Knowledge (XXG)

Mariachi

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1065: 1046:, as musical director. Fuentes along with Vargas were instrumental in the standardization of much of mariachi music, arranging traditional songs and writing new ones that would be performed by many of the legendary performers of the mid-20th century, such as Pedro Infante, Miguel Aceves Mejía, Lola Beltrán and José Alfredo Jiménez. Mariachi Vargas still remains, tracing its history in terms of generations, starting in the 1890s, with these generations maintaining the group's authenticity as a mariachi while the music has evolved. The last Vargas associated with the group died in 1985. That the group still considers itself the original group comes from the notion of passing on the music by generations of musicians, as the original 595: 643: 3011: 1299: 619: 38: 1012: 1514: 1354:. Much of the published mariachi music is meant for people already familiar with the music to serve as guides, not for novices. On the other hand, many schools have problems recruiting mariachi instructors as many of these do not have required teaching credentials. For this reason, schools often hire trained musicians from outside the mariachi tradition. Many traditional mariachis are concerned that standardization will lead to the genre becoming rule-bound and so restrict improvisation. 769: 1248:. This prompted the creation of other student organizations in other parts of California and then in Texas, where the first mariachi festival was held in 1979. Since then, a strong synergy between academic programs and mariachi festivals has developed, which feature students and give mariachi classes and workshops. This festival led to excitement in the Texas board of education, and soon Zeke Castro, a many award winning educator, was hired to teach mariachi. 1530: 930:, which also provides rhythm. Sometimes a Mexican folk harp provides bass and ornaments the melody. All are Mexican variations of European instruments. There is generally no lead singer as in other kinds of groups, with all players singing choruses and taking turns singing the lead. Often the lead singer is assigned to a certain song due to voice qualities. Mariachi vocalization shows influences from a number of styles such as 1467: 993: 1219: 842: 518: 1113: 1522: 2930: 942:(an aggressive style) and more. Voices must be strong to be heard over amplified instruments. Vocal style emphasizes operatic qualities, and instrumental performance demonstrates a level of virtuosity that reflects advanced musical training. Historically, mariachi groups have been made up of men, but there is growing acceptance of female mariachis. 946: 914: 1479:
coming from the machismo ideology. To embrace their own machismo form, these female groups would use their femininity and beauty to find success, singing songs about independence, life, heart, and the suffrage movement. These female groups adopted the same traje de charro attire that the men but added long skirts and removed the sombreros.
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in front of the plaza to flag down passing cars. In 2010, the government renovated the plaza to make it more tourist-friendly, adding new paving, gardens, police, security cameras, painted facades, and a museum dedicated to mariachi and tequila. Although mariachis can be hired in Mexico City over the
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in the 1860s, related to the music's appearance at weddings. This was a common explanation on record jackets and travel brochures but was disproven with the appearance of documents that showed that the word existed before this invasion: in 1981, a letter written by Catholic priest Cosme Santa Ana to
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Many of the traditional sounds of Cocula were lost as mariachi groups incorporated other musical styles that were popular on the radio. New influences have come into the tradition from the Mexican American community in the United States. In both countries, however, the learning of traditional pieces
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The traje de charro outfit is widely considered to be one of the two major changes that occurred during the Golden Age, the other being the introduction of trumpets. The traje de charro outfit was also used in the national Orquestra Típica Mexicana ("Mexican Typical Orchestra"), organized in 1884 by
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In the 1940s, the first all-female mariachi band created itself, directed by Carlota Noriega, with many more to follow in their path, primarily from the United States. These women-led mariachis or musicians faced misogyny for taking on a style of music that was considered to be male-dominated space
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and modern mariachi comes from the modification of the music. By the end of the nineteenth century, the European art music tradition was firmly transplanted to Mexico, with opera, salon music, waltzes, and more written and performed both by Europeans and Mexicans in the country. One variety was the
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peoples learned to play and make these instruments, often giving them modified shapes and tunings. In addition to instruments, the Spanish introduced the concept of musical groups—which, in the colonial period, generally consisted of two violins, a harp, and various guitars. These groups were based
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in 1959. He played in many mariachi groups backing singers but felt mariachi could stand alone. In 1969 he opened a restaurant called La Fonda in Los Angeles, which featured his group, Los Camperos, as part of a dinner show. The success of this enterprise, and of Los Camperos in general,
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The common perception of the music and look of mariachi developed in the 20th century, as the music was transformed from a regional rural folk music to an urban phenomenon that came to represent Mexico. The music was first introduced to Mexico City in 1905. During this time, many farm workers
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The distinction of mariachi from the older son jalisciense occurred slowly sometime during the 19th century. The music originated in the center-west of Mexico. Most claims for its origin lie in the state of Jalisco but neighboring states of Colima, Nayarit, and Michoacán have also claimed it.
