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Oliver Knussen

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49: 326:... and I copied out about 35 of them by hand, I have no idea where the notes for this piece come from ... It seemed to want to be written ... I wasn't sure whether it ... ought to be let out at all ... because I didn't want it to be a self-indulgent thing. But actually it's very restrained. It's not a huge work – about 13 minutes – but it's a big piece emotionally. 424:. Sue Knussen died of a blood infection in London in 2003. The Sue Knussen Composers Fund (previously, the Sue Knussen Commissioning Fund) "honours her memory and professional legacy...and...commissions works from emerging composers to be performed by contemporary music ensembles worldwide." 216:
asked him to conduct the work's first two movements in New York a week later. In this work and his Concerto for Orchestra (1968–1970), he had quickly and fluently absorbed the influences of modernist composers
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A much-admired orchestral work from 1994 is his Horn Concerto written for Barry Tuckwell, which "combines the colorful sound world of early 20th century music with a contemporary approach to time and melody".
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programme about his father's work with the London Symphony Orchestra prompted the commissioning for his first symphony (1966–1967). Aged 15, Knussen stepped in to conduct his symphony's première at the
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Carter – Late Works, Pierre-Laurent Aimard, Colin Currie, Isabelle Faust, Jean-Guihen Queyras, Birmingham Contemporary Music Group, BBC Symphony Orchestra, Ondine (2017)
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and 15-piece ensemble, as a memorial tribute to his late wife, and the music received its world première in Chicago in 2006. Knussen told
1020:, Kirchschlager, Bostridge, Gritton, Purves, Russell, Coleman-Wright, Summers, Booth, Aldeburgh Festival Ensemble, Virgin Classics (2013) 1758: 1506: 1453: 331: 573: 237: 209: 1033:
Takemitsu – Orchestral Concert (to Mark the 20th Anniversary of his Passing), Tokyo Philharmonic Orchestra, Tower Records (2017)
1748: 1448: 1224: 151:. Among the most influential British composers of his generation, his relatively few compositions are "rooted in 20th-century 225:
as well as many mid-century (largely American) symphonists, while displaying an unusual flair for pacing and orchestration.
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Knussen – Orchestral, Vocal and Chamber Works, Barry Tuckwell, Lucy Shelton, London Sinfonietta, Deutsche Grammophon (1996)
341:. He was also planning to finish two concertos that he had worked on for several years: one for piano and one for cello. 144: 903:, Lucy Shelton, Reinbert de Leeuw, New London Chamber Choir, James Wood, Schönberg Ensemble, Deutsche Grammophon (1997) 1136: 1530: 322:
I knew there were a number of Dickinson poems addressed to her sister, Sue, so one week I read all 1,700 poems of
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Symphony in One Movement, Op. 5 (1969/2002), for orchestra – a revised version of the Concerto for Orchestra
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between 1963 and 1969, and also received encouragement from Britten. He spent several summers studying with
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Carter – Orchestral Works, London Sinfonietta, BBC Symphony Orchestra, Asko Ensemble, Bridge Records (2005)
711: 420:'s education department in the late 1990s. Oliver and Sue Knussen had a daughter, Sonya Knussen, who is a 338: 1623: 1366: 1206: 276: 1668: 1663: 1498: 1146: 896: 349: 1438: 868:– Orchestral Works, BBC Symphony Orchestra, London Sinfonietta, Oliver Knussen, EMI Classics (1997) 807: 768: 294: 258: 205: 1482: 1411: 1345: 1320: 1254: 1085: 624: 436: 405: 287: 1249: 1542: 1297: 1193: 1175: 1150: 976: 972: 871: 684: 533:
Book 1, Op. 13 (1975), for flute, cor anglais, clarinet, horn, piano, celesta and string trio
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Takemitsu – Orchestral Works, London Sinfonietta, Rolf Hind, London Sinfonietta Label (2006)
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Knussen was married to Sue Knussen, a US-born producer and director of music programmes for
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Letters from a Life: The Selected Letters of Benjamin Britten, 1913–1976: Vol. 5: 1958–1965
920:, Clarinet Concerto, London Sinfonietta, BBC Symphony Orchestra, Deutsche Grammophon (1999) 801:, Lucy Shelton, Eileen Hulse, Sarah Leonard, Instrumental Ensemble, Unicorn-Kanchana (1992) 264:
Knussen was the head of contemporary music activities at Tanglewood between 1986 and 1993.
