1890:). He exhorts the brethren to don white clothing and light candles, preparing for immolation. They enter the hermitage. Prince Andrey Khovansky enters, singing of his lost love, still seeking Emma. Marfa sings to him, reminding him of their own love, and assuring him that she will not leave him. Dosifey and the brethren return, dressed in white and carrying candles. They build a funeral pyre. Offstage trumpet calls herald the approach of Tsar Peter's soldiers. Marfa sings to Andrey of the hopelessness of their situation. The trumpet calls sound again. Dosifey exhorts the brethren to remain strong one last time. Marfa lights the pyre. The schismatics sing a final hymn (
1829:
threatening character, sings a haunting prayer for troubled Russia's protection from the
Streltsy (he refers to them as "mercenaries") and from the rebellious powers they obey. Hearing them coming he exits; some of the Streltsy enter and sing a drinking chorus followed by their wives who scold them about their drinking. The scribe arrives and informs them that Tsar Peter's troops have initiated an attack on Streltsy-Russian soldiers. The Streltsy call their leader, Prince Ivan Khovansky, who enters and begs their forgiveness for declining to lead them into retaliation; the new Tsar is very powerful, he explains, and their time of power is over.
1855:
immolate themselves. Prince Andrey
Khovansky enters and confronts Marfa about where she hid Emma, but Marfa tells him that she is safely on her way back to Germany, her father and fiancé. Prince Andrey Khovansky threatens that he will have her burnt as a witch and calls for the Streltsy with his horn but instead a menacing sound is heard. Marfa offers sanctuary to Prince Andrey Khovansky with the Old Believers after she tells him of his father's murder. The Streltsy are led to their execution. Tsar Peter, through an agent, intervenes to pardon them.
303:
1864:
1729:
55:
1804:
3693:
1701:. Fortunately for Czar Peter, these two factions despise each other, as the Streltsy are rowdy degenerates and the Old Believers are pious ascetics. Each of the three principal basses in the opera believes himself to represent the "true" Russia against her internal enemies: Prince Ivan Khovansky claims legitimacy by noble birth and military prowess, Dosifey by religion, and Shaklovity by supporting Czar Peter.
1017:
3703:
1050:
1786:
advance Russia, but is interrupted when Prince Ivan
Khovansky enters without being announced. (Ivan is ironically disrespecting Golitsin, who himself reformed the tradition of announcing noble visitors.) Prince Khovansky complains that Golitsin has been interfering with his friends in the nobility and diminishing the privileges of nobility, and states that only
1031:
219:, which resulted in Sofia becoming regent on behalf of her younger brother Ivan and half-brother Peter, who were crowned joint Tsars. In the fall of 1682 Prince Ivan Khovansky turned against Sofia. Supported by the Old Believers and the Streltsy, Khovansky – who supposedly wanted to install himself as the new regent – demanded the reversal of
3401:
1772:
interrupted by the arrival of
Dosifey, the leader of the Old Believers. Dosifey berates everyone for being so quarrelsome and un-Christian, and asks them all to join the Old Believers in reuniting Russia. Prince Ivan Khovansky leaves with Prince Andrey Khovansky. Marfa leaves with Emma. Dosifey, left alone, prays for the future of Russia.
1768:. After finishing the letter he warns the scribe not to repeat what he heard. The scribe, terrified by the prospect of being involved in a political intrigue, signs the letter with a false name. Prince Ivan Khovansky enters promising an adoring crowd that he will defend the "young Tsars" (Ivan V and Peter I). He and the crowd exit.
1842:
Prince Ivan
Khovansky is being entertained by the women in his retinue but they are interrupted by a servant of Golitsin (Varsonofyev) who has come to warn him that he is in danger. Prince Ivan Khovansky ignores the warning and has the messenger flogged. He orders his Persian slaves to dance for him.
796:
Based on an Old
Believer melody, and not finished by Mussorgsky (or lost). Rimsky-Korsakov uses this tune and reprises Preobrazhensky march. Shostakovich keeps Rimsky-Korsakov's chorus and adds a reprise of the Dawn. Stravinsky bases his chorus on Mussorgsky's designated melody, as well as two other
1854:
Prince
Golitsin is led into exile. Dosifey mourns the conspirators' downfall and the success of Tsar Peter and learns that the Imperial Council has decreed that the Old Believers are next. He discusses with Marfa that an everlasting example must be set by the Old Believers and agree that they shall
1898:
Regiment" that concludes act 4. The
Stravinsky version of the finale (1913) follows Mussorgsky's notes more closely in that the ending fades away. The Shostakovich version attempts to provide a musical conclusion of the opera by bringing back the theme of the sunrise from the Prelude to the opera.
907:
was unwilling to sing
Dosifei in any orchestration other than Rimsky-Korsakov's, the Parisians heard a hybrid version which proved unsuccessful, and this orchestration was forgotten. Only the finale, which was composed by Stravinsky, has survived and was published in 1914. It occasionally replaces
1897:
Mussorgsky's original vocal score remained unfinished. The final portion of the libretto must be reconstructed from
Mussorgsky's themes. The Rimsky-Korsakov edition (1883) adds to the final hymn figures representing flames, trumpet fanfares, and a final reprise of the "March of the Preobrazhensky
1785:
Golitsin, a nervous progressive nobleman, reads letters from his lover . . The Prince hires Marfa to tell his fortune in secret. She predicts that he will fall from power and face exile; he dismisses her and orders his servant to kill her. Once alone he ponders on all the acts that he has made to
1686:
is stated outright in the choral number "Akh, ty Rodnaya, Matushka Rus'" in act 1 ("Woe to thee, native, Mother Russia"), which laments that Russia is bleeding and dying not because of a foreign enemy, but because of fragmentation within. Something like a three-way civil war is in progress, which
1790:
believe that all men are equal, and questions whether Russia shall become "tartarized". A quarrel ensues, but Dosifey enters and draws their attention away from their argument by criticising both of them: Golitsin for his modern views, and Prince Ivan for letting the Streltsy get drunk and run
1828:
As Old Believers chant a hymn for the future of Russia, Marfa sings of her lost love for Prince Andrey Khovansky. Marfa admits to Dosifey that she still loves Prince Andrey Khovansky. Dosifey tells her to pray for relief. They exit and Shaklovity, who until now had been presented as a purely
1678:
Due to regulations applicable at the time of the composition of the opera in Imperial Russia, it was forbidden to portray members of the Romanov dynasty on stage, so Mussorgsky had recourse to a series of symbols and indirect mention of main characters in the plot. Sofia, Ivan and Peter never
1771:
Prince Andrey, Khovansky's son, chases in Emma, a German girl, intending to assault her. Marfa, an Old Believer and Andrey's former fiancée, interferes. Andrey threatens to kill Marfa, but Prince Ivan returns and decides to capture Emma himself. The ensuing quarrel between father and son is
1449:
in a letter to Vladimir Stasov on 16 January 1876. Varsonofyev's part is written in the bass clef in his act 2 appearance, as expected for a bass or baritone; but it is written in the treble clef (presumably meant to sound an octave lower) in his act 4 appearance, as expected for a tenor.
1670:
has left Russia with a crisis of succession. Supported by Prince Ivan Khovansky, Fyodor's sickly brother Ivan, who is 16, and his half-brother Peter, who is only 10, have been installed as joint rulers, with their older sister Sofia acting as regent. Sofia has allied herself with Prince
1696:
are Russian Orthodox Christians who have left the state-sponsored church because they disagree with the Patriarch Nikon's reforms; they also challenge the line of succession to the throne and have refused to recognize the Russian Patriarch. Their leader is
269:
in any other orchestration than Rimsky-Korsakov's, Diaghilev's company employed a mixture of orchestrations which did not prove successful. The Stravinsky-Ravel orchestration was forgotten, except for Stravinsky's finale, which is still sometimes used.
