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from small to very large, and either in signed, mounted prints, which must be protected in a frame, or as replaceable inkjet prints that can be attached directly to the wall (the latter generated by a certificate-authenticated optical disc). They are installed in meticulous wall installations, sometimes combined with photocopies, and magazine and newspaper clippings (for example, in the installation âSoldiers â The
Ninetiesâ); or presented in vitrines, arranged in extensive table-installations (âtruth study centerâ). Operating on the basis of the fundamental equality of all motifs and supports, through this continual re-arranging, repositioning, questioning and reinforcement, Tillmans avoids ascribing any âconclusionsâ to his work and thus subjects his photographic vision to a perpetual re-contextualization.
533:. Going even further than his wall-installations, Tillmansâ table works combine a diverse array of image formats and content. His own photographs are presented and arranged under glass next to extracts from books, newspapers, magazines, postcards, packaging and other found materials. The collage-like arrangements of the table displays produce an open-ness and potentiality in terms of aesthetics and content, while raising a critical question about the interpretive possibilities of the visible in a global information-society. With that, claims of absolute (in particular, religious) truth are caricatured, as if Tillmans would like to put them to a kind of test (âtruth study centerâ). The works draw attention to the exercise of power behind the ideologies of Islamic fundamentalism, Catholicism, and capitalism.
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then, by photographing them, returns them to the accustomed flatness of that medium. Photographyâs step from âpictureâ to âobjectâ is best demonstrated in the works from the âLighterâ Series (2005â08), in which the artist dropped the act of photographing and allowed the photographs - in their three-dimensional form â to only represent themselves, recalling his ongoing series "Impossible Color" (1996âpresent). These colourful photo-paper works are folded, creased or otherwise manipulated, allowing for a subtle play with the material surface and the resulting illusion of lines and contrast. Contained under plexiglas lids, they have a rather sculptural quality.
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2006). Here he also references his earlier works from the end of the 1980s that he began in the course of experimenting with an old Canon photocopier. The uncontrolled contrasts and pigment particles in the images from these old machines are clear only after drastic enlargement (framed ca. 260 x 180 cm). The resulting effects are distanced but also concrete â created through not only the materiality of the printing process but also the play and variation of scale. With the analogue photocopy â probably the most ephemeral form of image (re)production â a system of values for images is brought into a critical light.
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to New York in 1994. During this time, he began to show more frequently, developing an exhibition style that consisted of nonhierarchical arrangements of unframed photographs pinned or taped onto the galleryâs walls. Color photographs are placed next to inkjet prints and next to postcards and magazine clippings of his own images, reaching almost to the ceiling and the floor. He views each exhibition as a site-specific installation, often addressing the exhibition space as a larger composition.
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without the use of a camera, and often largely accidental (e.g. "Blushes," "Mental
Pictures," and "Freischwimmer"), present photography as a self-referential medium â one that could serve as an experimental ground for the creation of a new type of image structure. These âabstractâ works now appear next to the figurative photographs. In "Blushes," fine, thread-like lines, apparently drawn with light, swim over the surface of the photographic paper, and create delicate, fluid patterns.
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432:(1998), a set of which was included in his Turner Prize installation and is now in the permanent collection of the Tate, documents the spectacle of a solar eclipse. Each of the 21 photographs in the grid was taken during the eclipse of his immediate surroundings in a tropical locale, with varying degrees of light and detail.
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correlates to "a transformation in the whole world"; he further explains: "In recent years, everything has become HD, so I think it is inevitable that the overwhelming nature of this information density is reflected in my images. In this way, they again describe quite well my sense of perception today."
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in 1992, are considered important photographic documents of the 1990s. In his early photographs of people, Tillmans portrayed freedom in a different way and he says: "I wanted to somehow represent what was not being represented elsewhere." From 1992 to 1994 Tillmans lived and worked in London, moving
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Tillmans was considered the âdocumentarian of his generation, especially that of the London club and gay scenesâ (though he has said "It was never my intention to be seen as diaristic or autobiographical. I was not recording the world around me or my tribe or whatever. There is a big misunderstanding
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Tillmans carefully designs his exhibitions, in which printed, audiovisual and sometimes textile materials interact with the space they are exhibited in. This preoccupation, together with a rigorous attention to detail (as the pins, clips and tape used for hanging the pictures), has led him to have a
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Since 2000, Tillmans has become increasingly interested in the chemical foundations of photographic material, as well as its haptic and spatial possibilities. The "Conquistador" series of photographs were the first of these interventions to be exhibited. Later works created directly in the darkroom
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studio, a former umbrella factory named
Moarain House, at 223 Cambridge Heath Road, London. The project's name is taken from a 1999 photograph by the artist, and also refers to the studio's physical location between two rail bridges. The space opened with a show of works by the New York artist and
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Tillmans further explores the bounds of photography as a medium in his âpaper dropâ series (2001â08). He started to make âpaper dropâ images depicting photographic paper specifically exposed to coloured light in his darkroom in 2001. He creates extraordinary sculptural forms in photographic paper;
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to integrated camera monitors as "completely turning on its head the psychology of photography, which has always been a dialogue between photographer, object and the imaginary image that one is envisioning, thinking, hoping for." According to
Tillmans, the higher resolution of digital photographs
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series), astrophotography, aerial shots and landscapes are motivated equally by aesthetic and political interests, especially related to homosexuality and gender identity. Tillmans says of his work: âI take pictures, in order to see the world.â He produces images for installations in three sizes,
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Tillmans' 2014 photograph, "17 Years' Supply", depicts a giant cardboard box filled with bottles of HIV drugsâsome marked with
Tillmans' own name. His work, as a whole, has also largely spoken to the LGBTQ experience: 2014's "Arms and Legs" is an erotic close-up of a male hand slipped underneath
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pictures (1987â1988) as his "first work before even owned a camera." Over the years, Tillmans has often returned to this medium. The ways that surface structure and image depth influence each other is shown in his large-format works whose original material is analogue photocopies (ongoing since
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at his
Between Bridges gallery in 2014, and also selected the track list and provided original artwork for a tie-in compilation of the same name. The exhibition was the first to be held in the gallery's dedicated Playback Room, where visitors can listen to Tillmans' music selections on high-end
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Tillmans contracted HIV at the age of 26 from his boyfriend Jochen Klein, a German painter and his collaborator on art during most of his life. Klein died from AIDS in 1997. Tillmans stated in his interview with the SHOWStudio's Lou
Stoppard that after experiencing this he feels like life is
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interview. Translation from the original German: "Die
Zunahme der SchÀrfe durch das Bild der Digitalkamera folgt meiner Meinung nach einer Wandlung in der ganzen Welt. In den letzten Jahren ist alles HD geworden, deshalb finde ich es nur zwangslÀufig, dass die Uneinholbarkeit dieser
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edition in 1998. The edition, 60 unique works on color-negative photographic paper collected by the artist since he began colour printing in 1990, was a combination of true darkroom mistakes and years of darkroom experimentation that they inspired. The
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249:, which counts among his earliest influences. During his first visit to England as an exchange student in 1983, he discovered the British youth culture and the local fashion and music magazines of the time. Also in high school, he became friends with
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SLR camera almost exclusively for over two decades, he turned to digital photography. In 2012, he abandoned film altogether and became a full-time digital photographer. In an interview that year, he describes the corresponding change from using
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interview. Translation from the original German: "Dazu kam das komplette Auf-den-Kopf-Stellen der
Psychologie der Fotografie, die immer ein ZwiegesprÀch war zwischen Fotograf, Objekt und dem imaginÀren Bild, das man sich vorstellt, denkt,
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there that still persists to this day."). Half of his work is staged, with the artist choosing the clothes and the location, as well as setting his models up in their positions. The series of his friends Lutz and Alex, also published in
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asked
Tillmans in 2022 to photograph Fauci â his first assignment for the newspaper. In addition to the photographs, the newspaper also published a conversation between Tillmans and Fauci on HIV.