1580: 1560: 1352: 1268: 1188: 1170: 1128: 989: 948: 934: 823: 784: 751: 646:, Op. 25 (1991/92) for soprano and piano; Op. 25a (1992) version for soprano and orchestra 373: 357: 323: 229: 1449:
Oliver Knussen (1952–2018): Music of New Epiphanies by Michael Schell at Second Inversion
290:'s music director between 1998 and 2002 – and became that ensemble's conductor laureate. 1641: 1433: 1402: 1023: 906: 841: 764: 707: 694: 599: 578: 475:, Op. 6 (1970/83), for soprano solo, flute, cor anglais, clarinet, percussion and cello 432: 428: 377: 369: 365: 353: 250: 98: 1657: 1629: 1617: 1132: 1048: 969:
and Other Chamber Works, Chamber Music Society of Lincoln Center, EMI Classics (2002)
865: 813: 421: 1599: 1475: 1371: 1277: 1191:, "The later Music of Oliver Knussen. Catching up with Knussen in his 40th Year"', 951:– Chamber Works, Asko Ensemble, The Cleveland Orchestra, Deutsche Grammophon (2001) 641: 409: 314: 652:, Op. 26 (1991–92), for flute, cor anglais, clarinet, horn, piano and string trio 1574: 1567: 1554: 1548: 1272: 1051:, BBC Symphony Chorus, London Sinfonietta, BBC Symphony Orchestra, Ondine (2018) 1013:, Peter Serkin, BBC Symphony Orchestra, London Sinfonietta, Naxos Records (2013) 981:
Pictures at an Exhibition, Boris Godunov, Khovanschina, Night on a Bare Mountain
747: 381: 309: 168: 232:, that "Knussen's compositional personality abruptly appeared, fully formed". 222: 188: 148: 992:– Orchestral Works, BBC Symphony Orchestra, London Sinfonietta, Ondine (2006) 397: 283: 48: 1458: 246: 1333: 945:, BBC Symphony Orchestra, London Sinfonietta, Deutsche Grammophon (2000) 820:, etc., The Cleveland Orchestra, London Sinfonietta, Argo Records (1994) 484:
Symphony No. 2, Op. 7 (1970–71), for high soprano and chamber orchestra
737:(fragment of a Japonisme), for soprano, flute and large ensemble (2017) 305: 164: 79: 17: 790:
Carter – Orchestral Works, London Sinfonietta, Virgin Classics (1992)
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Goehr – Piano Concerto, Peter Serkin, London Sinfonietta, NMC (1995)
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It was as early as the Second Symphony (1970–1971), in the words of
1058:, Works For Orchestra, BBC Symphony Orchestra, Wergo Records (2019) 931:, Paul Crossley, London Sinfonietta, Virgin Classics Digital (1999) 431:, Benjamin Britten's base during one of his most creative periods. 1081:"Oliver Knussen, 'Where the Wild Things Are' Composer, Dies at 66" 337:
As of autumn 2012, Knussen was writing a symphonic adagio for the
569:, Op.19a (1975/86), for two antiphonal 'a cappella' female choirs 1502: 235:
His major works from the 1980s were his two children's operas,
719:, Ophelia Dances Book 2, Op. 32 (2004/2009–10), for piano solo 521:, Op. 11 (1973/83), "puzzle pieces" for two chamber orchestras 393: 330:
From September 2006, Knussen was artist-in-association to the
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Knussen biography at the website of his publisher Faber Music
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Violin Concerto, Op. 30 (2002), for violin solo and orchestra
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in a series of seven one-hour programmes, which won the 1996
787:– Chamber Works, London Sinfonietta, Unicorn-Kanchana (1991) 502:, Op. 9 (1972), for soprano solo, clarinet, piano and viola 1443: 451:
Symphony No. 1, Op. 1 (1967–68), for orchestra (withdrawn)
754:– Chamber Works, London Sinfonietta, Paula Records (1985) 671:
Horn Concerto, Op. 28 (1994), for horn solo and orchestra
607:(1986), for thirteen brass and three groups of percussion 490:, Op. 8 (1970–72), for wind, percussion and double basses 1434:
CompositionToday – Knussen article, review and interview
893:– Lucy Shelton, The Cleveland Orchestra, Deutsche (1997) 804:
Ruders – Chamber Works, Capricorn, Bridge Records (1992)
