked. The nude murder scene was shot but, ultimately, replaced with a semi-clothed version. Close-ups of Kirsty sticking her hand into Frank's stomach, exposing his guts, a longer version of the scene where Frank is being torn into pieces, and the final shot where his head explodes were also cut.
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manoeuvre. Other issues included a rushed shoot of the
Chinese restaurant scene with Kirsty and Larry, due to the lateness of the person responsible for letting the cast and crew into the establishment. Numerous props of Lemarchand's box, constructed from wood and cut-out brass, were produced by special effects designer and maker Simon Sayce; due to the box's delicate construction, Sayce would lie on the floor under the Cenobites during some takes in case it was dropped, in order to save himself the eight hours it took to create another.
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floor and resurrects Frank in a ghoulish form. Julia later finds Frank; still obsessed with him, she agrees to help restore his body, so they can run away together. Julia picks up men in bars and brings them back to the attic, where she mortally wounds them. Frank then drains their life, which regenerates his body. Frank explains to Julia that, having exhausted all sensory experiences, he sought out the puzzle box, which was supposed to provide access to a realm of new carnal pleasures. When the puzzle was solved, the "
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were "well used suggestive figures" but "their monster companion is a more blunderingly obvious concession to the gross-out tastes of the teenage drive-in audience". Newman concluded that the film was "a return to the cutting edge of horror cinema" and that in more gruesome moments the film "is a reminder of the grand guignol intensity that has recently tended to disintegrate into lazy splatter".
394:, they are simply "explorers" from another dimension seeking carnal experiences, and they can no longer differentiate between pain and pleasure. When they attempt to force Kirsty to return to their realm with them, she informs Pinhead that Frank has escaped them. The Cenobites agree to spare Kirsty and re-capture Frank instead, with the condition that Frank must confess to escaping them.
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382:, Larry's teenage daughter and Frank's niece, sees Julia bringing a man to the house and follows her to the attic, where she finds Frank. She evades Frank and escapes with the puzzle box, collapsing shortly after. Awakening in a hospital, Kirsty solves the box out of curiosity, and unknowingly summons the Cenobites and a monster called the
543:, who became his producer, how small the budget would have to be for someone being willing to hire him as a first time director. Figg said the budget had to be less than a million dollars, which could be done if the film was just about a house and some monsters, and if he used more or less unknown actors. Barker decided to adapt
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in a
Scarlet Box edition featuring new 2K restorations and extensive list of bonus features including feature-length documentaries on the first 2 films and a bonus disc containing additional content such as 2 short films by Clive Barker. The Scarlet Box is now out of print in the UK and replaced by a
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in 2009. This version retains all of the special features found on the 20th anniversary special edition DVD. In 2011, the film was re-released on Blu-ray by Image
Entertainment under the "Midnight Madness" series label. This version contains no special features. However, various Blu-ray releases have
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pleasures to those who call upon them. Author David McWilliam notes that the
Cenobites are described in more explicitly sexual terms in the book compared with their depictions in the film adaptations. Julia, played by Clare Higgins, was Barker's choice to carry the series as its main antagonist after
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Later, Frank's brother Larry moves into the same house. He intends to rebuild his relationship with his second wife, Julia. Larry is unaware that Julia had an affair with his brother Frank before her marriage to him. When Larry accidentally cuts his hand moving furniture, his blood drips on the attic
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was followed by nine sequels, the first seven of which featured Doug
Bradley reprising his role as Pinhead. Clive Barker has stated that he signed away the story and character rights to the production company prior to the release of the first film, not realizing the critical and financial success it
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gave the film one-half of a star out of four and deemed it "as dreary a piece of goods as has masqueraded as horror in many a long, cold night. This is one of those movies you sit through with mounting dread, as the fear grows inside of you that it will indeed turn out to be feature length" and that
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Kirsty returns home, where Frank has killed Larry and has taken on his identity by wearing his skin. Julia shows her what is purported to be Frank's flayed corpse in the attic. Julia then leaves the attic, locking the door behind her. The
Cenobites appear and, not fooled by the deception, demand the
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referred to the film as a "dark, frequently disturbing and occasionally terrifying film" but also argued that "Barker's vision hasn't quite made the conversion from paper to celluloid There are some weaknesses, particularly the framing of close-ups and the generic score, but there are some moments
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stated that the score proved that
Christopher Young "hadn't used up all of his ideas for the horror genre" and that Young had matched "Barker's stylish look with a gothic score that mixed in exciting synthesizer effects". The music that Coil had recorded as a demo for their version of the score was
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about the filming, stating that his memories of production were of "unalloyed fondness ... The cast treated my ineptitudes kindly, and the crew were no less forgiving". Barker admitted his own lack of knowledge on filmmaking, stating that he "didn't know the difference between a 10-millimetre
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Afterward, Kirsty throws the puzzle box onto a burning pyre. A vagrant who has been stalking Kirsty walks into the fire and retrieves the box before transforming into a winged skeleton-like creature and flying away. The box ends up with the same merchant who sold it to Frank, where he offers it to
