The Great Dictator - Knowledge (XXG)

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desires, on...the promise of self-transcendence and authentic collectivity, but they channel these mythic longings in fundamentally different directions. Although exposes the puzzling modernity of Nazi politics, Chaplin is unwilling to write off either Wagner or industrial culture. Hollywood needs Wagner as never before in order to at once condemn the use of fantasy in fascism and warrant the utopian possibilities in industrial culture.

1450:, with Charles Chaplin paying Bercovici $ 95,000 ($ 1.3 million in 2023). In return, Bercovici conceded that Chaplin was the sole author. Chaplin insisted in his autobiography that he had been the sole writer of the movie's script. He agreed to a settlement, because of his "unpopularity in the States at that moment and being under such court pressure, was terrified, not knowing what to expect next." 1158: 510: 437: 976: 1641:, the notorious national security minister of late Stalin. The movie, which started the wave of anti-Stalinism in Soviet media and all over the country, is considered to be one of the major milestones of Perestroyka. It was also extremely important that the authors were Georgians, since both Stalin and Beria were Georgians themselves. 506:. The quarrel becomes heated and descends into a food fight, which is only resolved when both men eat the hot mustard and are shocked into cooperating. After signing the treaty with Napaloni, Hynkel orders the invasion of Osterlich. Hannah and her family are trapped by the invading force and beaten by a squad of arriving soldiers. 1459: 1079:

called the film "a truly superb accomplishment by a truly great artist" and "perhaps the most significant film ever produced." The film was also popular in the United Kingdom, drawing 9 million to the cinemas, despite Chaplin's fears that wartime audiences would dislike a comedy about a dictator. The

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No. 5 had been filmed before he arrived, using a phonograph record for timing. Willson's task was to re-record it with the full studio orchestra, fitting the music to the action. They had planned to do it painstakingly, recording eight measures or less at a time, after running through the whole scene

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later noted that early in the production, Chaplin said he would not play The Tramp in a sound film. Turner Classic Movies says that years later, Chaplin acknowledged a connection between The Tramp and the barber. Specifically, "There is some debate as to whether the unnamed Jewish barber is intended

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I've seen take a soundtrack and cut it all up and paste it back together and come up with some of the dangdest effects you ever heard—effects a composer would never think of. Don't kid yourself about that one. He would have been great at anything—music, law, ballet dancing, or painting—house, sign,

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Meanwhile, Hynkel tries to finance his ever-growing military forces by borrowing money from a Jewish banker called Hermann Epstein, leading to a temporary ease on the restrictions on the ghetto. However, ultimately the banker refuses to lend him the money. Furious, Hynkel orders a purge of the Jews.

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out of the spirit of the total work of art and the origin of mass culture out of the spirit of the most arduous aesthetic program of the 19th century. Unlike Adorno , Chaplin wants his audience to make crucial distinctions between competing Wagnerianisms. Both...rely on the driving force of utopian

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speaks of Chaplin "abandoning traditional pantomime technique and his little tramp character". DVD reviewer Mark Bourne asserts Chaplin's stated position: "Granted, the barber bears more than a passing resemblance to the Tramp, even affecting the familiar bowler hat and cane. But Chaplin was clear

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Vance further reports that a refugee from Germany who had worked in the film division of the Nazi Ministry of Culture before deciding to flee told Chaplin that Hitler had watched the movie twice, entirely alone both times. Chaplin replied that he would "... give anything to know what he thought of

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Their destinies were poles apart. One was to make millions weep, while the other was to set the whole world laughing. Dad could never think of Hitler without a shudder, half of horror, half of fascination. "Just think", he would say uneasily, "he's the madman, I'm the comic. But it could have been

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as Commander Schultz, a Tomainian who fought in World War I, who commands soldiers in the 1930s. He has his troops abstain from attacking Jews, but is arrested by Hynkel, after which he becomes a loyal ally to the barber. He later leads the invasion of Osterlich and helps the barber pretend to be

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dealt with similar themes, and also used a mistaken-identity Hitler figure. But Chaplin later said that he would not have made the film had he known of the true extent of the Nazis' crimes. After the horror of the Holocaust became known, filmmakers struggled for nearly 20 years to find the right

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valiantly saves the life of a wounded pilot, Commander Schultz, who carries valuable documents that could secure a Tomainian victory. However, after running out of fuel, their plane crashes into a tree and the soldier subsequently suffers memory loss. Upon being rescued, Schultz is informed that

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claimed that he had created ideas such as Charles Chaplin playing a dictator and a dance with a globe, and that Charles Chaplin had discussed his five-page outline for a screenplay with him for several hours. Yet, apparently, neither the suing party nor Charles Chaplin himself brought up Sydney

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He then addresses a message of hope to Hannah: "Look up, Hannah. The soul of man has been given wings, and at last he is beginning to fly. He is flying into the rainbow, into the light of hope, into the future, the glorious future that belongs to you, to me, and to all of us." Hannah hears the

533:. The barber has never given a public speech in his life, but he has no other choice. He announces that he (as Hynkel) has had a change of heart, he makes an impassioned speech for brotherhood and goodwill, encouraging soldiers to fight for liberty, and unite the people in the name of 1283:] with his old persona in the sense of characterization, but to capitalize on him in a visual sense. The similar nature of the Tramp and barber characterizations may have been an effort by Chaplin to maintain his popularity with filmgoers, many of whom by 1940 had never seen a 1390:

based on 48 reviews, with an average rating of 8.90/10. The consensus reads, "Charlie Chaplin demonstrates that his comedic voice is undiminished by dialogue in this rousing satire of tyranny, which may be more distinguished by its uplifting humanism than its gags." Film critic

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How can Wagner at once help emphasize a progressivist vision of human individualism and a fascist preview of absolute domination? How can the master's music simultaneously signify a desire for lost emotional integrity and for authoritative grandeur? Chaplin's dual use of

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to get the overall idea. Chaplin decided to record the run-through in case anything was usable. Willson later wrote, "by dumb luck we had managed to catch every movement, and that was the first and only 'take' made of the scene, the one used in the finished picture".

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that the spread of Esperanto throughout Europe was a Jewish plot to break down national differences so that Jews could assume positions of authority.... After the Nazis' successful Blitzkrieg of Poland, the Warsaw Gestapo received orders to 'take care' of the

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prelude near the conclusion when the exiled Hannah listens to the Jewish barber's speech celebrating democracy and freedom. The music is interrupted during the dictator's dance but it is heard to climax and completion in the barber's pro-democracy speech.

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In the period when Hitler and his Nazi Party rose to prominence, Chaplin was becoming internationally popular. He was mobbed by fans on a 1931 trip to Berlin, which annoyed the Nazis. Resenting his style of comedy, they published a book titled

626:) and attacks the Jews with his stormtroopers. He has Schultz arrested and has his stormtroopers hunt down the Jewish barber. Hynkel is later arrested by his own soldiers in the woods near the border, who mistake him for the Jewish barber. 1222:(2003), writes that "There was something curiously appropriate about the little tramp impersonating the dictator, for by 1939 Hitler and Chaplin were perhaps the two most famous men in the world. The tyrant and the tramp reverse roles in 558:

as a Jewish barber in the ghetto, the main protagonist. The barber was a soldier during World War I and loses his memory for about 20 years. After having rescued Schultz during the war, he meets his friend again under radically changed

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during the silent era. Chaplin may have created a new character from the old, but he nonetheless counted on the Charlie person to bring audiences into the theaters for his first foray into sound, and his boldest political statement to

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reports that Clair was horrified by the power of the film, crying out that this should never be shown or the West was lost. Chaplin, on the other hand, laughed uproariously at the film. He used it to inspire many elements of

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When the film was released in France in 1945, it became the most popular film of the year, with admissions of 8,280,553. The film was voted at No. 24 on the list of "100 Greatest Films" by the prominent French magazine

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Chaplin wanted to address the escalating violence and repression of Jews by the Nazis throughout the late 1930s, the magnitude of which was conveyed to him personally by his European Jewish friends and fellow artists.

