58:
880:, who was living at that time in New York. Thrilled press reviews reported that the protest and sabotage were actually part of the performance, a publicity stunt staged by Stockhausen himself.) Brown disputed the accounts that he was an intentional saboteur or that any rift developed between him and his friend Kaprow. Brown's only interest was to create as outrageous a spectacle as possible and embody the persona of the "Artist." His own documentation left no evidence of being involved in any way with Maciunas.
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1012:, including a pianist, a percussionist, a sound technician, a stage director, a cameraman, a lighting technician, an action composer, an action painter, a poet, a street singer, a coat checker, a newspaper vendor, a fashion model, a child (playing with blocks), an animal handler with animal, a conductor, and five actors reading a collage of unrelated texts.
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seconds or minutes, and at one point the actors even speak in what
Stockhausen calls "formant rhythms": in a span of four minutes one actor speaks three equally spaced words, a second actor has five equally spaced words, a third has eight, and yet another has thirteen, while a fifth provides a "noise band" of completely irregular rhythms.
859:, and actor/poet Alan Marlowe protested against Stockhausen as a "cultural imperialist" because of some reportedly disparaging remarks about jazz and folk music he was supposed to have made at Harvard in 1958. Some of the protesters seen before the event were actually performers involved in the piece, including poet
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is a musical composition. The macrorhythm of scene continuity and the ordering of moments are musical. The individual scenes are composed musically, regardless of whether or not there is any 'music' in them. The verbal counterpoint is musical, as are the 'monodic' word melodies and the polyphony of
142:
in
Cologne, and his stage director, Carlheinz Caspari, who wanted "ein Stück, in dem Schauspieler, Maler, andere Künstler oder eben einfach »originale« Menschen frei in spontanen Aktionen auftreten sollten" ("a piece in which actors, painters, other artists, or just simply 'genuine characters'
167:
was completely worked out there in just two weeks. The "silence" scene, in which the events on stage and the music stop for just one minute, and then everything resumes again, was inspired by the "unearthly" effect of the northerly summer light, which remained in the sky for just two hours or so
1035:
is constructed in 18 scenes, grouped into seven self-sufficient "structures", which may be performed in any order, either successively or with as many as three structures simultaneously, on three separated stages. Each character's actions are specified to take place within a specified number of
876:, who had been seated near the front as guest of honor, had a violent coughing attack and had to be assisted out to the street. Needless to say, Brown disappeared during the interruption and in subsequent performances was replaced by the Japanese artist
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as a saboteur. Brown, performing the part of the
Painter, came costumed as a huge papier-mache penis and, some way into the performance, lit a stink bomb on stage. This forced an evacuation of the hall and an unscheduled intermission to clear the air.
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is groundbreaking for its incorporation of performance events and other assorted "actions" into a musical organization with precise "timepoints" or temporal markings, typical of
Stockhausen's musical scores. Within the 94 minute duration of
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to introduce digital techniques of sound manipulation and live video, replacing the analog media of the 1960s, to disrupt the linear flow of the work and to enhance its qualities of fragmentation and deconstruction of everyday events.
143:
would appear freely in spontaneous actions"). It was created while the pair were visiting
Finland in August 1961. Stockhausen had been invited to lecture at the Summer University of Jyväskylä where, at a presentation of
795:
subsequent to the twelve first performances in
Cologne between 26 October and 6 November 1962 have been rare. Productions took place in New York in September 1964, organized jointly by Mary Bauermeister and
1952:, edited by Dejan Despić, Melita Milin, and Danica Petrović, 231–245. Naucni skupovi, no. 122; Odelenje likovne i muzicke umetnosti, no. 6. Belgrade: Srpska Akademija Nauka i Umetnosti.
883:
The May 1990 performance produced and directed by
Randall Packer in San Francisco was presented by Zakros InterArts at Theater Artaud. It was the first West Coast performance of
57:
839:. Outside the concert hall on the opening night, 8 September 1964, several New York artists calling themselves Action Against Cultural Imperialism, including Fluxus founder
800:, in 1990 in San Francisco directed and organized by Randall Packer, and on 21 January 2007 in connection with a 2006–2007 exhibition of Mary Bauermeister's tetralogy
168:
during which the sun briefly dipped below the horizon, then rose again, "as the birds began to twitter, the fish stirred again, the wind came up, and there was day".
2055:
Straebel, Volker. 1995. "'...that the
Europeans become more American': Gegenseitige Einflüsse von Europa und Nordamerika in der Geschichte der Musikperformance". In
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for piano, percussion, and electronics, that is woven throughout the work, providing a central unifying element to this often disjointed work. In addition to
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which allowed the realisation of
Stockhausen's principle of an inverted arena situation, with the actio in the centre, and the audience around it.
1901:, edited by Frieder Reininghaus, Katja Schneider, and Sabine Sanio, 161–165 Handbuch der Musik im 20. Jahrhundert, no. 7. Laaber: Laaber-Verlag.
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Internationales
Stockhausen-Symposion 1998: Musikwissenschaftliches Institut der Universität zu Köln, 11. bis 14. November 1998. Tagungsbericht
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who, enlisting the support of Schleifer, extorted his way into the picket line against Flynt's wishes. Claims by Moorman and Stage Director
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Fricke, Stefan (July–August 1998). "Attacken auf Karlheinz Stockhausen: Fluxus im 'Kampf gegen das musikalische Dekor des Faschismus'".