1753:
In the morning in the Red Square, a member of the Streltsy (named Kuzka) sings his drunkenness off while two other Streltsy talk about their rowdy activities the night before. A scribe arrives; they all pick on him and then leave. Shaklovity, a
1795:(the Tsar's personal army). After her enters Shaklovity, who menacingly announces that the Tsar has been warned of the planned rebellion and has issued orders to arrest the Princes Khovansky. Without resolving the drama, the act ends.
2547:
1885:
Dosifey and his followers have taken refuge in a hermitage in the forest. Although he is weighed down by the sorrows and sufferings of the brethren, he remains defiant and determined to win a "crown of glory" in fire and flame
3639:
143:
817:
1691:
are decommissioned elite soldiers/guards ("Streltsy" literally means "shooters", just like "musketeers"), past their prime and on indefinite furlough. They are fanatically loyal to Prince Ivan Khovansky. The
514:
Rimsky-Korsakov reprises the Dawn theme, while Shostakovich adds a foreshadowing of the Preobrazhensky March. Mussorgsky first intended to close with a single chord, but later decided on a final quintet.
1687:
basically compresses twelve years of Russian history into one telling. The Tsarist court is modernizing, and two powerful forces are resisting these changes: the Streltsy and the Old Believers. The
983:
as Emma. It has since been revived several times at the Met, most recently in a 2012 run, during which Stravinsky's final scene was employed there for the first time. Performances of
2896:
2905:
3518:
2763:
could read and write, having trained as a scribe himself. Mussorgsky's explanation to Stasov was that Shaklovity was afraid that Khovansky would recognise his handwriting.
3706:
223:. Sofia and her court were forced to flee Moscow. Eventually, Sofia managed to suppress the so-called Khovanshchina (Khovansky affair) with the help of the diplomat
3633:
3732:
170:
based on historical sources. The opera was almost finished in piano score when the composer died in 1881, but the orchestration was almost entirely lacking.
3541:
1720:
In some performances and recordings of the opera some segments are deleted, depending on the interpretation of the original notes, which are described in .
277:
and the Khovansky affair a few months later, its main themes are the struggle between progressive and reactionary political factions during the minority of
3341:
1758:
and agent for the regent and the Tsars, enters and dictates a letter to the court, warning of a rebellion planned by Prince Ivan Khovansky (captain of the
2889:
3359:
2846:
834:), 1886 using the Rimsky-Korsakov edition. Also in St. Petersburg on 27 October 1893 the opera was presented by artists of the Russian Opera Society.
892:
3772:
880:
2882:
803:
The libretto was written out by 1879, and shows some inconsistencies with the actual text set to music. The above table is based on those of
3757:
3752:
3644:
1125:
192:
3762:
560:
In Rimsky-Korsakov's version, connecting bars are written to make it possible to cut this scene. Mussorgsky later shortened this scene.
3747:
2823:
Specially for this recording Aleksey Krivchenya returned to creative activity after almost ten years of retirement (Victor Korshikov,
3111:
3742:
3195:
785:
Composed, but not written down. Reconstructed by Rimsky-Korsakov in his version: this reconstruction is also used by Shostakovich
3777:
3334:
3075:
944:
until 1950, although excerpts were performed by the Met as early as 1919. The 1950 production was sung in English and featured
2680:
1843:
Shaklovity enters and stabs Khovansky to death. Shaklovity scornfully imitates the servants' song over the Prince's corpse.
3767:
2840:
1561:
831:
2145:
2825:Хотите, я научу вас любить оперу. О музыке и не только (If you want, I'll teach you to love opera. Not only the music).
227:, who succeeded Khovansky as leader of the Muscovite Streltsy. With the rebellion crushed, the Old Believers committed
3678:
2739:
2247:
1792:
1791:
around making trouble all the time. Marfa comes back, there has been an attempt on her life but she was saved by the
1672:
1184:
204:
3782:
3696:
3327:
1380:
1376:
3565:
3508:
3461:
3445:
3400:
3183:
3027:
3004:
1698:
1283:
1227:
266:
2773:
Norris, Geoffrey (October 1982). "An Opera Restored: Rimsky-Korsakov, Shostakovich and the Khovansky Business".
2133:
1257:
1009:
is not seen on stage often outside Russia, but it has been recorded complete 23 times, including seven videos.
3549:
1117:
920:
870:
3377:
2141:
1848:
2735:
753:
Mentioned to Stasov on 14 August 1873. Expanded by Rimsky-Korsakov with material from Dosifey's act 1 lament
3587:
3423:
2060:
1278:
286:
274:
234:
216:
2813:
Opera Discography: a comprehensive list of all recordings may be found at operadis-opera-discography.org.uk
1197:
3489:
3230:
3200:
3128:
3104:
3092:
3068:
2980:
2973:
2949:
2490:
2423:
1577:
3249:
1147:
3393:
3171:
2932:
2542:
2319:
2177:
1873:
1738:
1544:
1083:
1040:
992:
838:
302:
282:
175:
64:
2874:
1863:
1728:
1252:
54:
1336:
1170:
764:
Mentioned in letters as early as 23 July 1873, but complete manuscript lost: only vocal parts survive
215:, who were attempting to institute Westernizing reforms in Russia. Khovansky had helped to foment the
3727:
3649:
3624:
3594:
3557:
3453:
3207:
3009:
2997:
2184:
2093:
1868:
1733:
1152:
1142:
1021:
988:
957:
854:
797:
themes related to the Old Believers (their act 3 chorus and the orchestral motive that opens act 5).
246:
60:
31:
1803:
931:
2992:
2407:
2331:
1356:
1192:
909:
242:
1974:
Chorus: "Show them no mercy", «Не дай пощады» (Streltsï Wives, Streltsï, Andrey Khovansky, Marfa)
926:
The Shostakovich version, in Pavel Lamm's edition, was first presented on 25 November 1960 at the
404:
7. Return of Ivan Khovansky, who desires Emma for himself; entry of Dosifey, who berates everyone
3629:
3261:
3135:
3039:
2968:
2956:
2800:
2648:
2591:
2533:
2355:
2258:
1808:
941:
850:
1916:
Chorus: "Make a wide path for the White Swan", «Белому лебедю путь просторен» (Streltsï, People)
1619:
3 flutes (3rd doubling piccolo), 3 oboes (3rd doubling English horn), 3 clarinets (3rd doubling
987:
by visiting Russian companies have also appeared at the Met. More recently, it was performed by
865:
in Moscow and conducted by Palitsīn scenes by Matorin, while the second was at St. Petersburg's
812:
1958:
Chorus: "A young swan swims", «Плывет, плывет лебедушка» (Maidens, Shaklovitïy, Ivan Khovansky)
3673:
3665:
3350:
3302:
3266:
3254:
2851:
2760:
2676:
2586:
2484:
2474:
2469:
2464:
2454:
2417:
2402:
2397:
2390:
2172:
1813:
1465:
1239:
1137:
1111:
1056:
927:
866:
399:
Shortened in Rimsky-Korsakov's version, but not according to Mussorgsky's final 1879 libretto
224:
208:
159:
46:
2799:
Also propagandist, as it suggests that the 'true' dawn over Russia was not to come until the
1930:
Aria: Marfa's Divination "Mysterious powers", Гадания Марфы «Силы потайные» (Marfa, Golitsïn)
3619:
3225:
3159:
3087:
2812:
2782:
2695:
2606:
2449:
2360:
2314:
2303:
2098:
1520:
1232:
1222:
1092:
1034:
1016:
949:
904:
888:
846:
804:
262:
258:
212:
136:
3650:
The St Petersburg Mussorgsky State Academic Opera and Ballet Theatre — Mikhailovsky Theatre
1894:) as Dosifey, Marfa, Prince Andrey Khovansky and the Old Believers perish in the flames.
