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identifies the distinction between the author's specific fictional world mythos (macrotext or world bible) and the way in which the megatext of fantasy has changed, spreading out across multiple media to incorporate many shared concepts into hundreds of different fictions. Stroud notes that many of
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Brooke-Rose describes a subconsciously familiar set of images, attributes and ideas that are shared within a particular genre. She cites examples in several genres, but goes into critical detail when considering
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builds on this concept, separating Brooke-Rose's criticism of
Tolkien and the specific exposition in Tolkien's work, from the megatext concept itself and introducing other comparable
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these concepts are washed of their cultural origins in their new forms, relying instead on more popular contemporary images and archetypes.
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This collective body of knowledge, utilized by writers and recognized by readers, was first described by
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A Rhetoric of the Unreal: Studies in
Narrative and Structure, Especially of the Fantastic
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A Rhetoric of the Unreal: Studies in
Narrative and Structure, Especially of the Fantastic
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The Known and the
Unknown: the Iconography of Science Fiction
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The Known and the
Unknown: The Iconography of Science Fiction
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Theoretical term in the study of speculative fiction
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258:"The Evolving Megatext of Fantasy"
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243:References
165:Background
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354:. 2018.
340:. 2000.
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