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films in particular) tend to be broadly comic". Newman stated that the film "suffers from a few minor compromises: notably a decision made fairly late in shooting to change the specifically
English setting for an ambiguous (and unbelievable) mid-Atlantic one". Newman also noted that the Cenobites
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In celebration of the 30th anniversary of the film, Clive Barker has adapted his early "Hell Priest" concept designs for the Lead
Cenobite into an officially licensed mask for Composite Effects. Only a limited quantity of thirty of these masks were made and then released to the public on 24 March
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About seven or eight weeks after principal photography had finished the executive producers saw the footage and liked the film enough to invest some more in it, and so a few scenes were redone with a higher budget, like the scene near the end where Frank's body is ripped apart. To produce Frank's
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Well, we did have a slight problem with the eroticism. I shot a much hotter flashback sequence than they would allow us to cut in.... Mine was more explicit and less violent. They wanted to substitute one kind of undertow for another. I had a much more explicit sexual encounter between Frank and
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had trouble hitting his marks during his takes in make-up as he could not see through his black contact lenses and was afraid of tripping over Pinhead's skirts. The special effects of the unnamed creature, known as "The Engineer" in the novels, proved challenging as the creature was difficult to
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does have its share of problems: the re-dubbing of peripheral character with a mid-Atlantic twang, the relocation of the film in a geographical limbo The film, however, cannot be faulted for the ambitiousness of its themes Sadly the moral and emotional complexity that is the film's greatest
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was passed by the Ontario Film Review Board, but only after several cuts were made to the film. New World Mutual Pictures of Canada cut about 40 seconds to get the film passed with an R rating. Thirty-five seconds of an extended torture scene featuring hooks pulling apart a body and face were
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by the Ontario Film and Video Review Board. By a 3-2 majority vote, the film was deemed "not approved in its entirety as it contravenes community standards". It was banned because of its "brutal, graphic violence with blood-letting throughout, horror, degradation and torture". In August 1987,
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referred to the film as "Barker's dazzling debut" that "creates such an atmosphere of dread that the astonishing set-pieces simply detonate in a chain reaction of cumulative intensity" and concluded that the film was "a serious, intelligent and disturbing horror film".
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lens and a 35-millimetre lens. If you'd shown me a plate of spaghetti and said that was a lens, I might have believed you". After filming, New World convinced Barker to relocate the story to the United States which required overdubbing to remove some English accents.
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three times, all of which are the original 93-minute version of the film (this is the only version to ever be released on DVD). The original DVD release was a "barebones" release and is now out of print. It was reissued in 2000 with a new 5.1 mix mastered in
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Having been dismayed at prior cinematic adaptations of his work, Barker, who had experience from writing, directing and starring in plays and had made two short films, decided to attempt to direct a film himself. He asked
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Development of the film began before Barker’s novella was published. Disappointed by previous adaptations of his work, Barker elected to direct himself, appropriating several actors and crew from his earlier career as a
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We did a version of this scene which had some spanking in it and the MPAA was not very appreciative of that. ... The MPAA told me I was allowed two consecutive buttock thrusts from Frank but three is deemed
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was filmed at the end of 1986 and was set to be made in seven weeks, but was extended over a nine- to ten-week period by New World. The film was originally made under the
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951:"this is a movie without wit, style or reason, and the true horror is that actors were made to portray, and technicians to realize, its bankruptcy of imagination".
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in a Limited Edition tin case which included a 48-page colour booklet and a reproduction theatrical poster for both films. Anchor Bay released the film on
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said to open the door to a realm of otherworldly pleasure. At home in his bare attic, Frank solves the puzzle and hooked chains emerge, tearing him apart.
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were reported to be directing, with Barker producing and Marcus Dunstan and Patrick Melton writing the script. After Maury and Bustillo left the project,
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of genuinely inventive gore the film falls apart at its climax, degenerating to a surprisingly lame ending full of special effects and triumphant good".
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2378:"Just In Time For Halloween: Clive Barker's Back To Raise Hell, Joining HBO Series 'Hellraiser' Adaptation With David Gordon Green Directing Early Eps"
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386:, which she narrowly escapes from. The Cenobites' leader (referred to by fans as "Pinhead") explains that although they have been perceived as both
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conducted a poll with several authors, directors, actors and critics who have worked within the horror genre to vote for their top horror films.
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1064:(2011) to secure continuing rights, Farmer and Lussier were no longer involved. By 2018, after the critical and commercial success of
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as a replacement for Coil for the film's score. Young had previously composed scores for other horror films such as the 1985 slasher
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since emerged with a highly variable selection of special features, although most of these are recycled from previous DVD releases.