3737:
3307:
3295:
3283:
3242:
3218:
3188:
3176:
3164:
3140:
3116:
3080:
3056:
3044:
3032:
2985:
2961:
2937:
2925:
2632:
2563:
2514:
2498:
2433:
2264:
2218:
2102:
2054:
1913:
Introduction: "Dawn on the Moscow River", Вступление: «Рассвет на Москве-реке» (Orchestra)
1177:
968:
896:
858:
250:
188:
2459:
1969:
Introduction "The Departure of Golitsïn", Вступление «Поезд Голицына» (Orchestra, Chorus)
945:
2706:
1438:
Streltsy, schismatics, serving girls and Persian slaves of Prince Ivan Khovansky, people
2559:
2479:
2412:
2324:
1384:
976:
913:
163:
3721:
2554:
2385:
2223:
2050:
1765:
1624:
1620:
1482:
1270:
1212:
960:. That production received only four performances in 1950, and the Met did not stage
900:
342:
254:
196:
3152:
2612:
2270:
1822:
1640:
1506:
1202:
1049:
972:
953:
228:
3147:
659:
Orchestrated by Rimsky-Korsakov, with Mussorgsky's approval, within his lifetime
3063:
2618:
2597:
2520:
2365:
2088:
2042:
1526:
1100:
1030:
1000:
980:
884:
862:
1977:
March: "March of the Preobrazhensky Regiment", «Марш преображенцев» (Orchestra)
1639:
timpani, bass drum, snare drum, triangle, tambourine, cymbals, tam-tam, bells,
956:
as Dosifei. The sets and costumes were designed by the Russo-Lithuanian artist
3237:
2861:
1747:
1667:
1565:
1557:
285:
before Peter's westernizing reforms. It received its first performance in the
68:
1675:, a powerful courtier and liberal politician, who is also her alleged lover.
3213:
3123:
2920:
2291:
1598:
1553:
1446:
830:
The St. Petersburg and world premiere took place on 21 February (9 February
187:
history, first brought to the composer's attention by his friend the critic
17:
3278:
861:. There were 1910 and 1911 productions in the two cities, the first by the
664:
3. Shaklovity arrives; song in honor of Ivan Khovansky; Khovansky murdered
732:
6. Preobrazhensky March; Streshnev relates Peter's pardon of the Streltsy
3386:
1760:
1534:
1510:
1488:
1399:
1351:
1244:
1131:
249:. It is the Shostakovich version which is now usually performed. In 1913
200:
167:
3702:
2856:
1944:
Aria: "The Streltsy nest sleeps", «Спит стрелецкое гнездо» (Shaklovitïy)
3051:
2869:
1787:
1649:
1573:
1549:
1530:
1514:
1498:
1296:
546:
542:
541:
Orchestrated by Mussorgsky, 24–25 November 1879. Originally written in
2803:(see liner notes for the Sony recording conducted by Tchakarov, 1986).
2427:(Recording made at performances at the Vienna State Opera, September)
845:
premiere at the Solodovnikov Theater on 12 November 1897 conducted by
628:
10. Appeal to Ivan Khovansky, who decides against fighting Tsar Peter
3290:
3099:
1838:
Scene 1: A richly furnished chamber in Prince Ivan Khovansky's palace
1569:
1494:
1470:
996:
842:
220:
184:
3319:
1955:
Ballet: "Dance of the Persian Slaves", «Пляски персидок» (Orchestra)
457:
Omitted from Rimsky-Korsakov's version, and Mussorgsky's final plan
2786:
618:
9. Scribe arrives with news of Tsar Peter's attack on the Streltsy
372:
4. The crowd enters and forces the Scribe to read the proclamation
3407:
2724:, live performance from Moskva 1984, Okudzhava Records, Leningrad.
1988:
Aria: "Here, in this holy place", «Здесь, на этом месте» (Dosifey)
1802:
1755:
1585:
1478:
1474:
1165:
155:
685:
Based on Marfa's fortune-telling, which had predicted this event
1589:
1538:
1502:
278:
3323:
2878:
722:
5. Streltsy's wives plead that their husbands not be pardoned
245:
was commissioned to revise and reorchestrate the opera for a
1043:(Mamontov's Private Russian Opera in Moscow), Moscow, 1897)
2736:"How Russia's Old Believers used to burn themselves alive"
2569:
Shostakovich 1959 (without his additions to acts 2 and 5)
1919:
Chorus: "Glory to the White Swan", «Слава лебедю» (People)
923:. It was produced in New York for the first time in 1931.
707:
First mentioned by Stasov to Mussorgsky on 15 August 1873
1941:
Song: "A maiden wandered", «Исходила младёшенька» (Marfa)
361:
3. Scribe arrives; Shaklovity dictates his denunciation
2720:
Professor Irina Ilyovna Vinogradev, CD insert booklet,
549:, allowing the Old Believer's chorus to connect to it.
2857:
Libretto with English transliteration and translation
2675:. Oxford: Oxford University Press. pp. 210–211.
158:(subtitled a 'national music drama') in five acts by
2906:
Laurence Olivier Award for Best New Opera Production
1881:
A pine forest, a secluded monastery, a moonlit night
1613:
violins I, violins II, violas, cellos, double basses
822:(in the preface to his edition of the vocal score).
597:
7. Streltsy's wives scold them about their drinking
378:
Omitted from Rimsky-Korsakov's version. Begun 1873.
3658:
3612:
3576:
3529:
3500:
3481:
3434:
3366:
3019:
2912:
1071:
273:Although the background of the opera comprises the
93:
85:
75:
39:
565:4. Intervention of Dosifey and Marfa's confession
30:For the 1960 Soviet film based on this opera, see
1657:unspecified numbers of horns, trumpets, trombones
975:, and used the Shostakovich orchestration, with
919:Also in 1913, it was presented in London at the
758:2. Andrey searches for Emma; Marfa sings to him
162:. The work was written between 1872 and 1880 in
696:First mentioned to Stasov on 25 December 1876
3335:
2890:
643:1. Ivan Khovansky at home, being entertained
124:
8:
991:in both Wales and England as well as at the
891:production, in a new orchestration written
554:3. Confrontation between Marfa and Susanna
468:Originally written for the projected opera
312:featuring "Dawn on the Moscow River" (1874)
3580:
3533:
3438:
3370:
3342:
3328:
3320:
2897:
2883:
2875:
2759:This is a dramatic device. The historical
2328:Sofia National Opera Orchestra and Chorus
477:5. Ivan Khovansky arrives; quarrel ensues
367:First mentioned to Stasov on 23 July 1873
53:
36:
2847:International Music Score Library Project
1998:
1862:
1727:
1633:4 horns, 3 trumpets, 3 trombones, 1 tuba
1048:
1029:
1015:
964:again until 1985, this time in Russian.
315:
301:
247:film version released the following year
2663:
1847:Scene 2: Moscow. The square before the
912:'s finale in some productions, such as
809:Musorgsky: Eight Essays and an Epilogue
613:Omitted from Rimsky-Korsakov's version
571:Mussorgsky later shortened this scene.
494:Shortened in Rimsky-Korsakov's version
483:Shortened in Rimsky-Korsakov's version
446:Omitted from Rimsky-Korsakov's version
410:Shortened in Rimsky-Korsakov's version
383:5. Ivan Khovansky enters with Streltsy
335:1. Prelude: Dawn over the Moscow River
281:Peter the Great and the passing of old
1781:Summer study of Prince Vasily Golitsin
440:2. Golitsin reads his mother's letter
3733:Cultural depictions of Russian people
2369:Bolshoy Theater Orchestra and Chorus
2274:Bolshoi Theatre Orchestra and Chorus
2227:Bolshoi Theatre Orchestra and Chorus
701:3. Andrey confronts Marfa about Emma
499:7. Marfa returns; Shaklovity's entry
356:Mentioned to Stasov on 2 August 1873
237:completed, revised, and orchestrated
135:
7:
3645:Urals Mussorgsky State Conservatoire
2827:Moscow: Yat' Publishing House, 2007
545:; Mussorgsky later transposed it to
2696:Source: Metropolitan Opera archives
1821:The Streltsy Quarter, south of the
472:. Final version from 24 July 1878.
934:with sets designed by Fedorovsky.