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During this time, the Mexican government was heavily involved in cultural promotion as a way to create a unified Mexican identity after the end of the Mexican Revolution. One of these efforts was the promotion of mariachi as an international symbol of Mexican identity, first with radio and sound
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had to let workers go, including mariachis. Groups began to wander and play for a fee, which obliged them to incorporate other music into their repertoires, including waltzes and polkas. It also required them to play in public venues. From the late 19th century to the 1930s, mariachi groups were
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The educational movement is controversial with some trained in the traditional manner, who are skeptical about these programs and their potential to change the tradition. The changes, especially standardization of publishing, are slowly impacting mariachi in Mexico. One difficulty of arranging
659:. Curti's Orquestra Típica Mexicana has been called the "predecessor of the mariachi bands". Traje de charro is heavily inspired by cowboys and features very symbolic sombreros, tight fitting pants, ruffled shirts, and jackets with heavy embroidery and embellishments throughout all the pieces. 709: 860:. Their appearance in many films, backing many singing stars, and their hiring of formal musicians prompted other mariachis to do the same. The group also expanded, adding trumpets, violins and even a classical guitar to become a kind of orchestra, keeping the traditional 1270:
In areas with large Mexican-American populations, mariachis are hired for events outside this ethnic group as well. Outside of schools, the most important venue for the music in the United States is mariachi festivals, with the longest-running festivals in Tucson and
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As mariachi groups are expected to play requests, they may need to know hundreds of songs. Most songs are about machismo, love, betrayal, death, politics, revolutionary heroes and even animals and country life from the genre's origins as rural
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phone or on the internet, many people still prefer to come to the plaza, hear the musicians and haggle over the price. About 2,500 mariachis hold union cards to work in the plaza, but as many as 4,000 may circulate through on a busy weekend.
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In Mexico City, the center of mariachi music remains Garibaldi Plaza. Mariachi musicians fill the plaza to solicit gigs, from individual songs for passers-by to being hired for events such as weddings and baptisms. They even stand on
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However, these films also promoted a negative perception of mariachi music. During the early 20th century, mariachi was seen as lower class, and belonging in bars. Films from this period associated the charros and mariachi music with
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The main characters used his ability to sing mariachi as a way to show strength, virility, and aesthetic beauty. Its use in film also made the music popular and a symbol of ethnic pride for Mexican Americans in the United States.
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The size of a mariachi group varies depending on the availability of musicians. The usual mariachi group today consists of as many as eight violins, two trumpets and at least one guitar. Traditional mariachi guitars include the
969:. A serenade in the Mexican culture is used to profess your love or show admiration for a person. Mariachis are most widely known to serenade during birthday celebrations. One of the most common pieces played by mariachis is " 803:, charros were no longer economically necessary but were used as a cultural ideal, especially by the film industry in the mid-20th century. The first charro movies date from the 1920s, but the first to sing mariachi was 1482:
In 1976, the first United States founded all-women mariachi group was Las Generalas. They made sure to keep their image clean by not drinking or playing late at night in order to make the American public respect mariachi.
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Ballet folklórico is a dance that is not directly linked to mariachi, but they are often performed on stage together. They both involve highly gendered performances, elaborate costumes, and invite audience participation.
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The International Mariachi Festival in Guadalajara is an annual ten-day event that attracts more than 500 mariachis, who perform in concert halls and city streets. Past performers include Mariachi Vargas de Tecalitlán,
2211:"Programa de Cómputo para la Enseñanza: Cultura y Vida Cotidiana: 1900-1920, Historia de México II Primera Unidad: Crisis del Porfiriato y México Revolucionario 1900-1920, La música y el teatro popular de 1900 a 1920" 4318: 738:. These mariachi musicians developed new practices, such as performances in plazas and restaurants. However, it also continued its more traditional venues such as serenades, and performances at major family events. 713: 717: 715: 712: 710: 716: 509:
the archbishop was discovered in the archives of a church, where he complains about the noise as well as the drinking and gambling antics of the "mariachis" and dated in 1852, long before the French occupation.
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by mariachi musicians. The musical style began to take on national prominence in the first half of the 20th century, with its promotion at presidential inaugurations and on the radio in the 1920s. In 2011,
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The most distant reference documented are more than 100 certificates of baptisms, burials and marriages in which the Mariachi ranch appears, between 1832 and 1850. It was located near the river Santiago, in
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The origin of the word is disputed, but prominent theories attribute it to deep roots. One states that it comes from the name of the wood used to make the dance platform. Another states that
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recorded "Canciones de Mi Padre" and "Más Canciones" with Mariachi Vargas de Tecalitlán and others, which helped promote its popularity among Mexican Americans and to non-Mexican Americans.
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Mariachi music and musicians became more professional with more formal training starting in the late 1940s and early 1950s, principally due to the success of a major mariachi by the name of
577:. Early mariachi players did not look like those of today; they played only string instruments such as guitars and harps and dressed in typical peasant clothing: white pants and shirts with 2512: 2849:
de Las Heras-Fernández, Rosa; Padilla Martín-Caro, Víctor; Espada, María; de la Cruz, Zulema (2022-09-29). "Rhythmic Precision in Zapateado Flamenco: The Influence of Teaching Methods".
1042:. They appeared in over 200 films in the 20th century. Silvestre Vargas took over Mariachi Vargas de Tecalitlán from his father in 1958 and soon after hired a trained musician, 2454:
Clark, Jonathan. 1994. "Introduction." Cuarteto Coculense: The Very First Recordings 1908-1909 (Sones Abajeños), produced by Chris Strachwitz. El Cerrito: Arhoolie Records, CD7036.
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In Mexico, mariachi music can also be found as part of Catholic Mass. The Misa panamericana is a mariachi folk mass sung in Spanish with new arrangements of classic hymns such as "
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Salazar, Lauryn C. 2011. "From fiesta to festival. Mariachi music in California and the Southwestern United States." Ph.D. dissertation, University of California, Los Angeles.
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songs were longer than the standard three-and-a-half minutes of the then-standard 78 rpm record, forcing the shortening of tunes. Around the same time, the popularity of
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Vamanu, Iulian (January 2022). "'Our ancestors passed this down to us for a reason': information practices of ballet folklorico dancers in Mexican-American communities".