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was popular with audiences, becoming Chaplin's most commercially successful film. Modern critics have praised it as a historically significant film, one of the greatest comedy films ever made and an important work of

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described his father as being haunted by the similarities in background between him and Hitler; they were born four days apart in April 1889, and both had risen to their present heights from poverty. He wrote:

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In the 1930s, cartoonists and comedians often built on Hitler and Chaplin having similar mustaches. Chaplin also capitalized on this resemblance in order to give his Little Tramp character a "reprieve".

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in civilian clothes and is knocked out and taken to the camp. Schultz tells the barber to go to the platform and impersonate Hynkel, as the only way to save their lives once they reach Osterlich's

1236:, however, was just what one might expect from the Little Tramp. Film scholars have often noted that the Little Tramp resembles a Jewish stock figure, the ostracized outcast, an outsider." 1890:

The spelling of the country's name is derived from the numerous local newspapers flashed onscreen between 14 and 15 minutes into the film that indicate the end of World War I, such as

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writes, "The universal Little Tramp is transmuted into a specifically Jewish barber whose country is about to be absorbed into the totalitarian empire of Adenoid Hynkel." Finally, in

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was created by a team of Georgians, with primary soundtrack being Georgian, and the Russian soundtrack being secondary "double". The movie was more-or-less directly modeled after

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survives as a masterful integration of comedy, politics and satire. It stands as Chaplin's most self-consciously political work and the cinema's first important satire."

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Perhaps the distinction between the two characters would be more clear if Chaplin hadn't relied on some element of confusion to attract audiences to the picture. With

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says, "Chaplin was technically not playing the Tramp." He also writes, "He put the Little Tramp and $ 1.5 million of his own money on the line to ridicule Hitler."

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composed the music. Filming began in September 1939 (coincidentally soon after Germany invaded Poland, triggering World War II) and finished six months later.

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as Madame Napaloni, the wife of Benzino who later dances with Hynkel. In Italy, scenes involving her were all cut out of respect to Benito Mussolini's widow

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screened its UK premiere. The film had been banned in many parts of Europe, and the theatre's owner, Alfred Esdaile, was apparently fined for showing it.

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Osterlich. The two dictators argue over a treaty to govern the invasion, while dining together at an elaborate buffet, which happens to provide a jar of

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policy concerning Nazi Germany, but by the time the film was released, the UK was at war with Germany and the film was welcomed in part for its obvious

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The film was well received in the United States at the time of its release and was popular with the American public. For example, Bosley Crowther of

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essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010

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of a barber and ruler of a country which is about to be overthrown. More than twenty years later, in 1947, Charles Chaplin was sued over alleged

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denied that the leader had ever seen it. Hitler's response to the film is not recorded, but another account tells that he viewed the film twice.

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in May 2011. The extras feature color production footage shot by Sydney Chaplin, a deleted barbershop sequence from Charlie Chaplin's 1919 film

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as Hannah, the barber's neighbor. She lives in the ghetto next to the barber shop. She supports the barber against the Tomainian stormtroopers.

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capture the barber and are about to kill him, but Schultz recognizes him and restrains them. By recognizing him, and reminding him of

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he refers to the barber as the Little Tramp, Chaplin said in 1937 that he would not play the Little Tramp in his sound pictures."

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James L. Neibaur has noted that among the many parallels that Chaplin noted between his own life and Hitler's was an affinity for

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frontier, where a victory parade crowd is waiting to be addressed by Hynkel. The real Hynkel is mistaken for the barber while out

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character and the film's Jewish barber, but the trend is to view the barber as a variation on the theme. French film director

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Chaplin prepared the story throughout 1938 and 1939, and began filming in September 1939, six days after the beginning of

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Modern Times, Modern Places How Life and Art Were Transformed in a Century of Revolution, Innovation and Radical Change

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Between world wars, Esperanto fared worse and, sadly, became embroiled in political power moves. Adolf Hitler wrote in

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The barber falls in love with a neighbor, Hannah, and together they try to resist persecution by military forces. The

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after viewing Riefenstahl's film. Hynkel's rally speech near the beginning of the film, delivered in German-sounding

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The film was banned in several Latin American countries, where there were active movements of Nazi sympathizers.

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Several reviewers of the late 20th century describe the Little Tramp as developing into the Jewish barber. In

452:. The ghetto is now governed by Schultz who has been promoted in the Tomainian regime, now transformed into a 2662: 444:

Twenty years later, still suffering from amnesia, the Jewish soldier returns to his previous profession as a

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and Michael Kloft's documentary exploring the lives of Chaplin and Hitler, including interviews with author

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twist of mistaken identity, the similarity between the barber and the Tramp allowed Chaplin break [

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A two-page discussion of the relationship between the barber and The Tramp appears in Eric L. Flom's book

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In his 1964 autobiography, Chaplin stated that he could not have made the film if he had known about the

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barber's voice on the radio. She turns toward the rising sunlight, and says to her fellows: "Listen."

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Chaplin's film was released nine months after Hollywood's first parody of Hitler, the short subject

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Escaping from the camp in stolen uniforms, Schultz and the barber, dressed as Hynkel, arrive at the

41: 4705: 4335: 4276: 4260: 4252: 4066: 4042: 3311: 2745: 1820: 1365: 1298: 1243:, Thomas Schatz writes of "Chaplin's Little Tramp transposed into a meek Jewish barber", while, in 875: 777: 571:

as Mr. Jaeckel, an elderly Jew who befriends Hannah. Mr. Jaeckel is the renter of the barber salon.

358: 896:, presented newly discovered footage of the film production (shot by Chaplin's elder half-brother 892:. He finished filming almost six months later. The 2002 TV documentary on the making of the film, 4661: 4615: 4378: 4082: 3999: 3922: 3914: 3906: 3898: 3890: 3858: 3786: 3484: 2615: 2457: 2104: 2021: 1870: 1659: 1495: 1417: 1191: 1122:

considered it the 22nd-best comedy film of all time. The film was voted at No. 16 on the list of

756: 748: 649: 3101: 3035: 3029: 2193:[Charlie Chaplin's Hitler parody: Fiihrer commands, we laugh!] (in German). May 19, 2010 805:, is a caricature of Hitler's oratory style, which Chaplin also studied carefully in newsreels. 346:. Chaplin plays both leading roles: a ruthless fascist dictator and a persecuted Jewish barber. 3285: 2489:"Still Supreme in 'The Great Dictator,' Charlie Chaplin Reveals Again the Greatness in Himself" 2408: 1094:

had announced that it would prohibit its exhibition in the United Kingdom, in keeping with its

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as assistant director), and written and produced by Chaplin. The film was shot largely at the

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as Adenoid Hynkel, the main antagonist. Hynkel is the dictator, or "Phooey", of Tomainia (a

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Had I known of the actual horrors of the German concentration camps, I could not have made

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From the Battlefront to the Bridal Suite: Media Coverage of British War Brides, 1942-1946

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defense of his movie, a reprint from critic Jean Narboni on the film's final speech, and

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points towards unsettling conjunctions of Nazi culture and Hollywood entertainment. Like

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and other locations around Los Angeles. The elaborate World War I scenes were filmed in

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Cole, R. (2001). "Anglo-American Anti-fascist Film Propaganda in a Time of Neutrality:

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for hours watching newsreels of the German dictator, exclaiming: Oh, you bastard, you!