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In 1987, Tillmans began making videos, and he has exhibited them since 2002. In most, the camera barely moves, the sound is direct, and the only cuts occur when the camera is turned on and off.
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dedicated team for setting up his exhibitions. The members of this team are Danish sculptor Anders Clausen, Chilean biologist and architect Federico Martelli (since 2006), and Colombian artist
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arises from the dirt traces and silver salt stains that remain on the paper when the artist develops the photographs in a machine that is filled with water and has not been completely cleaned.
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in 1997. Shot from a wide range of places, including private gardens, parks, railway tracks, and the perimeter fence around Heathrow airport, they record the daily passing of the airplane.
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Since 2007, Tillmans has divided his time between Berlin and London. In Berlin, his studio is located in an annex of a modernist building from the early 1930s, designed by the architect
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In 2001, Tillmans was awarded first prize in the competition for the design of the AIDS memorial for the City of Munich, whereupon the memorial was erected after his designs at the
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One of Tillmans' best known photos: "Lutz & Alex sitting in the trees" (1992). The couple was portrayed as "naive yet knowing, an Adam and Eve for the ecstasy generation"
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545:(2000â2002), a video installation featuring static shots of the light effects inside an empty dance club, with the bass pulse of the âHacker Remix' of âDon't be Light' by
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Tillman's first exhibition in 1988 was composed exclusively of images that were created with the latest kind of monochrome laser copier. He regards these so-called
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works, which Tillmans has been creating since 1998, reflect the reaction of the photographic paper to light, as well as mechanical and chemical processes. The name
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Wolfgang has a passion and love for the streets and the clubs. Which this two inspire him in his work along with his work in the gay rights movement.(Jobey, 2010).
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Los Angeles, New Haven, and London: Hammer Museum, Los Angeles, and Museum of Contemporary Art, Chicago, in association with Yale University Press, 2006.
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From 1995, Tillmans primarily lived and worked in London. During the summer of 1998, Tillmans participated in a month-long residency at the last active
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Tillmansâ photographic practice subsequently developed to encompass a wide array of genres. His portraits, still lifes, sky photographs (e.g. the
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Board. He is also a member of the museum's Collection Committee and the Tate Britain Council. In 2017, he was elected to the Council of the
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another man's red athletic shorts; 2012's "Juan Pablo & Karl, Chingaza" features two men smoking and laying together on a bed of grass.
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In the interview with SHOWStudio's Lou Stoppard, Tillmans talks about how some of his artwork has reflected how he felt about HIV and AIDS:
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264:; there, in 1988, he had his first solo exhibitions, at Café Gnosa, Fabrik-Foto-Forum, and Front. From 1990 through 1992, he studied at
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Informationsdichte sich in meinen eigenen Bildern wiederfindet. Dadurch beschreibt sie mein WahrnehmungsgefĂŒhl heute wieder ganz gut."
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Tillmans was initially known for his seemingly casual, sometimes snapshot-like portraits of friends (most notably, fashion designer
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561:(2010) depicts an open color laser copy machine, the CLC 1100, in the act of copying documents over a period of ten minutes.
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1694:, Tillmans devoted himself and the resources of his studio to a campaign to keep Britain in. In the lead-up to Germanyâs
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280:. After moving back to England, Tillmans lived with Klein until Klein died of AIDS-related complications in 1997.
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Exhibition 126: Inventory / Scott King / Donald Urquhart, curated by Wolfgang Tillmans, May 8 - 13 June, 2004)
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After his studies he moved to London and then to New York in 1994 for a year, where he met the German painter
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Wolfgang Tillmans on making the ICA rave: âIt is underground, progressive and has a really late licenceâ
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Quoted in: "An Evening with Wolfgang Tillmans" (7 October 2010). International Center of Photography.
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Between April 2006 and late 2011, Tillmans maintained the exhibition space in the ground floor of his
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In 2011, Tillmans collaborated with The Opiates by offering a range of photographs to accompany their
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1205:. Tillmans' work has since been shown in large solo exhibitions at European museums, for example the
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690:, Berlin. In 2022, it relocated to a six-story corner building Tillmans designed and built in the
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3168:'Tegenwoordigheid van Geest / Presence of Mind' A choice from the collection by Wolfgang Tillmans
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Despite having already exhibited in Hamburg, in 1993 Tillmans held his first exhibition at the
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Wolfgang Tillmans, Simone Leigh, and El Anatsui Make Timeâs â100 Most Influential Peopleâ List
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1056:. Ostfildern and Berlin: Hatje Cantz and Hamburger BahnhofâMuseum fĂŒr GegenwartâBerlin, 2008.
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2804:"Wolfgang Tillmans Explains How His Techno Track Bookended Frank Ocean's Endless | Pitchfork"
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in Los Angeles mounted Tillman's first major retrospective in the US, which travelled to the
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After Ocean met with Tillmans to discuss the use of his photography for Ocean's studio album
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to document reconstruction work after the country's devastating earthquake one year before.
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2325:. Retrieved 11 October 2015 from www.nytimes.com; print version appeared 27 September 2015.
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Wolfgang Tillmans â Der Fotograf ĂŒber HD-Welten, Digitalfotografie und Berliner Touristen
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Wolfgang Tillmans: If One Thing Matters, Everything Matters, June 6 - September 14, 2003
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Wolfgang Tillmans: If One Thing Matters, Everything Matters, June 6 - September 14, 2003
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Wolfgang Tillmans: If One Thing Matters, Everything Matters, June 6 - September 14, 2003
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2024 Berlin Art Prize â Grand Prize to Simone Fattal, awards ceremony on 18 March 2024
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gallery, www.maureenpaley.com. Section: "Solo Exhibitions." Retrieved 11 October 2015.
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3049:"Freedom From The Known is Wolfgang Tillmans' first exhibition for an American museum"
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for a solo exhibition at the fair. In 2024, he was a member of the jury that selected
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From 2014 to 2019, Between Bridges was based at a former artist studio and gallery in
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In 2016, Tillmans' track "Device Control" was included on American singer and rapper
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Tillmans was the first photographer, and first non-British person, to be awarded the
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2288:" (7 October 2010). International Center of Photography. Retrieved 11 October 2015.
2206:"Wolfgang Tillmans: 'I was hit by a realisation â all I believed in was threatened'"
1965:"Wolfgang Tillmans: 'I was hit by a realisation â all I believed in was threatened'"
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http://tillmans.co.uk/images/stories/pdf/2010_Tillmans_at_Walker_Art_Gallery_web.pdf
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were taken in and around London as part of a commission for Tillmansâ exhibition at
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Raft of appointments mark âbeginning of new eraâ for Institute of Contemporary Arts
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Between Bridges is a non-profit exhibition space maintained by Tillmans in Berlin.
