238:
229:. Each sculptor placed himself at first place, but Phidias, Kresilas, and Phradmon had all put Polykleitos at second place, thus, Polykleitos won, Pheidias came second, and Kresilas third.
275:. Pliny the Elder said of it: "a work worthy of the title; it is a marvellous thing about this art that it can make famous men even more famous". Its base was found in the Athenian
702:
538:. B. Crosby and Company Stationers'Court, Ludgate-Hill, Tegg and Castleman, Warwick-Lane; and E. LLoyd, Harley-Street, Cavendish-Square. pp. 297â98.
722:
279:; it was doubtless the bronze that Pausanias saw there (Pausanias I.25.1, I.28.2). It seems the series of Pericles portrait busts derive from it,
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Making
Something Out of Next to Nothing: Bartolomeo Cavaceppi and the Major Restorations of Myron's "Discobolus"
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A Biographical
Dictionary of the Celebrated Women Or Every Age and Country. By Matilda Betham
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43:
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Elizabeth A. Sackler Center for
Feminist Art: The Dinner Party: Heritage Floor: Cresilla
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132:
110:
716:
179:
580:
Masterpieces of Greek
Sculpture: A Series of Essays on the History of Art, Volume 2
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327:
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210:
362:
In 1804 CE, Kresilas was mistakenly identified as a woman named "Cresilla" by
276:
272:
135:
81:
202:
period he brought elements of compactness due to the
Peloponnesian period.
615:
Pliny. Natural
History, Volume IX: Books 33â35. Translated by H. Rackham.
261:
245:
218:
342:. He has also been identified as the originator of the Velletri type of
248:, son of Xanthippus, Athenianâ, Roman copy of the original by Kresilas,
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171:
143:
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669:(in Italian). Vol. 4. Roma: Istituto della enciclopedia italiana.
194:. Between 450 and 420 BC he worked mainly in Athens, as a follower of
600:
Metropolitan Museum of Art (New York, N.Y.), Philippe De
Montebello,
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268:
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241:
236:
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155:
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39:
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330:), possibly the model for many copies, one of which is the
684:
Arte greca : Dall'etĂ classica all'etĂ ellenistica
386:'s symbolic history of women in Western civilization,
677:(in Italian). Vol. 3. Novara: De Agostini. 1965.
87:
77:
58:
50:
28:
21:
666:Enciclopedia dell'arte antica classica e orientale
428:
426:
306:Kresilas also created the wounded men and a dying
209:wrote of a competition between the four sculptors
374:in a competition to sculpt seven Amazons for the
154:, as a follower of the idealistic portraiture of
628:The Art of Ancient Greece: Sources and Documents
350:). He created a Diomedes statue according to
146:. He was trained in Argos and then worked in
8:
366:, who thought "she" had placed third behind
256:In Athens he created, for example, a bronze
271:upon the head as a sign of his position as
18:
221:, on the best statues of Amazons for the
587:Artists and Signatures in Ancient Greece
401:
170:Kresilas hailed from the city-state of
663:Pietro Orlandini (1961). "Kresilas".
7:
686:(in Italian). Milano: Il saggiatore.
630:, Cambridge University Press, 1990.
604:, Metropolitan Museum of Art, 1994.
602:The Metropolitan Museum of Art Guide
589:, Cambridge University Press, 2015.
462:The Metropolitan Museum of Art Guide
160:Pericles with the Corinthian helmet
95:Pericles with the Corinthian helmet
158:. He is best known for his statue
14:
703:Picture of an Amazon (in German)
582:, Charles Scribner's Sons, 1895.
16:Greek sculptor (c. 480 â 410 BC)
338:, Nat. Hist. xxxiv. 75) in the
723:5th-century BC Greek sculptors
698:The wounded Amazon of Kresilas
1:
121:
376:Temple of Artemis at Ephesus
64:In Argos, Dorotheos's school
281:of which there are examples
774:
738:Metics in Classical Athens
332:wounded Amazon of Kresilas
198:'s school and in the post-
186:, with whom he worked at
114:
733:Ancient Cretan sculptors
621:Harvard University Press
378:. As a result, Kresilas
295:at Tivoli, and owned by
532:Matilda Betham (1804).
505:Barr, Sandra M (2008).
380:was mistakenly included
142:(5th century BC), from
617:Loeb Classical Library
493:34.74â75 (pp. 182â183)
432:Giuliano 1987, p. 686
264:(440â430 BC) with the
253:
240:
178:. He was trained in
619:394. Cambridge, MA:
585:Hurwit, Jeffrey M.,
578:FurtwÀngler, Adolf,
464:7. "Wounded Amazon"
743:Acropolis of Athens
648:(in German). 1999.
458:34.53 (pp. 166â167)
174:, on the island of
150:at the time of the
348:Athena of Velletri
254:
98:Athena of Velletri
758:Temple of Artemis
728:Ancient Cydonians
708:Busts of Pericles
550:"Brooklyn Museum"
223:Temple of Artemis
152:Peloponnesian War
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682:Antonio (1987).
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389:The Dinner Party
354:'s description.
217:, Kresilas, and
182:as a student of
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44:Classical Greece
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626:Politt, J. J.,
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511:. p. 134.
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490:Natural History
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455:Natural History
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416:; FurtwÀngler,
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340:Vatican Museums
297:Charles Townley
293:Hadrian's Villa
285:Vatican Museums
250:Vatican Museums
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207:Pliny the Elder
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334:(volnerata;
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301:Altes Museum
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89:Notable work
470:pp. 128â141
418:pp. 115â116
368:Polykleitos
328:Polykleitos
320:competition
316:concurrence
211:Polykleitos
67:In Athens,
717:Categories
445:; Politt,
412:; Politt,
396:References
382:in artist
358:"Cresilla"
291:(found at
266:Corinthian
252:(no. 269).
127: â c.
125: 480
277:Acropolis
273:strategos
184:Dorotheos
166:Biography
82:sculpture
71:'s school
59:Education
54:c. 410 BC
32:c. 480 BC
480:Politt,
441:Hurwit,
408:Hurwit,
346:statue (
262:Pericles
246:Pericles
219:Phradmon
192:Hermione
136:sculptor
131:) was a
118:KrÄsĂlas
115:ÎÏηÏίλαÏ
107:Kresilas
23:Kresilas
675:Le Muse
623:, 1952.
573:Sources
372:Phidias
324:Phidias
312:Ephesus
283:at the
227:Ephesus
215:Phidias
200:Phidias
172:Kydonia
144:Kydonia
138:in the
36:Kydonia
652:
646:Vol. 6
634:
608:
593:
515:
466:p. 306
447:p. 226
443:p. 154
410:p. 131
344:Athena
318:(in a
308:Amazon
299:) and
269:helmet
258:statue
188:Delphi
148:Athens
486:Pliny
482:p. 69
451:Pliny
414:p. 69
352:Homer
336:Pliny
322:with
196:Myron
180:Argos
176:Crete
156:Myron
133:Greek
111:Greek
69:Myron
40:Crete
650:ISBN
632:ISBN
606:ISBN
591:ISBN
562:2015
513:ISBN
370:and
326:and
310:for
244:of â
242:Herm
233:Work
190:and
51:Died
29:Born
314:in
260:of
225:at
719::
552:.
488:,
484:;
460:;
453:,
449:;
425:^
392:.
303:.
287:,
213:,
162:.
122:c.
120:;
113::
42:,
38:,
658:.
638:.
612:.
597:.
564:.
521:.
495:.
420:.
109:(
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