430:1. Golitsin reads Sophia's letter
25:
1020:Affiche for a performance at the
967:The new production was staged by
166:, Russia. The composer wrote the
3701:
3692:
3691:
3399:
2625:Chor der Bayerischen Staatsoper
1849:Cathedral of Vasiliy the Blessed
1445:Mussorgsky refers to Marfa as a
1329:a maiden from the German quarter
2734:Manaev, Georgy (May 15, 2020).
653:2. Dance of the Persian Slaves
191:. It concerns the rebellion of
3773:Operas set in the 17th century
3542:The Destruction of Sennacherib
3519:Stokowski orchestration (1939)
3196:The Mastersingers of Nuremberg
1275:Serafima Selyuk-Roznatovskaya
916:'s 1989 production in Vienna.
350:2. Streltsy talk, Kuzka sings
257:made their own arrangement at
1:
3640:Ferry "Compositor Musorgskij"
3493:(1867, revised 1872 and 1880)
940:was not staged by New York's
67:, Moscow, 1897), showing the
2622:Bayerisches Staatsorchester
1666:The death of the young Tsar
1662:Historical basis of the plot
1623:), 3 bassoons (3rd doubling
451:3. Golitsin with the Pastor
265:refused to sing the part of
241:in 1881–1882. In 1958
3758:Operas by Modest Mussorgsky
3753:Operas based on real people
3679:Michel-Dimitri Calvocoressi
3630:Airbus A321 "M. Mussorgsky"
3064:The Trojans: Parts I and II
2740:Russia Beyond the Headlines
2510:Image Entertainment (2001)
2188:Svetoslav Obretenov Chorus
1902:Principal arias and numbers
1605:Shostakovich Orchestration:
1053:Yevgeniya Zbruyeva as Marfa
592:Orchestrated by Mussorgsky
525:1. Chorus of Old Believers
462:4. Marfa's fortune-telling
393:6. Emma, Andrey, and Marfa
3799:
3763:Operas completed by others
3515:Ravel orchestration (1922)
1888:"Here, in this holy place"
1679:actually appear on stage.
881:Théâtre des Champs-Élysées
231:(in the opera, at least).
173:Like Mussorgsky's earlier
29:
27:Opera by Modest Mussorgsky
3748:Operas adapted into films
3687:
3583:
3566:Songs and Dances of Death
3536:
3509:Pictures at an Exhibition
3441:
3373:
3357:
2488:Slovak Philharmonic Choir
2421:Slovak Philharmonic Choir
2022:
2019:
2004:
1435:
1211:head of the schismatics (
1159:Prince Andrey Khovansky,
741:
673:
637:
519:
424:
329:
322:Completion date (latest)
306:Autograph vocal score of
221:Patriarch Nikon's reforms
183:deals with an episode in
125:
98:9 February 1886
52:
44:
3743:Operas about politicians
2852:Russian libretto in HTML
2439:CD: Deutsche Grammophon,
2047:Sofiya Preobrazhenskaya
2020:Conductor and Orchestra
1459:Rimsky-Korsakov Edition:
921:Theatre Royal Drury Lane
883:in Paris in 1913, where
849:, with scene designs by
207:and the two young Tsars
79:
45:national music drama by
3778:Russian-language operas
3424:The Fair at Sorochyntsi
3076:Lady Macbeth of Mtsensk
2239:Cat: LDC 278 1024-1026
2146:Belgrade National Opera
1816:, St. Petersburg, 1911)
1682:The principal theme of
1240:Boyar Fyodor Shaklovity
1059:, St. Petersburg, 1911)
607:8. Kuzka's celebration
275:Moscow Uprising of 1682
235:Nikolai Rimsky-Korsakov
217:Moscow Uprising of 1682
3490:Night on Bald Mountain
3231:English National Opera
3201:English National Opera
3184:Les vêpres siciliennes
3129:English National Opera
3105:English National Opera
3093:English National Opera
3069:English National Opera
2974:English National Opera
2950:English National Opera
2866:by the Bolshoi Theatre
2781:(1676): 672–673, 675.
2255:Vladislav Romanovsky,
2127:Aleksandar Marinković,
1952:– Khovansky's Palace
1877:
1817:
1742:
1369:a retainer of Golitsin
1279:Vera Petrova-Zvantseva
1185:Prince Vasily Golitsin
1106:(Conductor: Palitsyn)
1060:
1044:
1025:
690:2. Dosifey with Marfa
488:6. Arrival of Dosifey
313:
137:[xɐˈvanʲɕːɪnə]
3172:Einstein on the Beach
3112:Pelléas and Mélisande
2933:La damnation de Faust
2862:Α 1979 production of
2372:Rimsky-Korsakov 1882
2349:Vladimir Shcherbakov,
2320:Alexandrina Miltcheva
2278:Rimsky-Korsakov 1882
2252:Georgi Andruschenko,
2230:Rimsky-Korsakov 1882
2191:Rimsky-Korsakov 1882
2178:Alexandrina Miltcheva
2151:Rimsky-Korsakov 1882
2148:Orchestra and Chorus
2108:Rimsky-Korsakov 1882
2105:Orchestra and Chorus
1874:Russian Private Opera
1869:Apollinariy Vasnetsov
1866:
1806:
1739:Russian Private Opera
1734:Apollinariy Vasnetsov
1731:
1301:Anastasya Rubinskaya
1198:Anton Sekar-Rozhansky
1126:Prince Ivan Khovansky
1084:Russian Private Opera
1052:
1041:Russian Private Opera
1033:
1019:
993:Bayerische Staatsoper
839:Russian Private Opera
576:5. Shaklovity's aria
305:
298:Compositional history
193:Prince Ivan Khovansky
148:, sometimes rendered
65:Russian Private Opera
61:Apollinariy Vasnetsov
3768:Operas set in Russia
3625:Mussorgskij (crater)
3595:The Song of the Flea
3360:List of compositions
3208:Cavalleria rusticana
3010:Welsh National Opera
2998:Welsh National Opera
2673:Shostakovich: A Life
2671:Fay, Laurel (2000).