463:, Op. 3 (1969), for solo flute and glass chimes 'ad lib' 253:– and based on Sendak's own eponymous children's books. 1346:"Benjamin Britten's long association..." – John Waddell 508:, Op. 10 (1972–73/76), for soprano and chamber ensemble 143:(12 June 1952 – 8 July 2018) was a British composer of 167:, Scotland. His father, Stuart Knussen, was principal 1225:"Oliver Knussen (1952–2018): Music of New Epiphanies" 983:, The Cleveland Orchestra, Deutsche Grammophon (2004) 199:
Knussen began composing at about the age of six; an
175:, and also participated in a number of premieres of 1336:, Sonya Knussen's website. Accessed 19 August 2007. 1281:, London, 19 October 2006. Accessed 20 August 2007. 1179:, Vol. 120, No. 1639. (September 1979), pp. 729–732 725:, Op. 33 (2005–6), for soprano and chamber ensemble 257:received its New York premiere in November 1986 by 123: 106: 87: 61: 34: 1744:Honorary members of the Royal Philharmonic Society 706:Op. 31 (2003-09, unfinished). First performed at 179:'s music. Oliver Knussen studied composition with 1197:, Vol. 133, No. 1794. (August 1992), pp. 393–394. 1030:, Birmingham Contemporary Music Group, NMC (2014) 962:, London Sinfonietta, Deutsche Grammophon (2001) 913:, London Sinfonietta, Deutsche Grammophon (1998) 878:, London Sinfonietta, Deutsche Grammophon (1997) 856:, London Sinfonietta, Deutsche Grammophon (1995) 838:, London Sinfonietta, Deutsche Grammophon (1995) 527:, Op. 12 (1975), for soprano and three clarinets 1355:, snapevillage.org.uk. Accessed 19 August 2007. 1142:The New Grove Dictionary of Music and Musicians 810:– Chamber Works, London Sinfonietta, NMC (1993) 662:), Op. 26a (1991), for cor anglais and clarinet 577:, Op. 20 (1979–83), fantasy opera, libretto by 563:Symphony No. 3, Op. 18 (1973–79), for orchestra 542:Cantata Op. 15 (1977), for oboe and string trio 344:His recordings as a conductor include works by 334:, and from 2009 to the BBC Symphony Orchestra. 293:In 2005, Knussen was the music director of the 261:, which also performed the work in April 2011. 1739:Honorary members of the Royal Academy of Music 1006:, Soloists, BBC Symphony Orchestra, NMC (2012) 761:, London Sinfonietta, Arabasque Records (1985) 586:, Op. 20a (1979–81), for soprano and orchestra 1729:Commanders of the Order of the British Empire 1514: 8: 781:, London Sinfinietta, Virgin Classics (1990) 1444:Birmingham Contemporary Music Group website 677:(1995), for clarinet, piano and string trio 675:"...upon one note" (fantasia after Purcell) 668:, Op. 27 (1994), for large chamber ensemble 619:, Op. 22 (1988 revised 1993), for orchestra 560:, Op. 17 (1979), for large chamber ensemble 519:Music for a Puppet Court (after John Lloyd) 1521: 1507: 1499: 1464: 416:award for "Best Arts Series". She ran the 47: 31: 27:British composer and conductor (1952–2018) 1587:National Youth Orchestra of Great Britain 1324:, 16 April 2003. Accessed 19 August 2007. 1213:, February 1999. Accessed 19 August 2007. 631:Variations, Op. 24 (1989), for piano solo 282:Knussen was principal guest conductor of 1293:"Oliver Knussen knows the monsters well" 1074: 1072: 771:London Sinfonietta, Wergo Records (1985) 697:'s 90th birthday) (1998), for cello solo 539:, Op. 14 (1976–77), for violin and piano 1684:20th-century British conductors (music) 1123: 1121: 1068: 457:, Op. 2 (1968/78), for chamber ensemble 155:, beholden to no school but his own" 1461:, 17 December 1988 & 13 March 1998 1258:(Supplement). 10 June 1994. p. 9. 442:Knussen died on 8 July 2018, aged 66. 1454:Notes on Symphony No. 3 by Thomas May 731:, Op. 31a (2016) for violin and piano 7: 481:, Op. 6a (1970/83), for wind quintet 1704:21st-century British male musicians 1689:20th-century British male musicians 799:The Mouse Metamorphosed into A Maid 515:(1972, rev. 2018), for bassoon solo 332:Birmingham Contemporary Music Group 1483:Music Director, London Sinfonietta 1459:Two Interviews with Oliver Knussen 1407:"An interview with Oliver Knussen" 623:Four Late Poems and an Epigram of 613:, Op. 21a (1988–90), for orchestra 25: 1754:People educated at Purcell School 1379:from the original on 16 July 2018 1223:Schell, Michael (3 August 2018). 1115:. Boydell Press, 2010: p. xxxviii 1111:Reed, Philip & Mervyn Cooke. 