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noted that the most immediately striking aspect of the movie is its seriousness of tone in an era when horror films (the
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known as the Order of the Gash, describing themselves as "explorers in the further regions of experience", and granting
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to perform the music for the film, but that notion was rejected by New World. Editor Tony Randel then suggested
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stated that Barker cast "singularly uninteresting actors" while "the special effects aren't bad - only damp".
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magazine in July 1987, Barker mentioned some problems that censors had with more erotic scenes in the film:
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1903:"Back to the Future: The Fall and Rise of the British Film Industry in the 1980s - An Information Briefing"
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strength is likely to be deemed its greatest weakness by an audience weaned on the misplaced jocularity of
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2350:"'Hellraiser': Jamie Clayton To Play Pinhead As Spyglass-Hulu Movie Sets Cast, Clive Barker To Produce"
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Barker also said that the seduction scene between Julia and Frank was initially a lot more explicit:
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A US version of the Scarlet Box (with the same material) was released by Arrow on 20 December 2016.
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were attached, with production slated for an early 2012 release. However, following the release of
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Schwartzberg, Shlomo (17 July 1987). "Censors burn Hellraiser; Paramount chops Eddie's Cop".
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on 10 September 1987. The film was released in the United States and Canada on 18 September.
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is "well made, well acted, and the visual effects are generally handled with skill".
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Clive Barker had to make some cuts on the film after the MPAA originally gave it an
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grossed $ 14,564,000 in the United States and Canada and made £763,412 in the UK.
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offers a disquieting - and sadistically smart - alternative to mindless gore."
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edition on 30 October. It additionally received a theatrical screening at the
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Julia, but they said no, let's take out the sodomy and put in the flick knife.
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Rewind @ www.dvdcompare.net – Hellraiser AKA Clive Barker's Hellraiser (1987)
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Schwartzberg, Shlomo (21 August 1987). "Hellraiser passed: no hooks, rats".
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Later identified as "Pinhead" in the credits for the sequels beginning with
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1577:"All the Weirdest Secrets You Never Knew About Clive Barker's Hellraiser"
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1863:"Clive Barker Helped Design New Pinhead Mask Based on Original Sketches"
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reboot. Several ideas and concepts were developed for the project, with
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1522:"The 100 Greatest Props in Movie History, and the Stories Behind Them"
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on 10 September 1987. It was widely released in the United Kingdom by
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Remake Still Stalled; New Direct To DVD Film Keeps Franchise 'Alive'"
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beings who cannot differentiate between pain and pleasure. It stars
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Practical-ly Perfect: Celebrating the Special Effects of HELLRAISER
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described it as "the best horror film ever to be made in Britain".
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1877:"HELLRAISER Soundtrack, Poster, Steelbook & London Screening"
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Cenobites are extra-dimensional beings who appear in the novella
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removed, as well as a scene of squirming rats nailed to a wall.
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2323:"'Hellraiser' Reboot in the Works With David S. Goyer to Write"
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This article is about the 1987 film. For the franchise, see
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The Ashgate Encyclopedia of Literary and Cinematic Monsters
2297:"Blumhouse Is Considering New Scream And Hellraiser Movies"
2207:"Patrick Lussier's 'Hellraiser' Would Have Been a Prequel!"
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stated that "Barker has achieved a fine degree of menace".
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The film had two editors: Richard Marden and an uncredited
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The Ashgate Encyclopedia of Literary and Cinematic Monsters
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McWilliam, David (2016). Weinstock, Jeffrey Andrew (ed.).
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How They Did the “Birth of Frank” Sequence in ‘Hellraiser’
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Blu-ray Review: Hellraiser: The Scarlet Box on Arrow Video
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installments. The film was green-lit in early 2019, with
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in his directorial debut, Based on Barker's 1986 novella
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at one point considered for the role of the Hell Priest.
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and executive produced by Barker, was released in 2022.
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were used to give his skeleton flesh and inner organs.
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resets the puzzle and the room is restored to normal.
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Barker originally wanted the electronic music group
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The Hellbound Web | Collectibles | Video Recordings
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3238:Clive Barker's Nightbreed: The Interactive Movie
3004:The Painter, The Creature and The Father of Lies
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865:For contemporary reviews in the United Kingdom,
2189:"Abandoned Hellraiser Remake Cenobite Concepts"
1615:: CS1 maint: others in cite AV media (notes) (
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1845:"Hellraiser: The Scarlet Box Trilogy Region A"
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1046:remake were publicized in October 2007, when
717:A Nightmare on Elm Street 2: Freddy's Revenge
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1970:"Film: A Horror Tale, Barker's 'Hellraiser'"
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1635:"Hellraiser [Original Soundtrack]"
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293:, identified in the sequels as "Pinhead".
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3381:Films about father–daughter relationships
1997:Harrington, Richard (19 September 1987).