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Henriques, Donald A. 2006. "Performing Nationalism: Mariachi, Media and the Transformation of a Tradition (1920-1942)." Ph.D. dissertation, University of Texas, Austin.
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Nochistlán (sequential participatory music) allows an interactive music listening experience where audience members can request songs and even participate with karaoke.
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Gradante, William and Daniel Sheehy. 2008. Foundations of Mariachi Education, Vol.1: Materials, Methods, and Resource. Lanham, MD: Rowman & Littlefield Education.
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was inspired by a visit to Mexico. She posted a video in which she appears singing one of the songs from the album, "Death of Love", next to a group of mariachis in
537:, indigenous music was played with rattles, drums, flutes, and conch-shell horns as part of religious celebrations. The Spanish introduced violins, guitars, harps, 799:
became a national sport in Mexico and rings were constructed specifically for them, followed by professional charro associations. With the breakup of the large
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In the early 20th-century United States, record companies began actively recording rural music in other parts of the world. One of these was a recording called
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dance. It is a percussive rhythmic dance that follows a plant of foot followed by a heel tap then another foot plant, and continues on this pattern.
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However, by the late 19th century, the music was firmly centered in Jalisco. Most legends put the origin of the modern mariachi in the town of
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nomination for best Mexican-American album. Academic programs allow for instruction by famous mariachi groups and the opportunity to win awards.
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Flores, Cynthia R. (2015). ""'Las Generalas: Origins of Women's Participation in Mariachi and the Cultural and Transnational Implications.'"".
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Italian and Spanish Influence on Selected Works of Mexican Composers: María Grever, Ignacio Fernández Esperón "Tata Nacho," and Augustín Lara
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format in the US, the music style is well recognized throughout the country. The United States military has an official mariachi band in the
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incorporated classical influence. One other innovation, in contrast to the machismo of the style, were the first female mariachi performers,
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Urrutia de Vázquez, Cristina. 1984. Origen y Evolución del Mariachi. Guadalajara: Sociedad de Amigos de Museo Regional de Guadalajara.
2278:, Hermes Rafael. 1983. Los Primeros Mariachis en la Ciudad de México. Guía Para el Investigador. México D.F.: S.E. Pesadilla de Fondo. 692:
in 1908 and 1909, recognized as one of the "first" mariachi recordings. The music also gained attention in Mexico City when a wealthy
565:, whose best known song, also referred to as "the mariachi national anthem", is "La Negra". Modern mariachi music developed from this 352:. The usual mariachi group today consists of as many as eight violins, two trumpets and at least one guitar, including a high-pitched 838:. This perception would change in the latter half of the 20th century, but the music remains strongly associated with tequila. 3534: 3019: 2170:"Jalisco Is Mexico: Race and Class in the Encuentro Internacional del Mariachi y la Charrería in Guadalajara, Mexico (1994–2003)" 618: 594: 37: 3143: 1192:, with groups from these and other countries participating in Guadalajara's International Mariachi and Charreria Conference. 3010: 1244:
Some U.S. public schools offer mariachi as part of classes. The first student mariachi group was begun in 1961 at the
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The promotion of mariachi as representative of Mexico has led to the formation of mariachi groups in many countries such as
642: 367:, along with the Mexican government's promotion of national culture, mariachi came to be recognized as a distinctly Mexican 2115:
Sheehy, Daniel. 2006. Mariachi Music in America: Experiencing Music, Expressing Culture. New York: Oxford University Press.
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Jáuregui, Jesús. 2007. El Mariachi: Símbolo Musical de México. México D.F.: Instituto Nacional de Antropología e Historia.
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The first mariachi groups in the United States were from California. Nati Cano was born in Jalisco in 1939 and moved to
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Cecilia Martinez-Avila (November 1997). "Marvelous Mariachi: A new generation embraces centuries-old music of Mexico".
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in hopes of being a protected element of heritage; it joins six other entries on the Mexican list of that category.
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music dating back to at least the 18th century, evolving over time in the countryside of various regions of western
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introduced the trumpet into mariachi, pushing the violins into second place and in some cases, replacing the harp.
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The most prized of the mariachis remained those from the state of Jalisco, particularly the areas of Cocula and
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in the late 1890s. They moved from Jalisco to Mexico City and performed for the inauguration of President
4189: 2813:"Mariachi and Rancheras in Mexico and El Norte: 100 Years of Mexican Tradition; Past, Present and Future" 1398: 1382: 4194: 3369: 1513: 1471: 885: 526: 1226: 1027: 927: 781: 357: 2797: 1437:, plays traditional Mexican mariachi music as well as some English-language covers in mariachi style. 893: 768: 3764: 3341: 3298: 2934: 2039: 1648: 981: 101: 2410:
Rodriguez, Russell C. (2023). "Mariachi Accompaniment: Cultural Bearers for Communal Conviviality".
2258: 1260: 1128:, founded in 1999 by Cindy Shea. In 2009, they became the first all-female mariachi nominated for a 4126: 4121: 3784: 3444: 2395:
Guy Keeler (March 23, 2006). "Girls get the beat: Mariachi's male image doesn't faze young women".
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music divided into various regional varieties; the variety popular in the Jalisco area was called
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Other innovations in the United States have been the incorporation of styles of artists such as
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The music has a strong following in the US, with top groups spending a lot of time on tour.
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Mariachi group playing at the 10th-anniversary celebration of Knowledge (XXG) in Guadalajara
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Martha Sarabia (May 10, 2008). "Mariachi de a millón" [Mariachi of a million].