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In 2015, Tillmans was commissioned with creating the official portrait of retiring
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Neil MacGregor announces last acquisitions before retiring from the British Museum
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presented Tillmans' first exhibition for an American museum. That same year, the
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Bournemouth and Poole College of Art and Design (now Arts University Bournemouth)
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Recipients of the Cross of the Order of Merit of the Federal Republic of Germany
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Wolfgang Tillmans tweaked artistic conventions to comment on the everyday world
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Hirshhorn Museum presents 'Wolfgang Tillmans': East coast debut of major survey
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Wolfgang Tillmans is the new chair of London's Institute of Contemporary Arts
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3128:"Wolfgang Tillmans at the Venice Architecture Biennale: Journeys into space"
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Switch craft: Wolfgang Tillmansâ unique record of the Tate Modern extension
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2053:. See "Artist's biography," including list of solo exhibitions, p. 161-162.
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http://tillmans.co.uk/images/stories/pdf/zacheta_catalogue_komplett_web.pdf
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3462:"Wolfgang Tillmans: How likely is it that only I am right in this matter?"
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http://tillmans.co.uk/images/stories/pdf/WT_US_Tour_Catalogue_2006-07.pdf
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Established Artists Champion Rising Stars In a Canât-Miss Frieze Project
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Tillmans lives between Berlin and London. He has owned a beach house in
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Wolfgang Tillmans: How likely is it that only I am right in this matter?
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The Cultural Award of the Deutsche Gesellschaft fĂŒr Photographie (DGPh)
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1176:"Source (Roman FlĂŒgel Remixes & Original)" (Fragile Records, 2018)
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3822:". Deutsche Gesellschaft fĂŒr Photographie e.V.. Accessed 7 March 2017.
3705:âArtist-to-Artistâ Celebrates Creative Community at Frieze London 2023
3590:"The art world takes on Russia's regressive LGBT laws at Manifesta 10"
529:'s gallery, Tillmans showed his large-scale display-case installation
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Wolfgang Tillmans PCR, September 16 â October 24, 2015
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http://tillmans.co.uk/images/stories/pdf/SERPENTINE_CATALOGUE_web.pdf
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229:. At the age of 14 to 16, visits to museums in DĂŒsseldorf and to the
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Wolfgang Tillmans Takes Pictures of Modern Life, Backlit by the Past
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2016 referendum over whether Britain should leave the European Union
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2971:"Photographer Wolfgang Tillmans Opens Up About Living HIV Positive"
2375:. Website version dated 4 October 2012; retrieved 10 October 2015.
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Between 2009 and 2014, Tillmans served as an Artist Trustee of the
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in 2001, Tillmans was a professor for Interdisciplinary Art at the
3440:"Wolfgang Tillmans brings Fragile to the Johannesburg Art Gallery"
3412:"Wolfgang Tillmans review â a rollercoaster ride around the world"
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Wolfgang Tillmans to open music 'playback room' in Berlin gallery
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2349:'I take pictures, in order to see the world.' - Wolfgang Tillmans
1030:. The Conversation Series, Vol. 6. Cologne: Walther König, 2007.
436:(1999) is a grid of images of trampled and melting ice and snow.
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Wolfgang Tillmans im Interview: "Ich finde gerade keine Sprache"
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Tillmans exhibited his first abstract and damaged pictures as a
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Wolfgang Tillmans, Lights (Body) 2000-2002, August 2 - 23, 2002
169:. He has been the subject of large-scale retrospectives at the
4034:(25th anniversary ed.). Köln: Taschen. pp. 308â311.
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German Photography 1960 - 2012: A Survey, 1 March - 5 May 2012
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in Berlin (1992), for example â appeared in magazines such as
2509:
WOLFGANG TILLMANS: Neue Welt, September 1 â November 4, 2012
1924:"Wolfgang Tillmans: The 100 Most Influential People of 2023"
1646:
in October 2022 to benefit the ICA, with contributions from
1357:/Museo d'Arte Contemporanea, Rivoli, Italy, 2002 (exh. cat.)
399:
In 2009, after Tillmans had been using an analog 50 mm
140:
2935:
Wolfgang Tillmans eröffnet neue Galerie in Berlin-Kreuzberg
2630:
Wolfgang Tillmans: half page, October 23 â December 6, 2008
2084:. Andrea Rosen Gallery, New York. Retrieved 4 October 2015.
1259:
in 2012. In 2005 and in 2009, Tillmans was included in the
1197:
in Cologne. In 1995 his work was included at a show at the
3078:"Hirshhorn Museum and Sculpture Garden, Wolfgang Tillmans"
1862:
http://tillmans.co.uk/images/stories/pdf/wakobook4_low.pdf
1823:
http://tillmans.co.uk/images/stories/pdf/wakobook3_web.pdf
1810:
http://tillmans.co.uk/images/stories/pdf/wakobook2_web.pdf
1666:
As part of the inaugural âArtist-to-Artistâ initiative at
3177:
Stedelijk Museum, 17 June 2008. Accessed 30 January 2011.
2442:
2440:
2189:
Wolfgang Tillmans, 1997, With Peter Halley and Bob Nickas
1312:, Frankfurt, Frankfurt am Main, Germany, 1995 (exh. cat.)
606:, Tillmans curated an exhibition dedicated to the group,
420:
The 56 photographs of equal dimensions that make up the
3213:
3211:
3209:
3207:
3205:
3203:
1473:, 2012 (permanent exhibition as part of the collection)
4030:
Grosenick, Uta; Riemschneider, Burkhard, eds. (2005).
1955:
1953:
1951:
1949:
1947:
1945:
362:, he shot covers and assignments, including images of
233:
in Cologne acquainted him with the photo-based art of
1849:
http://tillmans.co.uk/images/stories/pdf/HIV_book.pdf
1738:
2014: Charles Wollaston Award, the main prize of the
3299:
3297:
3295:
3293:
3291:
2140:
2138:
1611:
from 1998 to 1999 and an Honorary Fellowship at the
4373:
4302:
4231:
4160:
4095:
3072:
3070:
2993:
A Conversation With Anthony Fauci, Americaâs Doctor
2781:
2779:
2132:
Hatje Cantz Verlag, 2001. Accessed 30 January 2011.
135:
99:
91:
81:
53:
34:
3890:"Wolfgang Tillmans â 2015 Hasselblad Award Winner"
2722:Wolfgang Tillmans, Guggenheim â Collection Online
2447:Wolfgang Tillmans, January 20 - February 24, 2001
2259:Wolfgang Tillmans, October 22 â November 27, 2004
1765:Order of Merit of the Federal Republic of Germany
127:Order of Merit of the Federal Republic of Germany
3105:"Worldly Wolfgang Tillmans sees the big picture"
2072:Tate Magazin, Issue 5. Accessed 30 January 2011.
2035:
2033:
2031:
1994:
1992:
1990:
1988:
1627:In 2011, he travelled to Haiti with the charity
1435:Museum fur Gegenwart, Berlin, 2008 (exh. cat.);
3871:"Summer Exhibition 2014, Royal Academy of Arts"
708:
602:A fan of the 1980s experimental synthpop group
3397:" . David Zwirner . Retrieved 11 October 2015.
