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confirmed by a police officer. The policeman asks Michel what his oldest memory is – in fact, a toy duck. As he has such a good memory the townsfolk he is elected to be town captain, and the officer departs to prepare for his inauguration. As Michel (with just piano accompaniment) tells some townspeople of how he came to fall in love with the voice of the unknown girl, the voice of
Juliette is heard and after her song she asks him to meet her later in the woods. The policeman returns as a postman with no recollection of his meeting with Michel.
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his ninth opera, allows him to weave the spoken words as an integral part of the impact of the opera, "distancing the audience from the often dreamlike quality of the musical fabric". A snatch of melody on an off-stage accordion, and a melodic fragment which symbolizes longing are introduced at key moments in the score. Smaczny comments that "suggestion is everything in this score, and Martinů is astonishingly successful at stimulating the imagination often with breathtaking economy".
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selling wares in which
Juliette sees her past with Michel. She runs into the woods and Michel fires a shot at which the townspeople rush in to arrest him. He diverts them by telling them stories and they forget their intention to execute him and wander away. Back in the town square Michel locates Juliette's house, but an old woman says that she lives alone. He hears Juliette's song again, but decides to embark on a ship and leave.
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At a crossroads in the woods near a fountain, various people enter, all showing a lack of memory, including a fortune teller who forewarns Michel of something. When
Juliette arrives she conjures a world of romantic fantasy and asks him to tell her of their (non-existent) past love. A peddlar comes by
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clock tower offers a sequence of "sharply painted tableaux" with a "carnival of caricatures", both comic and poignant. For the singers, there is the factor that significant sections of the piece are dialogue rather than singing, although Martinů's experience in a variety of theatre works before this,
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At the
Central Bureau of Dreams several dreamers (the messenger, the beggar, the convict, the railway engineer) come to ask for their fantasy dream. Michel is warned that if he returns to his dream and does not wake up, he will be imprisoned in the dream-world forever. Ready to leave his dream, he
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conducting, a few months before Martinů made his last visit to his country of birth. From Paris he wrote to Talich expressing his deep thanks to the conductor for his "understanding" which "showed all who worked with you the right path". Neveux had also been present at the premiere, adjudging the
266:
interrupted his work, and his own labours on this composition continued until his death in 1959. The score was lost after Martinů's death, until 2002, when Aleš Březina discovered the piano reduction of the score among a private collection of papers. After Březina returned to Prague to have this
625:
Michel, a traveling bookseller from Paris, finds himself in a seaside town in search of a girl whose voice has haunted him since first hearing it three years before. From the following scenes with various townspeople, it emerges that none of them can remember more than a few minutes, which is
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Martinů's setting of his libretto is primarily lyrical although there are no extended solo arias. The "extended diatonicism" of the composer's mature works features along with "motoric rhythms found in his Double
Concerto of 1938, especially where the plot moves rapidly forward.
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to base a musical comedy on his play, but on hearing some of Martinů's music, passed his favour to the Czech. The initial work on the opera was undertaken to French words, but a Czech version was set between May 1936 and
January 1937.
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hears
Juliette's voice calling him and despite the nightwatchman's warning declares that he will stay with her. The setting and townsfolk from the start of the opera returns, and Michel remains in the dream-world.
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on "Martinů's beautiful score" and on his "lyrical, atmospheric music". Hindle and Godsil have published a psychoanalytical study of the opera and analysed the work in the context of Martinů's life.
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The opera was revived at the Prague
National Theatre on 16 March 2018, the 80th anniversary of its premiere. This was accompanied by a month-long exhibition to mark the occasion.
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Jan
Smaczny observes that the ability of the composer to characterize, honed as an observer of small-town life when a child living in the
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adapted into a full orchestral score, the Czech publishing firm DILIA revealed that a full score already existed in their archives. Sir
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Subsequently, the opera has only been intermittently performed at that house; new productions were mounted in 1963 and 1989, and an
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By the time of its premiere Martinů had written eight operas in a variety of styles. The work received its first performance at
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in Paris in 2002 was revived by
English National Opera in September/October 2012 to enthusiastic reviews overall.
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There are two principal roles: Juliette (soprano) and Michel (tenor). James Helmes Sutcliffe remarked in
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Mihule, Jaroslav. Bohuslav Martinů. Státní hudební vydavatelství (Editio Supraphon), Praha, 1966, p. 36.
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production was seen three times in 2000; in March 2016 a new production was premiered at the theatre.