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of $ 3.5 million from the U.S. and Canada and $ 5 million in total worldwide rentals.

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Wallace, Irving; Wallechinsky, David; Wallace, Amy; Wallace, Sylvia (February 1980).

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The final speech of the film has been sampled in more than 40 songs, artists such as

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Chaplin's film advanced a stirring condemnation of the German and Italian dictators

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prelude when Hynkel dances with the globe-balloon. Chaplin repeated the use of the

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writes that "The little tramp figure is here reincarnated as the Jewish barber".

900:) that showed Chaplin's initial attempts at the film's ending, filmed before the 4327: 4034: 3991: 3956: 1616: 1572: 1555: 1392: 1284: 1256: 1196: 1095: 975: 682: 586: 509: 468: 436: 304: 152: 128: 965:

music score, but the best parts of it were all Chaplin's ideas, like using the

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Some of the signs in the shop windows of the ghetto in the film are written in

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Critics who view the barber as different include Stephen Weissman, whose book

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There is no critical consensus on the relationship between Chaplin's earlier

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film written, directed, produced, scored by, and starring British filmmaker

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Internationally co-produced by four production companies, including BBC,

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According to Willson, the scene in which Chaplin shaves a customer to

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According to Jürgen Trimborn's biography of Nazi propaganda filmmaker

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The film holds a 92% "Fresh" rating on the review aggregator website

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From Caligari to Hitler: A Psychological History of the Gertman Film

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family.... Zamenhof's son was shot... his two daughters were put in

1655:(screened 30 April 1934), possibly the first American anti-Nazi film 1623:(late 1980s, ended with the downfall of the USSR and its version of 950:, later known as composer and librettist of the 1957 musical comedy 4455: 365:

as being "culturally, historically, or aesthetically significant".

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The 50 greatest Jewish movies: a critic's ranking of the very best

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as being "culturally, historically or aesthetically significant".

1156: 1035: 1022:, Chaplin understands Wagner as a signifier of both: the birth of 974: 508: 435: 1519:, and others. It has a booklet featuring an essay by film critic 1126:

by a poll of 253 film critics from 52 countries conducted by the

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Adenoid Hynkel in his (successful) attempt at saving Osterlich.

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as Benzino Napaloni, the Diggaditchie of Bacteria (a parody of

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Schultz protests against this inhumane policy and is sent to a

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A distant technology: science fiction film and the machine age

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A Distant Technology: Science Fiction Film and the Machine Age

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Trimborn suggests that Chaplin decided to proceed with making

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have played the speech during live shows, and coffee company

1226:, permitting the eternal outsider to address the masses". In 1399:

gave the film four stars out of four and included it in his

1232:(1998), Kathryn Bernheimer writes, "What he chose to say in 3337:

Chaplin and American Culture: The Evolution of a Star Image

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Hollywood in crisis: cinema and American society, 1929–1939

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The Dark Mirror: German Cinema between Hitler and Hollywood

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Chaplin in the Sound Era: An Analysis of the Seven Talkies.

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Hollywood in Crisis: Cinema and American Society, 1929–1939

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concludes his lengthy examination of the film, in his book

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Chaplin in the sound era: an analysis of the seven talkies

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Billboard bicycle of the movie with its title in Spanish,

1817:"Films Selected to The National Film Registry, 1989–2010" 1663:(released 6 June 1934), about an unspecified dictatorship 1475:

A digitally restored version of the film was released on

433:, while the Jewish soldier is carried off to a hospital. 3359:, directed by Kevin Brownlow, Michael Kloft 2002, 88 mn. 2663:"The Great Dictator: No 22 best comedy film of all time" 1493:, a barbershop sequence from Sydney Chaplin's 1921 film 1009:

Commenting on this, Lutz Peter Koepnick writes in 2002,

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Jewish plot to destroy German culture because it was an

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The film was directed by Chaplin (with his half-brother

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Hynkel has a dispute with the dictator of the nation of

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Chaplin (as the barber) absentmindedly tries to shave

