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prominent position. Its vegetation presents an almost complete spectrum of different development stages (succession stages) on diverse sites. These range from pioneer communities, tall herbaceous perennials and scrub formations to pioneer forests (industrial forest) and together produce an astonishing diversity of species. The
Landscape Park is quite rightly considered a local hotspot for biodiversity in the western Ruhr Region. Furthermore, its industrial nature is of high ecological value because it contributes not only to the preservation of many rare and endangered species but also to the conservation of urbanised nature in the Ruhr Region’s conurbations. The Landscape Park contains this enormous species diversity because of its great variety of habitats. Besides the industrial technogenic soils around the former blast furnace site, the sinter plant, the mine and the cokery, it also includes agricultural soils at Ingenhammshof and Emstermannshof. The physiochemical properties of the soils are significantly different and so influence the
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431:, takes these ideas and pushes them further as he uses materials on the site to show their transient nature as they change and decompose, transforming into something else. Landschaftspark at Duisburg Nord had a clear intention of using the site to develop its program. Within this context, each programmatic element is given a specific identity that illustrates time, while showing change in different ways. Each visitor is allowed to experience the park in their own way and create their own story. Marot explains that as the visitor is able to experience "ambivalent readings of place," their memory will be sparked in new way, giving that place more depth (86). Marot finishes his book,
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series of walkways and waterways, which were placed according to the old railway and sewer systems. While each piece retains its character, it also creates a dialogue with the site surrounding it. Within the main complex, Latz emphasized specific programmatic elements: the concrete bunkers create a space for a series of intimate gardens, old gas tanks have become pools for scuba divers, concrete walls are used by rock climbers, and one of the most central places of the factory, the middle of the former steel mill, had been made into a piazza. Each of these spaces uses elements to allow for a specific reading of time.
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363:, and Peter Latz himself. For them, memory does not equal preservation but instead has a transient quality. It implies a re-representation or understanding of the past, as memories constantly shift and change as one experiences life. Marot believes that the memory of a site should be used as a design strategy, as it shows depth and a process of connection. Yates’ argument for the importance of memory comes out of her concern that architecture has become too uniform, removing the particularities of a place. These idiosyncrasies have a history with the
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385:, was kept as straight as the canal before. The canal aids in one's understanding of water processes and changes in time. Markers made by soil mounds (these also break up the culvert form) allow the depth of the water to be read by the visitor to the site. Here the visitor is able to understand on a seasonal basis the process of the site and mark their experience of the park by how high the water was.
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not meant to last; rather, they will gradually erode and decay, portraying the natural processes occurring in the site (Steinglass, 129). In a way, this piazza represents the site as a whole: as the plates decay (like the other steel on the site), a succession of plants will grow between them. Plants will eventually fill the space, with the remains of the rusted steel among them.
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past to aid in giving meaning to things of the present (Marot, 42). By walking through the garden, an individual's memory may be sparked when they see the typical railway ties. This might then reveal new connections, as these railway ties occupy a different space than the long lines with which they are typically associated.
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The site was designed with the idea that a grandfather, who might have worked at the plant, could walk with his grandchildren, explaining what he used to do and what the machinery had been used for. At
Landschaftspark, memory was central to the design. Various authors have addressed the ways in which
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The sewage canal, which was believed to be in the same location as the ‘Old
Emscher’ river, could not remain as it existed on the site, and was placed underground (Diedrich, 73). A new canal has taken the place of the sewage canal, but is now flowing with fresh rainwater. Instead of creating a more
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which uses the principle of association with places. Smithson's assertion, in his article "A Tour of the
Monuments of Passaic," is similar, in that memory recalls the past but in a way that applies it to new things. Finally, Latz claims that interrelations must be made concrete and visible and that
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Industrial brownfield sites (syn. industrial wastelands) form the backbone of urban biodiversity in the central Ruhr Region and are places for experiencing nature and for environmental education. In terms of its size, structural variety and biodiversity, the
Duisburg-Nord Landscape Park occupies a
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Finally, Piazza
Metallica also works with ideas of temporality and memory: the landscape architects took 49 steel plates that formerly lined the foundry pits at the site (Diedrich, 70) and installed them to mark a gathering place, intended for events and performances. However, the steel plates are
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garden is located. This garden was formed using railroad ties collected from other locations at the site, which might remind someone of the old railway that is now an entrance to the park. It is similar to the way
Smithson's essay, "A Tour of the Monuments of Passaic," incorporates elements of the
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The park is divided into different areas, whose borders were carefully developed by looking at existing conditions (such as how the site had been divided by existing roads and railways, what types of plants had begun to grow in each area, etc.). This piecemeal pattern was then woven together by a
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and plant ecology. The
Biological Station has been involved in the collection of scientific data on plant and animal life since 2005, in cooperation with the park administration, are also involved with the formulation of maintenance and development plans (see Keil 2019).