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1416:Interview: 'Hellraiser' star Doug Bradley
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1296:The Numbers. Retrieved 22 September 2012.
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2749:Sherlock Holmes and the Servants of Hell
2348:D'Alessandro, Anthony (7 October 2021).
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1090:television series is in development at
551:agreed to fund the film for $ 900,000.
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3446:Films with screenplays by Clive Barker
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800:. Finally, it was packaged along with
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261:, the film’s plot concerns a mystical
2411:The Hellraiser Films and Their Legacy
2376:Fleming, Mike Jr. (30 October 2020).
2154:"The 100 best horror films: the list"
1743:. Toronto. 30 July 1987. p. H5.
547:, as the story fit those parameters.
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3391:Films based on works by Clive Barker
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1737:"Censors uphold ban on Hellraiser".
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1364:"Clive Barker is Back from the Dead"
1264:British Board of Film Classification
759:had its first public showing at the
745:The Unreleased Themes for Hellraiser
563:Sadomasochists from Beyond the Grave
513:. They are from a religious sect in
319:had its first public showing at the
2239:"French duo to remake 'Hellraiser'"
1664:. The Official Clive Barker website
1078:directing from a script written by
1048:Alexandre Bustillo and Julien Maury
834:2017. As part of the Anniversary,
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3401:Films scored by Christopher Young
3366:British supernatural horror films
1532:from the original on 11 July 2017
838:was re-released via Blu-Ray in a
372:" came to subject him to extreme
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2266:Fischer, Russ (31 August 2010).
1193:(September 1987). "Hellraiser".
573:instead. Barker spoke fondly in
269:, a group of extra-dimensional,
3341:1980s supernatural horror films
1662:"Hellraiser - 20th Anniversary"
1080:Ben Collins and Luke Piotrowski
325:Entertainment Film Distributors
169:Entertainment Film Distributors
3411:Films shot at Pinewood Studios
3396:Films directed by Clive Barker
1451:Hoad, Phil (30 October 2017).
1139:(2015), and "The Cold Man" in
1:
3456:English-language horror films
1133:(1988), "The Hell Priest" in
1104:List of British films of 1987
824:Hellraiser III: Hell on Earth
3386:Films based on horror novels
3336:1980s English-language films
3321:1987 directorial debut films
2963:Days of Magic, Nights of War
1109:List of horror films of 1987
183:September 10, 1987
2126:"The 100 best horror films"
1528:. Thrillist. 10 July 2017.
590:resurrection, effects like
28:Hellraiser (disambiguation)
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3356:British exploitation films
1999:"The Horros of Hellraiser"
1024:
18:
3351:British body horror films
2996:Clive Barker, Illustrator
2927:The Great and Secret Show
2829:
2763:
1294:, Box Office Information.
575:The Hellraiser Chronicles
330:The film was followed by
49:Theatrical release poster
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16:1987 film by Clive Barker
3431:New World Pictures films
3416:Fiction about fratricide
3128:Hellbound: Hellraiser II
1768:. Toronto. p. E14.
1715:. Toronto. p. E10.
1453:"How we made Hellraiser"
1130:Hellbound: Hellraiser II
803:Hellbound: Hellraiser II
793:Anchor Bay Entertainment
769:was initially banned in
309:, filming took place in
251:written and directed by
249:supernatural horror film
3170:The Midnight Meat Train
1803:16 January 2007 at the
1061:Hellraiser: Revelations
897:Nightmare on Elm Street
291:leader of the Cenobites
3361:British splatter films
3252:Clive Barker's Jericho
3245:Clive Barker's Undying
2327:The Hollywood Reporter
1910:British Film Institute
1228:"Review: 'Hellraiser'"
1201:British Film Institute
1031:Hellraiser (2022 film)
1027:Hellraiser (franchise)
1022:
933:In the United States,
737:was released in 1987.
636:
627:
466:as Butterball Cenobite
26:. For other uses, see
3451:Films about siblicide
3220:Valerie on the Stairs
2028:(18 September 1987).
1196:Monthly Film Bulletin
1082:. It was released on
1008:
891:Monthly Film Bulletin
844:Prince Charles Cinema
820:Hellbound: Hellraiser
791:has been released by
761:Prince Charles Cinema
470:Grace Kirby (actress)
321:Prince Charles Cinema
3436:Resurrection in film
3266:Recurring characters
1827:"Hellraiser Trilogy"
1142:Hellraiser: The Toll
987:In the early 2010s,
616:In an interview for
503:Hellraiser: The Toll
440:Robert Hines (actor)
362:A black-robed figure
3441:Films about torture
3406:Films set in London
3331:1980s British films
3142:Quicksilver Highway
2946:The Books of Abarat
2905:The Scarlet Gospels
2870:The Thief of Always
2842:The Hellbound Heart
2755:"Hellraiser" (song)
2730:Hellraiser: Origins
2575:The Scarlet Gospels
2568:The Hellbound Heart
2409:Kane, Paul (2015).