1152: 2291:. Garden City, New York: Doubleday and Company, Inc. 4675: 4625: 4570: 4563: 4536: 4493: 4420: 4397: 4370: 4295: 4212: 4105: 4018: 3967: 3948: 3941: 3770: 3763: 3729: 3690: 3630: 3598: 3552: 268: 260: 252: 244: 234: 206: 196: 180: 161: 142: 121: 77: 69: 61: 51: 34: 2844: 2579:City of Nets: A Portrait of Hollywood in the 1940s 2515:The Ultimate Film: The UK's 100 most popular films 2284: 1862: 1178:as the Tramp's final incarnation. Although in his 2128:The Comedy of Charlie Chaplin: Artistry in Motion 1745: 1743: 2571: 2569: 2530:"The Hollywood reporter book of box office hits" 2006:Historical Journal of Film, Radio and Television 1165:(as Hannah) in this image from the film trailer. 2982:. University of California Press. p. 571. 2237:Hoffmann, Frank W.; Bailey, William G. (1992). 1268: 1153:Chaplin's Tramp character and the Jewish barber 1011: 958: 342:and neutral during what were the early days of 311:, Chaplin made this his first true sound film. 2552:. University of California Press. p. 85. 1792:Chaplin and Hitler: The Tramp and the Dictator 1421:in which, like Charles Chaplin, he played the 471:, Schultz helps the barber regain his memory. 4471: 3507: 2313:. Vol. XXXVI, no. 4. Archived from 1918: 1916: 1914: 1912: 8: 3720:Charlie: The Life and Art of Charles Chaplin 3466:The Great Dictator: The Joker and the Madman 2819:"The Great Dictator (1940) [review]" 971:"Prelude" in the famous balloon-dance scene. 4641:It's Beginning to Look a Lot Like Christmas 2980:Boom and Bust: American Cinema in the 1940s 2926:. Cambridge University Press. p. 410. 2874:"The Great Dictator:The Chaplin Collection" 1906:. BBC Culture. Retrieved December 31, 2021. 1784: 1782: 1780: 1778: 1415:directed and starred in a 1921 film called 1241:Boom and Bust: American Cinema in the 1940s 429:Tomainia has officially surrendered to the 420:in 1918, a Jewish soldier fighting for the 4816:United States National Film Registry films 4811:Films involved in plagiarism controversies 4567: 4478: 4464: 4456: 3945: 3767: 3514: 3500: 3492: 3411: 2620:: CS1 maint: location missing publisher ( 2407:. University of California Press. p. 2300: 2298: 2278: 2276: 40: 31: 2924:Indelible shadows: film and the Holocaust 2434:Fighting the War of Ideas Like a Real War 2358:. WagnerOpera.net. Retrieved May 4, 2013. 1220:Indelible Shadows: Film and the Holocaust 961:or portrait. I got the screen credit for 922:, a language that Hitler condemned as an 2648:"Cahiers du cinéma's 100 Greatest Films" 1904:"The film that dared to laugh at Hitler" 1894:, thus establishing the proper spelling. 1869:. New York, Simon and Schuster. p. 836:tendencies were well known at the time. 334:. At the time of its first release, the 4851:English-language war comedy-drama films 4756:Cultural depictions of Benito Mussolini 2690:"The 100 greatest comedies of all time" 1689: 1608:used it in a television advertisement. 1542:influenced numerous directors, such as 513:Chaplin as Adenoid Hynkel (right) with 3310:Greenberg, Charlie (August 19, 2020). 2901:. Sasquatch Books. 2004. p. 808. 2613: 2339:. ragpiano.com. Retrieved May 4, 2013. 2151:Singer, Jessica (September 14, 2007). 1531:'s original press book illustrations. 1368:for preservation in the United States 1349:Chaplin also won best actor awards at 781:together at a showing at the New York 361:for preservation in the United States 4731:American political comedy-drama films 3339:. Charles J. Maland. Princeton, 1989. 3034:. Wesleyan University Press. p. 2487:Crowther, Bosley (October 16, 1940). 2130:. Scarecrow Press. pp. 154–155. 2098:Stratton, David (February 21, 2002). 1207:that the barber is not the Tramp and 1124:The 100 greatest comedies of all time 27:1940 American film by Charlie Chaplin 7: 4634:May the Good Lord Bless and Keep You 3699:Chaplinesque, My Life and Hard Times 3241:Johnston, Rich (December 22, 2019). 2661:O'Neill, Phelim (October 18, 2010). 2528:Sackett, Susan (December 26, 1996). 2368:"Ten Films that Used Wagner's Music" 1812: 1810: 1789:Branagh, Kenneth (narrator) (2002). 1707:British Board of Film Classification 1215:also views the barber as different. 847:angle and tone to satirize the era. 771:, both Chaplin and French filmmaker 4751:Cultural depictions of Adolf Hitler 3575:Charlie Chaplin: Intimate Close-Ups 2817:Ebert, Roger (September 27, 2007). 2793:"The Great Dictator:The Essentials" 2718:New York: Harry N. Abrams, p. 250. 2389:. Thames & Hudson. 1999, p. 427 695:as Spook, the Bacterian ambassador. 2042:Ebiri, Bilge (December 19, 2014). 1325:Best Writing (Original Screenplay) 1090:During the film's production, the 383:Best Writing (Original Screenplay) 357:. In 1997, it was selected by the 25: 4831:Western Front (World War I) films 4771:Films directed by Charlie Chaplin 4746:Anti-war films about World War II 3007:. Psychology Press. p. 258. 2287:And There I Stood With My Piccolo 2126:Kamin, Dan; Eyman, Scott (2011). 1471:The original trailer for the film 4791:Films set in concentration camps 4786:Films set in fictional countries 3469:an essay by Michael Wood at the 1754:. University of Missouri Press. 1736:. November 20, 1940. p. 20. 1589:is set during the production of 190:Charles Chaplin Film Corporation 4736:American political satire films 4721:American war comedy-drama films 2899:The Scarecrow Video Movie Guide 2216:. William Morrow. p. 200. 272:$ 5 million (worldwide rentals) 4716:American black-and-white films 3835:The Face on the Bar Room Floor 3676:Charlie Chaplin's Comic Capers 3154:"King, Queen, Joker: Synopsis" 2771:. Da Capo Press. p. 358. 2716:Chaplin: Genius of the Cinema. 2243:. Haworth Press. p. 116. 1379:ranked the film No. 37 in its 720:as stormtrooper stealing fruit 303:filmmaker to continue to make 1: 4741:Anti-fascist propaganda films 3108:. Retrieved February 3, 2012. 2399:Koepnick, Lutz Peter (2002). 1823:. Retrieved February 3, 2012. 