2489:
2487:
2311:
2309:
2307:
2305:
2303:
2082:Wolfgang Tillmans, January 30 â March 13, 2010
703:fragile, and should not take advantage of it.
86:Bournemouth and Poole College of Art (Now AUB)
4072:
2765:Disco Activisto Records. (2 September 2011).
2717:
2715:
995:Why We Must Provide HIV Treatment Information
894:. Cologne: Museum Ludwig, Walther König, 2001
8:
3055:. The Museum of Modern Art. 26 February 2006
2793:, 12 September 2014. Accessed 14 March 2018.
2767:"Wolfgang Tillmans collabs with the Opiates"
1698:, he produced posters against the far-right
1111:. Artist book. Cologne: Walther König, 2012
4079:
4065:
4057:
3541:Museum of Modern Art New York Press Office
3270:"Installation, Beugung, Wolfgang Tillmans"
2542:, 17 April 2007. Accessed 29 January 2011.
42:
31:
4465:Photographers from North Rhine-Westphalia
3563:"Wolfgang Tillmans: To Look Without Fear"
3537:"Wolfgang Tillmans: To Look Without Fear"
3375:. The National Museum of Art, Osaka. 2015
2372:. Issue 165; link to PDF of print issue:
2165:"The Ultimate Guide to Wolfgang Tillmans"
2000:Wolfgang Tillmans: the lightness of being
1544:Wolfgang Tillmans: Today is the first day
1211:Museo Nacional Centro de Arte Reina SofĂa
181:. In 2023, Tillmans was named one of the
4435:German expatriates in the United Kingdom
3668:Gabriella Angeleti (30 September 2019),
3629:Current Tate Trustees: Wolfgang Tillmans
3219:"Solo Exhibitions for Wolfgang Tillmans"
1619:in Frankfurt am Main from 2003 to 2006.
1367:if one thing matters, everything matters
1028:Wolfgang Tillmans and Hans Ulrich Obrist
915:If One Thing Matters, Everything Matters
3990:Wolfgang Tillmans: Older, Wiser, Cooler
3972:Wolfgang Tillmans: Older, Wiser, Cooler
3773:Wolfgang Tillmans: Older, Wiser, Cooler
3755:Wolfgang Tillmans: Older, Wiser, Cooler
3614:In pictures: Wolfgang Tillmans in Haiti
3373:"Your Body is Yours, Wolfgang Tillmans"
3188:"The Life and Art of Wolfgang Tillmans"
2953:Wolfgang Tillmans: Older, Wiser, Cooler
2830:Wolfgang Tillmans: Older, Wiser, Cooler
2095:Wolfgang Tillmans: Older, Wiser, Cooler
1915:
1801:
1760:Centenary Medal and Honorary Fellowship
1607:Following a guest professorship at the
1455:Museo de Arte del Banco de la RepĂșblica
940:. Tokyo: Tokyo Opera City Gallery, 2004
4455:Members of the Academy of Arts, Berlin
2889:
2887:
2885:
2883:
2881:
2879:
4450:Alumni of Arts University Bournemouth
2991:Jacqueline Bates (10 December 2022),
2864:Francesca Colussi (12 October 2011),
2540:Hirshhorn Museum and Sculpture Garden
2465:Dominic Eichler (23 September 2008),
2360:Tillmans, Wolfgang (September 2012).
2111:Ingeborg Wiensowksi (30 April 2012),
1411:Hirshhorn Museum and Sculpture Garden
1383:, HumlebĆk, Denmark, 2003 (exh. cat.)
1253:Hirshhorn Museum and Sculpture Garden
976:. Los Angeles. New Haven and London:
387:"Pictures, in order to see the world"
260:From 1987 to 1990, Tillmans lived in
7:
3512:"Wolfgang Tillmans. Sound is Liquid"
2315:Lubow, Arthur (25 September 2015). "
1331:, Cologne, Germany, 2001 (exh. cat.)
1130:London and New York: Phaidon, 2013.
183:most influential people in the world
4430:Artists from North Rhine-Westphalia
3988:Matthew Anderson (29 August 2022),
3970:Matthew Anderson (29 August 2022),
3771:Matthew Anderson (29 August 2022),
3753:Matthew Anderson (29 August 2022),
3744:, press release of 25 January 2024.
3322:"Stedelijk Room, Wolfgang Tillmans"
2951:Matthew Anderson (29 August 2022),
2933:Gabriela Walde (29 December 2013),
2828:Matthew Anderson (29 August 2022),
2366:. An interview with Timo Feldhaus.
2093:Matthew Anderson (29 August 2022),
1413:, Washington DC, 2007 (exh. cat.);
1403:Museum of Contemporary Art, Chicago
1101:. ZachÄta Narodowa Galeria Sztuki,
978:Museum of Contemporary Art, Chicago
771:. Frankfurt am Main: Portikus, 1995
697:
4505:Royal Photographic Society members
2740:Martin Bailey (18 December 2015),
2648:Charlotte McManus (10 June 2016),
2204:O'Hagan, Sean (13 February 2017).
2063:'Casual Beauty: Wolfgang Tillmans'
1609:University of Fine Arts of Hamburg
1189:Tillmans at a book signing in 2007
1043:. Tokyo: Wako Works of Art, 2008.
927:. Tokyo: Wako Works of Art, 2004.
854:. Tokyo: Wako Works of Art, 2001.
681:Center for Land Use Interpretation
521:Table works ("truth study center")
158:(born 16 August 1968) is a German
25:
4495:21st-century German photographers
4490:20th-century German photographers
4008:Wolfgang Tillmansâ Ways of Seeing
3789:Jörg HÀntzschel (17 April 2024),
3719:Tessa Solomon (12 October 2023),
3023:"Main Gallery, Wolfgang Tillmans"
2279:An Evening with Wolfgang Tillmans
1706:, he donated 50,000 euros to the
1103:Kunstsammlung Nordrhein-Westfalen
892:AC: Isa Genzken/Wolfgang Tillmans
3710:, press release of 12 July 2023.
3686:Alex Needham (11 October 2022),
2848:Atelierbesuch: Wolfgang Tillmans
1593:10, St. Petersburg, Russia, 2014
1069:. Tokyo: Wako Works of Art, 2010
1017:. Cologne: Walther König, 2007.
1001:, 2007. Photography by Tillmans.
959:. New York and Göttingen: P.S.1/
841:. Cologne: Walther König, 1999.
835:. Tokyo: Wako Works of Art, 1999
787:. Cologne: Walther König, 1997.
608:Music of the Band (1982 - 1987),
525:In 2005, at his major supporter
4006:Arthur Lubow (31 August 2022),
3952:Tessa Solomon (13 April 2023),
3919:"The RPS 2015 Awards announced"
3588:Searle, Adrian (30 June 2014).
3103:David Pollock (19 April 2012).
2846:Christof Siemes (31 May 2007),
2694:Andrea Rosen Gallery, New York.
2456:Andrea Rosen Gallery, New York.
2434:Ben Brown Fine Arts, Hong Kong.
2335:Luis Mora (16 September 2019).