2004:The Washington Post
1978:. 20 September 1987
1912:. 2005. p. 23.
1883:on 1 September 2017
1851:. 20 December 2016.
1633:Ruhlmann, William.
1611:cite AV media notes
1338:"Hellraiser (1987)"
1136:The Scarlet Gospels
1086:in October 2022. A
942:The Washington Post
875:The Daily Telegraph
581:During production,
545:The Hellbound Heart
497:The Scarlet Gospels
491:The Hellbound Heart
459:Chattering Cenobite
305:and financing from
258:The Hellbound Heart
78:The Hellbound Heart
3426:Films about incest
3106:Directed by others
3074:Directed by Barker
2835:The Damnation Game
2615:III: Hell on Earth
2511:TCM Movie Database
2383:Deadline Hollywood
2303:. 18 February 2019
1975:The New York Times
1583:. 24 October 2014.
1023:
1001:Sequels and remake
936:The New York Times
787:In North America,
742:later released as
727:Invaders from Mars
549:New World Pictures
472:as Female Cenobite
402:another customer.
352:, Frank Cotton, a
307:New World Pictures
247:is a 1987 British
3326:1987 horror films
3303:
3302:
3261:
3260:
3203:Masters of Horror
3096:Lord of Illusions
3060:
3059:
2970:Absolute Midnight
2781:
2780:
2247:. 16 October 2007
2212:Bloody-Disgusting
1605:. 1987. FILM 021.
1599:Christopher Young
966:review aggregator
861:Critical response
814:In October 2015,
712:Christopher Young
704:
703:
657:Christopher Young
506:, and the eleven
265:that summons the
240:
239:
145:Christopher Young
3463:
3421:Hellraiser films
3071:
2917:Books of the Art
2891:Coldheart Canyon
2827:
2808:
2801:
2794:
2785:
2771:
2770:
2741:Related articles
2582:Hellbound Hearts
2540:
2533:
2526:
2517:
2449:
2424:
2395:
2394:
2392:
2390:
2373:
2367:
2366:
2364:
2362:
2345:
2339:
2338:
2336:
2334:
2319:
2313:
2312:
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2308:
2293:
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2282:
2263:
2257:
2256:
2254:
2252:
2235:
2229:
2223:
2217:
2216:
2203:
2197:
2196:
2185:
2176:
2175:
2173:
2171:
2166:on 24 April 2014
2162:. Archived from
2149:
2143:
2142:
2140:
2138:
2122:
2116:
2115:
2113:
2111:
2087:
2081:
2080:
2075:
2073:
2071:
2047:
2041:
2040:
2038:
2036:
2022:
2016:
2015:
2013:
2011:
1994:
1988:
1987:
1985:
1983:
1966:
1960:
1959:
1957:
1955:
1939:
1933:
1927:
1914:
1913:
1907:
1899:
1893:
1892:
1890:
1888:
1879:. Archived from
1873:
1867:
1866:
1865:. 21 March 2017.
1859:
1853:
1852:
1841:
1835:
1834:
1823:
1817:
1813:
1807:
1795:
1789:
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1777:
1759:
1753:
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1734:
1725:
1724:
1706:
1700:
1699:
1697:
1695:
1683:Binion, Cavett.
1680:
1674:
1673:
1671:
1669:
1658:
1652:
1651:
1649:
1647:
1630:
1621:
1620:
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1606:
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1470:
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1429:
1424:
1418:
1413:
1407:
1401:
1395:
1389:
1380:
1379:
1377:
1375:
1366:. Archived from
1359:
1353:
1352:
1350:
1348:
1342:www.allmovie.com
1336:Binion, Cavett.
1333:
1327:
1326:
1324:
1322:
1306:
1297:
1288:
1277:
1276:
1274:
1272:
1251:
1245:
1244:
1242:
1240:
1224:
1213:
1212:
1187:
1146:
1125:
1019:William Fichtner
1011:Gary Tunnicliffe
982:weighted average
888:writing for the
690:
689:
685:
674:
672:
643:
541:Christopher Figg
313:in autumn 1986.