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was an important predecessor to the
Landschaftspark. Rather than removing the gasworks, the design allowed parts of it to stay in place and created a mound where the soil was being remediated, allowing people to understand the process of change.
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These ideas of memory encompass
Landschaftspark. A series of pathways at multiple levels connect sites scattered throughout the project, allowing visitors to construct their own experiences. These sites include the bunker gardens, where the
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Keil, Peter (2019): Industrial nature and species diversity in the Landscape Park Duisburg-Nord. – Electronic Publications of the Biological Station of Western Ruhrgebiet 39 (2019): 1‒6.. Available from:
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408:, 82). However, the concept of redesigning an industrial site is used before by different Architects. Rather, several landscape architects have worked with the same mentality and culture such as
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279:’s design was significant, as it attempted to preserve as much of the existing site as possible (Diedrich, 69). Unlike his competitors, Latz recognized the value of the site's current condition (
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tried his first important experiences in dealing with derelict industrial sites in 1985, when designing the "Harbour Island", a public park on a destroyed harbour site in
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Marot, Sebastien, and Architectural Association. Sub-Urbanism and the Art of Memory. London: Architectectural Association, 2003.
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Diedrich, Lisa. "No Politics, No Park: The Duisburg-Nord Model." Topos: European Landscape Magazine, no. 26 (1999): 69 – 78.
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In 1991, a co-operative-concurrent planning procedure with five international planning teams was held to design the park.
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that were constructed in old quarries they didn't hide the main parts of the site, but they work to enforce it.
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Latz, Peter. "The Idea of Making Time Visible." Topos 33 (2000): 94 - 99. "Landschaftspark Duisburg-Nord."
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Memory has re-emerged as an important aspect of design, and has been addressed by authors such as
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the viewer will create their own picture of a place, not the designer (Latz, 94, 96).
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memory can inform the visitor of a site, a concept that became prevalent during
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Syntax of Landscape. The Landscape Architecture by Peter Latz and Partners.
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267:) and the agricultural land it had been prior to the mid 19th century.
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Some of the most important structures at Landschaftspark Duisburg-Nord
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production plant (abandoned in 1985, leaving the area significantly
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Ruhr Industrial Heritage Trail – Gelsenkirchen (in preparation)
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Tate, Alan. "Great City Parks" Spon Press, London, (2001)
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Bochum: Industrial Culture in the Heart of the Region
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251:. It was designed in 1991 by Latz + Partner (
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701:German Occupational Safety Exhibition (DASA)
489:Basel Berlin Boston: Birkhauser Publisher.
64:Learn how and when to remove these messages
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170:. Please do not remove this message until
27:Public park in Duisburg-Meiderich, Germany
773:Duisburg: Industrial Culture on the Rhine
538:List of preserved historic blast furnaces
208:Learn how and when to remove this message
190:Learn how and when to remove this message
129:Learn how and when to remove this message
1640:Heritage sites in North Rhine-Westphalia
788:Dortmund: Dreiklang Coal, Steel and Bier
562:Landschaftspark Duisburg-Nord (Official)
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166:Relevant discussion may be found on the
818:The History and the Present of the Ruhr
912:Ruhr Industrial Heritage Trail by bike
803:Industrial Culture at Volme and Ennepe
393:Comparing between landscape architects
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299:Light installations by Jonathan Park
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898:Water: Works, Towers and Turbines
45:This article has multiple issues.