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in Paris (8th arrondissement) on 7 March 1930. It appears that Neveux had come to an agreement with
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The opera was one of the composer's favourite works, and he incorporated a few bars from it in his
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by a visiting Slovak company in 1990, the next UK production was by Opera North in 1997, with
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received eight performances in 1992. In France, a radio broadcast in 1962 was conducted by
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Martinů became aware of the play by Neveux in 1932, two years after its premiere at the
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983:"The song of the siren: Some thoughts on idealization and creativity in Martinů's
55:. A libretto in Czech was later prepared for its premiere which took place at the
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1067:"Operou Juliette vstúpilo Národné divadlo Praha na webovú platformu OperaVision"
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Martinů began to prepare a concert work from the opera, "Three Fragments from
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staged a new production opening on 29 March 2014 under the direction of
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Oehms Classics (2014 live, Frankfurt): Juanita Lascarro (Julietta),
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Double Concerto for Two String Orchestras, Piano, and Timpani
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premiered a new production on 28 May 2016 at its temporary
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conducted the world premiere of the "Three Fragments from
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The UK premiere was given in April 1978 in London by the
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in the following season. There was a production by the
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has become widely considered as Martinů's masterpiece.
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Orchestra and Chorus of the Prague National Theatre
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1128:) at the Prague National Theatre web archive site
706:(Michel), Vienna Symphony Orchestra conducted by
874:, December 1997, vol. 48, no. 12, pp. 1487–1490.
800:A letter from Martinů. Quoted in translation in
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429:Marie Budíková, Anna Kejřová, Anna Petridesová
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195:with Joseph Kaiser as Michel in 2015 and the
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103:setting better than his prose original.
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1094:"A historic start for the Martinů year"
813:Crichton, Ronald, "First Performances:
771:. Macmillan, London and New York, 1997.
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716:(Michel), Frankfurt Opera conducted by
1353:The Frescoes of Piero della Francesca
117:in January 1956. A production by the
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981:Debbie Hindle; Susie Godsil (2006).
849:Guildhall School of Music and Drama
739:Allison, John. Report from Prague.
158:Guildhall School of Music and Drama
1157:, New York: Penguin Putnam, 2001.
689:, conductor, with Antonín Zlesák,
14:
1507:Bohuslav Martinů Complete Edition
1092:Frank Kuznik (11 December 2008).
943:Jan Smaczny. "A key to Martinů's
768:The New Grove Dictionary of Opera
297:Roles, voice types, premiere cast
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373:Woman selling birds and poultry
172:and Paul Nilon. A production by
49:Juliette, or The Key of Dreams)
43:, in French, based on the play
45:Juliette, ou La clé des songes
1:
785:Juliette ou la Clé des songes
148:in an English translation by
1046:Juliette (The Key to Dreams)
970:Metropolitan Opera's website
791:. Fayard, 2003, pp. 839–841.
311:Premiere cast, 16 March 1938
277:Czech Philharmonic Orchestra
191:mounted a new production at
1155:The New Penguin Opera Guide
1005:10.1516/BB2H-BQXY-GEWW-88YW
896:, London, 18 September 2012
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1574:Operas by Bohuslav Martinů
1073:(in Slovak). 13 March 2018
1056:. Retrieved 16 March 2018.
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870:by Opera North in Leeds.
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21:Julietta (disambiguation)
16:Opera by Bohuslav Martinů
1512:Music of the Czech Lands
1456:The Opening of the Wells
922:www.staatsoper-berlin.de
866:Loppert, Max. Review of
804:programme booklet, 1979.
395:The man with the helmet
291:Ota Horáková as Juliette
121:in Germany conducted by
1120:Details of premiere of
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787:. In: Kaminski, Piotr.
656:(1962, live in Paris):
482:The seller of memories
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57:Prague National Theatre
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802:English National Opera
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1375:Violin Concerto No. 2
1137:accessed 26 May 2016.
585:The railway engineer
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187:. Andreas Homoki and
160:in 1987 conducted by
94:on 16 March 1938 (as
51:by the French author
39:, who also wrote the
1474:Homage to Paderewski
1396:String Quartet No. 1
1223:Comedy on the Bridge
1208:List of compositions
890:by Andrew Clements,
19:For other uses, see
1298:La Revue de cuisine
700:Eva-Maria Westbroek
384:Woman selling fish
355:Štěpánka Štěpánová
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73:Théâtre de l'Avenue
67:Performance history
1422:Three Czech Dances
1133:2016-07-01 at the
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783:Bohuslav Martinů:
687:Jaroslav Krombholc
596:The nightwatchman
434:Grandfather Youth
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279:in December 2008.
166:Edinburgh Festival
96:Julietta aneb Snář
59:on 16 March 1938.
