Knowledge (XXG)

Japanning

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168: 99: 217: 38: 235:, published in 1866, there were 2000 people employed in the japanning and tin-plate industries in Wolverhampton and Bilston at the time. Japanning firms ranged in size from small family workshops, which often adjoined the proprietor's home, to a few large factories employing over 250 people. In the larger workshops, the production of tin plate and papier-mâché articles and the japanning process all took place under one roof, while small workshops tended to carry out only one or two of the trades, usually tin-plate working and japanning. 205:. The popularity of japanning continued to be seen as a womanly pursuit until 1760, by which point it began to become a commercial trade in the UK. Today, japanning exists primarily as a conservation craft – it so extremely rare to make it for new items so it is taught from a conservation/restoration approach for example as part of the City & Guilds three-year Conservation course and Painter Stainers Decorative Surface Fellowship. 239: 2166: 2176: 2186: 167: 246:
the development of electroplating. In response, makers of japanned ware began to focus on more utilitarian items, including japanned cash boxes. Many turned to other trades, including enamelling, electroplating and the manufacture of copper and brass coal scuttles, fire screens and kettles. By the 1920s, the
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At the height of its popularity, richly decorated japanned ware was to be seen in every middle-class home, but from the mid-19th century, this began to change. By the 1880s, the japanning and tin-plate industries were in decline. This was due partly to changes in fashion and taste and partly due to
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As the demand for all things japanned grew, the Italian technique for imitating Asian lacquerwork also spread. The art of japanning developed in seventeenth-century Britain, France, Italy, and the Low Countries. The technique was described in design and pattern manuals such as Stalker and Parker's
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Originating in India, China and Japan as a decorative coating for pottery, authentic East Asian lacquered ware made its way into Europe by the 17th century. In the late 17th century, high European demand (along with rumors that East Asian manufacturers reserved their higher-quality work for their
116:, published in Oxford in 1688. Colonial Boston was a major center of the japanning trade in America, where at least a dozen cabinetmakers included it among their specialties. In England, decoupage, the art of applying paper cutouts to other items, became very popular, especially the 163:
as a feminine pastime. These mock lacquerware techniques were often suggested to be applied to textiles, and by the 18th century are found on cabinets, tea-trays, powderboxes, drawers, and large flat English household furniture in the manors and houses of the landed gentry.
250:' decorative japanned ware industry had largely died out. Many firms began to supply japanned metal to the newly established bicycle and motor vehicle industries, and some even made their own bicycles. The most successful of these was 231:
were important centres for the manufacture of japanned ware. Trade directories for 1818 list 20 firms of japanners in Wolverhampton and 15 in Bilston. According to Samuel Timmins' book
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A large amount of early amateur japanning can be attributed to the rise of the artform as a suitable pastime for young ladies between the late 17th and 18th century.
159:(1766) were all aimed at a female audience, and some of which were also written by female authors. Certainly by 1710, "japanning" was regarded by many including 83:. Black is common and japanning is often assumed to be synonymous with black japanning. The European technique uses varnishes that have a resin base, similar to 189:
in the UK. Popular motifs included landscapes containing 'woods, cottages, rivers, trees, hills, sun, moon stars'. Other popular adopters included the wife of