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1578:(various; Last festival - 2006)
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768:Zollverein Industrial Landscape
340:Landschaftspark Duisburg-Nord-1
53:or discuss these issues on the
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615:German Inland Waterways Museum
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1399:Arena Nürnberger Versicherung
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625:Oberhausen Industrial Museum
501:Learning from Duisburg Nord.
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848:Chemistry, Glass and Energy
783:Krupp and the Town of Essen
172:conditions to do so are met
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873:Historic Parks and Gardens
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681:Recklinghausen Substation
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413:Parc des Buttes Chaumont
84:This article includes a
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952:Music venues in Germany
883:Panoramas and Landmarks
868:Myth of the Ruhr Region
838:Westphalia Mining Route
813:Early Industrialisation
696:Henrichenburg boat lift
271:Conception and creation
113:more precise citations.
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843:Rhenish Mining Route
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86:list of references
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1553:Rock im Park
1541:Rock am Ring
1521:(Burghausen)
1370:Haus Auensee
1365:Conne Island
1313:HR Sendesaal
1267:Messe Erfurt
1258:
1233:Kulturpalast
1189:Bad Segeberg
1183:Other cities
1122:Olympiahalle
1101:Kaiserkeller
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756:Theme routes
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180:January 2022
177:
155:
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119:January 2024
116:
105:Please help
97:
61:
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48:
47:Please help
44:
1609: /
1555:(Nuremberg)
1465:Schlachthof
1071:Laeiszhalle
645:Villa Hügel
453:Works cited
402:Saarbrücken
111:introducing
1624:Categories
1594:51°28′49″N
1513:Full Force
1497:(Bayreuth)
1491:(Balingen)
1420:Stadthalle
1403:Oberhausen
1360:Gewandhaus
1336:Music Hall
1298:Batschkapp
1285:Zeche Carl
1275:Grugahalle
1237:Düsseldorf
1217:Die Glocke
1106:Rote Flora
1091:Markthalle
1005:ICC Berlin
975:Uber Arena
429:Peter Latz
398:Peter Latz
277:Peter Latz
253:Peter Latz
157:neutrality
50:improve it
1597:6°46′48″E
1515:(Lobnitz)
1509:(Cologne)
1461:Wiesbaden
1432:Stuttgart
1416:Offenbach
1383:SAP Arena
1347:ZAG-Arena
1293:Alte Oper
1096:Mojo Club
1086:Gruenspan
1066:Kampnagel
1000:Tempodrom
965:Waldbühne
410:Alphand's
406:Weilacher
281:Weilacher
245:Meiderich
168:talk page
56:talk page
1630:Duisburg
1567:(Wacken)
1395:Nürnberg
1379:Mannheim
1338:(closed)
1255:Duisburg
1246:ISS Dome
1221:Dortmund
1144:(former)
985:Velodrom
718:Hohenhof
532:See also
485:(2008):
265:polluted
241:Duisburg
161:disputed
1470:Kurhaus
1453:Viersen
1387:Münster
1351:Leipzig
1317:Hanover
1229:Dresden
1152:Cologne
1132:Gasteig
1044:Hamburg
1025:A-Trane
424:Seattle
249:Germany
232:Furnace
107:improve
1572:Former
1485:Active
1263:Erfurt
1213:Bremen
1197:Bochum
1137:Zenith
1115:Munich
1030:B-flat
958:Berlin
517:
507:
493:
291:Design
1531:area)
1445:Twist
1271:Essen
1076:Docks
261:steel
92:, or
1529:Ruhr
1205:Bonn
1035:SO36
1020:Køpi
515:ISBN
505:ISBN
491:ISBN
374:fern
259:and
257:coal
154:The
422:in
1626::
359:,
355:,
312:.
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1527:(
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