2016:Heike BlĂŒmner (26 April 2015),
1740:Royal Academy Summer Exhibition
1164:"Device Control" â included on
1109:FESPA Digital / FRUIT LOGISTICA
1095:. Ostfildern: Hatje Cantz, 2011
27:German photographer (born 1968)
2906:Institute of Contemporary Arts
2866:Marte EknĂŠs at Between Bridges
2773:. Retrieved 13 September 2011.
1727:German Society for Photography
1640:Institute of Contemporary Arts
1417:(permanent collection), Munich
1401:, New York, 2006 (exh. cat.);
1381:Louisiana Museum of Modern Art
1286:from the museum's collection.
1257:SĂŁo Paulo Museum of Modern Art
698:Tillmans' Experience with AIDS
113:German Society for Photography
1:
3012:FundaciĂłn TelefĂłnica, Madrid.
2666:Jeffry Cudlin (8 June 2007),
1500:National Museum of Art, Osaka
1067:Wolfgang Tillmans: Interviews
221:Tillmans was born in 1968 in
3126:Louisa Buck (30 June 2014).
2639:Regen Projects, Los Angeles.
2268:Regen Projects, Los Angeles.
2130:Wolfgang Tillmans 'Aufsicht'
1696:2017 parliamentary elections
4485:21st-century German artists
4480:20th-century German artists
4475:German contemporary artists
2620:Chisenhale Gallery, London.
2580:Chisenhale Gallery, London.
2401:Tillmans (September 2012),
2387:Tillmans (September 2012),
2337:"Artist, Wolfgang Tillmans"
1791:Fire Island Pines, New York
1731:2013: Elected Academician,
1670:in 2023, Tillmans proposed
1613:Arts University Bournemouth
867:. Cologne: Walther König /
758:, 1995; JRP/Ringier, 2008.
679:, and photographs from the
588:Music and art collaboration
4521:
3921:Accessed 16 September 2015
3650:Anny Shaw (14 June 2017),
3326:Stedelijk Museum Amsterdam
2163:Luis Mora (1 March 2017).
1998:Liz Jobey (26 June 2010),
1899:It can be downloaded from
1886:It can be downloaded from
1873:It can be downloaded from
1860:It can be downloaded from
1847:It can be downloaded from
1834:It can be downloaded from
1821:It can be downloaded from
1808:It can be downloaded from
1769:2018: Nino Gennaro Award,
1758:Royal Photographic Society
1525:Wolfgang Tillmans: Fragile
1490:Metropolitan Museum of Art
1471:Stedelijk Museum Amsterdam
1445:, London, 2010 (exh. cat.)
1373:, London, 2003 (exh. cat.)
1249:Museum of Contemporary Art
1117:. Cologne: Taschen, 2012.
946:. Cologne: Taschen, 2005.
882:Aufsicht / View from Above
869:Distributed Art Publishers
775:Wer Liebe wagt lebt morgen
598:Rainy Days and Remixes EP.
3307:." (Artist's biography).
2908:. Accessed 14 March 2018.
2690:25 September 2011 at the
1742:, with a prize of ÂŁ25,000
1335:View from Above/Aufsicht,
715:To accompany an essay by
594:Hollywood Under the Knife
456:Paper drop (window), 2006
41:
3487:"Today Is The First Day"
2747:22 December 2015 at the
2635:31 December 2010 at the
2616:16 November 2017 at the
2576:28 December 2017 at the
1623:Philanthropic activities
1528:Johannesburg Art Gallery
1516:Wolfgang Tillmans: 2017,
1340:, Hamburg, Germany, 2001
448:"Freischwimmer 26", 2003
430:Total Solar Eclipse Grid
326:in London (1992) or the
201:Early life and education
3943:siciliaqueerfilmfest.it
3851:www.royalacademy.org.uk
3809:Tate: Turner Prize 2000
3082:Smithsonian Institution
1708:Social Democratic Party
1704:2024 European elections
1700:Alternative for Germany
1396:Freedom From The Known,
1161:(Fragile Records, 2016)
1085:. Brochure. Liverpool:
900:. London and New York:
823:Totale Sonnenfinsternis
798:Wolfgang Tillmans: Burg
217:AIDS memorial in Munich
4470:Fine art photographers
4263:Bernd and Hilla Becher
3567:Art Gallery of Ontario
2597:Guggenheim Collection.
2452:28 August 2011 at the
1771:Sicilia Queer filmfest
1690:In the lead-up to the
1678:as a recipient of the
1578:Art Gallery of Ontario
1415:Pinakothek der Moderne
1363:, Haarlem, Netherlands
1229:in Berlin (2008), and
1201:in London, curated by
1190:
1170:(2016) video album by
957:Freedom From The Known
810:Cologne: Taschen, 1998
713:
517:
494:
457:
449:
311:
225:in the German area of
218:
210:
130:2018
123:2015
107:2000
4425:People from Remscheid
4115:Henri Cartier-Bresson
3894:Hasselblad Foundation
3154:26 April 2012 at the
2727:19 March 2012 at the
2672:Washington City Paper
2472:21 April 2012 at the
2068:17 March 2012 at the
1751:Hasselblad Foundation
1725:2009: Culture Award,
1682:'s Berlin Art Prize.
1569:, New York, 2022â2023
1510:David Zwirner Gallery
1439:, Mexico City, Mexico
1327:, Wolfgang Tillmans,
1225:in Paris (2002), the
1188:
1005:Sprengel Installation
984:, Los Angeles, 2006.
839:SoldiersâThe Nineties
779:Kunstmuseum Wolfsburg
515:
492:
455:
447:
309:
268:in southern England.
216:
209:Tillmans in the 1990s
208:
4445:People with HIV/AIDS
4121:Manuel Ălvarez Bravo
3410:(14 February 2017).
3352:Andrea Rosen Gallery
3223:Andrea Rosen Gallery
3173:24 July 2011 at the
3158:Portikus, Frankfurt.
3027:Andrea Rosen Gallery
2264:15 July 2011 at the
2240:(14 February 2010),
1963:(14 February 2017).
1753:, Gothenburg, Sweden
1702:party. Ahead of the
1686:Political activities
1574:To Look Without Fear
1567:Museum of Modern Art
1563:To Look Without Fear
1530:, Johannesburg, 2018
1480:Andrea Rosen Gallery
1079:; Koenig Books, 2010
669:Charlotte Posenenske
368:Gilbert & George
171:Museum of Modern Art
3932:bundespraesident.de
3876:The Huffington Post
3847:"Wolfgang Tillmans"
3795:SĂŒddeutsche Zeitung
3742:Akademie der KĂŒnste
3634:9 July 2014 at the
3348:"Wolfgang Tillmans"
3274:Kunstverein MĂŒnchen
3245:"Wolfgang Tillmans"
3196:. 3 September 2018.
3130:. The Art Newspaper
2939:Berliner Morgenpost
2591:Wolfgang Tillmans:
2567:Wolfgang Tillmans,
2514:13 May 2013 at the
2416:Wolfgang Tillmans:
1680:Akademie der KĂŒnste
1572:Wolfgang Tillmans:
1561:Wolfgang Tillmans:
1486:Book for Architects
1424:Kunstverein MĂŒnchen
1392:, Los Angeles, 2004
1251:in Chicago and the
1217:in Cologne (2001),
884:. Ostfildern-Ruit:
777:. Ostfildern-Ruit:
243:Robert Rauschenberg
4500:Royal Academicians
4440:German gay artists
4210:Christer Strömholm
3619:, 11 January 2011.