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Ironware was japanned black, for decorative reasons. It was also used to render it rustproof, suitable for carrying water. A significant industry developed at
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Women and Things, 1750-1950: Gendered Material Strategies, Maureen Daly Goggin, Beth Fowkes Tobin, 2017 / No.5 ; Womens Crafts, Ariane Fennetaux, 2017
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Study and Practise the Noble and Commendable Art of Drawing, Colouring and Japanning ... with Plain and Easy Rules for the Ladies Japanning
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is noted as one of these early adopters of the craft which was subsequently taught in London, but a number of pattern books such as
87:, applied in heat-dried layers which are then polished, to give a smooth glossy finish. It can also come in reds, greens and blues. 2039: 472:
Eerdmans, Emily (2006). "The International Court Style: William & Mary and Queen Anne, 1689–1714: The Call of the Orient".
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It is distinct from true East Asian lacquer, which is made by coating objects with a preparation based on the dried sap of the
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Objects, Audiences, and Literatures: Alternative Narratives in the History of design, David Raizman, Carma Gorman, 2009, p16
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The Art of Japanning: Varnishing, Pollishing, and Gilding ... Published at the Request of Several Ladies of Distinction
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Robert Stroud & Co's Niphon (Japan) Works, c. 1865. Lower Villiers Street, Blakenhall Wolverhampton
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Classic English Design and Antiques: Period Styles and Furniture: The Hyde Park Antiques Collection
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these conflated forms went so far from the source material, they can said to be an early form of
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The London Experience of Secondary Education, Margaret E. Bryant, 1986, p75, Athlone Press
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Georgian japanned tin tea tray—severely worn—black lacquer and gilt made in Birmingham, UK
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in 1732. One of her 'japanned cabinets' was bought and displayed in the Blue bedroom by
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Masters and Men in the West Midlands metalware trades before the industrial revolution
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domestic markets) led to the production of imitation pieces starting in
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made before the mid-1930s. Later, it was used as an insulating film on
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Art's Master-piece. OR, A Companion for the Ingenious of either Sex
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The technique was also developed to protect metal objects such as
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http://www.wolverhamptonhistory.org.uk/work/industry/japanning
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Japanning is most often a heavy black "lacquer", almost like
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Tides in English Taste 1619-1800, Beverly Allan, 1958, p.206
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forms derived from travellers accounts and artwork from the
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The Ladies Amusement or, Whole Art of Japanning Made Easy
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The history of Wolverhampton, the city and its people
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Type of European lacquerwork imitating Japanese urushi
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International Federation of Building and Wood Workers
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The Lady's Delight, or Accomplished Female Instructor