1750:Friedman, Barbara G. (2007). 1442:of the silent era. The case, 1229:The 50 Greatest Jewish Movies 1218:Annette Insdorf, in her book 1139:Chaplin: Genius of the Cinema 4836:1940s English-language films 4711:1940s war comedy-drama films 3482:", Bosley Crowther Wallace, 3448:AFI Catalog of Feature Films 3106:AFI's 100 Years...100 Laughs 2953:. Carol Publishing. p. 2947:Bernheimer, Kathryn (1998). 2608:Theatre Programme, Mama Mia! 2100:"The Tramp and the Dictator" 1766:Charlie Chaplin's 1940 film 1579:Sean McArdle and Jon Judy's 1355:New York Film Critics Circle 946:was written and composed by 708:as a comrade soldier in 1918 498:, over which country should 3616:" (1952 music, 1953 lyrics) 3609:" (1936 music, 1954 lyrics) 3480:(1940) The Screen in Review 2767:Truffaut, François (1994). 2517:. London: BFI. p. 240. 2432:Waller, J. Michael (2007). 1558:and inspired such films as 1340:Best Music (Original Score) 1315:(Charlie Chaplin, Producer) 1065:The Testament of Dr. Mabuse 853:The Jews Are Looking at You 395:Best Music (Original Score) 4867: 4510:The Unsinkable Molly Brown 4443:Tillie's Punctured Romance 3357:The Tramp and the Dictator 3063:. McFarland. p. 322. 2843:Weissman, Stephen (2008). 2180:, and Germany's Spiegel TV 2157:Brattle Theatre Film Notes 1501:The Tramp and the Dictator 979:Chaplin in the globe scene 909:The Tramp and the Dictator 894:The Tramp and the Dictator 872:My Father, Charlie Chaplin 665:as Garbitsch, a parody of 517:as Benzino Napaloni (left) 402:true extent of the horrors 215:October 15, 1940 4801:Films shot in Los Angeles 4387:A Countess from Hong Kong 3764:Films directed by Chaplin 3614:Eternally (Terry's Theme) 3568:Chaplin: His Life and Art 3529: 3102:America's Funniest Movies 2922:Insdorf, Annette (2003). 2635:French box office in 1945 2549:The Films of Orson Welles 2436:. Lulu.com. p. 101. 2354:October 11, 2011, at the 2337:"Charles Spencer Chaplin" 2305:James L. Neibaur (2011). 2283:Meredith Willson (1948). 2018:10.1080/01439680120051488 1969:Trimborn, Jürgen (2007). 1381:"100 Years... 100 Laughs" 1213:The Scarecrow Movie Guide 1102:value. In 1941, London's 832:'s repressive nature and 440:Chaplin as Adenoid Hynkel 46:Theatrical release poster 39: 4796:Films shot in California 4761:Esperanto-language films 4726:American satirical films 3221:The Criterion Collection 3160:. Retrieved May 4, 2013. 3003:Shindler, Colin (1996). 2576:Friedrich, Otto (1997). 1972:Leni Riefenstahl: A Life 1956:The Criterion Collection 1652:Hitler's Reign of Terror 1586:The Führer and the Tramp 1485:the Criterion Collection 1351:National Board of Review 675:as Herring, a parody of 595:as the barber's customer 406:Nazi concentration camps 338:was still at peace with 307:well into the period of 3648:Charlie Chaplin Studios 2978:Schatz, Thomas (1999). 2736:Vance, Jeffrey (2003). 2714:Vance, Jeffrey (2003). 2604:Prince of Wales Theatre 2240:Mind & Society Fads 1930:Encyclopædia Britannica 1411:Chaplin's half-brother 1377:American Film Institute 1211:is not a Tramp movie." 1104:Prince of Wales Theatre 986:Brahms' Hungarian Dance 884:the other way around." 814:Charlie Chaplin Studios 706:Stanley "Tiny" Sandford 369:was nominated for five 299:. Having been the only 4846:Films about lookalikes 4806:Military humor in film 3779:Twenty Minutes of Love 3730:Musicals about Chaplin 3670:Charlie Chaplin comics 3380:National Film Registry 3347:British Film Institute 3028:Telotte, J.P. (1999). 1975:. Macmillan. pp. 1583:-nominated comic book 1472: 1370:National Film Registry 1309:Outstanding Production 1290: 1166: 1049: 1029: 980: 973: 928:international language 886: 518: 441: 375:Outstanding Production 363:National Film Registry 4821:Films about dictators 4595:Seventy-Six Trombones 4075:A Burlesque on Carmen 3803:Her Friend the Bandit 3343:National Film Theatre 3142:. September 27, 2007. 2797:Turner Classic Movies 2178:Turner Classic Movies 1470: 1331:Best Supporting Actor 1160: 1039: 978: 881: 775:viewed Riefenstahl's 512: 439: 387:Best Supporting Actor 4841:1940s American films 4766:Films about fascists 3931:His Prehistoric Past 3811:Mabel's Married Life 3471:Criterion Collection 3314:. The Savvy Screener 3217:"The Great Dictator" 3136:"The Great Dictator" 2769:The Films in My Life 2738:"The Great Dictator" 2650:. November 23, 2008. 2513:Ryan Gilbey (2005). 2307:"The Great Dictator" 2266:Treblinka death camp 2153:"The Great Dictator" 1952:"The Great Dictator" 1925:"The Great Dictator" 1444:Bercovici v. Chaplin 1364:was selected by the 783:Museum of Modern Art 600:People of the palace 550:People of the ghetto 4781:Films set in Europe 4425:directed by Chaplin 4067:A Night in the Show 3691:Films about Chaplin 3059:Flom, Eric (1997). 2746:Library of Congress 2637:at Box office story 2458:Kracauer, Siegfried 2317:on January 26, 2012 2214:The Book of Lists 2 2079:on October 27, 2013 1821:Library of Congress 1366:Library of Congress 1133:Chaplin biographer 876:Charles Chaplin Jr. 778:Triumph of the Will 644:and a reference to 456:under the ruthless 359:Library of Congress 283:is a 1940 American 4616:Till There Was You 4545:The Great Dictator 4379:A King in New York 4344:The Great Dictator 4000:A Jitney Elopement 3923:Getting Acquainted 3915:His Trysting Place 3907:His Musical Career 3899:Gentlemen of Nerve 3891:Dough and Dynamite 3859:His New Profession 3787:Caught in the Rain 3488:, October 16, 1940 3485:The New York Times 3478:The Great Dictator 3455:The Great Dictator 3442:The Great Dictator 3436:TCM Movie Database 3431:The Great Dictator 3420:The Great Dictator 3403:The Great Dictator 3387:The Great Dictator 3371:The Great Dictator 3351:The Great Dictator 3290:charliechaplin.com 3286:"U2 Concert Intro" 3175:The New York Times 3119:The Great Dictator 2493:The New York Times 2002:The Great Dictator 1892:The Tomainian past 1877:The Great Dictator 1768:The Great Dictator 