303:Christopher Figg
190:
188:
91:Christopher Figg
47:
35:
3471:
3470:
3466:
3465:
3464:
3462:
3461:
3460:
3306:
3305:
3304:
3299:
3257:
3225:
3196:
3101:
3067:and video games
3066:
3056:
3035:Hokum & Hex
3010:
2991:(short stories)
2975:
2939:
2910:
2818:
2812:
2782:
2777:
2759:
2736:
2712:
2677:
2587:
2555:
2544:
2500:Box Office Mojo
2478:Rotten Tomatoes
2457:
2452:
2446:
2427:
2421:
2408:
2404:
2399:
2398:
2388:
2386:
2375:
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2265:
2264:
2260:
2250:
2248:
2237:
2236:
2232:
2224:
2220:
2205:
2204:
2200:
2187:
2186:
2179:
2169:
2167:
2151:
2150:
2146:
2136:
2134:
2124:
2123:
2119:
2109:
2107:
2089:
2088:
2084:
2069:
2067:
2060:Rotten Tomatoes
2049:
2048:
2044:
2034:
2032:
2024:
2023:
2019:
2009:
2007:
1996:
1995:
1991:
1981:
1979:
1968:
1967:
1963:
1953:
1951:
1948:Time Out London
1941:
1940:
1936:
1928:
1917:
1905:
1901:
1900:
1896:
1886:
1884:
1875:
1874:
1870:
1861:
1860:
1856:
1843:
1842:
1838:
1825:
1824:
1820:
1814:
1810:
1805:Wayback Machine
1796:
1792:
1785:
1781:
1761:
1760:
1756:
1736:
1735:
1728:
1708:
1707:
1703:
1693:
1691:
1682:
1681:
1677:
1667:
1665:
1660:
1659:
1655:
1645:
1643:
1632:
1631:
1624:
1607:
1597:(Media notes).
1593:
1592:
1588:
1575:
1574:
1567:
1560:
1556:
1549:
1545:
1535:
1533:
1520:
1519:
1515:
1507:
1492:
1484:
1473:
1463:
1461:
1450:
1449:
1432:
1425:
1421:
1414:
1410:
1402:
1398:
1390:
1383:
1373:
1371:
1370:on 14 July 2018
1362:Collis, Clark.
1361:
1360:
1356:
1346:
1344:
1335:
1334:
1330:
1320:
1318:
1315:Box Office Mojo
1308:
1307:
1300:
1289:
1280:
1270:
1268:
1253:
1252:
1248:
1238:
1236:
1226:
1225:
1216:
1189:
1188:
1165:
1160:
1155:
1150:
1149:
1126:
1122:
1117:
1100:
1056:Patrick Lussier
1033:
1025:Main articles:
1009:Concept art by
1003:
980:, which uses a
970:Rotten Tomatoes
868:Time Out London
863:
852:
785:
754:
687:
683:
682:
670:
668:
659:
641:
607:
536:
519:sadomasochistic
486:
481:
436:as Frank Cotton
430:as Larry Cotton
428:Andrew Robinson
419:Ashley Laurence
415:as Julia Cotton
408:
346:
283:Ashley Laurence
275:Andrew Robinson
271:sadomasochistic
201:
194:
186:
184:
177:
160:
155:
153:
118:
114:Ashley Laurence
104:Andrew Robinson
82:by Clive Barker
81:
50:
31:
17:
12:
11:
5:
3469:
3467:
3459:
3458:
3453:
3448:
3443:
3438:
3433:
3428:
3423:
3418:
3413:
3408:
3403:
3398:
3393:
3388:
3383:
3378:
3376:Demons in film
3373:
3371:Censored films
3368:
3363:
3358:
3353:
3348:
3343:
3338:
3333:
3328:
3323:
3318:
3308:
3307:
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3256:
3255:
3248:
3241:
3233:
3231:
3227:
3226:
3224:
3223:
3216:
3213:Haeckel's Tale
3208:
3206:
3198:
3197:
3195:
3194:
3191:Books of Blood
3187:
3180:
3173:
3166:
3159:
3152:
3145:
3138:
3131:
3124:
3117:
3109:
3107:
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3085:
3077:
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3058:
3057:
3055:
3054:
3053:
3052:
3045:
3038:
3031:
3018:
3016:
3012:
3011:
3009:
3008:
3000:
2992:
2988:Books of Blood
2983:
2981:
2977:
2976:
2974:
2973:
2966:
2959:
2951:
2949:
2941:
2940:
2938:
2937:
2930:
2922:
2920:
2912:
2911:
2909:
2908:
2901:
2898:Mister B. Gone
2894:
2887:
2880:
2873:
2866:
2859:
2852:
2845:
2838:
2830:
2824:
2820:
2819:
2813:
2811:
2810:
2803:
2796:
2788:
2779:
2778:
2776:
2775:
2764:
2761:
2760:
2758:
2757:
2752:
2744:
2742:
2738:
2737:
2735:
2734:
2732:(failed pitch)
2726:
2720:
2718:
2714:
2713:
2711:
2710:
2705:
2704:
2703:
2698:
2687:
2685:
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2653:
2646:
2639:
2632:
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2618:
2611:
2604:
2595:
2593:
2589:
2588:
2586:
2585:
2578:
2571:
2563:
2561:
2557:
2556:
2545:
2543:
2542:
2535:
2528:
2520:
2514:
2513:
2502:
2491:
2480:
2469:
2456:
2455:External links
2453:
2451:
2450:
2444:
2425:
2420:978-1476600697
2419:
2405:
2403:
2400:
2397:
2396:
2368:
2340:
2314:
2288:
2258:
2230:
2228:, May 15, 1997
2218:
2215:. 31 May 2017.