2248:Alexander Vedernikov
2216:Alexander Ognivtsev,
2212:Aleksey Maslennikov,
2185:Sofia National Opera
1938:– Streltsï Quarter
1927:– Golitsïn's Study
1409:Mikhail Levandovsky
1322:Grigoriy Ugrinovich
1022:Solodovnikov Theatre
989:Welsh National Opera
958:Mstislav Dobuzhinsky
887:(Kuper) conducted a
855:Apollinary Vasnetsov
679:1. Golitsin's exile
415:8. Dosifey's lament
199:, and the Muscovite
151:The Khovansky Affair
32:Khovanshchina (film)
3141:Royal Opera, London
3117:Royal Opera, London
3081:Royal Opera, London
3057:Royal Opera, London
3045:Royal Opera, London
3033:Royal Opera, London
2993:La clemenza di Tito
2986:Royal Opera, London
2962:Royal Opera, London
2938:Royal Opera, London
2926:Royal Opera, London
2491:Wiener Sängerknaben
2424:Wiener Sängerknaben
2377:Cat: A10 00445 006
2235:Cat: C 10 05109-16;
2156:Cat: LXT 5045-5048
2134:Miroslav Čangalović
1148:Kapiton Zaporozhets
1109:St. Petersburg cast
952:as Prince Ivan and
910:Dmitri Shostakovich
826:Performance history
769:3. Dosifey returns
341:First mentioned to
243:Dmitri Shostakovich
203:against the regent
3136:Tristan und Isolde
3040:Boulevard Solitude
2969:Tristan und Isolde
2801:October Revolution
2649:Dmitri Tcherniakov
2592:Klaus Florian Vogt
2543:Nikolay Okhotnikov
2538:Alexei Steblianko,
2534:Vladimir Galouzine
2356:Yevgeny Nesterenko
2259:Yevgeny Nesterenko
2214:Viktor Nechipailo,
2208:Alexei Krivchenya,
2142:Krešimir Baranović
2082:Aleksey Bolshakov,
2080:Alexei Krivchenya,
2068:Cat: D 011 089/94;
1892:"God will save me"
1878:
1818:
1809:Konstantin Korovin
1743:
1317:Grigiriy Kassilov
1306:Yelena Nikolayeva
1284:Yevgeniya Zbruyeva
1061:
1045:
1026:
942:Metropolitan Opera
851:Konstantin Korovin
782:10 September 1879
761:10 September 1879
747:1. Dosifey's aria
712:4. Streltsy enter
610:22 September 1876
586:6. Streltsy enter
502:12 September 1876
314:
3783:Unfinished operas
3715:
3714:
3674:Mussorgsky family
3608:
3607:
3604:
3603:
3477:
3476:
3473:
3472:
3351:Modest Mussorgsky
3317:
3316:
3267:Royal Opera House
3255:Royal Opera House
3160:Castor and Pollux
3028:The Greek Passion
3005:Hansel and Gretel
2775:The Musical Times
2761:Fyodor Shaklovity
2655:
2654:
2631:(final chorus by
2629:Shostakovich 1959
2607:Anatoly Kotcherga
2603:Valery Alexeev,
2587:Paata Burchuladze
2531:Bulat Minjelkiev,
2497:(final chorus by
2495:Shostakovich 1959
2485:Vienna Staatsoper
2483:Orchestra of the
2475:Lyudmila Shemchuk
2470:Paata Burchuladze
2465:Anatoly Kotcherga
2455:Vladimir Atlantov
2432:(final chorus by
2430:Shostakovich 1959
2418:Vienna Staatsoper
2416:Orchestra of the
2403:Paata Burchuladze
2398:Anatoly Kotcherga
2391:Vladimir Atlantov
2294:PA 90-016 (NTSC)
2237:Le Chant du Monde
2210:Vladislav Pyavko,
2196:Cat: BOA 1439-42;
2182:Atanas Margaritov
2173:Nicolai Ghiuselev
2168:Lyuben Mikhailov,
2166:Ljubomir Bodurov,
2138:Mila Bugarinović
2117:Cat: LYS 504-506
2084:Nikandr Khanayev,
2072:Cat: 8.111124-26
2038:Vladimir Ulyanov,
2011:Vasiliy Golitsïn,
2009:Andrey Khovansky,
1814:Mariinsky Theatre
1443:
1442:
1292:an old schismatic
1253:Nikolay Shevelyov
1112:Mariinsky Theatre
1065:
1064:
1057:Mariinsky Theatre
869:and conducted by
867:Mariinsky Theatre
801:
800:
568:13 February 1876
557:5 September 1873
528:31 December 1875
345:on 2 August 1873
338:4 September 1874
289:edition in 1886.
261:'s request. When
225:Fyodor Shaklovity
205:Sofia Alekseyevna
160:Modest Mussorgsky
116:
115:
47:Modest Mussorgsky
16:(Redirected from
3790:
3705:
3695:
3694:
3620:1059 Mussorgskia
3581:
3534:
3439:
3435:Film adaptations
3403:
3371:
3344:
3337:
3330:
3321:
3177:Barbican Theatre
3165:Coliseum Theatre
3088:Madama Butterfly
2899:
2892:
2885:
2876:
2845:: Scores at the
2828:
2821:
2815:
2810:
2804:
2797:
2791:
2790:
2770:
2764:
2757:
2751:
2750:
2748:
2746:
2731:
2725:
2718:
2712:
2704:
2698:
2693:
2687:
2686:
2668:
2647:Stage director:
2644:EuroArts (2009)
2578:Cat: IMM 950014
2551:
2519:Video director:
2513:Stage director:
2450:Nicolai Ghiaurov
2408:Marjana Lipovšek
2361:Elena Obraztsova
2315:Nicola Ghiuselev
2304:Nicolai Ghiaurov
2099:Vassili Nebolsin
2094:Mariya Maksakova
2007:(Ivan Khovansky,
1999:
1867:Scene design by
1807:Scene design by
1764:Guards) and the
1732:Scene design by
1343:Marya Kovalenko
1337:Varvara Antonova
1233:Fyodor Shalyapin
1223:Fyodor Shalyapin
1171:Pyotr Inozemtsev
1093:Michele Esposito
1087:12 November 1897
1072:
1035:Fyodor Shalyapin
1012:
1011:
950:Lawrence Tibbett
905:Feodor Chaliapin
847:Michele Esposito
821:
805:Richard Taruskin
790:5. Final chorus
779:4. Love Requiem
535:2. Marfa's song
491:14 October 1875
316:
263:Feodor Chaliapin
259:Sergei Diaghilev
147:
146:
145:
139:
134:
130:
129:
110:
105:
103:
59:Scene design by
57:
37:
21:
3798:
3797:
3793:
3792:
3791:
3789:
3788:
3787:
3718:
3717:
3716:
3711:
3683:
3654:
3600:
3572:
3525:
3496:
3469:
3430:
3362:
3353:
3348:
3318:
3313:
3308:The Royal Opera
3296:The Royal Opera
3284:The Royal Opera
3273:(2021 Covid-19)
3243:The Royal Opera
3219:The Royal Opera
3189:The Royal Opera
3015:
2908:
2903:
2837:
2832:
2831:
2822:
2818:
2811:
2807:
2798:
2794:
2772:
2771:
2767:
2758:
2754:
2744:
2742:
2733:
2732:
2728:
2719:
2715:
2705:
2701:
2694:
2690:
2683:
2670:
2669:
2665:
2660:
2630:
2577:
2575:
2573:
2564:Kirov Orchestra
2562:
2560:Valeriy Gergiev
2553:
2545:
2541:
2540:Valery Alexeev,
2539:
2537:
2532:
2515:Alfred Kirchner
2496:
2489:
2487:
2482:
2473:
2468:
2463:
2458:
2453:
2440:
2431:
2426:
2422:
2420:
2415:
2406:
2401:
2396:
2395:Vladimir Popov,
2394:
2389:
2376:
2368:
2359:
2354:
2353:Yuri Grigoriev,
2352:
2351:Yevgeny Raikov,
2350:
2348:
2339:Cat: S3K 45831
2338:
2327:
2318:
2313:
2311:
2310:Kaludi Kaludov,
2309:
2308:Zdravko Gadjev,
2307:
2265:Irina Arkhipova
2238:
2236:
2234:
2226:
2219:Irina Arkhipova
2217:
2215:
2213:
2211:
2209:
2200:Cat: 10 789-91
2199:
2197:
2195:
2187:
2183:
2176:
2171:
2169:
2167:
2165:
2164:Dimitar Petkov,
2155:
2144:
2137:
2132:
2130:
2128:
2126:
2116:
2114:
2113:Cat: D 1712-19;
2112:
2103:Bolshoi Theatre
2101:
2092:
2087:
2085:
2083:
2081:
2071:
2069:
2067:
2061:Rimsky-Korsakov
2055:Kirov Orchestra
2053:
2046:
2041:
2039:
2037:
2035:
2034:Boris Freidkov,
2016:
2014:
2012:
2010:
2008:
2006:
1997:
1904:
1876:, Moscow, 1897)
1871:
1861:
1835:
1811:
1801:
1778:
1741:, Moscow, 1897)