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Nolasco, Antonio, Perla de los Ángeles (2018). "1.2. Sobre la etimología de mariachi".
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Performing nationalism: Mariachi, media and transformation of a tradition (1920--1942)
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Most mariachi groups are associated with family and religious celebrations along with
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have inspired many mariachi groups in the United States. In the late 1980s, pop star
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Chappell, Elizabeth (2023). "The Life and Career of Mariachi Educator Zeke Castro".
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is an American singer-songwriter. Her paternal grandparents are Mexican performers
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upon mestizaje culture and gave rise to a number of folk musical styles in Mexico.
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Figures depicting an old-style mariachi band in clay by José Guadalupe Panduro of
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Female mariachi vocalist at the Festival del Mariachi, Charrería y Tequila in
1390: 1125: 1098: 1072: 864:/mariachi base while integrating new musical ideas and styles. Arrangers like 726: 517: 2866: 2626:"Belle Ortiz, one of mariachi's biggest champions in San Antonio, dies at 90" 2195: 2076: 2000: 1835: 4023: 3857: 3810: 3769: 3687: 3496: 3486: 3464: 3384: 3361: 3308: 3303: 1578: 1276: 1189: 1165: 1141: 1112: 1000: 889: 796: 438: 4234: 4214: 4153: 3937: 2339: 2233: 2022: 1658: 1521: 1497:, translated to "tap dance" is a kind of footwork adopted from the Spanish 430: 2929: 2905:
In American Musicological Society Southwest Chapter Conference Proceedings
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Mexico built a nationwide radio broadcasting network in the 1920s such as
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Mario Santiago and Silvestre Vargas in a musical presentation, 1958–1959
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moved to the city, including those from Jalisco, which settled around
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Show mariachi allows the groups to play a certain set list of songs.
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family brought an early mariachi from Cocula to play for President
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During the 19th- and 20th-century migrations from rural areas into
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Greathouse, Patricia. Mariachi. Layton: Gibbs Smith. 2009. p. 35.
1863:. November 27, 2011. Archived from the original on April 26, 2021 1097:, called Mariachi Nuevo México; this pays homage to the state of 4244: 2540:"Downey native goes from Uber driver to Grammy-nominated artist" 1860: 1173: 1157: 758: 3132: 2944: 2682:"Tucson International Mariachi Conference Celebrates 30th Year" 1820:"A Beautiful Thing: Mariachi and Femininity in Jalisco, Mexico" 791:
tradition was strong in Jalisco, especially in a region called
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include mariachi music in their programming. The most popular
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Masterpieces of the Oral and Intangible Heritage of Humanity
2539: 1389:. Mariachi Mujer has performed with Mexican artists such as 282: 2734: 2024:
Estudio lexicológico del vocabulario del mariachi de Puebla
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that performed in more rural settings, notably in traje de
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This article is about the musical genre. For the film, see
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Once school programs were limited to border areas such as
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is recognized as the oldest mariachi ensemble, founded by
2565:"Lupita Infante recibió su primera nominación al Grammy" 2513:"Mariachi Groups From Around the World Gather in Mexico" 2154: 2152: 2465:"LA Holiday Celebration: Mariachi Divas de Cindy Shea" 500:
was once thought to have derived from the French word
