Knowledge

Pueblo clown

Source 📝

189:). These individuals present themselves with black and white horizontal stripes painted on their bodies and faces, paint black circles around the mouth and eyes, and part their hair in the center and bind it in two bunches which stand upright on each side of the head and are trimmed with corn husks. A form of the Pueblo clown called the Kosha is described as a sacred being which appears in religious dances and performs many roles within the ceremonial structure, often teaching through their actions. 727: 626: 38: 227:
in general. Bandelier notes that the Tsuku were somewhat feared by the Hopi as the source of public criticism and censure of non-Hopi like behavior. Their function can help defuse community tensions by providing their own humorous interpretation of the tribe's popular culture, by reinforcing taboos,
134:
In order for a clown to perform meaningful social commentary via humor, the clown's identity must usually be concealed. The sacred clowns of the Pueblo people, however, do not employ masks but rely on body paint and head dresses. Among the best known orders of the sacred Pueblo clown is the
472:
Alison Freese, `Send in the Clowns: An Ethnohistorical Analysis of the Sacred Clowns' Role in Cultural Boundary Maintenance Among the Pueblo Indians' (doctoral thesis, University of New Mexico, 1991)
69:
of the southwestern United States). It is a generic term, as there are a number of these figures in the ritual practice of the Pueblo people. Each has a unique role; belonging to separate
331:
a Pueblo clown, or Kosha — is a sacred being that appears in religious dances and performs numerous roles within the ceremonial structure. Often Kosha teach through their actions
655: 665: 459: 360:
Daughters, Anton (2009). "A Seventeenth Century Instance of Hopi Clowning? The Trial of Juan Suni, 1659: Hayden Student Paper Award Winner".
426: 298: 208: 509: 289:
The history of North American theater : the United States, Canada, and Mexico : from pre-Columbian times to the present
650: 81:
The clowns perform monthly rituals, summer (for rain), November - for the gods, for curing society, black magic. Among the
320: 273: 261: 228:
and by communicating traditions. A 1656 case of a young Hopi man impersonating the resident Franciscan priest at
176: 346:
Ceremonial Costumes of the Pueblo Indians: Their Evolution, Fabrication, and Significance in the Prayer Drama
752: 640: 444: 73:(secret societies or confraternities) and each has a name that differs from one mesa or pueblo to another. 757: 314: 204:
in Hopi) are usually portrayed by pinkish clay coated bodies and matching cotton bag worn over the head.
502: 216: 645: 377: 31: 455: 422: 294: 660: 369: 66: 398: 730: 531: 495: 527: 287: 746: 701: 686: 224: 27:
Generic term for jesters or tricksters in the Kachina religion of the Pueblo natives
706: 625: 560: 413: 166: 274:
https://anthrosource.onlinelibrary.wiley.com/doi/pdf/10.1525/aa.1934.36.4.02a00020
262:
https://anthrosource.onlinelibrary.wiley.com/doi/pdf/10.1525/aa.1934.36.4.02a00020
417: 681: 610: 605: 600: 585: 229: 186: 696: 565: 373: 344: 691: 615: 570: 555: 545: 58: 482: 37: 483:
Rainmakers from the Gods: Hopi Katsinam, Peabody Museum online exhibition