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Krones, Hartmut. 2008. "Sprachkompositionen in der Musik des 20. Jahrhunderts, inbesondere am Beispiel Österreich". In
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Siano, Leopoldo. 2016. "Between Music and Visual Art in the 1960s: Mary Bauermeister and Karlheinz Stockhausen". In
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and was the first time it had been performed since the 1964 New York City performances. The production draw from
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1510:
Dörstel, Wilfried (1993). "Situation, Moment, Labyr, Fluxus, oder, Das verbrannte Original: Das Musiktheater
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Tucker, Marilyn (2 May 1990). "Avant-Garde Icon of '60s Revived: Theatrical Touches in Stockhausen Music".
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2059:, 80–94. Schriftenreihe Offenes Kulturhaus, no. 13. Linz: Offenes Kulturhaus des Landes Oberösterreich.
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A performance celebrating the 50th anniversary of the 1964 New York performance was produced in 2014 at
696:
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1809:(revised ed.). London; Berkeley and Los Angeles: Faber and Faber; University of California Press.
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1950:Музички модернизам—нова тумачења: Зборник радова са научног скупа одржаног од 11. до 13. октобра 2007
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that they also joined the pickets have been disputed. Meanwhile, Maciunas had recruited cast member
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Uroskie, Andrew V. 2012. "Visual Music After Cage: Robert Breer, Expanded Cinema and Stockhausen's
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1599:(1999). "Die Rezeption der Musik und Gedanken Karlheinz Stockhausens in Amerika". In Misch, Imke;
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1764:"Hanging in with a Demanding Composer: Stockhausen's Work Flourishes Five Years After His Death"
1695:
Piekut, Benjamin (2011). "Experimentalism Otherwise: The New York Avant-Garde and Its Limits".
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922:, Thomas Goerge, Max Renne, Vincent Stefan). The performances took place in the Werkstatt im
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Given at Judson; Interpretations Vary but So Did Show; An Unusual Program Runs 94 Minutes".
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about the 2014 production, with a program note and archival photos of the 1961 premiere.
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2020:, 2nd edition, revised, corrected, and enlarged. Lillebonne: Millénaire III Editions.
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1964:
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Intermedial, kontrovers, experimentell: Das Atelier Mary Bauermeister in Köln 1960–62
953:
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148:
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was commissioned from Stockhausen and Bauermeister by Hubertus Durek, manager of the
3248:
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956:. It combines the rigorous, tightly controlled compositional form of Stockhausen's
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214:
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1785:. Texte zur Musik 2 (in German). Cologne: M. DuMont Schauberg. pp. 107–129.
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981:, the Cologne performances included tape-recorded excerpts from Stockhausen's
617:
2862:
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1941:
Kirby, Michael, and Richard Schechner. 1965. "An Interview with John Cage".
1893:
Fricke, Stefan. 2004. "Inklusieve Vergnügungssteuer: Karlheinz Stockhausens
1548:
Goodman, Susan (10 September 1964). "Anti-Art Pickets Pick on Stockhausen".
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music with the loosely structured improvisational framework of the early
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33:
2121:
1672:
115:, and is given the work number 12⅔ in Stockhausen's catalogue of works.
2420:
2345:
2044:, edited by M. J. Grant and Imke Misch, 90–101. Hofheim: Wolke Verlag.
995:
914:
staged by Georg Schütky. It featured a mainly Berlin-based cast (e.g.,
112:
1854:
Die soziale Isolation der neuen Musik: Zum Kölner Musikleben nach 1945
1504:, pp. 1–5, 7, 8; reviews reproduced from international press clippings
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2042:
The Musical Legacy of Karlheinz Stockhausen: Looking Back and Forward
1001:
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with a large ape (replaced on one night by a small lady with a dog)
2115:
835:, during the early performative period of the avant-garde movement
2193:
1622:
Kosman, Joshua (5 May 1990). "Doing Stockhausen in Boxer Shorts".
122:
1456:
Ich hänge im Triolengitter: Mein Leben mit Karlheinz Stockhausen
877:
602:
2125:
1985:
Oren, Michel. 1993. "Anti-Art as the End of Cultural History".
1747:
Sigmon, Carl P. (October 1964). "Festival of the Avant-Garde".
1486:. Wilmington, North Carolina: Louise Wells Cameron Art Museum.
1699:. Berkeley and Los Angeles: University of California Press.
1566:. Berkeley and Los Angeles: University of California Press.
1971:. Lanham, Maryland, Toronto, Oxford: The Scarecrow Press.
1182:
1180:
1483:
Robert Delford Brown: Meat, Maps and Militant Metaphysics
1849:". Snack Art Review (7 November; accessed 23 July 2015).
1008:
An unusual assortment of "characters" are introduced in
97:(Originals, or "Real Characters"), musical theatre with
1365:
1363:
3424:
1832:
Anon. 1964. "Avant-Garde: Stuffed Bird at 48 Sharp".
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The New York performances took place at Judson Hall,
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155:. Together with the Finnish architect and designer
75:
67:
23:
1969:Other Planets: The Music of Karlheinz Stockhausen
1932:Johnston, Jill. 1964. "Dance: Inside Originale".
103:, is a music theatre work by the German composer
2018:Stockhausen: ... un vaisseau lancé vers le ciel
1518:(in German). Cologne: Emons. pp. 186–205.
2087:: An International Journal of Music Technology
2137:
2101:Film of the New York premiere, September 1964
8:
1607:. Saarbrücken: PFAU-Verlag. pp. 74–86.