2274: 2272: 2111: 2109: 2107: 2105: 317: 276: 973:", for birthdays and celebrations of patron saints. 4268: 4177: 4114: 4037: 3883: 3803: 3705: 3648: 3612: 3533: 3495: 3435: 3402: 3360: 3322: 3215: 3167: 3097: 3018: 2978: 320: 288: 279: 249: 241: 236: 226: 216: 206: 190: 153: 107: 95: 71: 44: 30: 1918:"History of the Mariachi Puro Mariachi Foundation" 622:Mariachi woman in modern attire playing the violin 340:) is an ensemble of musicians that typically play 2901:"The Mariachi Tradition in Nochistlán, Zacatecas" 1855:[Mariachi, World Heritage Site: UNESCO]. 1881:: CS1 maint: bot: original URL status unknown ( 880:and repertory is still stressed to form a base. 469:comes from the indigenous name of a tree called 1912: 1491:The most common dance technique in mariachi is 2588: 2586: 2357:"Mariachi: The Spirit of Mexico WLIW New York" 2286: 2284: 1910: 1908: 1906: 1904: 1902: 1900: 1898: 1896: 1894: 1892: 1853:"Mariachi, Patrimonio de la Humanidad: UNESCO" 1267:, also spend time teaching in public schools. 3144: 2956: 1857:Instituto Nacional de Antropología e Historia 1321:that mariachi is based on alternates between 1007:from 1921 to 1975, director from 1931 to 1955 8: 4288:Hispanic-influenced music in the Philippines 2325: 2323: 2321: 2319: 2136: 2134: 2132: 2130: 2044:: CS1 maint: multiple names: authors list ( 1986: 1984: 1982: 1980: 1978: 1976: 1974: 1972: 1970: 1968: 1847: 1845: 894:Mariachi América de Jesús Rodríguez de Hijar 397:Song styles performed with mariachi include 2706:. Las Vegas International Mariachi Festival 2515:. New York. August 29, 2011. Archived from 1377:, as well as the heavy-metal mariachi band 591:at a higher rate than those who could not. 4034: 3645: 3357: 3151: 3137: 3129: 2963: 2949: 2941: 2390: 2388: 2386: 2384: 2382: 2334:(PhD). The University of Texas at Austin. 1246:University of California, Los Angeles 557:. This music featured string instruments. 381:, the addition of trumpets and the use of 36: 27: 2899:Torres-Ramos, José R. (April 5–6, 2014). 2213:. Universidad Nacional Autónoma de México 2185: 834:, womanizing and drinking, especially of 553:One of these folk musical styles was the 2817:California State University, Los Angeles 2538:Pennacchio, George (December 31, 2020). 2065:International Journal of Music Education 1433:. An all-female mariachi in London, UK, 958:music. One particularly famous song is " 617: 191:Mariachi, string music, song and trumpet 2363:. New York. May 4, 2012. Archived from 2351: 2349: 1803: 75:18th century, Cocula, Jalisco, Mexico ( 2658:Historical Research in Music Education 2444:. Denver. October 1, 2003. p. 8B. 2037: 1945: 1943: 1941: 1939: 1937: 1935: 1874: 187: 2680:Caitlin Harrington (April 24, 2012). 813:in 1936. The character was played by 598:The Orquestra Típica Mexicana led by 356:and an acoustic bass guitar called a 335: 7: 2293:"Mexico protects its mariachi plaza" 2257:Cavazos, Gregorio A. (May 1, 2023). 1813: 1811: 1809: 1807: 1781:"Muerte de un gallero" (corrido-son) 1385:, Mariachi Reyna de Los Angeles and 2800:. New York magazine. June 17, 2013. 2168:Mulholland, Mary-Lee (2021-07-01). 1784:"El Charro Mexicano" (ranchera-son) 1120:is an all-female Mariachi based in 585:/mariachi music could find work at 199:UNESCO Intangible Cultural Heritage 2819:: 1–65 – via Google Scholar. 2569:Noticias de El Salvador y el Mundo 2486:Richard Irwin (January 23, 2014). 1283:and has headlined artists such as 14: 2467:. LA County Arts Commission. 2010 2397:McClatchy - Tribune Business News 1991:Camille Collins (March 9, 2007). 1075:at the White House with Mariachi 742:recordings and later with films. 4334:Regional styles of Mexican music 3009: 2928: 2811:Garcia, Virginia M. (May 2020). 2330:Donald Andrew Henriques (2006). 1565:Canción ranchera (a dos tiempos) 1291:, American-born mariachi singer 1054:United States and further afield 313: 272: 2265:: 5 – via Google scholar. 2263:Texas Tech University Libraries 1611:Canción ranchera (tres tiempos) 231:Latin America and the Caribbean 2624:Morgan, Jack (July 13, 2023). 2291:Chris Hawley (July 16, 2010). 2187:10.5406/jamerfolk.134.533.0292 1405:. Mariachi Divas have won two 1263:, which regularly performs at 504:("marriage"), dating from the 1: 2859:10.1080/15290824.2022.2098301 2748:Yee, Vivian (21 March 2013). 1953:. New Mexico State University 1818:Mulholland, Mary-Lee (2013). 1020:Mariachi Vargas de Tecalitlán 784:' election campaign in 1936. 