1736:
1726:
1713:
1712:: The year 1682
1707:
1673:Vasily Golitsin
1664:
1473:I, violins II,
1456:
1454:Instrumentation
1414:Vladimir Losev
1377:Mikhail Malinin
1178:Andrey Labinsky
1153:Vasily Sharonov
1143:Anton Bedlevich
1115:
1110:
1105:
1103:
1099:
1090:
1088:
1086:
1082:
1070:
1054:
1038:
979:as Dosifei and
969:August Everding
930:, conducted by
897:Igor Stravinsky
893:collaboratively
859:Sergey Malyutin
828:
815:
793:17 August 1880
772:28 August 1880
674:Act 4, scene 2
638:Act 4, scene 1
579:6 January 1876
538:18 August 1873
480:16 August 1876
465:20 August 1870
375:2 January 1875
311:
300:
295:
287:Rimsky-Korsakov
251:Igor Stravinsky
209:Peter the Great
189:Vladimir Stasov
142:
141:
140:
132:
112:
111:
108:
106:
101:
99:
81:
71:
35:
28:
23:
22:
15:
12:
11:
5:
3796:
3794:
3786:
3785:
3780:
3775:
3770:
3765:
3760:
3755:
3750:
3745:
3740:
3735:
3730:
3720:
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3712:
3710:
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3688:
3685:
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3681:
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3660:
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3652:
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3627:
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3391:
3383:
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3355:
3354:
3349:
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3346:
3339:
3332:
3324:
3315:
3314:
3312:
3311:
3299:
3287:
3275:
3270:
3258:
3250:Katya Kabanova
3246:
3234:
3222:
3204:
3192:
3180:
3168:
3156:
3144:
3132:
3120:
3108:
3096:
3084:
3072:
3060:
3048:
3036:
3023:
3021:
3017:
3016:
3014:
3013:
3001:
2989:
2977:
2965:
2953:
2941:
2929:
2916:
2914:
2910:
2909:
2904:
2902:
2901:
2894:
2887:
2879:
2873:
2872:
2859:
2854:
2849:
2836:
2835:External links
2833:
2830:
2829:
2816:
2805:
2792:
2787:10.2307/962116
2765:
2752:
2726:
2713:
2699:
2688:
2681:
2662:
2661:
2659:
2656:
2653:
2652:
2636:
2627:
2616:
2584:
2580:
2579:
2576:DVD: Immortal,
2574:Cat: 432 147-2
2570:
2567:
2557:
2529:
2525:
2524:
2502:
2493:
2480:Claudio Abbado
2477:
2447:
2443:
2442:
2441:Cat:429 758-2
2437:
2428:
2413:Claudio Abbado
2410:
2383:
2379:
2378:
2373:
2370:
2363:
2345:
2341:
2340:
2335:
2329:
2325:Emil Tchakarov
2322:
2301:
2297:
2296:
2287:Kultur (2005)
2279:
2276:
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2241:
2240:
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2202:
2201:
2192:
2189:
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2162:
2158:
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2152:
2149:
2139:
2131:Dušan Popović,
2125:Nikola Cvejić,
2123:
2119:
2118:
2109:
2106:
2096:
2086:Alexei Ivanov,
2078:
2074:
2073:
2064:
2058:
2048:
2040:Ivan Chachkov,
2036:Ivan Nechayev,
2032:
2028:
2027:
2024:
2021:
2018:
2003:
1996:
1993:
1992:
1991:
1990:
1989:
1980:
1979:
1978:
1972:
1971:
1970:
1966:– Red Square
1961:
1960:
1959:
1956:
1947:
1946:
1945:
1942:
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1932:
1931:
1922:
1921:
1920:
1917:
1914:
1910:– Red Square
1903:
1900:
1860:
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1834:
1831:
1800:
1797:
1777:
1774:
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1652:
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1601:
1592:
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1541:
1517:
1505:(2nd doubling
1497:(3rd doubling
1485:
1455:
1452:
1441:
1440:
1433:
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1430:
1428:
1426:
1423:
1416:
1415:
1412:
1410:
1407:
1404:
1393:
1392:
1390:
1388:
1385:Marina Raskova
1374:
1371:
1364:
1363:
1361:
1359:
1357:Nikolay Kedrov
1354:
1349:
1345:
1344:
1341:
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1320:
1318:
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1302:
1299:
1294:
1287:
1286:
1281:
1276:
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1268:
1261:
1260:
1258:Pavel Andreyev
1255:
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1027:
1024:(Moscow, 1897)
977:Martti Talvela
971:, designed by
932:Sergey Yeltsin
914:Claudio Abbado
841:presented the
827:
824:
799:
798:
794:
791:
787:
786:
783:
780:
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766:
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750:14 April 1880
748:
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738:
736:
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723:
719:
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704:7–8 July 1879
702:
698:
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683:
680:
676:
675:
671:
670:
668:
667:5 August 1880
665:
661:
660:
657:
656:16 April 1876
654:
650:
649:
647:
646:5 August 1880
644:
640:
639:
635:
634:
632:
629:
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619:
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454:2 August 1875
452:
448:
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443:7 August 1875
441:
437:
436:
434:
433:7 August 1875
431:
427:
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353:2 August 1873
351:
347:
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339:
336:
332:
331:
327:
326:
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320:
299:
296:
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291:
164:St. Petersburg
123:(Russian:
114:
113:
107:
97:
95:
91:
90:
87:
83:
82:
77:
73:
72:
58:
50:
49:
42:
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26:
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14:
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3:
2:
3795:
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3506:
3505:
3503:
3499:
3492:
3491:
3487:
3486:
3484:
3480:
3466:
3464:
3463:Boris Godunov
3460:
3458:
3456:
3455:Khovanshchina
3452:
3450:
3448:
3447:Boris Godunov
3444:
3443:
3440:
3437:
3433:
3426:
3425:
3421:
3418:
3417:
3416:Khovanshchina
3413:
3410:
3409:
3405:
3402:
3397:
3396:
3395:Boris Godunov
3392:
3389:
3388:
3384:
3381:
3380:
3376:
3375:
3372:
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3097:
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3025:
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3022:
3018:
3011:
3007:
3006:
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2999:
2995:
2994:
2990:
2987:
2983:
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2978:
2975:
2971:
2970:
2966:
2963:
2959:
2958:
2954:
2951:
2947:
2946:
2945:Khovanshchina
2942:
2939:
2935:
2934:
2930:
2927:
2923:
2922:
2918:
2917:
2915:
2911:
2907:
2900:
2895:
2893:
2888:
2886:
2881:
2880:
2877:
2871:
2867:
2865:
2864:Khovanshchina
2860:
2858:
2855:
2853:
2850:
2848:
2844:
2843:
2842:Khovanshchina
2839:
2838:
2834:
2826:
2820:
2817:
2814:
2809:
2806:
2802:
2796:
2793:
2788:
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2780:
2776:
2769:
2766:
2762:
2756:
2753:
2741:
2737:
2730:
2727:
2723:
2722:Khovanshchina
2717:
2714:
2711:
2710:
2709:Khovanshchina
2707:Met History:
2703:
2700:
2697:
2692:
2689:
2684:
2678:
2674:
2667:
2664:
2657:
2651:
2650:
2645:
2641:
2637:
2634:
2628:
2626:
2623:
2620:
2617:
2615:
2614:
2610:
2608:
2604:
2601:
2599:
2595:
2593:
2588:
2585:
2582:
2581:
2571:
2568:
2565:
2561:
2558:
2556:
2555:Olga Borodina
2549:
2544:
2535:
2530:
2527:
2526:
2523:
2522:
2517:
2516:
2511:
2507:
2503:
2500:
2494:
2492:
2486:
2481:
2478:
2476:
2471:
2466:
2461:
2456:
2451:
2448:
2445:
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2438:
2435:
2429:
2425:
2419:
2414:
2411:
2409:
2404:
2399:
2392:
2387:
2386:Aage Haugland
2384:
2381:
2380:
2374:
2371:
2367:
2364:
2362:
2357:
2346:
2343:
2342:
2336:
2333:
2330:
2326:
2323:
2321:
2316:
2312:Stoyan Popov,
2305:
2302:
2299:
2298:
2295:
2293:
2288:
2284:
2280:
2277:
2275:
2272:
2269:
2267:
2266:
2262:
2260:
2256:
2253:
2249:
2246:
2243:
2242:
2232:
2229:
2225:
2224:Boris Khaikin
2222:
2220:
2207:
2204:
2203:
2193:
2190:
2186:
2181:
2179:
2174:
2170:Stoyan Popov,
2163:
2160:
2159:
2153:
2150:
2147:
2143:
2140:
2135:
2124:
2121:
2120:
2110:
2107:
2104:
2100:
2097:
2095:
2090:
2079:
2076:
2075:
2066:LP: Melodiya,
2065:
2062:
2059:
2056:
2052:
2051:Boris Khaikin
2049:
2044:
2033:
2030:
2029:
2025:
2001:
2000:
1994:
1987:
1986:
1985:– Hermitage
1984:
1981:
1976:
1975:
1973:
1968:
1967:
1965:
1962:
1957:
1954:
1953:
1951:
1948:
1943:
1940:
1939:
1937:
1934:
1929:
1928:
1926:
1923:
1918:
1915:
1912:
1911:
1909:
1906:
1905:
1901:
1899:
1895:
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1889:
1883:
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1875:
1870:
1865:
1858:
1856:
1852:
1851:
1850:
1844:
1840:
1839:
1832:
1830:
1826:
1825:
1824:
1815:
1810:
1805:
1798:
1796:
1794:
1789:
1783:
1782:
1775:
1773:
1769:
1767:
1766:Old Believers
1763:
1762:
1757:
1751:
1750:
1749:
1740:
1735:
1730:
1723:
1721:
1718:
1716:
1711:
1704:
1702:
1700:
1695:
1694:Old Believers
1690:
1685:
1684:Khovanshchina
1680:
1676:
1674:
1669:
1661:
1656:
1653:
1651:
1648:piano, harp,
1647:
1644:
1642:
1638:
1635:
1632:
1629:
1626:
1625:contrabassoon
1622:
1621:bass clarinet
1618:
1615:
1612:
1609:
1608:
1607:
1606:
1600:
1596:
1593:
1591:
1587:
1584:
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1579:
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1563:
1559:
1555:
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1542:
1540:
1536:
1532:
1528:
1524:
1522:
1518:
1516:
1512:
1508:
1504:
1500:
1496:
1492:
1490:
1486:
1484:
1483:double basses
1480:
1476:
1472:
1469:
1467:
1463:
1462:
1461:
1460:
1453:
1451:
1448:
1439:
1434:
1431:
1429:
1427:
1424:
1422:
1418:
1417:
1413:
1411:
1408:
1405:
1403:
1401:
1395:
1394:
1391:
1389:
1386:
1382:
1381:Boris Malinin
1378:
1375:
1372:
1370:
1367:Varsonofyev,
1366:
1365:
1362:
1360:
1358:
1355:
1353:
1350:
1347:
1346:
1342:
1340:
1338:
1335:
1332:
1330:
1326:
1325:
1321:
1319:
1316:
1313:
1310:
1309:
1305:
1303:
1300:
1298:
1295:
1293:
1289:
1288:
1285:
1282:
1280:
1277:
1274:
1272:
1271:mezzo-soprano
1269:
1267:
1263:
1262:
1259:
1256:
1254:
1251:
1248:
1246:
1243:
1241:
1238:
1237:
1234:
1231:
1229:
1228:Vasily Petrov
1226:
1224:
1221:
1218:
1216:
1214:
1213:Old Believers
1208:
1207:
1204:
1201:
1199:
1196:
1194:
1193:Yekab Karklin
1191:
1188:
1186:
1183:
1182:
1179:
1176:
1174:
1172:
1169:
1167:
1164:
1162:
1158:
1157:
1154:
1151:
1149:
1146:
1144:
1141:
1139:
1136:
1134:
1133:
1127:
1124:
1123:
1119:
1118:Albert Coates
1113:
1108:
1102:
1097:
1094:
1085:
1080:
1077:
1074:
1073:
1067:
1058:
1051:
1047:
1042:
1036:
1032:
1028:
1023:
1018:
1014:
1013:
1010:
1008:
1007:Khovanshchina
1004:
1002:
998:
994:
990:
986:
985:Khovanshchina
982:
978:
974:
970:
965:
963:
962:Khovanshchina
959:
955:
951:
947:
943:
939:
938:Khovanshchina
935:
933:
929:
928:Kirov Theater
924:
922:
917:
915:
911:
906:
902:
901:Maurice Ravel
898:
894:
890:
886:
882:
878:
877:Khovanshchina
874:
872:
871:Albert Coates
868:
864:
860:
856:
852:
848:
844:
840:
835:
833:
825:
823:
819:
814:
810:
806:
795:
792:
789:
788:
784:
781:
778:
777:
774:
771:
768:
767:
763:
760:
757:
756:
752:
749:
746:
745:
740:
737:
734:
731:
730:
727:
724:
721:
720:
717:
714:
711:
710:
706:
703:
700:
699:
695:
692:
689:
688:
684:
681:
678:
677:
672:
669:
666:
663:
662:
658:
655:
652:
651:
648:
645:
642:
641:
636:
633:
631:10 June 1880
630:
627:
626:
623:
621:10 June 1880
620:
617:
616:
612:
609:
606:
605:
602:
599:
596:
595:
591:
588:
585:
584:
581:
578:
575:
574:
570:
567:
564:
563:
559:
556:
553:
552:
548:
544:
540:
537:
534:
533:
530:
527:
524:
523:
518:
513:
511:
508:
507:
504:
501:
498:
497:
493:
490:
487:
486:
482:
479:
476:
475:
471:
467:
464:
461:
460:
456:
453:
450:
449:
445:
442:
439:
438:
435:
432:
429:
428:
423:
420:
418:30 July 1875
417:
414:
413:
409:
406:
403:
402:
398:
395:
392:
391:
388:
385:
382:
381:
377:
374:
371:
370:
366:
364:23 July 1873
363:
360:
359:
355:
352:
349:
348:
344:
343:Dmitry Stasov
340:
337:
334:
333:
328:
324:
321:
318:
317:
309:
308:Khovanshchina
304:
297:
292:
290:
288:
284:
280:
276:
271:
268:
264:
260:
256:
255:Maurice Ravel
252:
248:
244:
240:
239:Khovanshchina
236:
232:
230:
226:
222:
218:
214:
210:
206:
202:
198:
197:Old Believers
194:
190:
186:
182:
181:Khovanshchina
178:
177:
176:Boris Godunov
171:
169:
165:
161:
157:
153:
152:
144:
138:
128:
122:
121:
120:Khovanshchina
96:
92:
88:
84:
78:
74:
70:
66:
62:
56:
51:
48:
43:
40:Khovanshchina
38:
33:
19:
3666:
3564:
3556:
3548:
3540:
3507:
3488:
3462:
3454:
3446:
3422:
3415:
3414:
3406:
3394:
3385:
3378:
3301:
3289:
3277:
3272:
3260:
3248:
3236:
3224:
3212:
3206:
3194:
3182:
3170:
3158:
3153:Soho Theatre