1222:
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163:was put at their disposal, and the score of
2057:Musik, Labyrinth, Kontext: Musikperformance
1697:California Studies in 20th-Century Music 11
1417:
1393:
107:, written in collaboration with the artist
16:Music theatre work by Karlheinz Stockhausen
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2110:2007 Originale performance in Sindelfingen
1998:: A Wacky Show with Frenzied Story Line".
1717:(9 September 1964). "Music: Stockhausen's
1658:"Vom Hochsitz aus, mit Kinderlichtschwert"
56:
20:
2031:Ruppel, Karl Heinz. 1961. "Neodadisten".
2007:Rich, Alan. "Stockhausen's 'Originale'".
1564:The Music of Stockhausen: An Introduction
1246:
1330:
831:, as part of the second annual New York
175:
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1783:Originale (1961), musikalisches Theater
1381:
1354:
1171:
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1899:Experimentelles Musik- und Tanztheater
1641:. London and Boston: Faber and Faber.
1405:
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1294:
1258:
1210:
1186:
1159:
1111:
1099:
952:, and, in its use of the commonplace,
159:, a summer house north of Helsinki on
3457:Compositions by Karlheinz Stockhausen
1342:
1318:
1306:
1282:
1270:
1135:
1075:
7:
1732:Röhling, Lisa Maria (13 June 2015).
1234:
111:. It was first performed in 1961 in
1882:. Stuttgart: Franz Steiner Verlag.
357:Claudine M. Kolbus (choreographer)
3264:Center for Art and Media Karlsruhe
973:is a performance of Stockhausen's
147:, they met the piano virtuoso and
14:
1581:Herzfeld, Isabel (15 June 2015).
889:recent technological advancements
851:, poet, journalist, and activist
3434:
3410:
3409:
987:for four orchestras and choirs,
787:Performance history and protests
2001:New York World-Telegram and Sun
1777:Stockhausen, Karlheinz (1964).
1656:Pachl, Peter P (14 June 2015).
432:Olga Klüver / Lette Eisenhauer
127:Sunset over Lake Saimaa, where
1801:Wörner, Karl Heinrich (1973).
1015:According to the musicologist
521:an original from Sindelfingen
451:Street singer / String player
1:
1929:122, no. 1664 (October): 685.
1762:Smith, Steve (14 July 2013).
1734:"Mit Drehorgel und Mischpult"
1458:(in German). Munich: Edition
317:Walter Koch (Theater am Dom)
2116:Analog Arts information page
2089:17, no. 2 (August): 163–169.
1859:Archiv für Musikwissenschaft
1583:"Ein Hauch von Wirklichkeit"
1514:von Karlheinz Stockhausen".
949:L'année dernière à Marienbad
458:Kenji Kobayashi (violinist)
273:Ed Herrmann, Richard Zvonar
1866:, with Reinhold Brinkmann,
833:Annual Avant Garde Festival
3483:
2299:Helikopter-Streichquartett
1945:10, no. 2 (Winter): 50–72.
1807:Stockhausen: Life and Work
1536:Neue Zeitschrift für Musik
999:for three orchestras, and
910:produced a new version of
855:, violinist and filmmaker
190:San Francisco cast (1990)
3406:
3239:
2811:
2324:
2175:
2159:
1852:Custodis, Michael. 2004.
1436:"Karlheinz Stockhausen's
934:The surreal absurdity of
814:Atelier Mary Bauermeister
265:Leopold von Knobelsdorff
55:
30:
3319:Gottfried Michael Koenig
1938:(1 October): 6 & 16.
1923:. 1981. "Review: 4711".
1843:Karlheinz Stockhausen's
1671:Packer, Randall (2020).
1635:Stockhausen: A Biography
1601:Blumröder, Christoph von
391:Rachel Mason/Colin Self
2768:Klavierstücke Nos. 1–19
2010:New York Herald Tribune
1988:Performing Arts Journal
1872:Hans-Joachim Hinrichsen
1793:San Francisco Chronicle
1633:Kurtz, Michael (1992).
1625:San Francisco Chronicle
899:by composer/performers
195:Trossingen cast (2007)
2016:Rigoni, Michel. 1998.
1991:15, no. 2 (May): 1–30.
497:Rita Borchtler-Kracht
132:
3269:Collegium Vocale Köln
2386:Hymnen (Third Region)
2153:Karlheinz Stockhausen
1994:Prial, Frank. 1964. "
1841:Colton, Jack. 2014. "
1005:for a percussionist.
697:Ishmael Houston-Jones
535:Karlheinz Stockhausen
446:Caterina Pogorzelski
406:Christel Stockhausen
394:Antinational Embassy
355:Elisabeth Gutjahr /
276:Wolfgang Mittermaier
198:New York cast (2014)
187:New York cast (1964)
126:
105:Karlheinz Stockhausen
42:Karlheinz Stockhausen
3204:Stockhausen Ensemble
2839:Gesang der Jünglinge
2530:Aus den sieben Tagen
2181:Atmen gibt das Leben
2162:List of compositions
1864:Albrecht Riethmüller
1856:. Supplement to the
1715:Schonberg, Harold C.
1591:(in German). Berlin.
1017:Karl Heinrich Wörner
990:Gesang der Jünglinge
869:Robert Delford Brown
825:165 West 57th Street
745:Dorothee Jakubowski
610:Mary Bauermeister /
598:Robert Delford Brown
485:Cloakroom attendant
251:Christian R. Wissel
62:The composer in 1957
3467:Serial compositions
2546:Für kommende Zeiten
2034:Süddeutsche Zeitung
1943:Tulane Drama Review
1838:(18 September): 81.