2900:2018-03-14 at the
2609:Chisenhale Edition
2569:Chisenhale Edition
2534:2011-06-29 at the
2518:Kunsthalle ZĂŒrich.
2284:2013-01-19 at the
1496:Your Body is Yours
1443:Serpentine Gallery
1387:Wolfgang Tillmans,
1319:Chisenhale Gallery
1306:, 1995 (exh. cat.)
1233:in London (2010).
1231:Serpentine Gallery
1219:Castello di Rivoli
1213:in Madrid (1998),
1203:Hans-Ulrich Obrist
1199:Serpentine Gallery
1191:
1128:Wolfgang Tillmans.
1105:, DĂŒsseldorf, 2011
1099:ZachÄta Ermutigung
1087:Walker Art Gallery
1077:Serpentine Gallery
944:truth study center
531:Truth Study Center
518:
495:
458:
450:
426:Chisenhale Gallery
318:and fellow artist
312:
219:
211:
4402:
4401:
4340:Wolfgang Tillmans
4287:Graciela Iturbide
4216:William Eggleston
4151:SebastiĂŁo Salgado
4087:Laureates of the
3833:Wolfgang Tillmans
3692:The Art Newspaper
3674:The Art Newspaper
3656:The Art Newspaper
3305:Wolfgang Tillmans
3029:. 1 November 2003
3010:Wolfgang Tillmans
2919:"Between Bridges"
2753:The Art Newspaper
2246:New York Magazine
2146:Wolfgang Tillmans
2041:Wolfgang Tillmans
1585:Group exhibitions
1558:, Vienna, 2021/22
1451:, Stockholm, 2012
1433:Hamburger Bahnhof
1361:Frans Hals Museum
1304:Kunsthalle ZĂŒrich
1227:Hamburger Bahnhof
1221:in Italy (2002),
1207:Kunsthalle ZĂŒrich
1159:Device Control EP
1136:978-0-7148-6704-5
1123:978-3-8365-3974-6
1093:Abstract Pictures
1083:Wolfgang Tillmans
1073:Wolfgang Tillmans
1062:978-3-7757-2187-5
1049:978-4-902070-31-6
1036:978-3-86560-133-9
1023:978-3-86560-132-2
974:Wolfgang Tillmans
898:Wolfgang Tillmans
877:978-1-891024-36-8
847:978-3-88375-377-5
815:Wolfgang Tillmans
806:978-3-8228-7881-1
793:978-3-88375-273-0
769:Wolfgang Tillmans
764:978-3-905829-36-5
756:Kunsthalle ZĂŒrich
752:Wolfgang Tillmans
747:978-3-8228-8853-7
735:Wolfgang Tillmans
661:David Wojnarowicz
649:David Wojnarowicz
516:"Lighter V", 2006
358:in 1997. For the
320:Alexandra Bircken
287:in the world, in
251:Alexandra Bircken
156:Wolfgang Tillmans
153:
152:
36:Wolfgang Tillmans
16:(Redirected from
4512:
4393:Carrie Mae Weems
4328:Joan Fontcuberta
4245:Hiroshi Sugimoto
4089:Hasselblad Award
4081:
4074:
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3896:. Archived from
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2810:. 19 August 2016
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2731:, guggenheim.org
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2422:Tate Collection.
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2018:Out of Remscheid
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1747:Hasselblad Award
1658:, among others.
1598:Other activities
1549:, Brussels, 2020
1512:, New York, 2015
1492:, New York, 2015
1482:, New York, 2013
1463:
1355:Castle of Rivoli
1351:Veduta dall'alto
1316:I Didn't Inhale,
1298:Solo exhibitions
1272:Stedelijk Museum
1195:Galerie Buchholz
827:Galerie Buchholz
505:Commissioned by
285:Shaker community
149:
146:
144:
142:
120:Hasselblad Award
67:
63:
61:
48:Tillmans in 2013
46:
32:
21:
4520:
4519:
4515:
4514:
4513:
4511:
4510:
4509:
4405:
4404:
4403:
4398:
4369:
4352:Rineke Dijkstra
4334:Miyako Ishiuchi
4298:
4275:David Goldblatt
4269:Lee Friedlander
4239:Boris Mikhailov
4227:
4156:
4103:Lennart Nilsson
4091:
4085:
4042:
4029:
4026:
4024:Further reading
4021:
4020:
4005:
4001:
3987:
3983:
3969:
3965:
3951:
3947:
3940:
3936:
3929:
3925:
3917:
3913:
3903:
3901:
3900:on 8 March 2015
3888:
3887:
3883:
3879:, 24 June 2014.
3869:
3865:
3855:
3853:
3845:
3844:
3840:
3830:
3826:
3817:
3813:
3806:
3802:
3788:
3784:
3770:
3766:
3752:
3748:
3737:
3733:
3718:
3714:
3708:Frieze Art Fair
3703:
3699:
3685:
3681:
3667:
3663:
3649:
3645:
3636:Wayback Machine
3627:
3623:
3612:
3608:
3598:
3596:
3587:
3586:
3582:
3572:
3570:
3561:
3560:
3556:
3546:
3544:
3535:
3534:
3530:
3520:
3518:
3510:
3509:
3505:
3495:
3493:
3485:
3484:
3480:
3470:
3468:
3460:
3459:
3455:
3445:
3443:
3438:
3437:
3433:
3423:
3421:
3406:
3405:
3401:
3392:
3388:
3378:
3376:
3371:
3370:
3366:
3356:
3354:
3346:
3345:
3341:
3331:
3329:
3320:
3319:
3315:
3302:
3289:
3279:
3277:
3268:
3267:
3263:
3253:
3251:
3243:
3242:
3238:
3228:
3226:
3217:
3216:
3201:
3186:
3185:
3181:
3175:Wayback Machine
3166:
3162:
3156:Wayback Machine
3147:
3143:
3133:
3131:
3125:
3124:
3120:
3110:
3108:
3102:
3101:
3097:
3087:
3085:
3076:
3075:
3068:
3058:
3056:
3047:
3046:
3042:
3032:
3030:
3021:
3020:
3016:
3008:
3004:
2990:
2986:
2976:
2974:
2973:. 10 April 2017
2969:
2968:
2964:
2950:
2946:
2932:
2928:
2916:
2912:
2902:Wayback Machine
2895:Between Bridges
2892:
2877:
2863:
2859:
2845:
2841:
2827:
2823:
2813:
2811:
2802:
2801:
2797:
2785:Alex Needham, "
2784:
2777:
2764:
2760:
2749:Wayback Machine
2739:
2735:
2729:Wayback Machine
2720:
2713:
2702:
2698:
2692:Wayback Machine
2683:
2679:
2665:
2661:
2647:
2643:
2637:Wayback Machine
2628:
2624:
2618:Wayback Machine
2605:
2601:
2588:
2584:
2578:Wayback Machine
2565:
2561:
2550:
2546:
2536:Wayback Machine
2526:
2522:
2516:Wayback Machine
2507:
2503:
2492:
2485:
2474:Wayback Machine
2464:
2460:
2454:Wayback Machine
2445:
2438:
2430:
2426:
2414:
2410:
2400:
2396:
2386:
2382:
2376:
2359:
2355:
2342:
2340:
2339:. The Art Story
2334:
2333:
2329:
2314:
2301:
2296:
2292:
2286:Wayback Machine
2276:
2272:
2266:Wayback Machine
2257:
2253:
2236:
2232:
2222:
2220:
2203:
2202:
2198:
2187:
2183:
2173:
2171:
2162:
2161:
2157:
2143:
2136:
2128:
2124:
2113:Textiles Werken
2110:
2106:
2092:
2088:
2080:
2076:
2070:Wayback Machine
2061:
2057:
2038:
2029:
2015:
2011:
1997:
1986:
1976:
1974:
1959:
1958:
1943:
1933:
1931:
1930:. 13 April 2023
1922:
1921:
1917:
1912:
1907:
1898:
1894:
1885:
1881:
1872:
1868:
1859:
1855:
1846:
1842:
1833:
1829:
1820:
1816:
1807:
1803:
1799:
1787:
1716:
1688:
1664:
1625:
1605:
1600:
1587:
1580:, Toronto, 2023
1553:Sound is Liquid
1521:, London, 2017.