506:French intervention in Mexico 2571:(in Spanish). March 12, 2021 2232:Castillo, Manuel M. (2014). 2209:Chavez, Humberto Dominguez. 2174:Journal of American Folklore 1387:Mariachi Divas de Cindy Shea 1317:mariachi pieces is that the 1118:Mariachi Divas de Cindy Shea 819:¡Ay, Jalisco... no te rajes! 795:. After the Revolution, the 392:Intangible Cultural Heritage 2774:"Mariachi Flor de Toloache" 581:. Those who could play the 573:as an alternative name for 4357: 4329:National symbols of Mexico 2851:Journal of Dance Education 2601:. New York. Archived from 2593:Sevil Omer (May 4, 2012). 2492:San Gabriel Valley Tribune 2429:(in Spanish). Los Angeles. 1704:Sones regionales mexicanos 1057: 823:¡Así se quiere en Jalisco! 390:recognized mariachi as an 18: 4339:Spanish words and phrases 4324:Mexican musical ensembles 3007: 1995:. Mexconnect newsletter. 1951:"What is Mariachi Music?" 1533:Mariachi, Heart of Mexico 1423:Mariachi Flor de Toloache 1095:New Mexico National Guard 949:Mariachi guitarrón player 852:, singing Mariachi music. 721:Mariachi band performing 195: 158: 112: 100: 35: 2882:Journal of Documentation 2399:. Washington. p. 1. 2077:10.1177/0255761405058237 1435:Mariachi Las Adelitas UK 810:Allá en el Rancho Grande 631:salon orchestras called 626:The distinction between 2412:Twentieth-Century Music 1993:"What is the mariachi?" 1568:Corrido (a dos tiempos) 1015:Mariachi Vargas in 1950 3108:Mexican music in Chile 2059:Clark, Sylvia (2005). 1859:(in Spanish). Mexico: 1614:Corrido (tres tiempos) 1534: 1526: 1518: 1475: 1425:, who are featured in 1313: 1303:María José Quintanilla 1241: 1137: 1085:radio stations in the 1079: 1060:Mexican music in Chile 1016: 1008: 950: 918: 853: 773: 730: 647: 623: 607: 535:arrival of the Spanish 530: 178:Regional Mexican music 16:Folk music from Mexico 1532: 1524: 1516: 1472:San Juan de los Lagos 1469: 1301: 1221: 1197:Mariachi Los Camperos 1115: 1067: 1014: 995: 962:" ("The Cockroach"). 948: 916: 886:Mariachi los Camperos 844: 771: 720: 645: 621: 597: 527:Museo de Arte Popular 520: 3159:Music genres in the 2937:at Wikimedia Commons 2628:. Texas Public Radio 1517:Mariachi Guadalajara 1003:and musician of the 982:Cuernavaca Cathedral 934:(a romantic style), 525:, on display at the 102:Mariachi tradicional 4122:Afro-Peruvian music 3445:Afro-Peruvian music 1442:Sophie Ellis-Bextor 1399:Gerardito Fernandez 1383:Mariachi Mujer 2000 1077:Campanas de América 673:semi-professional. 337:[maˈɾjatʃi] 237:Inscription history 4314:Latin music genres 4028:Charanga-vallenata 3460:Son de los Diablos 2519:on October 4, 2011 1535: 1527: 1525:A mariachi fiddler 1519: 1476: 1314: 1242: 1138: 1080: 1017: 1009: 951: 938:(using falsetto), 919: 854: 774: 731: 723:El Son de la Negra 704:Modern development 678:Cuarteto Coculense 664:Mexican Revolution 648: 624: 608: 531: 245:2011 (6th session) 63:Mexican folk music 4296: 4295: 4110: 4109: 3701: 3700: 3398: 3397: 3126: 3125: 2933:Media related to 2798:"Approval Matrix" 2098:– via SAGE. 1462:Women in mariachi 1411:Disneyland Resort 1227:Lupita Torrentera 1134:Disneyland resort 817:in films such as 718: 633:orquestas típicas 539:brass instruments 259: 258: 186: 185: 45:Stylistic origins 4346: 4190:Canción melódica 4035: 3804:Traditional folk 3646: 3437:Peruvian coastal 3420:Paraguayan polka 3358: 3153: 3146: 3139: 3130: 3100:Regional Mexican 3013: 2965: 2958: 2951: 2942: 2932: 2917: 2916: 2911:: 4 – via 2896: 2890: 2889: 2877: 2871: 2870: 2846: 2840: 2839: 2827: 2821: 2820: 2808: 2802: 2801: 2794: 2788: 2787: 2785: 2784: 2770: 2764: 2763: 2761: 2760: 2745: 2739: 2738: 2731: 2725: 2722: 2716: 2715: 2713: 2711: 2700: 2694: 2693: 2691: 2689: 2677: 2671: 2668: 2662: 2661: 2653: 2647: 2644: 2638: 2637: 2635: 2633: 2621: 2615: 2614: 2612: 2610: 2590: 2581: 2580: 2578: 2576: 2561: 2555: 2554: 2552: 2550: 2544:ABC7 Los Angeles 2535: 2529: 2528: 2526: 2524: 2509: 2503: 2502: 2500: 2498: 2483: 2477: 2476: 2474: 2472: 2461: 2455: 2452: 2446: 2445: 2437: 2431: 2430: 2422: 2416: 2415: 2407: 2401: 2400: 2392: 2377: 2376: 2374: 2372: 2367:on July 29, 2012 2353: 2344: 2343: 2327: 2314: 2311: 2305: 2304: 2302: 2300: 2288: 2279: 2276: 2267: 2266: 2254: 2248: 2247: 2245: 2243: 2229: 2223: 2222: 2220: 2218: 2206: 2200: 2199: 2189: 2180:(533): 292–318. 