944:Alain Robbe-Grillet
763:Peter Hackenberger
701:Friederike Harmsen
330:Nikolaus Pirchtner
201:Berlin cast (2015)
119:Composition history
31:Music theatre with
3155:Markus Stockhausen
3105:Alphabet für Liège
3089:Musik für ein Haus
2112:, with photographs
1769:The New York Times
1724:The New York Times
1462:, C. Bertelsmann.
1452:Bauermeister, Mary
1031:speaking voices".
946:'s books and film
908:Berlin State Opera
780:Günter Schanzmann
761:Heiner Reddemann /
600:(1st night only) /
442:Justin Vivian Bond
403:Markus Stockhausen
344:Carlheinz Caspari
314:Lighting director
290:Wolfgang Ramsbott
153:Erik Tawaststjerna
133:
3462:1961 compositions
3422:
3421:
3402:
3401:
3339:Mesías Maiguashca
3304:Nicolaus A. Huber
3259:Boudewijn Buckinx
3161:Simon Stockhausen
3149:Doris Stockhausen
3131:Mary Bauermeister
3068:
3067:
2879:Unsichtbare Chöre
2784:Natürliche Dauern
2447:
2446:
2262:
2261:
2065:978-3-85307-003-1
2050:978-3-95593-068-4
1958:978-86-7025-463-3
1935:The Village Voice
1926:The Musical Times
1907:978-3-89007-427-6
1880:Wolfram Steinbeck
1796:(final ed.).
1706:978-0-52-094842-6
1663:Neue Musikzeitung
1551:The Village Voice
1493:978-0-9793359-4-5
1469:978-3-570-58024-0
1223:Bauermeister 2011
1199:Bauermeister 2011
1148:Bauermeister 2011
1124:Bauermeister 2011
1088:Bauermeister 2011
1064:Bauermeister 2011
1052:Bauermeister 2011
903:and Zach Layton.
798:Charlotte Moorman
784:
783:
772:Markus Schlueter
748:Alexandro Segade
726:Nora-Lee Sanwald
670:Jerry Willingham
593:Mary Bauermeister
561:a woman from the
558:Animal attendant
547:Manfred Schreier
510:Newspaper seller
488:Liselotte Lörsch
462:Charlotte Moorman
333:Brittany Spencer
282:Sébastien Alazet
109:Mary Bauermeister
90:
89:
47:Mary Bauermeister
3474:
3439:
3438:
3437:
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3413:
3412:
3314:David C. Johnson
3289:Karel Goeyvaerts
3216:Johannes Fritsch
3185:Cornelius Cardew
3175:
3143:Suzanne Stephens
3137:Kathinka Pasveer
2809:
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1982:
1897:und Fluxus". In
1876:Wolfgang Osthoff
1820:
1797:
1786:
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1743:
1739:Der Tagesspiegel
1728:
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1687:
1681:Zakros Interarts
1677:: Music Theater"
1667:
1652:
1637:. Translated by
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1618:
1592:
1588:Der Tagesspiegel
1577:
1560:Harvey, Jonathan
1555:
1544:
1529:
1497:
1473:
1460:Elke Heidenreich
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1418:Stockhausen 1964
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1394:Stockhausen 1964
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930:Concept and form
791:Performances of
766:Peter Leventhal
709:Alfred Feussner
612:Steffi Stangl /
567:Keeper from the
494:Jan Martin-Risk
374:Action composer
239:Christoph Caskel
184:(Cologne, 1961)
176:
86:
84:
60:
21:
3482:
3481:
3477:
3476:
3475:
3473:
3472:
3471:
3447:
3446:
3445:
3441:Classical music
3435:
3433:
3425:
3423:
3418:
3398:
3354:Costin Miereanu
3254:Fritz Bornemann
3235:
3226:Aloys Kontarsky
3199:
3166:
3119:
3064:
2925:
2798:
2755:
2725:Chöre für Doris
2704:
2594:In Freundschaft
2443:
2408:
2313:
2258:
2187:
2164:
2155:
2150:
2097:
2092:
2085:Organised Sound
1979:
1963:
1921:Griffiths, Paul
1868:Ludwig Finscher
1828:
1826:Further reading
1823:
1817:
1800:
1789:
1779:Dieter Schnebel
1776:
1761:
1750:Musical America
1746:
1731:
1713:
1707:
1694:
1685:
1683:
1670:
1655:
1649:
1632:
1621:
1615:
1595:
1580:
1574:
1558:
1547:
1532:
1526:
1509:
1494:
1476:
1470:
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1400:
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1349:
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1337:
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1154:
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1134:
1130:
1122:
1118:
1110:
1106:
1098:
1094:
1086:
1082:
1074:
1070:
1062:
1058:
1050:
1046:
1042:
1019:
964:. The score to
932:
924:Schillertheater
841:George Maciunas
789:
762:
742:Traci Robinson
738:Jackson Mac Low
720:Birgit Heintel
717:Lisa Apfelburg
690:Diane Robinson
673:Nao Bustamante
661:Ruth Grahlmann
613:
611:
601:
544:Randall Packer
457:
455:
418:Raul de Nieves
415:Meret Zyrewitz
405:
356:
341:Stage director
321:
309:Vincent Stefan
262:Sound engineer
219:Michael Orland
194:
193:Sindelfingen /
183:
174:
121:
82:
80:
63:
51:
17:
12:
11:
5:
3480:
3478:
3470:
3469:
3464:
3459:
3449:
3448:
3444:
3443:
3420:
3419:
3407:
3404:
3403:
3400:
3399:
3397:
3396:
3394:Michael Vetter
3391:
3386:
3381:
3376:
3371:
3366:
3364:Jorge Peixinho
3361:
3356:
3351:
3346:
3341:
3336:
3331:
3329:Mauricio Kagel
3326:
3321:
3316:
3311:
3306:
3301:
3296:
3291:
3286:
3284:Vinko Globokar
3281:
3279:Herbert Eimert
3276:
3271:
3266:
3261:
3256:
3251:
3246:
3240:
3237:
3236:
3234:
3233:
3228:
3223:
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3213:
3207:
3205:
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3198:
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3085:
3076:
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3070:
3069:
3066:
3065:
3063:
3062:
3054:
3046:
3038:
3030:
3022:
3014:
3006:
2998:
2990:
2982:
2974:
2966:
2958:
2950:
2946:Mikrophonie II
2942:
2933:
2931:
2927:
2926:
2924:
2923:
2915:
2907:
2899:
2891:
2883:
2875:
2867:
2859:
2851:
2843:
2835:
2827:
2819:
2816:Konkrete Etüde
2812:
2806:
2800:
2799:
2797:
2796:
2788:
2780:
2772:
2763:
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2757:
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2654:
2646:
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2622:
2614:
2606:
2598:
2590:
2582:
2574:
2570:Musik im Bauch
2566:
2558:
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2534:
2526:
2518:
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2478:
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2176:
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2151:
2149:
2148:
2141:
2134:
2126:
2120:
2119:
2113:
2107:
2096:
2095:External links
2093:
2091:
2090:
2076:
2053:
2038:
2029:
2014:
2013:(9 September).
2005:
2004:(9 September).
1992:
1983:
1977:
1965:Maconie, Robin
1961:
1946:
1939:
1930:
1918:
1891:
1862:54, edited by
1850:
1847:at The Kitchen
1839:
1829:
1827:
1824:
1822:
1821:
1815:
1798:
1787:
1774:
1772:. p. AR9.
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1507:
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1474:
1468:
1448:
1434:Anon. (2014).
1430:
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1423:
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1410:
1398:
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1374:
1359:
1347:
1335:
1323:
1311:
1299:
1287:
1275:
1263:
1251:
1247:Schonberg 1964
1239:
1227:
1215:
1203:
1191:
1176:
1164:
1152:
1140:
1128:
1116:
1104:
1092:
1080:
1068:
1056:
1043:
1041:
1038:
940:Samuel Beckett
931:
928:
861:Allen Ginsberg
853:Marc Schleifer
827:, across from
788:
785:
782:
781:
778:
773:
770:
767:
764:
759:
755:
754:
749:
746:
743:
740:
735:
734:Harry J. Bong
732:
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724:
721:
718:
715:
710:
707:
703:
702:
699:
694:
693:Barbara Stoll
691:
688:
687:Gloria Graves
685:
684:Eva-Maria Kox
682:
678:
677:
674:
671:
668:
665:
664:Vincent Gaeta
662:
659:
655:
654:
649:
644:
641:
640:Michael Peppe
638:
636:Allen Ginsberg
633:
628:
624:
623:
622:Thomas Goerge
620:
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524:Saori Tsukada
522:
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516:Michael Kirby
514:
513:Frau Hoffmann
511:
507:
506:
505:Ilona Schwabe
503:
498:
495:
492:
491:Marje Strider
489:
486:
482:
481:
478:
473:
472:David Stützel
470:
465:
459:
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448:
447:
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430:
427:
426:Fashion model
423:
422:
421:Marcelo Renne
419:
416:
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410:
407:
400:
396:
395:
392:
389:
386:
385:Michael Peppe
383:
382:Nam June Paik
380:
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369:Georg Schütky
367:
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254:Stuart Gerber
252:
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241:
236:
235:Percussionist
232:
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223:
220:
217:
212:
207:
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140:Theater am Dom
120:
117:
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61:
53:
52:
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49:
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10:
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6:
4:
3:
2:
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3416:
3405:
3395:
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3390:
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3382:
3380:
3377:
3375:
3374:Roger Smalley
3372:
3370:
3367:
3365:
3362:
3360:
3359:Nam June Paik
3357:
3355:
3352:
3350:
3347:
3345:
3342:
3340:
3337:
3335:
3334:György Ligeti
3332:
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3327:
3325:
3322:
3320:
3317:
3315:
3312:
3310:
3307:
3305:
3302:
3300:
3299:Hans G. Helms
3297:
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3224:
3222:
3221:Rolf Gehlhaar
3219:
3217:
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3206:
3202:
3196:
3193:
3191:
3188:
3186:
3183:
3182:
3180:
3176:
3173:
3171:Collaborators
3169:
3162:
3159:
3156:
3153:
3150:
3147:
3144:
3141:
3138:
3135:
3132:
3129:
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3126:
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3115:
3114:
3110:
3107:
3106:
3102:
3099:
3098:
3094:
3091:
3090:
3086:
3083:
3082:
3078:
3077:
3075:
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3027:
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3007:
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2964:
2963:
2959:
2956:
2955:
2951:
2948:
2947:
2943:
2940:
2939:
2938:Mikrophonie I
2935:
2934:
2932:
2930:With soloists
2928:
2921:
2920:
2916:
2913:
2912:
2911:Cosmic Pulses
2908:
2905:
2904:
2900:
2897:
2896:
2892:
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2700:
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2695:
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2676:
2675:
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2636:
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2631:
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2627:
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2619:
2615:
2612:
2611:
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2527:
2524:
2523:
2519:
2516:
2515:
2511:
2508:
2507:
2503:
2500:
2499:
2495:
2492:
2491:
2487:
2484:
2483:
2479:
2476:
2475:
2474:Kontra-Punkte
2471:
2468:
2467:
2463:
2460:
2457:
2456:
2454:
2450:
2439:
2438:
2434:
2431:
2430:
2426:
2423:
2422:
2418:
2417:
2415:
2413:With soloists
2411:
2404:
2403:
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2396:
2395:
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2214:
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2209:
2206:
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2201:
2200:
2198:
2196:
2195:
2190:
2183:
2182:
2178:
2177:
2174:
2171:
2167:
2163:
2158:
2154:
2147:
2142:
2140:
2135:
2133:
2128:
2127:
2124:
2117:
2114:
2111:
2108:
2106:
2102:
2099:
2098:
2094:
2088:
2086:
2081:
2077:
2074:
2073:3-85307-003-5
2070:
2066:
2062:
2058:
2054:
2051:
2047:
2043:
2039:
2037:(3 November).