1093:from the original on 16 July 2018 967:Hums And Songs of Winnie-the-Pooh 496:, (1971/76), for double bass solo 473:Hums and Songs of Winnie-the-Pooh 208:, London, on 7 April 1968, after 127: 1714:British male classical composers 1699:21st-century classical composers 1674:20th-century classical composers 687:), Op. 29 (1997), for piano solo 548:Op. 16 (1978–79), for piano solo 435:concert hall is the home of the 191:in Massachusetts and in Boston. 1719:British male conductors (music) 1694:20th-century Scottish musicians 1365:Matthews, Colin (9 July 2018). 1079:Cooper, Michael (9 July 2018). 836:A Reliquary for Igor Stravinsky 592:, Op. 20b (1983), for orchestra 53:Knussen in 2008 conducting the 1679:20th-century British composers 1131:(2001). "Knussen, Oliver". In 304:, a setting of four poems for 1: 1291:Swed, Mark (7 October 2012). 628:, Op. 23 (1988), soprano solo 466:Concerto for Orchestra (1969) 396:television and for the UK's 145:contemporary classical music 1734:Deutsche Grammophon artists 1724:Scottish conductors (music) 1709:British classical composers 1301:. p. 2. Archived from 998:Knussen – Violin Concerto, 212:fell ill. After his debut, 163:Oliver Knussen was born in 1775: 1759:Pupils of Gunther Schuller 1207:"Oliver Knussen interview" 742:Discography (as performer) 1537: 1489: 1480: 1472: 1467: 1367:"Oliver Knussen obituary" 960:Where The Wild Things Are 779:The Prince of the Pagodas 759:Where the Wild Things Are 584:Songs and a Sea Interlude 574:Where the Wild Things Are 255:Where the Wild Things Are 238:Where the Wild Things Are 173:London Symphony Orchestra 46: 1145:(2nd ed.). London: 611:The Way to Castle Yonder 418:Los Angeles Philharmonic 1531:Queen's Medal for Music 1011:Marching To Carcassonne 710:on June 24 2022 by the 637:(1990), for violin solo 617:Flourish with Fireworks 605:Fanfares for Tanglewood 1749:Musicians from Glasgow 1316:"Sue Knussen" obituary 1056:Heliogabalus Imperator 1045:Heaven Is Shy of Earth 956:Higglety Pigglety Pop! 723:Requiem: Songs for Sue 712:BBC Symphony Orchestra 596:Higglety Pigglety Pop! 479:Three Little Fantasies 339:Philadelphia Orchestra 328: 243:Higglety Pigglety Pop! 404:, an introduction to 400:– for which she made 320: 277:1994 Birthday Honours 136:Stuart Oliver Knussen 66:Stuart Oliver Knussen 1351:8 March 2005 at the 1305:on 19 November 2012. 1173:, "Oliver Knussen", 1147:Macmillan Publishers 1041:The Comedy of Change 1018:The Rape of Lucretia 897:Ruth Crawford Seeger 887:Faun And Shepherdess 717:Ophelia's Last Dance 650:Songs without Voices 350:Ruth Crawford Seeger 128:List of compositions 1269:"I had to write it" 808:Harrison Birtwistle 769:The Fires of London 567:Frammenti da Chiara 295:Ojai Music Festival 259:New York City Opera 206:Royal Festival Hall 1529:Recipients of the 1412:BBC Music Magazine 1255:The London Gazette 1086:The New York Times 1028:Caught in Treetops 911:Quotation of Dream 704:Cleveland Pictures 681:Prayer Bell Sketch 656:Elegiac Arabesques 437:Aldeburgh Festival 406:20th-century music 300:Knussen wrote his 288:London Sinfonietta 1651: 1650: 1543:Charles Mackerras 1497: 1496: 1490:Succeeded by 1468:Cultural offices 1298:Los Angeles Times 1194:The Musical Times 1176:The Musical Times 1156:978-1-56159-239-5 977:Leopold Stokowski 973:Modest Mussorgsky 872:Hans Werner Henze 767:– Chamber Works, 552:Scriabin Settings 427:Knussen lived in 362:Hans Werner Henze 346:Modest Mussorgsky 133: 132: 16:(Redirected from 1766: 1612:Nicola Benedetti 1523: 1516: 1509: 1500: 1473:Preceded by 1465: 1423: 1421: 1419: 1389: 1388: 1386: 1384: 1362: 1356: 1343: 1337: 1331: 1325: 1313: 1307: 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Index

Knussen
CBE

Orchestra Mozart
Glasgow
Snape, Suffolk
List of compositions
CBE
contemporary classical music
conductor
modernism
Glasgow
double bass
London Symphony Orchestra
Benjamin Britten
John Lambert
Gunther Schuller
Tanglewood
ITV
Royal Festival Hall
István Kertész
Daniel Barenboim
Britten
Berg
Julian Anderson
Where the Wild Things Are
libretti
Maurice Sendak
New York City Opera
CBE

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