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Zarlino's compositions are more conservative in idiom than those of many of his contemporaries. His madrigals avoid the homophonic textures commonly used by other composers, remaining polyphonic throughout, in the manner of his motets. His works were published between 1549 and 1567, and include 41
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in 1558. Zarlino also described the 1/4-comma meantone and 1/3-comma meantone, considering all three temperaments to be usable. In more recent times, these have been approximated by the 50- 31- and 19-tone
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of 1571, he revised the numbering of modes to make the finales of the mode conform to the notes of the natural hexachord. He also wrote a treatise by the name of
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motets, mostly for five and six voices, and 13 secular works, mostly madrigals, for four and five voices. His 10 motets on the
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Atcherson, Walter. âKey and Mode in
Seventeenth- Century Music Theory Books.â Journal of Music Theory 17, no. 2 (1973): 210.
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based on proportions within the "Senario" (1, 2, 3, 4, 5, 6) and 8 is a departure from the previously established
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of St. Mark's, one of the most prestigious musical positions in Italy, and held it until his death. While
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554:"Zarlino: Modulationes sex vocum", Singer Pur, OEHMS CLASSICS 873 (2013)
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314:(31 January or 22 March 1517 â 4 February 1590) was an Italian
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may have been the first theorist to describe a version of
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as a means of structuring harmony. His exposition of
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While he was a moderately prolific composer, and his
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551:. Michael Noone, Ensemble Plus Ultra. GCD921406
385:he taught some of the principal figures of the
27:Italian music theorist and composer (1517â1590)
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1043:Missa L'homme armé super voces musicales
576:This article includes a list of general
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1089:Inviolata, integra et casta es Maria
350:. His early education was with the
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661:Article "Gioseffo Zarlino", in
373:In 1565, on the resignation of
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683:(revised ed.). New York:
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447:Le istitutioni harmoniche
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681:Music in the Renaissance
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389:of composers, including
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750:EncyclopĂŠdia Britannica
643:Illing, Robert (1963).
597:more precise citations.
454:, respectively. In his
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753:(11th ed.). 1911.
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460:Sopplimenti Musicali
342:Zarlino was born in
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404:
401:, as well as
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365:
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139:Major figures
136:
135:
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55:
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32:
19:
1519:Pietro Magri
1342:
1237:
1156:
1133:
1126:
1119:
1112:
1094:
1087:
1062:
1055:
1048:
1041:
1034:
1027:
1020:
1013:
1006:
999:
892:
837:
836:
816:
811:Jacques Buus
802:
748:
738:(ChoralWiki)
702:
680:
662:
644:
638:
629:
609:
600:
581:
548:
524:
497:
470:
459:
455:
446:
439:Pietro Aaron
435:counterpoint
428:
422:
382:
378:
372:
364:Saint Mark's
359:
341:
328:counterpoint
311:
310:
269:
262:
230:
180:
70: /
1666:1590 deaths
1661:1517 births
1551:Matteo Tosi
865:(1533â1604)
853:(1527â1575)
847:(1525â1603)
841:(1517â1590)
595:introducing
512:Netherlands
485:Pythagorean
352:Franciscans
324:Renaissance
219:Major forms
1655:Categories
1527:Giulio Bas
603:April 2014
578:references
559:References
542:Recordings
206:Monteverdi
186:Palestrina
91:Burgundian
1633:Biography
1567:Luigi Vio
1121:El Grillo
796:Composers
516:Sweelinck
166:Tinctoris
68:Composers
1256:Category
1145:Scholars
1096:Miserere
923:See also
889:(d.1601)
877:(d.1587)
679:(1959).
489:Boethius
477:interval
443:meantone
344:Chioggia
320:composer
238:Madrigal
201:Victoria
156:Ockeghem
151:Binchois
116:Venetian
101:Colorist
58:Overview
43:a series
41:Part of
1607:Portals
1216:Related
734:in the
728:(IMSLP)
724:at the
718:(IMSLP)
656:Sources
591:improve
522:style.
520:Baroque
508:Germany
491:. See:
346:, near
322:of the
232:Chanson
181:Zarlino
171:Josquin
161:Busnois
18:Zarlino
1594:(2000)
1586:(1981)
1578:(1954)
1570:(1939)
1562:(1937)
1554:(1926)
1546:(1921)
1538:(1900)
1530:(1899)
1522:(1898)
1514:(1894)
1506:(1871)
1498:(1855)
1490:(1811)
1482:(1808)
1474:(1785)
1466:(1762)
1458:(1747)
1450:(1740)
1442:(1736)
1434:(1702)
1426:(1692)
1418:(1690)
1410:(1685)
1402:(1676)
1394:(1668)
1386:(1644)
1378:(1613)
1370:(1609)
1362:(1605)
1354:(1590)
1346:(1565)
1338:(1563)
1330:(1527)
1322:(1491)
1314:(1463)
1074:Motets
993:Masses
691:
669:
580:, but
504:France
431:motets
397:, and
348:Venice
226:Anthem
176:Tallis
146:Du Fay
1645:Music
536:Bible
475:over
473:triad
248:Motet
191:Lasso
111:Roman
689:ISBN
667:ISBN
318:and
243:Mass
196:Byrd
1298:at
362:of
1657::
747:.
687:.
538:.
506:,
409:.
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366:,
334:.
45:on
1609::
1288:e
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1080:"
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781:e
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616:)
610:(
605:)
601:(
587:.
466:.
300:e
293:t
286:v
20:)
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