2036:
2035:
2030:
2027:
2026:2-911906-02-0
2023:
2019:
2015:
2012:
2011:
2006:
2003:
2002:
1997:
1993:
1990:
1989:
1984:
1980:
1978:0-8108-5356-6
1974:
1970:
1966:
1962:
1959:
1955:
1951:
1947:
1944:
1940:
1937:
1936:
1931:
1928:
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1915:3-89007-427-8
1912:
1908:
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1889:
1888:3-515-08375-8
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1836:
1831:
1830:
1825:
1818:
1816:0-520-02143-6
1812:
1808:
1804:
1803:Hopkins, Bill
1799:
1795:
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1659:
1654:
1650:
1648:0-571-17146-X
1644:
1640:
1636:
1631:
1628:. p. C7.
1627:
1626:
1620:
1616:
1614:3-89727-050-1
1610:
1606:
1602:
1598:
1594:
1590:
1589:
1584:
1579:
1575:
1573:0-520-02311-0
1569:
1565:
1561:
1557:
1553:
1552:
1546:
1542:
1538:
1537:
1531:
1527:
1525:3-924491-43-7
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1471:
1465:
1461:
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1449:
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1439:
1432:
1431:
1427:Cited sources
1426:
1419:
1414:
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1407:
1402:
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1339:
1336:
1332:
1331:Herzfeld 2015
1327:
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1303:
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991:
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980:
976:
972:
967:
963:
959:
955:
954:Harold Pinter
951:
950:
945:
941:
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921:
917:
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881:
879:
875:
874:Edgard Varèse
870:
866:
862:
858:
854:
850:
846:
842:
838:
834:
830:
829:Carnegie Hall
826:
821:
819:
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803:
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786:
779:
777:
774:
771:
769:Elena Rivera
768:
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676:Kader Traoré
675:
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669:
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657:
656:
653:
650:
648:
645:
643:Hans G Helms
642:
639:
637:
634:
632:
631:Hans G. Helms
629:
626:
625:
621:
619:
616:
614:Ole Aselmann
609:
607:Hitomi Ikuma
606:
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431:
429:Edith Sommer
428:
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420:
417:
414:
411:
409:Anton Kaprow
408:
404:
401:
398:
397:
393:
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387:
384:
381:
379:
378:Nam June Paik
376:
373:
372:
368:
366:
362:
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352:Henry Steele
351:
349:
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343:
340:
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329:
326:
324:
319:
316:
313:
312:
308:
306:
305:A. L. Steiner
303:
301:Simone Speer
300:
298:Paula Levine
297:
295:
292:
289:
286:
285:
281:
278:
275:
272:
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269:David Behrman
267:
264:
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247:
245:
242:
240:
237:
234:
233:
230:Adrian Heger
229:
227:
226:Stephen Drury
224:
222:Aya Inokuchi
221:
218:
216:
213:
211:
208:
205:
204:
200:
197:
192:
189:
186:
182:Premiere cast
181:
178:
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171:
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158:
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59:
54:
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43:
40:
39:
36:
35:
29:
26:
22:
19:
3408:
3389:Thomas Wells
3349:John McGuire
3249:Junsang Bahk
3211:Péter Eötvös
3190:Richard Toop
3111:
3103:
3095:
3087:
3079:
3056:
3048:
3040:
3032:
3024:
3016:
3008:
3000:
2992:
2984:
2976:
2968:
2960:
2952:
2944:
2936:
2917:
2909:
2901:
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2877:
2869:
2861:
2853:
2845:
2837:
2829:
2821:
2790:
2782:
2774:
2766:
2747:
2739:
2731:
2723:
2715:
2696:
2688:
2680:
2672:
2664:
2656:
2648:
2640:
2632:
2624:
2617:
2608:
2602:Europa-Gruss
2600:
2592:
2584:
2576:
2568:
2560:
2552:
2544:
2538:Dr K–Sextett
2536:
2528:
2520:
2512:
2504:
2496:
2488:
2480:
2472:
2464:
2435:
2427:
2419:
2400:
2392:
2384:
2376:
2368:
2360:
2352:
2344:
2336:
2328:
2305:
2297:
2289:
2282:
2281:
2273:
2250:
2242:
2234:
2226:
2218:
2210:
2202:
2192:
2179:
2083:
2079:
2056:
2041:
2032:
2017:
2008:
1999:
1995:
1986:
1968:
1949:
1942:
1933:
1924:
1898:
1894:
1857:
1853:
1844:
1833:
1806:
1791:
1782:
1767:
1754:
1748:
1737:
1722:
1718:
1696:
1686:29 September
1684:. Retrieved
1680:
1674:
1666:(in German).