1468:Stedelijk Room,
1457:
1409:, Los Angeles;
1377:View From Above
1349:, Paris, 2002;
1347:Palais de Tokyo
1321:, London, 1997.
1300:
1284:Ellsworth Kelly
1261:Venice Biennale
1223:Palais de Tokyo
1183:
1153:Fragile Records
1145:
1009:Sprengel Museum
731:
700:
675:, the films of
657:Wolfgang Breuer
637:
635:Between Bridges
618:'s video album
590:
567:
539:
523:
487:
442:
418:
389:
304:
289:Sabbathday Lake
274:
235:Gerhard Richter
227:Bergisches Land
203:
139:
131:
129:
124:
122:
118:
111:
108:
106:
77:
68:
65:
59:
57:
49:
37:
28:
23:
22:
15:
12:
11:
5:
4518:
4516:
4508:
4507:
4502:
4497:
4492:
4487:
4482:
4477:
4472:
4467:
4462:
4457:
4452:
4447:
4442:
4437:
4432:
4427:
4422:
4417:
4407:
4406:
4400:
4399:
4397:
4396:
4390:
4387:Dayanita Singh
4384:
4377:
4375:
4371:
4370:
4368:
4367:
4364:DaidĆ Moriyama
4361:
4355:
4349:
4343:
4337:
4331:
4325:
4319:
4313:
4306:
4304:
4300:
4299:
4297:
4296:
4290:
4284:
4278:
4272:
4266:
4260:
4254:
4248:
4242:
4235:
4233:
4229:
4228:
4226:
4225:
4219:
4213:
4207:
4201:
4198:Robert HĂ€usser
4195:
4192:Susan Meiselas
4189:
4183:
4180:Josef Koudelka
4177:
4174:Richard Avedon
4171:
4164:
4162:
4158:
4157:
4155:
4154:
4148:
4145:Ădouard Boubat
4142:
4139:Hiroshi Hamaya
4136:
4130:
4124:
4118:
4112:
4106:
4099:
4097:
4093:
4092:
4086:
4084:
4083:
4076:
4069:
4061:
4055:
4054:
4040:
4025:
4022:
4019:
4018:
3999:
3994:New York Times
3981:
3976:New York Times
3963:
3945:
3934:
3923:
3911:
3881:
3863:
3838:
3824:
3811:
3800:
3782:
3777:New York Times
3764:
3759:New York Times
3746:
3731:
3712:
3697:
3679:
3661:
3643:
3621:
3606:
3580:
3554:
3528:
3503:
3478:
3453:
3442:. 10 July 2018
3431:
3408:Searle, Adrian
3399:
3386:
3364:
3339:
3313:
3287:
3261:
3249:Regen Projects
3236:
3199:
3193:The New Yorker
3179:
3160:
3141:
3118:
3095:
3066:
3040:
3014:
3002:
2997:New York Times
2984:
2962:
2957:New York Times
2944:
2926:
2910:
2875:
2857:
2839:
2834:New York Times
2821:
2795:
2775:
2758:
2733:
2711:
2696:
2677:
2659:
2641:
2622:
2599:
2582:
2559:
2544:
2520:
2501:
2483:
2458:
2436:
2424:
2408:
2394:
2380:
2353:
2327:
2322:New York Times
2299:
2290:
2270:
2251:
2230:
2196:
2192:Index Magazine
2181:
2155:
2134:
2122:
2104:
2099:New York Times
2086:
2074:
2055:
2027:
2009:
1984:
1941:
1914:
1913:
1911:
1908:
1906:
1905:
1892:
1879:
1866:
1853:
1840:
1827:
1814:
1800:
1798:
1795:
1786:
1783:
1782:
1781:
1773:
1767:
1761:
1754:
1743:
1736:
1729:
1723:
1715:
1712:
1687:
1684:
1663:
1660:
1652:Richard Prince
1624:
1621:
1604:
1601:
1599:
1596:
1595:
1594:
1586:
1583:
1582:
1581:
1570:
1559:
1550:
1541:
1531:
1522:
1513:
1503:
1493:
1483:
1474:
1465:
1464:, BogotĂĄ, 2012
1452:
1449:Moderna Museet
1446:
1440:
1427:
1426:, Munich, 2007
1418:
1393:
1390:Regen Projects
1384:
1374:
1364:
1358:
1344:Vue d'en Haut,
1341:
1338:Deichtorhallen
1332:
1322:
1313:
1307:
1299:
1296:
1294:(since 2012).
1292:Juan Echeverri
1182:
1179:
1178:
1177:
1174:
1162:
1156:
1144:
1141:
1140:
1139:
1125:
1112:
1106:
1096:
1090:
1080:
1070:
1064:
1051:
1038:
1025:
1012:
1002:
992:
971:
954:
941:
935:
922:
912:
895:
889:
879:
862:
849:
836:
833:Wako Book 1999
830:
820:
819:
818:
811:
795:
782:
772:
766:
749:
741:, 1995, 2002.