1710:. December 9, 1940 1700:The Great Dictator 1668:To Be or Not to Be 1635:The Great Dictator 1627:in 1991), a movie 1591:The Great Dictator 1540:The Great Dictator 1525:The New York Times 1496:King, Queen, Joker 1473: 1440:King, Queen, Joker 1431:The Great Dictator 1418:King, Queen, Joker 1407:Plagiarism lawsuit 1362:The Great Dictator 1299:nominated for five 1272:The Great Dictator 1234:The Great Dictator 1224:The Great Dictator 1209:The Great Dictator 1192:The New York Times 1167: 1143:The Great Dictator 1116:in 2008. In 2010, 1092:British government 1077:The New York Times 1050: 981: 963:The Great Dictator 934:was a Polish Jew. 843:To Be or Not To Be 799:The Great Dictator 792:The Great Dictator 650:Napoleon Bonaparte 519: 477:concentration camp 442: 367:The Great Dictator 350:The Great Dictator 280:The Great Dictator 35:The Great Dictator 4776:Films set in 1918 4693: 4692: 4671: 4670: 4602:Goodnight, Ladies 4453: 4452: 4416: 4415: 4406:The Chaplin Revue 4371:Later productions 4162:Behind the Screen 4101: 4100: 3070:978-0-7864-0325-7 3045:978-0-8195-6346-0 3014:978-0-415-10313-8 2989:978-0-520-22130-7 2964:978-1-55972-457-9 2933:978-0-521-01630-8 2908:978-1-57061-415-6 2858:978-1-55970-892-0 2823:Chicago Sun-Times 2778:978-0-306-80599-8 2696:. August 22, 2017 2559:978-0-520-02048-1 2443:978-0-615-14463-4 2418:978-0-520-23311-9 2373:Los Angeles Times 2250:978-1-56024-178-2 2137:978-0-8108-7780-1 2073:schikelgruber.net 1986:978-0-374-18493-3 1795:(television). BBC 1761:978-0-8262-1718-9 1660:Are We Civilized? 1523:, Chaplin's 1940 1468: 1397:Chicago Sun-Times 1327:– Charlie Chaplin 1321:– Charlie Chaplin 1175:François Truffaut 1113:Cahiers du cinéma 656:Reginald Gardiner 569:Maurice Moscovich 276: 275: 113:Maurice Moscovich 103:Reginald Gardiner 16:(Redirected from 4858: 4588:(Ya Got) Trouble 4568: 4553:The Little Foxes 4487:Meredith Willson 4480: 4473: 4466: 4457: 4352:Monsieur Verdoux 4304:A Woman of Paris 4253:A Day's Pleasure 4106:Mutual Film Corp 3946: 3883:Those Love Pangs 3827:The Property Man 3771:Keystone Studios 3768: 3664:Chaplin & Co 3561:My Autobiography 3516: 3509: 3502: 3493: 3415: 3324: 3323: 3321: 3319: 3307: 3301: 3300: 3298: 3296: 3282: 3276: 3275: 3273: 3271: 3257: 3251: 3250: 3238: 3232: 3231: 3229: 3227: 3213: 3207: 3204:My Autobiography 3200: 3194: 3193: 3191: 3189: 3167: 3161: 3150: 3144: 3143: 3132: 3126: 3115: 3109: 3099: 3093: 3092: 3081: 3075: 3074: 3056: 3050: 3049: 3025: 3019: 3018: 3000: 2994: 2993: 2975: 2969: 2968: 2944: 2938: 2937: 2919: 2913: 2912: 2895: 2889: 2888: 2886: 2884: 2869: 2863: 2862: 2850: 2840: 2834: 2833: 2831: 2829: 2814: 2808: 2807: 2805: 2803: 2789: 2783: 2782: 2764: 2758: 2757: 2755: 2753: 2742: 2733: 2727: 2712: 2706: 2705: 2703: 2701: 2686: 2680: 2679: 2677: 2675: 2658: 2652: 2651: 2644: 2638: 2632: 2626: 2625: 2619: 2611: 2600: 2594: 2593: 2573: 2564: 2563: 2540: 2534: 2533: 2525: 2519: 2518: 2510: 2504: 2503: 2501: 2499: 2484: 2478: 2477: 2454: 2448: 2447: 2429: 2423: 2422: 2406: 2396: 2390: 2383: 2377: 2376:. 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Archived from 2065: 2059: 2058: 2056: 2054: 2039: 2033: 2032: 1997: 1991: 1990: 1966: 1960: 1959: 1948: 1942: 1941: 1939: 1937: 1920: 1907: 1901: 1895: 1888: 1882: 1881: 1868: 1865:My Autobiography 1859:Chaplin, Charlie 1855: 1849: 1848: 1846: 1844: 1830: 1824: 1814: 1805: 1804: 1802: 1800: 1786: 1773: 1772: 1747: 1738: 1737: 1726: 1720: 1719: 1717: 1715: 1694: 1469: 1435:Konrad Bercovici 1344:Meredith Willson 1276: 1187:My Autobiography 1042:El gran dictador 948:Meredith Willson 924:anti-nationalist 874:, Chaplin's son 822:Meredith Willson 769:Leni Riefenstahl 734: 726:Esther Michelson 634:Benito Mussolini 563:Paulette Goddard 496:Benzino Napaloni 320:Benito Mussolini 289:political satire 222: 220: 172:Meredith Willson 88:Paulette Goddard 44: 32: 21: 4866: 4865: 4861: 4860: 4859: 4857: 4856: 4855: 4696: 4695: 4694: 4689: 4667: 4655:Iowa Fight Song 4621: 4559: 4532: 4489: 4484: 4454: 4449: 4435:Making a Living 4412: 4393: 4366: 4291: 4208: 4114:The Floorwalker 4097: 4014: 3963: 3942:Essanay Studios 3937: 3875:The New Janitor 3851:The Masquerader 3759: 3725: 3706:Unknown Chaplin 3686: 3626: 3621:This Is My Song 3594: 3582:Chaplin: A Life 3548: 3525: 3523:Charlie Chaplin 3520: 3460:Rotten Tomatoes 3398:, pages 320-321 3366: 3333: 3328: 3327: 3317: 3315: 3309: 3308: 3304: 3294: 3292: 3284: 3283: 3279: 3269: 3267: 3259: 3258: 3254: 3240: 3239: 3235: 3225: 3223: 3215: 3214: 3210: 3201: 3197: 3187: 3185: 3177:. May 2, 1947. 3169: 3168: 3164: 3152:Garza, Janiss. 3151: 3147: 3134: 3133: 3129: 3124:Rotten Tomatoes 3116: 3112: 3100: 3096: 3083: 3082: 3078: 3071: 3058: 3057: 3053: 3046: 3027: 3026: 3022: 3015: 3002: 3001: 2997: 2990: 2977: 2976: 2972: 2965: 2946: 2945: 2941: 2934: 2921: 2920: 2916: 2909: 2897: 2896: 2892: 2882: 2880: 2871: 2870: 2866: 2859: 2847:Chaplin: A Life 2842: 2841: 2837: 2827: 2825: 2816: 2815: 2811: 2801: 2799: 2791: 2790: 2786: 2779: 2766: 2765: 2761: 2751: 2749: 2740: 2735: 2734: 2730: 2713: 2709: 2699: 2697: 2688: 2687: 2683: 2673: 2671: 2660: 2659: 2655: 2646: 2645: 2641: 2633: 2629: 2612: 2602: 2601: 2597: 2590: 2575: 2574: 2567: 2560: 2542: 2541: 2537: 2527: 2526: 2522: 2512: 2511: 2507: 2497: 2495: 2486: 2485: 2481: 2474: 2456: 2455: 2451: 2444: 2431: 2430: 2426: 2419: 2398: 2397: 2393: 2384: 2380: 2366: 2362: 2356:Wayback Machine 2347: 2343: 2335:Edwards, Bill. 2334: 2330: 2320: 2318: 2304: 2303: 2296: 2282: 2281: 2274: 2251: 2236: 2235: 2231: 2224: 2211: 2210: 2206: 2196: 2194: 2189: 2188: 2184: 2175: 2171: 2161: 2159: 2150: 2149: 2145: 2138: 2125: 2124: 2120: 2110: 2108: 2097: 2096: 2092: 2082: 2080: 2067: 2066: 2062: 2052: 2050: 2041: 2040: 2036: 1999: 1998: 1994: 1987: 1968: 1967: 1963: 1950: 1949: 1945: 1935: 1933: 1923:Pfieffer, Lee. 1922: 1921: 1910: 1902: 1898: 1889: 1885: 1857: 1856: 1852: 1842: 1840: 1832: 1831: 