1661:
1639:Richard Toop
1634:
1623:
1604:
1597:Kohl, Jerome
1586:
1563:
1549:
1540:
1534:
1515:
1511:
1501:
1482:
1455:
1437:
1413:
1401:
1389:
1382:Dörstel 1993
1377:
1355:Röhling 2015
1350:
1338:
1326:
1314:
1302:
1290:
1278:
1266:
1254:
1242:
1230:
1218:
1206:
1194:
1172:Goodman 1964
1167:
1155:
1143:
1131:
1119:
1107:
1095:
1083:
1071:
1059:
1047:
1032:
1027:
1014:
1009:
1007:
1000:
994:
988:
982:
978:
974:
970:
965:
947:
935:
933:
920:Gerhard Rühm
911:
906:In 2015 the
905:
901:Nick Hallett
894:
884:
882:
865:Allan Kaprow
822:
818:Sindelfingen
813:
810:Legende Paik
809:
806:Mythos Beuys
805:
801:
792:
790:
713:Dick Higgins
667:Chris Maher
652:Gerhard Rühm
647:Eileen Myles
580:Narcissister
576:Jasmin Held
550:Zach Layton
540:Alvin Lucier
480:Miloš Kozon
476:Nick Hallett
435:Chris Maher
388:Robin Rhode
365:Jemma Nelson
361:Caden Manson
348:Allan Kaprow
336:Irene Selka
323:Billy Klüver
320:Gary Harris
294:Robert Breer
215:James Tenney
164:
144:
135:
134:
131:was composed
128:
98:
93:
92:
91:
32:
24:
18:
3379:Tim Souster
3344:Tomás Marco
3324:Jerome Kohl
3309:Alden Jenks
3294:Georg Heike
3274:Hugh Davies
3244:David Ahern
3231:David Tudor
3073:Other works
2792:Himmelfahrt
2771:(1952–2003)
2733:Drei Lieder
2307:Himmels-Tür
2275:Herbstmusik
1757:(7): 52–54.
1543:(4): 38–41.
1500:Excerpt on
1478:Bloch, Mark
1444:The Kitchen
1406:Wörner 1973
1370:Harvey 1975
1295:Packer 2020
1259:Sigmon 1964
1211:Piekut 2011
1187:Piekut 2011
1160:Fricke 1998
1112:Tucker 1990
1100:Kosman 1990
1020: [
916:Irm Hermann
897:The Kitchen
857:Tony Conrad
849:Henry Flynt
845:Concept Art
802:Fama Fluxus
776:Lucy Sexton
752:Irm Hermann
723:Niv Acosta
563:Cologne Zoo
501:threeASFOUR
456:Lilienweiß/
438:Sonja Kunz
244:Max Neuhaus
210:David Tudor
161:Lake Saimaa
157:Alvar Aalto
151:biographer
3451:Categories
3369:Otto Piene
3195:Jill Purce
3178:Assistants
3151:(1st wife)
3133:(2nd wife)
3097:Sternklang
2970:Kurzwellen
2962:Prozession
2887:Oktophonie
2804:Electronic
2749:Litanei 97
2610:Trumpetent
2514:Plus-Minus
2482:Schlagtrio
2466:Kreuzspiel
2318:Orchestral
2204:Donnerstag
1343:Pachl 2015
1319:Anon. 2014
1307:Smith 2013
1283:Bloch 2008
1271:Bloch 2008
1136:Bloch 2008
1076:Kurtz 1992
1040:References
962:Happenings
618:Joan Jonas
584:FUmanoids
553:Max Renne
531:Conductor
464:(cellist)
327:Jim Quinn
287:Cameraman
248:Don Baker
3384:Avo Sõmer
3145:(partner)
3139:(partner)
2863:Telemusik
2831:Studie II
2650:Schönheit
2634:Harmonien
2578:Tierkreis
2283:Originale
2082:(1964)".
2080:Originals
1996:Originale
1895:Originale
1845:Originale
1719:Originale
1675:Originale
1512:Originale
1502:Originale
1438:Originale
1235:Kohl 1999
1162:, passim.
1033:Originale
1028:Originale
1010:Originale
971:Originale
966:Originale
936:Originale
912:Originale
885:Originale
793:Originale
569:Bronx Zoo
279:Joe Drew
165:Originale
136:Originale
129:Originale
94:Originale
76:Performed
68:Catalogue
25:Originale
3415:Category
3116:(2004–7)
3081:Ensemble
3050:Paradies
3042:Orvonton
3002:Strahlen
2903:Strahlen
2895:Weltraum
2847:Kontakte
2823:Studie I
2760:Keyboard
2741:Stimmung
2690:Hoffnung
2666:Erwachen
2642:Katikati
2562:Harlekin
2490:Zeitmaße
2459:Sonatine
2402:Jubiläum
2244:Mittwoch
2228:Dienstag
1967:(2005).
1603:(eds.).
1562:(1975).
1480:(2008).