730:
727:
722:New York Times
699:
696:
636:
633:
589:
586:
582:Neil MacGregor
578:British Museum
571:Sendlinger Tor
566:
563:
538:
535:
522:
519:
493:"Market", 2012
486:
483:
441:
438:
417:
414:
388:
385:
360:Index Magazine
303:
300:
273:
270:
202:
199:
189:. He lives in
179:Moderna Museet
151:
150:
137:
133:
132:
110:Culture Award
101:
97:
96:
93:
92:Known for
89:
88:
83:
79:
78:
69:
64:16 August 1968
55:
51:
50:
47:
39:
38:
35:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4517:
4506:
4503:
4501:
4498:
4496:
4493:
4491:
4488:
4486:
4483:
4481:
4478:
4476:
4473:
4471:
4468:
4466:
4463:
4461:
4458:
4456:
4453:
4451:
4448:
4446:
4443:
4441:
4438:
4436:
4433:
4431:
4428:
4426:
4423:
4421:
4420:Living people
4418:
4416:
4413:
4412:
4410:
4394:
4391:
4388:
4385:
4382:
4379:
4378:
4376:
4372:
4365:
4362:
4359:
4356:
4353:
4350:
4347:
4344:
4341:
4338:
4335:
4332:
4329:
4326:
4323:
4320:
4317:
4314:
4311:
4308:
4307:
4305:
4301:
4294:
4291:
4288:
4285:
4282:
4279:
4276:
4273:
4270:
4267:
4264:
4261:
4258:
4257:Malick Sidibé
4255:
4252:
4249:
4246:
4243:
4240:
4237:
4236:
4234:
4230:
4223:
4222:Cindy Sherman
4220:
4217:
4214:
4211:
4208:
4205:
4202:
4199:
4196:
4193:
4190:
4187:
4184:
4181:
4178:
4175:
4172:
4169:
4168:William Klein
4166:
4165:
4163:
4159:
4152:
4149:
4146:
4143:
4140:
4137:
4134:
4131:
4128:
4125:
4122:
4119:
4116:
4113:
4110:
4107:
4104:
4101:
4100:
4098:
4094:
4090:
4082:
4077:
4075:
4070:
4068:
4063:
4062:
4059:
4051:
4047:
4043:
4041:9783822840931
4037:
4033:
4028:
4027:
4023:
4015:
4014:
4009:
4003:
4000:
3996:
3995:
3991:
3985:
3982:
3978:
3977:
3973:
3967:
3964:
3960:
3959:
3955:
3949:
3946:
3942:
3938:
3935:
3931:
3927:
3924:
3920:
3915:
3912:
3899:
3895:
3891:
3885:
3882:
3878:
3877:
3872:
3867:
3864:
3852:
3848:
3842:
3839:
3836:kulturnews.de
3835:
3834:
3828:
3825:
3821:
3815:
3812:
3808:
3804:
3801:
3797:
3796:
3792:
3786:
3783:
3779:
3778:
3774:
3768:
3765:
3761:
3760:
3756:
3750:
3747:
3743:
3740:
3735:
3732:
3728:
3727:
3722:
3716:
3713:
3709:
3706:
3701:
3698:
3694:
3693:
3689:
3683:
3680:
3676:
3675:
3671:
3665:
3662:
3658:
3657:
3653:
3647:
3644:
3640:
3637:
3633:
3630:
3625:
3622:
3618:
3615:
3610:
3607:
3595:
3591:
3584:
3581:
3569:. 4 July 2023
3568:
3564:
3558:
3555:
3543:. 2 June 2022
3542:
3538:
3532:
3529:
3517:
3513:
3507:
3504:
3492:
3488:
3482:
3479:
3467:
3466:David Zwirner
3463:
3457:
3454:
3441:
3435:
3432:
3419:
3418:
3413:
3409:
3403:
3400:
3396:
3390:
3387:
3374:
3368:
3365:
3353:
3349:
3343:
3340:
3327:
3323:
3317:
3314:
3310:
3309:Maureen Paley
3306:
3300:
3298:
3296:
3294:
3292:
3288:
3275:
3271:
3265:
3262:
3250:
3246:
3240:
3237:
3224:
3220:
3214:
3212:
3210:
3208:
3206:
3204:
3200:
3195:
3194:
3189:
3183:
3180:
3176:
3172:
3169:
3164:
3161:
3157:
3153:
3150:
3145:
3142:
3129:
3122:
3119:
3107:. Independent
3106:
3099:
3096:
3083:
3079:
3073:
3071:
3067:
3054:
3050:
3044:
3041:
3028:
3024:
3018:
3015:
3011:
3006:
3003:
2999:
2998:
2994:
2988:
2985:
2972:
2966:
2963:
2959:
2958:
2954:
2948:
2945:
2941:
2940:
2936:
2930:
2927:
2923:
2920:
2917:Louise Gray,
2914:
2911:
2907:
2903:
2899:
2896:
2890:
2888:
2886:
2884:
2882:
2880:
2876:
2872:
2871:
2867:
2861:
2858:
2854:
2853:
2849:
2843:
2840:
2836:
2835:
2831:
2825:
2822:
2809:
2808:pitchfork.com
2805:
2799:
2796:
2792:
2788:
2782:
2780:
2776:
2772:
2771:artdesigncafe
2768:
2762:
2759:
2755:
2754:
2750:
2746:
2743:
2737:
2734:
2730:
2726:
2723:
2718:
2716:
2712:
2708:
2705:
2700:
2697:
2693:
2689:
2686:
2681:
2678:
2674:
2673:
2669:
2663:
2660:
2657:
2656:
2651:
2645:
2642:
2638:
2634:
2631:
2626:
2623:
2619:
2615:
2612:
2610:
2603:
2600:
2596:
2594:
2586:
2583:
2579:
2575:
2572:
2570:
2563:
2560:
2556:
2553:
2548:
2545:
2541:
2537:
2533:
2530:
2524:
2521:
2517:
2513:
2510:
2505:
2502:
2498:
2495:
2490:
2488:
2484:
2480:
2479:
2475:
2471:
2468:
2462:
2459:
2455:
2451:
2448:
2443:
2441:
2437:
2433:
2428:
2425:
2421:
2419:
2418:Concorde Grid
2412:
2409:
2404:
2398:
2395:
2390:
2384:
2381:
2374:
2371:
2370:
2365:
2364:
2357:
2354:
2350:
2338:
2331:
2328:
2324:
2323:
2318:
2312:
2310:
2308:
2306:
2304:
2300:
2294:
2291:
2287:
2283:
2280:
2274:
2271:
2267:
2263:
2260:
2255:
2252:
2248:
2247:
2243:
2239:
2234:
2231:
2219:
2215:
2211:
2207:
2200:
2197:
2193:
2190:
2185:
2182:
2170:
2166:
2159:
2156:
2152:
2151:
2147:
2141:
2139:
2135:
2131:
2126:
2123:
2119:
2118:
2114:
2108:
2105:
2101:
2100:
2096:
2090:
2087:
2083:
2078:
2075:
2071:
2067:
2064:
2059:
2056:
2052:
2051:0-300-12022-2
2048:
2044:
2042:
2036:
2034:
2032:
2028:
2024:
2023:
2019:
2013:
2010:
2006:
2005:
2001:
1995:
1993:
1991:
1989:
1985:
1972:
1971:
1966:
1962:
1961:O'Hagan, Sean
1956:
1954:
1952:
1950:
1948:
1946:
1942:
1929:
1925:
1919:
1916:
1909:
1902:
1896:
1893:
1889:
1883:
1880:
1876:
1870:
1867:
1863:
1857:
1854:
1850:
1844:
1841:
1837:
1831:
1828:
1824:
1818:
1815:
1811:
1805:
1802:
1796:
1794:
1792:
1785:Personal life
1784:
1780:
1779:
1774:
1772:
1768:
1766:
1762:
1759:
1755:
1752:
1748:
1744:
1741:
1737:
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1733:Royal Academy
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2117:Der Spiegel
1977:14 February
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1519:Tate Modern
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1276:Isa Genzken
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3599:10 January
3547:27 October
3521:10 January
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3171:Archived
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