381: 590: 550: 447:, New Series, Vol. 36, No. 4 (October–December, 1934), pp. 491–514 62: 17: 440: 711: 580: 575: 241: 54: 518: 70: 36: 223:, have extensively studied the meaning of the Pueblo clowns and 156: 146: 86: 82: 491: 41:
Ceramic sacred clown by Kathleen Wall Jemez Pueblo, New Mexico
418:
The Spirituality of Comedy: comic heroism in a tragic world
487: 232:
is thought to be a historic instance of Pueblo clowning.
30:"Koshare" redirects here. For the village in Kosovo, see 349:. Berkeley: University of California Press. p. 229. 441:
The Sacred Clowns of the Pueblo and Mayo-Yaqui Indians
674: 633: 538: 160: 286: 469:, Michigan Academy of Sciences, pp 187–207, 1930. 150: 120: 102: 467:The Ceremonial Buffoons of the American Indians 656:The World Festival of Clowns in Yekaterinburg 503: 8: 170: 510: 496: 488: 199: 193: 180: 140: 126: 114: 108: 96: 90: 452:Hopi Kachinas: History, Legends, and Art 438:Elsie Clews Parsons and Ralph L. Beals, 253: 666:Clandestine Insurgent Rebel Clown Army 7: 435:, University of Chicago Press, 1939. 89:there are four distinct clowns: the 399:Gutenberg etext of Adolf Bandelier 25: 454:. Schiffer Publishing Ltd. 2013; 285:Londré, Felicia Hardison (1998). 726: 725: 624: 343:Roediger, Virginia More (1991). 651:Clowns of America International 207:Anthropologists, most notably 1: 450:Pecina, Ron and Pecina, Bob. 421:1996 Transaction Publishers 321:Nelson-Atkins Museum of Art 65:religion (practiced by the 774: 408:Man's Rise to Civilisation 316:Kosa Appreciating Anything 29: 720: 622: 525: 374:10.1179/kiv.2009.74.4.004 272:AMERICAN ANTHROPOLOGIST 260:AMERICAN ANTHROPOLOGIST 641:World Clown Association 445:American Anthropologist 293:. New York: Continuum. 200: 194: 181: 171: 161: 151: 141: 127: 121: 115: 109: 103: 97: 91: 433:Pueblo Indian Religion 221:Pueblo Indian Religion 42: 192:The mudheads (called 40: 431:Elsie Clews Parsons 217:Elsie Clews Parsons 646:Clown Conservatory 401:The Delight Makers 213:The Delight Makers 211:in his 1890 book, 49:(sometimes called 43: 740: 739: 460:978-0-7643-4429-9 177:Jemez, New Mexico 131:(or "arrivals"). 16:(Redirected from 765: 729: 728: 661:Loldiers of Odin 628: 512: 505: 498: 489: 462:. Pages 124-138. 386: 385: 357: 351: 350: 340: 334: 333: 328: 327: 311: 305: 304: 292: 282: 276: 270: 264: 258: 203: 197: 184: 174: 164: 154: 144: 130: 124: 118: 112: 106: 100: 94: 21: 773: 772: 768: 767: 766: 764: 763: 762: 743: 742: 741: 736: 735: 716: 670: 629: 620: 534: 521: 516: 479: 465:J. H. Steward, 414:M. Conrad Hyers 395: 390: 389: 359: 358: 354: 342: 341: 337: 325: 323: 313: 312: 308: 301: 284: 283: 279: 271: 267: 259: 255: 250: 238: 209:Adolf Bandelier 79: 35: 32:Košare, Gjakova 28: 23: 22: 15: 12: 11: 5: 771: 769: 761: 760: 755: 753:Hopi mythology 745: 744: 738: 737: 734: 733: 722: 721: 718: 717: 715: 714: 709: 704: 699: 694: 689: 684: 678: 676: 672: 671: 669: 668: 663: 658: 653: 648: 643: 637: 635: 631: 630: 623: 621: 619: 618: 613: 608: 603: 598: 593: 588: 583: 578: 573: 568: 563: 558: 553: 548: 542: 540: 536: 535: 528:List of clowns 526: 523: 522: 517: 515: 514: 507: 500: 492: 486: 485: 478: 477:External links 475: 474: 473: 470: 463: 448: 436: 429: 411: 404: 394: 391: 388: 387: 352: 335: 306: 299: 277: 265: 252: 251: 249: 246: 245: 244: 237: 234: 98:Ho'tomeli'pung 78: 75: 67:Pueblo