1454:(2011).
1285:, 38–45.
1189:, 65–66.
1066:, 64–66.
979:Kontakte
975:Kontakte
938:recalls
847:creator
589:Painter
468:Pamela Z
206:Pianist
149:Sibelius
145:Kontakte
100:Kontakte
34:Kontakte
3034:Nebadon
3026:Jerusem
3010:Edentia
2658:Balance
2498:Refrain
2452:Chamber
2421:Momente
2346:Gruppen
2267:Theatre
2252:Sonntag
2236:Freitag
2212:Samstag
1805:(ed.).
1781:(ed.).
996:Gruppen
454:Belina/
412:Milena
257:Ni Fan
113:Cologne
81: (
3427:Portal
3124:Family
3108:(1972)
3100:(1971)
3092:(1968)
3084:(1967)
3061:(2007)
3058:Uversa
3053:(2007)
3045:(2007)
3037:(2007)
3029:(2007)
3021:(2007)
3018:Havona
3013:(2007)
3005:(2002)
2997:(1970)
2989:(1970)
2981:(1968)
2978:Spiral
2973:(1968)
2965:(1967)
2957:(1966)
2949:(1965)
2941:(1964)
2922:(2006)
2914:(2006)
2906:(2002)
2898:(1994)
2890:(1991)
2882:(1979)
2874:(1967)
2871:Hymnen
2866:(1966)
2858:(1964)
2855:Mixtur
2850:(1960)
2842:(1956)
2834:(1954)
2826:(1953)
2818:(1952)
2795:(2005)
2787:(2006)
2779:(1970)
2776:Mantra
2752:(1997)
2744:(1968)
2736:(1950)
2728:(1950)
2720:(1950)
2717:Choral
2701:(2007)
2693:(2007)
2685:(2007)
2677:(2007)
2669:(2007)
2661:(2007)
2653:(2006)
2645:(2006)
2637:(2006)
2629:(2005)
2626:Freude
2621:(1997)
2618:Rotary
2613:(1995)
2605:(1992)
2597:(1977)
2589:(1976)
2581:(1975)
2573:(1975)
2565:(1975)
2557:(1972)
2549:(1971)
2541:(1969)
2533:(1968)
2525:(1966)
2517:(1963)
2509:(1959)
2506:Zyklus
2501:(1959)
2493:(1956)
2485:(1952)
2477:(1952)
2469:(1951)
2461:(1951)
2440:(1974)
2432:(1964)
2429:Mixtur
2424:(1964)
2405:(1977)
2397:(1971)
2389:(1969)
2381:(1969)
2378:Fresco
2373:(1965)
2365:(1962)
2362:Punkte
2357:(1960)
2349:(1957)
2341:(1952)
2333:(1951)
2330:Formel
2310:(2005)
2302:(1993)
2294:(1977)
2291:Sirius
2286:(1961)
2278:(1974)
2255:(2003)
2247:(1997)
2239:(1994)
2231:(1991)
2223:(1988)
2220:Montag
2215:(1983)
2207:(1980)
2184:(1977)
2169:Operas
2105:UbuWeb
2071:
2063:
2048:
2024:
1975:
1956:
1913:
1905:
1886:
1878:, and
1813:
1703:
1645:
1611:
1570:
1522:
1490:
1466:
1420:, 110.
1408:, 192.
1396:, 111.
1384:, 199.
1225:, 164.
1201:, 162.
1150:, 163.
1126:, 294.
1090:, 161.
1078:, 114.
1002:Zyklus
958:serial
837:Fluxus
758:Actor
731:Actor
706:Actor
681:Actor
658:Actor
399:Child
3163:(son)
3157:(son)
3113:Klang
2919:Türin
2709:Vocal
2698:Treue
2682:Glück
2674:Glanz
2586:Amour
2522:Adieu
2437:Inori
2394:Trans
2354:Carré
2338:Spiel
2194:Licht
1372:, 90.
1237:, 77.
1213:, 66.
1054:, 64.
1024:]
984:Carré
627:Poet
179:Role
172:Roles
2994:Pole
2986:Expo
2954:Solo
2554:Ylem
2370:Stop
2069:ISBN
2061:ISBN
2046:ISBN
2022:ISBN
1973:ISBN
1954:ISBN
1911:ISBN
1903:ISBN
1884:ISBN
1835:Time
1811:ISBN
1701:ISBN
1688:2020
1643:ISBN
1609:ISBN
1568:ISBN
1520:ISBN
1488:ISBN
1464:ISBN
1273:, 3.
1138:, 2.
878:Ay-O
603:Ay-O
83:1961
79:1961
2103:on
1541:159
1026:, "
816:in
71:12⅔
37:by
3453::
2067:,
1909:,
1874:,
1870:,
1766:.
1755:84
1753:.
1736:.
1679:.
1660:.
1585:.
1539:.
1442:.
1362:^
1179:^
1022:de
993:,
942:,
918:,
843:,
820:.
3429::
2145:e
2138:t
2131:v
2075:.
2052:.
2028:.
1981:.
1960:.
1917:.
1890:.
1819:.
1742:.
1727:.
1709:.
1690:.
1673:"
1651:.
1617:.
1576:.
1554:.
1528:.
1506:)
1498:(
1496:.
1472:.
1446:.
1440:"
1357:.
1345:.
1333:.
1321:.
1309:.
1297:.
1261:.
1249:.
1174:.
1114:.
1102:.
812:—
808:—
804:—
363:/
85:)
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