2165: 2159: 2156: 2147: 2146: 2138: 2125: 2122: 2116: 2113: 2100: 2099: 2097: 2096: 2087:. Archived from 2056: 2050: 2049: 2043: 2035: 2033: 2032: 2018: 2012: 2011: 2009: 2007: 1988: 1963: 1962: 1960: 1958: 1947: 1930: 1929: 1927: 1925: 1914: 1887: 1886: 1880: 1872: 1870: 1868: 1849: 1840: 1839: 1815: 1791:Classical music 1750: 1749: 1748: 1747: 1735: 1734: 1733: 1732: 1692: 1691: 1690: 1689: 1641: 1640: 1639: 1638: 1604: 1603: 1602: 1601: 1558: 1557: 1556: 1555: 1350: 1349: 1348: 1347: 1335: 1334: 1333: 1332: 1235: 1208:Los Angeles 1107:Mexican-American 1083:Regional Mexican 1040:Asi es mi Tierra 997:Silvestre Vargas 719: 579:huarache sandals 346:regional Mexican 339: 334: 330: 329: 326: 325: 322: 319: 312: 304: 303: 300: 299: 296: 293: 290: 287: 284: 281: 278: 271: 188: 72:Cultural origins 40: 28: 4356: 4355: 4349: 4348: 4347: 4345: 4344: 4343: 4299: 4298: 4297: 4292: 4264: 4173: 4147:Afro-Cuban jazz 4132:Bomba del Chota 4106: 4033: 3879: 3799: 3697: 3693:Orquesta típica 3683:Uruguayan tango 3658:Argentine tango 3644: 3608: 3536: 3529: 3491: 3431: 3394: 3356: 3318: 3211: 3163: 3157: 3127: 3122: 3093: 3082:Son jalisciense 3070:Tierra Caliente 3021: 3014: 3005: 2996:Jarana yucateca 2974: 2972:Music of Mexico 2969: 2925: 2920: 2898: 2897: 2893: 2879: 2878: 2874: 2848: 2847: 2843: 2829: 2828: 2824: 2810: 2809: 2805: 2796: 2795: 2791: 2782: 2780: 2772: 2771: 2767: 2758: 2756: 2747: 2746: 2742: 2733: 2732: 2728: 2723: 2719: 2709: 2707: 2702: 2701: 2697: 2687: 2685: 2679: 2678: 2674: 2669: 2665: 2655: 2654: 2650: 2645: 2641: 2631: 2629: 2623: 2622: 2618: 2608: 2606: 2592: 2591: 2584: 2574: 2572: 2563: 2562: 2558: 2548: 2546: 2537: 2536: 2532: 2522: 2520: 2511: 2510: 2506: 2496: 2494: 2485: 2484: 2480: 2470: 2468: 2463: 2462: 2458: 2453: 2449: 2442:La Voz Bilingüe 2439: 2438: 2434: 2424: 2423: 2419: 2409: 2408: 2404: 2394: 2393: 2380: 2370: 2368: 2355: 2354: 2347: 2329: 2328: 2317: 2312: 2308: 2298: 2296: 2290: 2289: 2282: 2277: 2270: 2256: 2255: 2251: 2241: 2239: 2231: 2230: 2226: 2216: 2214: 2208: 2207: 2203: 2167: 2166: 2162: 2157: 2150: 2140: 2139: 2128: 2123: 2119: 2114: 2103: 2094: 2092: 2058: 2057: 2053: 2036: 2030: 2028: 2020: 2019: 2015: 2005: 2003: 1990: 1989: 1966: 1956: 1954: 1949: 1948: 1933: 1923: 1921: 1920:. Puro Mariachi 1916: 1915: 1890: 1873: 1866: 1864: 1851: 1850: 1843: 1817: 1816: 1805: 1801: 1746: 1741: 1740: 1739: 1738: 1737: 1731: 1726: 1725: 1724: 1723: 1722: 1700:Son jaliscience 1688: 1683: 1682: 1681: 1680: 1679: 1671:Canción rítmica 1649:Bolero ranchero 1637: 1632: 1631: 1630: 1629: 1628: 1600: 1595: 1594: 1593: 1592: 1591: 1554: 1549: 1548: 1547: 1546: 1545: 1511: 1489: 1464: 1452:Puerto Vallarta 1440:English singer 1346: 1341: 1340: 1339: 1338: 1337: 1331: 1326: 1325: 1324: 1323: 1322: 1285:Pedro Fernández 1229: 1062: 1056: 1028:Lázaro Cárdenas 1005:Mariachi Vargas 990: 988:Mariachi Vargas 940:son jalisciense 911: 858:Mariachi Vargas 846:Lorenzo Negrete 782:Lázaro Cárdenas 736:Plaza Garibaldi 708: 706: 646:Mariachi singer 613:Cocula, Jalisco 583:son jalisciense 575:son jalisciense 563:son jalisciense 523:Tonalá, Jalisco 515: 463: 332: 316: 307: 306: 275: 266: 265: 202: 182: 173:Plaza Garibaldi 149: 108:Regional scenes 67: 52:Son jalisciense 26: 17: 12: 11: 5: 4354: 4353: 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3654: 3652: 3643: 3642: 3637: 3632: 3630:Música cebolla 3627: 3622: 3616: 3614: 3610: 3609: 3607: 3606: 3601: 3600: 3599: 3594: 3584: 3579: 3574: 3569: 3568: 3567: 3562: 3552: 3547: 3541: 3539: 3531: 3530: 3528: 3527: 3522: 3517: 3512: 3507: 3501: 3499: 3493: 3492: 3490: 3489: 3484: 3479: 3474: 3469: 3468: 3467: 3462: 3457: 3452: 3441: 3439: 3433: 3432: 3430: 3429: 3428: 3427: 3417: 3412: 3406: 3404: 3400: 3399: 3396: 3395: 3393: 3392: 3387: 3382: 3377: 3372: 3366: 3364: 3355: 3354: 3349: 3344: 3339: 3334: 3328: 3326: 3320: 3319: 3317: 3316: 3311: 3306: 3301: 3296: 3291: 3288:Canary Islands 3284: 3279: 3278: 3277: 3272: 3267: 3265:Rumba flamenca 3262: 3257: 3252: 3247: 3237: 3232: 3227: 3221: 3219: 3213: 3212: 3210: 3209: 3204: 3199: 3194: 3189: 3184: 3179: 3173: 3171: 3165: 3164: 3158: 3156: 3155: 3148: 3141: 3133: 3124: 3123: 3121: 3120: 3115: 3110: 3104: 3102: 3095: 3094: 3092: 3091: 3090: 3089: 3084: 3079: 3074: 3073: 3072: 3057: 3052: 3047: 3042: 3037: 3032: 3026: 3024: 3016: 3015: 3008: 3006: 3004: 3003: 2998: 2993: 2988: 2982: 2980: 2976: 2975: 2970: 2968: 2967: 2960: 2953: 2945: 2939: 2938: 2924: 2923:External links 2921: 2919: 2918: 2891: 2872: 2841: 2822: 2803: 2789: 2765: 2740: 2726: 2717: 2695: 2672: 2663: 2648: 2639: 2616: 2605:on May 8, 2012 2582: 2556: 2530: 2504: 2478: 2456: 2447: 2432: 2417: 2402: 2378: 2345: 2315: 2306: 2280: 2268: 2249: 2224: 2201: 2160: 2148: 2126: 2117: 2101: 2071:(3): 227–237. 