natives 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 770: 759: 758:Ritual clowns 756: 754: 751: 750: 748: 732: 724: 723: 719: 713: 710: 708: 705: 703: 702:Clown society 700: 698: 695: 693: 690: 688: 687:Clown bicycle 685: 683: 680: 679: 677: 673: 667: 664: 662: 659: 657: 654: 652: 649: 647: 644: 642: 639: 638: 636: 634:Organizations 632: 627: 617: 614: 612: 609: 607: 604: 602: 599: 597: 594: 592: 589: 587: 584: 582: 579: 577: 574: 572: 569: 567: 564: 562: 559: 557: 554: 552: 549: 547: 544: 543: 541: 537: 533: 529: 524: 520: 513: 508: 506: 501: 499: 494: 493: 490: 484: 481: 480: 476: 471: 468: 464: 461: 457: 453: 449: 446: 443: 442: 437: 434: 430: 428: 427:1-56000-218-2 424: 420: 419: 415: 412: 409: 405: 403: 402: 397: 396: 392: 383: 379: 375: 371: 368:(4): 447–63. 367: 363: 356: 353: 348: 347: 339: 336: 332: 322: 318: 317: 310: 307: 302: 300:9780826410795 296: 291: 290: 281: 278: 275: 269: 266: 263: 257: 254: 247: 243: 240: 239: 235: 233: 231: 226: 225:clown society 222: 218: 214: 210: 205: 202: 198:in Zuni, and 196: 190: 188: 183: 178: 173: 168: 163: 158: 153: 148: 143: 138: 132: 129: 128:Pi'ptuyakyamü 123: 117: 111: 110:Chüʳkü'wĭmkya 105: 99: 95:(also called 93: 88: 84: 76: 74: 72: 68: 64: 60: 56: 52: 51:sacred clowns 48: 47:Pueblo clowns 39: 33: 19: 707:Coulrophilia 595: 466: 451: 439: 432: 416: 407: 400: 365: 361: 355: 345: 338: 330: 324:, retrieved 315: 309: 288: 280: 268: 256: 220: 212: 206: 191: 167:Keres people 136: 133: 80: 50: 46: 44: 682:Clown alley 611:Silly Billy 606:Scaramouche 116:Pai'yakyamü 747:Categories 697:Clown Care 393:References 326:2024-09-08 165:among the 159:language, 137:Chiffoneti 59:tricksters 692:Clown car 616:Skomorokh 571:Harlequin 546:Blackface 406:P. Farb, 142:Payakyamu 104:Ta'chûktĭ 731:Category 382:30246577 236:See also 230:Awat'ovi 195:Koyemshi 139:(called 92:Koyi'msĭ 675:Related 591:Pierrot 551:Bouffon 532:jesters 410:, 1971. 219:in her 201:Tatsuki 185:by the 182:Newekwe 162:Koshare 155:in the 101:, Tewa 63:Kachina 61:in the 55:jesters 18:Koshare 712:Motley 596:Pueblo 581:Jester 576:Heyoka 561:Circus 519:Clowns 458:  425:  380:  297:  242:Heyoka 215:, and 179:, and 172:Tabösh 125:; and 122:Koyala 53:) are 601:Rodeo 539:Types 378:JSTOR 248:Notes 152:Kossa 77:Roles 71:Kivas 586:Mime 566:Evil 556:Chou 456:ISBN 423:ISBN 362:Kiva 295:ISBN 187:Zuñi 157:Tewa 147:Hopi 87:Tewa 83:Hopi 45:The 370:doi 175:at 145:in 119:or 107:); 57:or 749:: 530:/ 376:. 366:74 364:. 329:, 319:, 169:, 149:, 113:; 511:e 504:t 497:v 384:. 372:: 303:. 85:/ 34:. 20:)

Index

Koshare
Košare, Gjakova

jesters
tricksters
Kachina
Pueblo natives
Kivas
Hopi
Tewa
Hopi
Tewa
Keres people
Jemez, New Mexico
Zuñi
Adolf Bandelier
Elsie Clews Parsons
clown society
Awat'ovi
Heyoka
https://anthrosource.onlinelibrary.wiley.com/doi/pdf/10.1525/aa.1934.36.4.02a00020
https://anthrosource.onlinelibrary.wiley.com/doi/pdf/10.1525/aa.1934.36.4.02a00020
The history of North American theater : the United States, Canada, and Mexico : from pre-Columbian times to the present
ISBN
9780826410795
Kosa Appreciating Anything
Nelson-Atkins Museum of Art
Ceremonial Costumes of the Pueblo Indians: Their Evolution, Fabrication, and Significance in the Prayer Drama
doi
10.1179/kiv.2009.74.4.004

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.