1827: 1815: 1808: 1798: 1796: 1788: 1787: 1776: 1762: 1749: 1748: 1741: 1728: 1727: 1723: 1713: 1711: 1696: 1695: 1691: 1686: 1647: 1544:Stanley Kubrick 1537: 1515:, screenwriter 1458: 1456: 1409: 1388:Rotten Tomatoes 1295: 1274: 1204:Chaplin: A Life 1155: 1082:theater rentals 1034: 940: 765: 745:Robert O. Davis 737:Florence Wright 728: 724:Also featuring 714:as ghetto extra 702: 667:Joseph Goebbels 606:Charlie Chaplin 602: 593:Chester Conklin 577:as Mrs. Jaeckel 556:Charlie Chaplin 552: 547: 504:English mustard 414: 297:Charlie Chaplin 237: 230: 218: 216: 209: 192: 185: 183: 176: 168:Charlie Chaplin 157: 138: 134:Roland Totheroh 117: 84:Charlie Chaplin 73:Charlie Chaplin 65:Charlie Chaplin 56:Charlie Chaplin 47: 28: 23: 22: 15: 12: 11: 5: 4864: 4862: 4854: 4853: 4848: 4843: 4838: 4833: 4828: 4823: 4818: 4813: 4808: 4803: 4798: 4793: 4788: 4783: 4778: 4773: 4768: 4763: 4758: 4753: 4748: 4743: 4738: 4733: 4728: 4723: 4718: 4713: 4708: 4698: 4697: 4691: 4690: 4688: 4687: 4679: 4677: 4673: 4672: 4669: 4668: 4666: 4665: 4658: 4651: 4648:I See the Moon 4644: 4637: 4629: 4627: 4623: 4622: 4620: 4619: 4612: 4605: 4598: 4591: 4584: 4576: 4574: 4565: 4561: 4560: 4558: 4557: 4549: 4540: 4538: 4534: 4533: 4531: 4530: 4522: 4514: 4506: 4497: 4495: 4491: 4490: 4485: 4483: 4482: 4475: 4468: 4460: 4451: 4450: 4448: 4447: 4439: 4431: 4428: 4426: 4418: 4417: 4414: 4413: 4411: 4410: 4401: 4399: 4395: 4394: 4392: 4391: 4383: 4374: 4372: 4368: 4367: 4365: 4364: 4356: 4348: 4340: 4332: 4324: 4316: 4308: 4299: 4297: 4296:United Artists 4293: 4292: 4290: 4289: 4281: 4273: 4269:The Idle Class 4265: 4257: 4249: 4241: 4233: 4225: 4216: 4214: 4213:First National 4210: 4209: 4207: 4206: 4202:The Adventurer 4198: 4190: 4182: 4174: 4166: 4158: 4150: 4142: 4134: 4126: 4118: 4109: 4107: 4103: 4102: 4099: 4098: 4096: 4095: 4091:Triple Trouble 4087: 4079: 4071: 4063: 4055: 4047: 4039: 4031: 4022: 4020: 4016: 4015: 4013: 4012: 4004: 3996: 3988: 3980: 3971: 3969: 3965: 3964: 3962: 3961: 3952: 3950: 3943: 3939: 3938: 3936: 3935: 3927: 3919: 3911: 3903: 3895: 3887: 3879: 3871: 3863: 3855: 3847: 3839: 3831: 3823: 3815: 3807: 3799: 3791: 3783: 3774: 3772: 3765: 3761: 3760: 3758: 3757: 3749: 3741: 3733: 3731: 3727: 3726: 3724: 3723: 3716: 3709: 3702: 3694: 3692: 3688: 3687: 3685: 3684: 3679: 3672: 3667: 3660: 3655: 3650: 3645: 3640: 3638:United Artists 3634: 3632: 3628: 3627: 3625: 3624: 3617: 3610: 3602: 3600: 3596: 3595: 3593: 3592: 3585: 3578: 3571: 3564: 3556: 3554: 3550: 3549: 3547: 3546: 3544:Chaplin family 3541: 3536: 3530: 3527: 3526: 3521: 3519: 3518: 3511: 3504: 3496: 3490: 3489: 3473: 3462: 3451: 3450: 3438: 3427: 3416: 3399: 3383: 3365: 3364:External links 3362: 3361: 3360: 3354: 3340: 3332: 3329: 3326: 3325: 3302: 3277: 3261:"Final Speech" 3252: 3233: 3208: 3195: 3162: 3145: 3127: 3110: 3094: 3076: 3069: 3051: 3044: 3020: 3013: 2995: 2988: 2970: 2963: 2939: 2932: 2914: 2907: 2890: 2864: 2857: 2835: 2809: 2784: 2777: 2759: 2728: 2707: 2681: 2653: 2639: 2627: 2595: 2588: 2565: 2558: 2544:Charles Higham 2535: 2520: 2505: 2479: 2472: 2449: 2442: 2424: 2417: 2391: 2385:Peter Conrad. 2378: 2360: 2341: 2328: 2294: 2272: 2249: 2229: 2222: 2204: 2182: 2169: 2143: 2136: 2118: 2090: 2060: 2034: 2012:(2): 137–152. 1992: 1985: 1961: 1943: 1908: 1896: 1883: 1850: 1825: 1806: 1774: 1760: 1739: 1721: 1688: 1687: 1685: 1682: 1681: 1680: 1673:remade in 1983 1664: 1656: 1646: 1643: 1639:Lavrenty Beria 1536: 1533: 1517:Budd Schulberg 1505:Kevin Brownlow 1455: 1452: 1408: 1405: 1347: 1346: 1337: 1328: 1322: 1316: 1313:United Artists 1302:Academy Awards 1294: 1291: 1285:silent picture 1266:He concludes: 1249:Colin Shindler 1154: 1151: 1055:You Nazty Spy! 1033: 1030: 939: 936: 902:fall of France 870:In his memoir 838:Ernst Lubitsch 820:. Chaplin and 810:Wheeler Dryden 764: 761: 722: 721: 715: 709: 701: 698: 697: 696: 693:Carter DeHaven 690: 680: 677:Hermann Göring 670: 660: 653: 627: 601: 598: 597: 596: 590: 584: 581:Bernard Gorcey 578: 572: 566: 560: 559:circumstances. 551: 548: 546: 543: 481:suicide attack 458:Adenoid Hynkel 422:Central Powers 413: 410: 408:at that time. 371:Academy Awards 274: 273: 270: 266: 265: 262: 258: 257: 254: 250: 249: 246: 242: 241: 238: 235: 232: 231: 229: 228: 212: 210: 207: 204: 203: 201:United Artists 198: 197:Distributed by 194: 193: 188: 186: 181: 178: 177: 175: 174: 169: 165: 163: 159: 158: 156: 155: 150: 146: 144: 140: 139: 137: 136: 131: 125: 123: 122:Cinematography 119: 118: 116: 115: 110: 105: 100: 95: 90: 85: 81: 79: 75: 74: 71: 67: 66: 63: 59: 58: 53: 49: 48: 45: 37: 36: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 4863: 4852: 4849: 4847: 4844: 4842: 4839: 4837: 4834: 4832: 4829: 4827: 4824: 4822: 4819: 4817: 4814: 4812: 4809: 4807: 4804: 4802: 4799: 4797: 4794: 4792: 4789: 4787: 4784: 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3389: 3388: 3384: 3381: 3377: 3376:Jeffrey Vance 3373: 3372: 3368: 3367: 3363: 3358: 3355: 3352: 3348: 3344: 3341: 3338: 3335: 3334: 3330: 3318:September 24, 3313: 3306: 3303: 3291: 3287: 3281: 3278: 3266: 3262: 3256: 3253: 3248: 3247:Bleeding Cool 3244: 3237: 3234: 3222: 3218: 3212: 3209: 3205: 3199: 3196: 3184: 3180: 3176: 3172: 3166: 3163: 3159: 3155: 3149: 3146: 3141: 3137: 3131: 3128: 3125: 3121: 3120: 3114: 3111: 3107: 3103: 3098: 3095: 3090: 3086: 3080: 3077: 3072: 3066: 3062: 3055: 3052: 3047: 3041: 3037: 3033: 3032: 3024: 3021: 3016: 3010: 3006: 2999: 2996: 2991: 2985: 2981: 2974: 2971: 2966: 2960: 2956: 2952: 2951: 2943: 2940: 2935: 2929: 2925: 2918: 2915: 2910: 2904: 2900: 2894: 2891: 2879: 2875: 2872:Mark Bourne. 