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about it , shows that
Leopold knew exactly what he wanted to do, that he had strong opinions on how pupils should be taught to play the violin, that he had thought out how to present his material in the clearest possible way, that he wanted even impoverished pupils to be able to afford his book, and that he was prepared to put in all the necessary work to get the details just right."
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Ruth
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81:. Salaries at Salzburg were low, and Leopold supplemented his income by giving violin lessons. There is indirect evidence that Leopold was a highly skilled teacher, in that both of his children, taught exclusively by him, became extraordinary musicians:
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Halliwell goes on to note
Leopold's view that mere technical instruction would not produce fine violinists. For instance, concerning a particular aspect of bowing, Leopold insisted "that the performer pay attention to the
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Leopold wrote his textbook during the year 1755, when he was 36 years old. He took on the work of publication himself, assigning the task of printing to Johann Jakob Lotter, a printer in
Leopold's home town of
156:(approximately, emotion) intended by the composer, so that the most appropriate bowing could be chosen. Leopold envisaged that the performer should be capable of studying a piece for clues about the intended
97:. Leopold shipped copies of his book far and wide and received his share of the profits when they were sold. His mode of business can be seen in a letter (7 January 1770) he wrote to his wife
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You receive here 12 copies of the
Violinschule, which my husband, from Verona, has told me to send you. You may keep them on commission, according to the arrangement, and sell each one at 2fl
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wrote in a letter "you will not be displeased to know a father who has the merit of having known how to form and give so good an education to a son." (Grove dictionary, section 1)
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See
Halliwell (1998, 20). The Grove Dictionary describes him as "a man of broad cultural achievement – a passionate reader of literature and natural science, and an admirer of
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included this portrait of the author. Some aspects of violin playing in his day can be seen: the lightweight, concave bow and the absence of any chin rest or shoulder rest.
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coinage, and reimburse my husband at 1 fl. 45 kr. in the same coinage for the ones sold; you may put this in the paper and charge the costs to my husband in this case.
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was successful in its day and went through two further German editions (1769, 1787), as well as being translated into Dutch (1766) and French (1770).
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in 1756. The work was influential in its day, and continues to serve as a scholarly source concerning 18th century
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in music." (Leopold Mozart was himself highly cultivated, with strong interests in poetry and many other areas.)
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style should be the aim of every instrumentalist, and poetry was the key to good
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Digital version of the French
Edition preserved at Biblioteca Nacional de España
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Leopold Mozart's primary job was as a court musician, working for the
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A Treatise on the
Fundamental Principles of Violin Playing
310:The Mozart Family: Four Lives in a Social Context
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305:. Copyright 2008, Oxford University Press.
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69:Background and publication
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379:Wolfgang Amadeus Mozart
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