2051: 2013: 1964: 1931: 1888: 1841: 1830:(2): 359–372. 1824:Anthropologica 1802: 1800: 1797: 1796: 1795: 1788: 1787: 1786: 1785: 1782: 1778: 1777: 1771: 1770: 1766: 1765: 1764: 1763: 1758: 1752: 1751: 1742: 1727: 1718: 1717: 1716: 1715: 1710: 1705: 1702: 1694: 1693: 1684: 1675: 1674: 1673: 1672: 1669: 1664: 1661: 1656: 1651: 1643: 1642: 1633: 1624: 1623: 1622: 1621: 1615: 1612: 1606: 1605: 1596: 1587: 1586: 1585: 1584: 1581: 1576: 1569: 1566: 1560: 1559: 1550: 1542: 1539: 1510: 1507: 1488: 1485: 1463: 1460: 1444:'s 2016 album 1342: 1327: 1319:son jaliscense 1261:Mariachi Cobre 1223:Lupita Infante 1213:Linda Ronstadt 1055: 1052: 1048:son jaliscense 989: 986: 910: 907: 848:, grandson of 755:son jaliscense 705: 702: 637:charro outfits 604:Columbus, Ohio 529:in Mexico City 514: 511: 462: 459: 383:charro outfits 257: 256: 255:Representative 253: 247: 246: 243: 239: 238: 234: 233: 228: 224: 223: 218: 214: 213: 208: 204: 203: 196: 193: 192: 184: 183: 181: 180: 175: 170: 168:Jarabe Tapatío 165: 159: 156: 155: 151: 150: 148: 147: 144: 141: 138: 135: 132: 129: 126: 123: 120: 117: 113: 110: 109: 105: 104: 98: 97: 93: 92: 73: 69: 68: 66: 65: 60: 54: 48: 46: 42: 41: 33: 32: 15: 13: 10: 9: 6: 4: 3: 2: 4352: 4351: 4340: 4337: 4335: 4332: 4330: 4327: 4325: 4322: 4320: 4317: 4315: 4312: 4310: 4307: 4306: 4304: 4289: 4286: 4282: 4279: 4278: 4277: 4274: 4273: 4271: 4267: 4261: 4258: 4256: 4253: 4251: 4250:Spanish opera 4248: 4246: 4243: 4241: 4240:Punto guajiro 4238: 4236: 4233: 4231: 4228: 4226: 4223: 4221: 4218: 4216: 4213: 4211: 4208: 4206: 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New York 2095:2016-11-29 2031:2024-01-15 1799:References 1421:nominated 1391:Vikki Carr 1309:singer of 1295:and more. 1126:California 1109:heritage. 1099:New Mexico 1073:Laura Bush 1058:See also: 778:Tecalitlán 727:Xochimilco 662:After the 439:pasodobles 122:Costa Rica 4281:subgenres 4220:Pasacalle 4195:Christian 4185:Aguinaldo 4057:Colombian 4047:Argentine 4024:Vallenato 3995:romántica 3978:Guaguancó 3858:Zamacueca 3811:Chacarera 3790:Uruguayan 3770:Nueva ola 3745:Dominican 3735:Colombian 3720:Argentine 3688:Bandoneon 3510:Colombian 3497:Latin pop 3487:Zamacueca 3465:Toro Mata 3385:Neoperreo 3362:Reggaeton 3309:Tajaraste 3304:Pasodoble 3299:Malagueña 3020:Regional 2979:Ensembles 2867:1529-0824 2838:: n. pag. 2754:City Room 2575:March 15, 2549:March 15, 2196:0021-8715 2085:145578649 2001:1028-9089 1867:April 26, 1836:0003-5459 1793:overtures 1776:Examples: 1678:Meter in 1627:Meter in 1620:mexicanos 1590:Meter in 1579:Pasodoble 1544:Meter in 1494:zapateado 1379:Metalachi 1277:Telemundo 1190:Venezuela 1166:Guatemala 1142:Argentina 1001:violinist 967:serenades 928:guitarrón 890:Nati Cano 801:haciendas 797:charreada 793:Los Altos 700:in 1905. 669:haciendas 588:haciendas 543:woodwinds 496:The word 483:Mari-Ache 423:huapangos 399:rancheras 358:guitarrón 217:Reference 143:Argentina 140:Venezuela 131:Guatemala 96:Subgenres 85:Michoacán 4309:Mariachi 4137:Candombe 4077:Peruvian 3968:Pachanga 3963:Méringue 3958:Merengue 3948:Guaracha 3933:Cuarteto 3923:Charanga 3913:Champeta 3885:Tropical 3868:Marinera 3836:huasteco 3775:Peruvian 3673:Neotango 3620:Candombe 3597:Ranchera 3587:Mariachi 3550:Conjunto 3535:Regional 3472:Marinera 3415:Guarania 3375:Bachatón 3314:Zarzuela 3255:Cantiñas 3250:Bulerías 3240:Flamenco 3235:Fandango 3197:Morenada 3187:Diablada 3055:Ranchera 3035:Huapango 3001:Mariachi 2991:Conjunto 2935:Mariachi 2710:June 20, 2688:June 20, 2684:. 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Index

El Mariachi

Son jalisciense
son
Mexican folk music
Jalisco
Colima
Michoacán
Nayarit
Mariachi tradicional
Charros
Jarabe Tapatío
Plaza Garibaldi
Regional Mexican music
UNESCO Intangible Cultural Heritage
Mexico
00575
Latin America and the Caribbean
List
US
/ˌmɑːriˈɑːi/
UK
/ˌmær-/
[maˈɾjatʃi]
ranchera
regional Mexican
Mexico
vihuela
guitarrón
Guadalajara

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