3146:
3134:
3122:
3110:
3098:
3086:
3074:
3062:
3050:
3038:
3026:
3020:2001–present
3003:
2991:
2979:
2967:
2955:
2944:
2943:
2931:
2919:
2863:
2841:
2824:
2819:
2808:
2795:
2778:
2774:
2768:
2755:
2743:. Retrieved
2729:
2721:
2716:
2708:
2702:
2691:
2672:
2666:
2646:
2643:
2639:
2638:BD and DVD (
2624:
2621:
2613:Doris Soffel
2611:
2605:
2602:
2596:
2590:
2572:CD: Philips,
2518:
2512:
2509:
2505:
2460:Yuri Marusin
2347:Artur Eizen,
2332:Shostakovich
2289:
2286:
2282:
2273:
2271:Yuri Simonov
2263:
2257:
2254:
2251:
2129:Drago Starc,
2013:Shaklovitïy,
1982:
1963:
1949:
1935:
1924:
1907:
1896:
1891:
1887:
1884:
1880:
1879:
1853:
1846:
1845:
1841:
1837:
1836:
1827:
1823:Moscow River
1820:
1819:
1784:
1780:
1779:
1770:
1759:
1752:
1745:
1744:
1719:
1714:
1709:
1708:
1693:
1688:
1683:
1681:
1677:
1665:
1655:On/Offstage:
1654:
1645:
1641:glockenspiel
1636:
1630:
1616:
1610:
1604:
1603:
1597:3 trumpets,
1595:On/Offstage:
1594:
1582:
1543:
1519:
1507:english horn
1487:
1464:
1458:
1457:
1444:
1437:
1420:
1397:
1368:
1328:
1291:
1266:a schismatic
1265:
1210:
1203:Ivan Yershov
1160:
1130:head of the
1129:
1116:(Conductor:
1091:(Conductor:
1006:
1005:
984:
973:Ming Cho Lee
966:
961:
954:Jerome Hines
946:Risë Stevens
937:
936:
925:
918:
879:reached the
876:
875:
836:
829:
808:
802:
735:23 May 1880
725:23 May 1880
715:23 May 1880
693:23 May 1880
682:23 May 1880
600:30 May 1876
589:30 May 1876
469:
407:18 May 1876
396:18 May 1876
386:18 May 1876
307:
272:
238:
233:
229:mass suicide
180:
174:
172:
150:
149:
126:
119:
118:
117:
76:Native title
18:Khovanschina
3728:1886 operas
3669:(1950 film)
3550:The Nursery
3465:(1989 film)
3457:(1959 film)
3449:(1954 film)
2981:Paul Bunyan
2619:Kent Nagano
2598:John Daszak
2566:and Chorus
2546: [
2521:Brian Large
2366:Mark Ermler
2089:Mark Reizen
2057:and Chorus
2043:Mark Reizen
1637:Percussion:
1419:Streshnev,
1402:(musketeer)
1379:(father of
1249:I. Sokolov
1101:Zimin Opera
1098:Moscow cast
1081:Moscow cast
1078:Voice type
1001:Kent Nagano
981:Natalia Rom
885:Emil Cooper
863:Zimin Opera
816: [
3722:Categories
3667:Mussorgsky
3482:Orchestral
3262:Billy Budd
3238:Semiramide
2957:Billy Budd
2745:24 October
2682:0195134389
2658:References
2633:Stravinsky
2499:Stravinsky
2434:Stravinsky
2070:CD: Naxos,
1995:Recordings
1748:Red Square
1668:Fyodor III
1617:Woodwinds:
1566:tambourine
1558:snare drum
1545:Percussion
1311:Scrivener
1037:as Dosifey
948:as Marfa,
903:. Because
813:Pavel Lamm
109:Petersburg
102:1886-02-09
69:Red Square
3613:Namesakes
3303:Innocence
3214:Pagliacci
3124:Partenope
2921:Stiffelio
2913:1993–2000
2198:Capriccio
2194:Balkanton
1793:Petrovtsy
1717:: Moscow
1599:wind band
1554:bass drum
1535:trombones
1511:clarinets
1489:Woodwinds
1447:contralto
1373:baritone
1290:Susanna,
1209:Dosifey,
1003:in 2007.
889:Diaghilev
127:Хованщина
80:Хованщина
3697:Category
3632:(number
3597:" (1879)
3387:Zhenitba
3379:Salammbô
3226:Akhnaten
2375:Melodiya
2290:Pioneer
2233:Melodiya
2111:Melodiya
2023:Version
2015:Dosifey,
1761:Streltsy
1746:Moscow,
1705:Synopsis
1689:Streltsy
1611:Strings:
1562:triangle
1531:trumpets
1515:bassoons
1436:Chorus:
1400:strelets
1352:baritone
1333:soprano
1245:baritone
1132:Streltsy
325:Remarks
201:Streltsy
168:libretto
154:) is an
94:Premiere
86:Language
63:for the
3659:Related
3588:"Night"
3558:Sunless
3512:(1874)
3398:(1872)
3052:Wozzeck
2870:YouTube
2017:Marfa)
1983:Scene 6
1964:Scene 5
1950:Scene 4
1936:Scene 3
1925:Scene 2
1908:Scene 1
1788:Tartars
1699:Dosifey
1650:celesta
1574:tam-tam
1570:cymbals
1550:timpani
1499:piccolo
1471:violins
1466:Strings
1421:a Boyar
1396:Kuzka,
1348:Pastor
1297:soprano
1264:Marfa,
1161:his son
547:G major
543:F major
319:Action
293:History
283:Muscovy
267:Dosifey
185:Russian
100: (
89:Russian
3738:Operas
3634:VP-BWP
3590:(1864)
3569:(1877)
3561:(1874)
3553:(1872)
3545:(1867)
3427:(1880)
3419:(1880)
3411:(1872)
3390:(1868)
3382:(1866)
3367:Operas
3310:(2024)
3298:(2023)
3291:Alcina
3286:(2022)
3279:Jenůfa
3269:(2020)
3257:(2019)
3245:(2018)
3233:(2017)
3221:(2016)
3203:(2015)
3191:(2014)
3179:(2013)
3167:(2012)
3155:(2011)
3148:Bohème
3143:(2010)
3131:(2009)
3119:(2008)
3107:(2007)
3100:Jenufa
3095:(2006)
3083:(2005)
3071:(2004)
3059:(2003)
3047:(2002)
3035:(2001)
3012:(2000)
3000:(1999)
2988:(1998)
2976:(1997)
2964:(1996)
2952:(1995)
2940:(1994)
2928:(1993)
2679:
2635:1913)
2501:1913)
2436:1913)
2026:Label
1646:Other:
1631:Brass:
1583:Other:
1495:flutes
1479:cellos
1475:violas
1425:tenor
1406:tenor
1327:Emma,
1314:tenor
1189:tenor
1114:, 1911
1089:Moscow
999:under
997:Munich
857:, and
843:Moscow
811:) and
742:Act 5
520:Act 3
425:Act 2
330:Act 1
213:Ivan V
195:, the
3707:Audio
3577:Songs
3530:Vocal
3501:Piano
3408:Mlada
2640:Video
2583:2007
2550:]
2528:1991
2506:Video
2504:DVD (
2446:1989
2382:1989
2344:1988
2334:1959
2300:1986
2283:Video
2281:DVD (
2244:1979
2205:1973
2161:1971
2154:Decca
2122:1954
2115:Dante
2077:1951
2063:1882
2031:1946
2005:Cast:
2002:Year
1859:Act 5
1833:Act 4
1799:Act 3
1776:Act 2
1756:Boyar
1724:Act 1
1715:Place
1586:piano
1578:bells
1527:horns
1521:Brass
1509:), 2
1503:oboes
1501:), 2
1219:bass
1166:tenor
1075:Role
1068:Roles
820:]
470:Bobyl
156:opera
2747:2020
2677:ISBN
2337:Sony
1710:Time
1590:harp
1539:tuba
1537:, 1
1533:, 3
1529:, 2
1513:, 2
1383:and
1138:bass
1104:1910
899:and
837:The
832:O.S.
807:(in
509:8.
279:Tsar
253:and
211:and
133:IPA:
3217:–
2868:on
2783:doi
2779:123
2609:,
2600:,
2594:,
995:in
895:by
3724::
3306:–
3294:–
3282:–
3265:–
3253:–
3241:–
3229:–
3211:/
3199:–
3187:–
3175:–
3163:–
3151:–
3139:–
3127:–
3115:–
3103:–
3091:–
3079:–
3067:–
3055:–
3043:–
3031:–
3008:–
2996:–
2984:–
2972:–
2960:–
2948:–
2936:–
2924:–
2777:.
2738:.
2642:)
2589:,
2548:ru
2508:)
2292:LD
2285:)
2261:,
2250:,
1588:,
1576:,
1572:,
1568:,
1564:,
1560:,
1556:,
1552:,
1525:4
1493:3
1481:,
1477:,
1398:a
1387:)
1128:,
1120:)
1095:)
873:.
853:,
818:ru
179:,
131:,
3636:)
3593:"
3343:e
3336:t
3329:v
2898:e
2891:t
2884:v
2789:.
2785::
2749:.
2685:.
2552:,
2536:,
2472:,
2467:,
2462:,
2457:,
2452:,
2405:,
2400:,
2393:,
2388:,
2358:,
2317:,
2306:,
2175:,
2136:,
2091:,
2045:,
1886:(
1872:(
1812:(
1737:(
1627:)
1547::
1523::
1491::
1468::
1215:)
1055:(
1039:(
310:,
104:)
34:.
20:)
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