2198:
2177:
2144:
2117:
2082:
2065:Fandango Media
2042:
2017:
1989:
1961:
1934:
1915:
1894:
1868:
1854:
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1818:
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1471:
1430:
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1408:
1396:
1392:McWilliam 2016
1381:
1354:
1328:
1298:
1278:
1267:. 19 June 1987
1246:
1214:
1162:
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1106:
1099:
1096:
1076:David Bruckner
1002:
999:
862:
859:
851:
848:
784:
781:
753:
750:
733:The score for
702:
701:
698:
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691:
680:
676:
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665:
661:
660:
655:
648:
647:
640:
637:
606:
603:
592:reverse motion
535:
532:
494:, the sequels
485:
482:
480:
479:
473:
467:
461:
455:Nicholas Vince
452:
443:
437:
431:
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416:
409:
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404:
345:
342:
238:
237:
236:$ 14.6 million
234:
230:
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214:
213:
212:United Kingdom
210:
206:
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172:
171:
166:
165:Distributed by
162:
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136:Richard Marden
134:
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123:Cinematography
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3346:BDSM in films
3344:
3342:
3339:
3337:
3334:
3332:
3329:
3327:
3324:
3322:
3319:
3317:
3314:
3313:
3311:
3296:
3295:Harry D'Amour
3293:
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3288:
3286:
3285:Kirsty Cotton
3283:
3279:
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3271:
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3199:
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3181:
3179:
3178:
3177:Book of Blood
3174:
3172:
3171:
3167:
3165:
3164:
3160:
3158:
3157:
3153:
3151:
3150:
3149:A-Z of Horror
3146:
3144:
3143:
3139:
3137:
3136:
3132:
3130:
3129:
3125:
3123:
3122:
3118:
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3111:
3110:
3108:
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3098:
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2708:Kirsty Cotton
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2608:II: Hellbound
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2458:
2454:
2447:
2445:9781317044260
2441:
2437:
2433:
2432:
2426:
2422:
2416:
2413:. McFarland.
2412:
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2385:
2384:
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2356:
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2240:
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2208:
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2199:
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450:Lead Cenobite
447:
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423:Kirsty Cotton
420:
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413:Clare Higgins
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2547:Clive Barker
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2402:Bibliography
2387:. Retrieved
2381:
2371:
2359:. Retrieved
2353:
2343:
2331:. Retrieved
2329:. 6 May 2019
2326:
2317:
2305:. Retrieved
2300:
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2279:. Retrieved
2275:
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2251:11 September
2249:. Retrieved
2242:
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2201:
2192:
2168:. Retrieved
2164:the original
2157:
2147:
2135:. Retrieved
2129:
2120:
2105:Fandom, Inc.
2098:
2092:
2085:
2068:. Retrieved
2058:
2052:
2045:
2033:. Retrieved
2030:"Hellraiser"
2026:Ebert, Roger
2020:
2008:. Retrieved
2002:
1992:
1980:. Retrieved
1973:
1964:
1952:. Retrieved
1946:
1943:"Hellraiser"
1937:
1909:
1897:
1885:. Retrieved
1881:the original
1871:
1857:
1848:
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1830:
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1765:Toronto Star
1763:
1757:
1740:Toronto Star
1738:
1712:Toronto Star
1710:
1704:
1692:. Retrieved
1685:"Hellraiser"
1678:
1668:September 8,
1666:. Retrieved
1656:
1644:. Retrieved
1638:
1603:Silva Screen
1594:
1589:
1580:
1557:
1546:
1534:. Retrieved
1525:
1516:
1462:. Retrieved
1458:The Guardian
1456:
1422:
1411:
1399:
1372:. Retrieved
1368:the original
1357:
1345:. Retrieved
1341:
1331:
1319:. Retrieved
1313:
1310:"Hellraiser"
1291:
1269:. Retrieved
1262:
1256:
1249:
1237:. Retrieved
1231:
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446:Doug Bradley
434:Sean Chapman
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332:nine sequels
329:
316:
315:
295:
287:Doug Bradley
256:
253:Clive Barker
243:
242:
241:
200:Running time
176:Release date
159:Film Futures
76:
68:Clive Barker
59:Clive Barker
32:
21:
3230:Video games
3121:Rawhead Rex
3015:Comic books
2980:Collections
2657:Revelations
2301:CINEMABLEND
1347:1 September
1203:: 276–277.