2868: 2865: 2860: 2854: 2849: 2848: 2839: 2836: 2824: 2820: 2813: 2810: 2798: 2794: 2788: 2785: 2780: 2774: 2770: 2763: 2760: 2748: 2747: 2739: 2732: 2729: 2725: 2724:0-8109-4532-0 2721: 2717: 2711: 2708: 2695: 2691: 2685: 2682: 2670: 2669: 2664: 2657: 2654: 2649: 2643: 2640: 2636: 2631: 2628: 2623: 2617: 2609: 2605: 2599: 2596: 2591: 2585: 2581: 2580: 2572: 2570: 2566: 2561: 2555: 2551: 2550: 2545: 2539: 2536: 2531: 2524: 2521: 2516: 2509: 2506: 2494: 2490: 2483: 2480: 2475: 2473:0-691-02505-3 2469: 2465: 2464: 2459: 2453: 2450: 2445: 2439: 2435: 2428: 2425: 2420: 2414: 2410: 2405: 2404: 2395: 2392: 2388: 2382: 2379: 2375: 2374: 2369: 2364: 2361: 2357: 2353: 2350: 2345: 2342: 2338: 2332: 2329: 2316: 2312: 2308: 2301: 2299: 2295: 2289: 2288: 2279: 2277: 2273: 2269: 2267: 2263: 2258: 2252: 2246: 2242: 2241: 2233: 2230: 2225: 2223:9780688035747 2219: 2215: 2208: 2205: 2192: 2186: 2183: 2179: 2173: 2170: 2158: 2154: 2147: 2144: 2139: 2133: 2129: 2122: 2119: 2107: 2106: 2101: 2094: 2091: 2078: 2074: 2070: 2064: 2061: 2049: 2045: 2038: 2035: 2031: 2027: 2023: 2019: 2015: 2011: 2007: 2003: 1996: 1993: 1988: 1982: 1978: 1974: 1973: 1965: 1962: 1957: 1953: 1947: 1944: 1932: 1931: 1926: 1919: 1917: 1915: 1913: 1909: 1905: 1900: 1897: 1893: 1887: 1884: 1880: 1878: 1872: 1867: 1866: 1860: 1854: 1851: 1839: 1835: 1829: 1826: 1822: 1818: 1813: 1811: 1807: 1794: 1793: 1785: 1783: 1781: 1779: 1775: 1771: 1769: 1763: 1757: 1753: 1746: 1744: 1740: 1735: 1731: 1725: 1722: 1709: 1708: 1703: 1701: 1693: 1690: 1683: 1678: 1674: 1670: 1669: 1665: 1662: 1661: 1657: 1654: 1653: 1649: 1648: 1644: 1642: 1640: 1636: 1632: 1631: 1626: 1622: 1618: 1614: 1609: 1607: 1603: 1599: 1594: 1592: 1588: 1587: 1582: 1577: 1575: 1574: 1569: 1568: 1567:The Interview 1563: 1562: 1557: 1553: 1549: 1545: 1541: 1534: 1532: 1530: 1529:Al Hirschfeld 1526: 1522: 1518: 1514: 1510: 1506: 1502: 1498: 1497: 1492: 1491: 1486: 1482: 1478: 1453: 1451: 1449: 1445: 1441: 1436: 1432: 1428: 1424: 1420: 1419: 1414: 1406: 1404: 1402: 1398: 1394: 1389: 1384: 1382: 1378: 1375:In 2000, the 1373: 1371: 1367: 1363: 1358: 1356: 1352: 1345: 1341: 1338: 1336: 1332: 1329: 1326: 1323: 1320: 1317: 1314: 1310: 1307: 1306: 1305: 1303: 1300: 1297:The film was 1292: 1289: 1286: 1282: 1281: 1273: 1267: 1265: 1260: 1258: 1257:J. P. Telotte 1254: 1250: 1246: 1242: 1237: 1235: 1231: 1230: 1225: 1221: 1216: 1214: 1210: 1205: 1200: 1198: 1194: 1193: 1188: 1183: 1181: 1180:autobiography 1176: 1172: 1164: 1159: 1150: 1146: 1144: 1140: 1136: 1135:Jeffrey Vance 1131: 1129: 1125: 1121: 1120: 1115: 1114: 1107: 1105: 1101: 1097: 1093: 1088: 1085: 1083: 1078: 1073: 1071: 1067: 1066: 1061: 1060:Three Stooges 1057: 1056: 1047: 1043: 1038: 1031: 1028: 1025: 1021: 1017: 1010: 1007: 1004: 1000: 996: 991: 988: 987: 977: 972: 970: 969: 964: 957: 955: 954: 953:The Music Man 949: 945: 937: 935: 933: 929: 925: 921: 916: 914: 910: 907:According to 905: 903: 899: 895: 891: 885: 880: 877: 873: 868: 864: 862: 858: 854: 848: 845: 844: 839: 835: 831: 825: 823: 819: 818:Laurel Canyon 815: 811: 806: 804: 800: 795: 793: 788: 784: 780: 779: 774: 770: 762: 760: 758: 754: 750: 746: 742: 741:Eddie Gribbon 738: 732: 727: 719: 716: 713: 710: 707: 704: 703: 699: 694: 691: 688: 684: 681: 678: 674: 673:Billy Gilbert 671: 668: 664: 663:Henry Daniell 661: 657: 654: 651: 647: 643: 639: 635: 631: 628: 625: 621: 620: 615: 611: 607: 604: 603: 599: 594: 591: 588: 585: 582: 579: 576: 573: 570: 567: 564: 561: 557: 554: 553: 549: 544: 542: 538: 536: 532: 528: 524: 516: 511: 507: 505: 501: 497: 493: 488: 486: 482: 478: 472: 470: 466: 465:stormtroopers 461: 459: 455: 451: 447: 438: 434: 432: 431:Allied Forces 427: 423: 419: 418:Western Front 411: 409: 407: 403: 398: 396: 392: 388: 384: 380: 376: 372: 368: 364: 360: 356: 351: 347: 345: 341: 337: 336:United States 333: 329: 325: 322:, as well as 321: 317: 312: 310: 306: 302: 298: 294: 290: 286: 282: 281: 271: 267: 264:$ 2.2 million 263: 259: 255: 251: 248:United States 247: 243: 239: 233: 226: 225:New York City 214: 213: 211: 205: 202: 199: 195: 191: 187: 179: 173: 170: 167: 166: 164: 160: 154: 151: 148: 147: 145: 141: 135: 132: 130: 127: 126: 124: 120: 114: 111: 109: 108:Billy Gilbert 106: 104: 101: 99: 98:Henry Daniell 96: 94: 91: 89: 86: 83: 82: 80: 76: 72: 68: 64: 60: 57: 54: 50: 43: 38: 33: 30: 19: 4826:Films à clef 4684:The Big Show 4682: 4571: 4564:Compositions 4551: 4544: 4543: 4524: 4516: 4508: 4500: 4441: 4433: 4422: 4404: 4385: 4377: 4358: 4350: 4343: 4342: 4336:Modern Times 4334: 4326: 4318: 4310: 4302: 4283: 4275: 4267: 4259: 4251: 4243: 4235: 4227: 4221:A Dog's Life 4219: 4200: 4192: 4184: 4176: 4168: 4160: 4154:The Pawnshop 4152: 4144: 4136: 4130:The Vagabond 4128: 4120: 4112: 4089: 4081: 4073: 4065: 4057: 4049: 4041: 4033: 4025: 4006: 3998: 3990: 3984:The Champion 3982: 3974: 3955: 3929: 3921: 3913: 3905: 3897: 3889: 3881: 3873: 3867:The Rounders 3865: 3857: 3849: 3841: 3833: 3825: 3819:Laughing Gas 3817: 3809: 3801: 3793: 3785: 3777: 3751: 3743: 3738:Little Tramp 3736: 3718: 3711: 3704: 3697: 3674: 3662: 3643:3623 Chaplin 3587: 3580: 3573: 3566: 3559: 3483: 3477: 3465: 3454: 3441: 3430: 3419: 3402: 3386: 3370: 3356: 3350: 3336: 3316:. Retrieved 3305: 3293:. Retrieved 3289: 3280: 3268:. Retrieved 3264: 3255: 3246: 3236: 3224:. Retrieved 3211: 3203: 3198: 3188:December 20, 3186:. Retrieved 3174: 3165: 3148: 3139: 3130: 3118: 3113: 3097: 3088: 3085:"Best Actor" 3079: 3060: 3054: 3030: 3023: 3004: 2998: 2979: 2973: 2949: 2942: 2923: 2917: 2898: 2893: 2883:December 31, 2881:. Retrieved 2877: 2867: 2846: 2838: 2828:December 31, 2826:. Retrieved 2822: 2812: 2802:December 31, 2800:. Retrieved 2787: 2768: 2762: 2750:. Retrieved 2744: 2731: 2715: 2710: 2700:September 8, 2698:. Retrieved 2693: 2684: 2674:December 25, 2672:. Retrieved 2668:The Guardian 2666: 2656: 2642: 2630: 2607: 2598: 2578: 2548: 2538: 2523: 2514: 2508: 2496:. Retrieved 2492: 2482: 2462: 2452: 2433: 2427: 2402: 2394: 2386: 2381: 2371: 2363: 2344: 2331: 2321:February 21, 2319:. Retrieved 2315:the original 2310: 2286: 2256: 2254: 2239: 2232: 2213: 2207: 2197:December 28, 2195:. Retrieved 2185: 2172: 2162:December 28, 2160:. 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