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Vol. 15 (11th ed.). 1911. 7: 2185: 114:Treatise of Japanning and Varnishing 2175: 2035:American Association of Woodturners 25: 2065:National Wood Carvers Association 2184: 2174: 2165: 2164: 2040:Architectural Woodwork Institute 30:For lacquerwork from Japan, see 153:The Young Ladies School of Arts 151:(1758, 1762 & 1771), & 2045:British Woodworking Federation 1: 2226:Japan in non-Japanese culture 2055:Caricature Carvers of America 404:, 2019, Chapter 3, Education 258:and their factory was named 2262: 269: 73:Toxicodendron vernicifluum 29: 2246:Wood finishing techniques 2160: 2070:Society of Wood Engravers 1249: 212:Wolverhampton and Bilston 453:Rowlands, M. B. (1975). 139:by Mrs. Artlove (1730), 506:Encyclopædia Britannica 381:(42): 669. 11 Mar 1920. 318:transformer laminations 59:. 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planes 286:South Wales 260:Sunbeamland 122:Mary Delany 118:botanically 57:lacquerwork 2205:Categories 2135:Techniques 2084:Conversion 2014:Wood stain 1942:Treatments 1730:Birdsmouth 1696:Spokeshave 1646:Jack plane 1636:Fore plane 1475:Pipe clamp 1440:Band clamp 1364:Carpenters 1185:Engineered 1135:Rubberwood 984:Eucalyptus 788:Calocedrus 701:Pyrography 666:Kohlrosing 361:References 54:East Asian 2236:Paper art 1924:Parquetry 1919:Oystering 1914:Marquetry 1755:Butterfly 1422:Workbench 1354:Sandpaper 1334:Mitre box 1279:Drawknife 1269:Burnisher 1254:Abrasives 1203:Hardboard 864:Afromosia 746:Whittling 696:Parquetry 681:Marquetry 626:Certosina 621:Carpentry 611:Cabinetry 558:Overviews 514:Japanning 354:Decoupage 278:Pontypool 177:grotesque 61:furniture 46:Japanning 2170:Category 1949:Adhesive 1929:Purfling 1909:Intarsia 1850:Profiles 1775:Dovetail 1714:Geometry 1553:Hand saw 1538:Crosscut 1523:Circular 1518:Chainsaw 1465:Holdfast 1130:Rosewood 1062:American 1057:Mahogany 1029:Jelutong 999:Hornbeam 964:Cocobolo 959:Chestnut 874:Andiroba 686:Millwork 651:Intarsia 646:Fretwork 641:ÉbĂ©niste 570:Glossary 328:See also 147:(1751), 143:(1741), 135:(1697), 65:toleware 50:European 18:Japanned 2190:Commons 2106:Whipsaw 2101:Sawmill 1994:Varnish 1989:Thermal 1964:Lacquer 1899:Binding 1868:Chamfer 1735:Biscuit 1701:Surform 1593:Whipsaw 1563:Keyhole 1548:Fretsaw 1528:Compass 1513:Bucksaw 1503:Bandsaw 1498:Backsaw 1480:Sawbuck 1450:F-clamp 1445:C-clamp 1319:Jointer 1223:Plywood 1175:Zebrano 1115:Ovankol 1080:Meranti 1068:African 1039:Linden 994:Hickory 949:Cedrela 944:Camphor 939:Bubinga 934:Boxwood 914:Bilinga 899:Avodire 816:Juniper 801:Cypress 676:Luthier 565:History 322:tintype 290:Bilston 256:Sunbeam 229:Bilston 201:in his 193:, Lady 85:shellac 2241:Resins 2096:Hewing 1835:Splice 1790:Halved 1785:Groove 1780:Finger 1760:Coping 1745:Bridle 1722:Joints 1603:Planes 1588:Veneer 1578:Scroll 1573:Ripsaw 1558:Jigsaw 1533:Coping 1432:Clamps 1359:Square 1349:Shaper 1344:Router 1324:Mallet 1299:Gimlet 1274:Chisel 1170:Willow 1160:Walnut 1150:Totara 1140:Sapele 1105:Poplar 1090:Padauk 1052:Merbau 1024:Jarrah 1009:Imbuia 1004:Idigbo 969:Cumaru 954:Cherry 879:Anigre 841:Spruce 794:Cedrus 661:Khatam 616:Caning 579:lumber 480:  182:Indies 1974:Paint 1883:Ovolo 1878:Ogive 1863:Bevel 1830:Scarf 1815:Miter 1583:Table 1568:Miter 1543:Frame 1460:Gripe 1376:Speed 1372:Miter 1304:Gauge 1294:Float 1289:Fence 1284:Drill 1242:Tools 1165:Wenge 1155:Utile 1120:Ramin 1075:Maple 1047:Lovoa 1019:Iroko 989:Hazel 974:Ebony 919:Birch 909:Beech 904:Balsa 894:Aspen 889:Apple 869:Alder 826:Kauri 821:Larch 783:Cedar 766:Woods 741:Treen 347:Raden 93:Italy 1873:Ogee 1858:Bead 1800:Knee 1770:Dado 1750:Butt 1490:Saws 1402:Vise 1339:Rasp 1264:Adze 1145:Teak 1100:Plum 1095:Pear 856:Hard 836:Rimu 831:Pine 775:Soft 575:Wood 478:ISBN 280:and 227:and 1999:Wax 1969:Oil 1805:Lap 1740:Box 1508:Bow 1380:Try 1259:Axe 1213:OSB 1208:MDF 1085:Oak 1014:IpĂŞ 979:Elm 884:Ash 846:Yew 811:Fir 292:in 284:in 282:Usk 155:by 2207:: 1378:, 1374:, 1370:, 1366:, 1065:, 791:, 503:. 377:. 308:, 262:. 124:. 67:. 1383:) 1361:( 1071:) 1059:( 797:) 785:( 581:) 577:( 543:e 536:t 529:v 486:. 34:. 20:)

Index

Japanned
Japanese lacquerware

European
East Asian
lacquerwork
furniture
toleware
Toxicodendron vernicifluum
enamel paint
shellac
Italy
A pocket watch with an intricate Asian-themed design painted on it
botanically
Mary Delany
Molly Verney
Hannah Robertson
Alexander Pope

grotesque
Indies
Japonaiserie
Robert Walpole
Catherine Walpole
Horace Walpole
Strawberry Hill House

Wolverhampton
Bilston

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