1191:Newman, Kim
1052:Todd Farmer
948:Roger Ebert
816:Arrow Films
722:Tobe Hooper
599:Tony Randel
228:$ 1 million
87:Produced by
55:Directed by
24:(franchise)
3316:1987 films
3310:Categories
3163:The Plague
3114:Underworld
3089:Nightbreed
3082:Hellraiser
2849:Weaveworld
2823:Literature
2683:Characters
2671:Hellraiser
2636:Hellseeker
2600:Hellraiser
2560:Literature
2552:Hellraiser
2506:Hellraiser
2495:Hellraiser
2484:Hellraiser
2473:Hellraiser
2462:Hellraiser
2389:6 November
2333:11 October
2307:11 October
2270:Hellraiser
2108:Retrieved
2100:Metacritic
2093:Hellraiser
2053:Hellraiser
1595:Hellraiser
1536:31 January
1464:30 October
1292:Hellraiser
1257:HELLRAISER
1153:References
1088:Hellraiser
1072:Hellraiser
1044:Hellraiser
1039:would be.
1036:Hellraiser
1015:Hellraiser
995:Hellraiser
978:Metacritic
974:Hellraiser
959:Hellraiser
915:Hellraiser
886:Kim Newman
855:Hellraiser
836:Hellraiser
789:Hellraiser
783:Home media
776:Hellraiser
767:Hellraiser
757:Hellraiser
735:Hellraiser
652:Film score
646:Hellraiser
639:Soundtrack
605:Censorship
571:Hellraiser
555:Hellraiser
534:Production
509:Hellraiser
358:puzzle box
337:Hellraiser
317:Hellraiser
299:playwright
263:puzzle box
244:Hellraiser
233:Box office
204:93 minutes
187:1987-09-10
152:Production
38:Hellraiser
22:Hellraiser
3273:Cenobites
3065:Films, TV
3042:Hyperkind
3022:Razorline
2934:Everville
2877:Sacrament
2814:Works by
2701:Chatterer
2691:Cenobites
2650:Hellworld
2622:Bloodline
2436:Routledge
2361:7 October
2110:2 October
2070:1 October
2035:3 October
2010:3 October
1982:3 October
1954:4 October
1930:Kane 2015
1887:31 August
1831:Amazon UK
1774:0319-0781
1749:0319-0781
1721:0319-0781
1694:4 October
1646:4 October
1509:Kane 2015
1486:Kane 2015
1404:Kane 2015
1239:3 October
1209:0027-0407
1158:Citations
1067:Halloween
903:Evil Dead
850:Reception
840:Steelbook
567:Hellbound
524:Hellbound
484:Cenobites
370:Cenobites
356:, buys a
267:Cenobites
133:Edited by
3290:Candyman
3135:Candyman
3007:(essays)
2773:Category
2664:Judgment
2489:AllMovie
2355:Deadline
2281:6 August
2226:Loveline
2193:MovieWeb
2170:13 April
2159:Time Out
2137:13 April
2131:Time Out
1801:Archived
1689:AllMovie
1640:AllMusic
1530:Archived
1098:See also
990:Time Out
968:website
739:AllMusic
664:Released
654: by
634:obscene!
611:X rating
442:as Steve
384:Engineer
354:hedonist
217:Language
141:Music by
97:Starring
73:Based on
3278:Pinhead
3028:Ectokid
2884:Galilee
2863:Imajica
2696:Pinhead
2629:Inferno
2509:at the
2244:Variety
1581:Gizmodo
1271:31 July
1233:Variety
1199:(644).
1145:(2018).
964:On the
954:Variety
822:II and
808:Blu-ray
771:Ontario
752:Release
669: (
618:Samhain
350:Morocco
289:as the
220:English
209:Country
185: (
154:company
2956:Abarat
2674:(2022)
2643:Deader
2603:(1987)
2442:
2417:
1849:Amazon
1772:
1747:
1719:
1374:6 June
1321:14 May
1207:
679:Length
392:demons
388:angels
380:Kirsty
311:London
285:, and
225:Budget
3184:Dread
2999:(art)
2856:Cabal
2717:Other
2592:Films
2276:/Film
1906:(PDF)
1259:(18)"
1115:Notes
921:House
724:film
696:Label
511:films
2724:Cast
2467:IMDb
2440:ISBN
2415:ISBN
2391:2021
2363:2021
2335:2019
2309:2019
2283:2023
2253:2017
2172:2014
2152:NF.
2139:2014
2112:2023
2072:2023
2037:2015
2012:2015
1984:2015
1956:2015
1889:2017
1770:ISSN
1745:ISSN
1717:ISSN
1696:2015
1670:2017
1648:2015
1617:link
1538:2021
1466:2017
1376:2016
1349:2019
1323:2011
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1241:2015
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1084:Hulu
1054:and
1029:and
708:Coil
671:1987
667:1987
515:Hell
500:and
406:Cast
390:and
344:Plot
2549:'s
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900:or
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