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1279:The Greek Passion
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525:Božena Kozlíková
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146:Charles Mackerras
138:New Opera Company
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551:
550:
546:
543:
540:
539:
536:Karel Hruška
535:
532:
529:
528:
524:
521:
519:The old lady
518:
517:
513:
510:
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506:
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497:
494:
493:
489:
487:
486:bass-baritone
484:
481:
480:
477:
474:
471:
468:
467:
464:Marie Veselá
463:
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390:Marie Pixová
389:
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351:mezzo-soprano
349:
346:
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341:
339:
336:
333:
332:
329:Ota Horáková
328:
326:
323:
320:
319:
316:
315:Václav Talich
310:
308:
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301:
289:
282:
280:
278:
274:
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261:
253:
251:
248:
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236:last symphony
232:
229:
224:
220:
218:
214:
210:
206:
202:
198:
194:
190:
186:
182:
177:
175:
174:Richard Jones
171:
170:Rebecca Caine
167:
163:
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147:
143:
139:
134:
132:
128:
127:Charles Bruck
124:
120:
116:
111:
109:
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100:Václav Talich
97:
93:
88:
85:
79:
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66:
64:
62:
58:
54:
50:
46:
42:
38:
34:
30:
29:
22:
1472:
1454:
1447:
1427:Piano Sonata
1401:Flute Sonata
1351:
1303:
1296:
1277:
1269:
1261:
1255:The Marriage
1253:
1245:
1238:
1237:
1229:
1221:
1154:
1125:
1121:
1115:
1103:. Retrieved
1097:
1087:
1075:. Retrieved
1070:
1061:
1045:
1036:
1024:. Retrieved
996:
990:
984:
976:
965:
956:
948:
944:
926:the original
921:
912:
901:
893:The Guardian
891:
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867:
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844:
832:
824:
823:(New Ser.),
818:
814:
809:
796:
788:
784:
766:
762:
740:
702:(Julietta),
691:Zdeněk Otava
677:(Julietta),
660:(Julietta),
642:
633:
624:
607:
602:Hanuš Thein
591:Josef Vojta
574:The convict
514:Josef Vojta
456:Grandmother
445:Grandfather
417:Karel Hruška
404:Zdeněk Otava
272:
264:World War II
259:
257:
249:
242:
240:
233:
225:
221:
207:conducting,
178:
135:
112:
105:
95:
89:
70:
60:
48:
44:
27:
26:
25:
1594:1938 operas
1436:Vocal music
1415:Piano music
1363:Concertante
1263:Mirandolina
1026:29 November
851:. Reviews.
714:Kurt Streit
563:The beggar
347:Small Arab
313:Conductor:
275:" with the
219:as Michel.
211:directing,
203:home, with
189:Fabio Luisi
150:Brian Large
108:Opera North
76: [
1568:Categories
1443:Field Mass
724:References
681:(Michel),
664:(Michel),
648:Recordings
472:contralto
307:Voice type
244:Opera News
209:Claus Guth
179:Germany's
84:Kurt Weill
679:Ivo Žídek
671:Supraphon
460:contralto
426:sopranos
360:Old Arab
321:Julietta
238:in 1953.
133:in 1970.
115:Wiesbaden
1533:Category
1305:Špalíček
1239:Julietta
1131:Archived
1122:Julietta
1050:Archived
1021:25956220
1013:16877253
985:Julietta
945:Julietta
886:Julietta
868:Julietta
845:Julietta
815:Julietta
763:Julietta
616:Synopsis
544:soprano
399:baritone
387:soprano
273:Juliette
260:Juliette
98:), with
61:Juliette
41:libretto
28:Juliette
1290:Ballets
1153:(Ed.),
1105:6 March
1077:29 July
765:". In:
334:Michel
325:soprano
228:Polička
140:at the
1599:Operas
1544:Portal
1282:(1961)
1274:(1961)
1271:Ariane
1266:(1959)
1258:(1953)
1250:(1953)
1242:(1938)
1234:(1937)
1226:(1937)
1215:Operas
1161:
1019:
1011:
588:tenor
555:tenor
533:tenor
511:tenor
413:tenor
131:Angers
31:is an
1558:Opera
1017:S2CID
949:Opera
872:Opera
854:Opera
820:Tempo
741:Opera
639:Act 3
630:Act 2
621:Act 1
599:bass
577:bass
498:bass
448:bass
437:bass
338:tenor
303:Role
283:Roles
80:]
33:opera
1159:ISBN
1126:Snář
1107:2009
1079:2024
1028:2007
1009:PMID
364:bass
1001:doi
947:".
825:125
696:ORF
35:by
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989:.
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1177:v
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1081:.
1030:.
1003::
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884:"
839:/
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