145:
99:
Debussy goes on to write that 'clarity of expression, precision and concentration of form are qualities peculiar to the French genius.' These qualities are indeed most noticeable when again compared with the German genius, excelling as it does in long, uninhibited outpourings, directly opposed to the
362:
that are still closely studied and often performed. Debussy is noted for a particular gift for marrying text and music, while Ravel based a number of his on folk song, in direct contradiction to the common practice for mélodies, transfiguring both forms.
41:
115:, one must have a sensitive knowledge of the French language, French poetry, and French poetic diction. Numerous books have been written about the details of French pronunciation specifically for
221:
was more likely to be taken from contemporary, serious poetry and the music was also generally of a more profound sort. Further, while most composers in this genre were
455:
327:
675:
591:
184:
104:
Bernac writes that "the art of the greatest French composers is an art of suggestion", rather than explicit statement of feelings.
315:, though their styles and essential temperaments were very different. Fauré is best remembered for his settings of the poetry of
665:
551:
120:
209:
developed independently of that tradition. Instead, it grew more directly from the earlier genre of French songs known as the
430:
166:
333:
162:
472:
155:
321:
242:
345:
124:
680:
111:
is noted for its deliberate and close relationship between text and melody. To compose or interpret
670:
498:
621:
246:(1841) is still considered an example of the genre. Whatever Berlioz' chronological precedence,
587:
451:
426:
240:. He was among the first to use the term to describe his own compositions, and his song cycle
358:
are today best known for their instrumental compositions. However, they both wrote dozens of
304:
583:
577:
397:
396:
continue to be composed, though perhaps the last uncontestedly great composer of them was
312:
34:
17:
379:
217:, were then as now viewed as being of a lighter and less specific nature. The text of a
371:
351:
280:
247:
237:
659:
375:
355:
316:
88:
383:
123:
transcriptions of songs with further notations for French-specific features like
267:
222:
144:
100:
French taste, which abhors overstatement and venerates concision and diversity.
649:
340:
A contemporary of Fauré whose name has become practically synonymous with the
275:
271:
524:
296:
47:
254:: his compositional style evolves imperceptibly and illustratively from
201:
arose just before the middle of the 19th century in France. Though the
169: in this section. Unsourced material may be challenged and removed.
128:
58:
636:
66:
303:
during Gounod's lifetime, a name that cannot be omitted is that of
50:, arising in the mid-19th century. It is comparable to the German
83:
52:
138:
65:
The literal meaning of the word in the French language is "
652:, Editor Cambridge, Cambridge University Press, 1986–1988
229:
have led many to view them as not properly
Romantic.
213:. These songs, while apparently quite similar to the
205:
had reached its peak in the early 19th century, the
16:"Melodie" redirects here. For the album by Cro, see
450:. Milwaukee: Hal Leonard Corporation. p. 158.
390:with texts from Baudelaire, Verlaine, and others.
382:. Though more famous as a composer for the organ,
250:is often viewed as the first distinct composer of
344:, even though he left only a handful of them, is
62:, by contrast, is a folk or popular French song.
448:Song: A Guide to Art Song Style and Literature
225:, at least in chronology, certain features of
8:
499:"The Art of French Song — Three Collections"
425:. London: Kahn & Averill. p. 33.
295:Though numerous other composers, such as
185:Learn how and when to remove this message
400:, who died in 1963. He wrote nearly 150
284:, in English, is a perfect example of a
81:is often defined by comparison with the
413:
366:Contemporaries of Ravel who were noted
33:
7:
582:. London: Eulenburg Books. pp.
473:"LISTENING TO THE MELODIE OF FRANCE"
167:adding citations to reliable sources
14:
612:The Interpretation of French Song
423:The Interpretation of French Song
93:The Interpretation of French Song
471:Davis, Peter (25 January 1981).
143:
628:. Bruxelles, H. Lemoine, 1957.
311:and has been called the French
154:needs additional citations for
1:
386:wrote several collections of
614:. New York, Praeger, 1970.
552:"GOUNOD CHARLES (1818-1893)"
266:, on texts by such poets as
91:provides this comparison in
697:
618:by Norton, New York, 1978.
529:The Hector Berlioz Website
15:
328:Cinq mélodies "de Venise"
119:singers, often featuring
676:Songs in classical music
576:Orledge, Robert (1979).
556:Encyclopædia Universalis
446:Kimball, Carol (2006).
421:Bernac, Pierre (1997).
666:French styles of music
102:
46:) is a form of French
97:
325:and the song cycles
307:. He wrote over 100
262:. He wrote over 200
163:improve this article
626:L'amour de chanter
497:Richter, Maurice.
477:The New York Times
370:composers include
288:that has become a
232:Some of the first
523:Berlioz, Hector.
457:978-1-4234-1280-9
274:. His setting of
195:
194:
187:
688:
622:Panzéra, Charles
610:Bernac, Pierre:
598:
597:
573:
567:
566:
564:
562:
547:
541:
540:
538:
536:
520:
514:
513:
511:
509:
494:
488:
487:
485:
483:
468:
462:
461:
443:
437:
436:
418:
334:La bonne chanson
190:
183:
179:
176:
170:
147:
139:
45:
44:
43:
37:
35:[melɔdi]
32:
696:
695:
691:
690:
689:
687:
686:
685:
656:
655:
607:
602:
601:
594:
575:
574:
570:
560:
558:
550:Delage, Roger.
549:
548:
544:
534:
532:
531:. Michel Austin
522:
521:
517:
507:
505:
496:
495:
491:
481:
479:
470:
469:
465:
458:
445:
444:
440:
433:
420:
419:
415:
410:
398:Francis Poulenc
243:Les nuits d'été
191:
180:
174:
171:
160:
148:
137:
75:
40:
39:
38:
30:
21:
18:Melodie (album)
12:
11:
5:
694:
692:
684:
683:
678:
673:
668:
658:
657:
654:
653:
634: : V. 1 (
632:Song on Record
629:
619:
606:
603:
600:
599:
592:
568:
542:
515:
489:
463:
456:
438:
431:
412:
411:
409:
406:
404:of all sorts.
372:Albert Roussel
352:Claude Debussy
281:Maid of Athens
248:Charles Gounod
238:Hector Berlioz
236:were those of
193:
192:
151:
149:
142:
136:
133:
74:
71:
13:
10:
9:
6:
4:
3:
2:
693:
682:
679:
677:
674:
672:
669:
667:
664:
663:
661:
651:
647:
643:
639:
638:
633:
630:
627:
623:
620:
617:
613:
609:
608:
604:
595:
593:0-903873-40-0
589:
585:
581:
580:
579:Gabriel Fauré
572:
569:
557:
553:
546:
543:
530:
526:
519:
516:
504:
500:
493:
490:
478:
474:
467:
464:
459:
453:
449:
442:
439:
434:
428:
424:
417:
414:
407:
405:
403:
399:
395:
391:
389:
385:
381:
377:
376:Reynaldo Hahn
373:
369:
364:
361:
357:
356:Maurice Ravel
353:
349:
347:
343:
338:
336:
335:
330:
329:
324:
323:
322:Clair de lune
318:
317:Paul Verlaine
314:
310:
306:
305:Gabriel Fauré
302:
298:
293:
291:
287:
283:
282:
277:
273:
269:
265:
261:
257:
253:
249:
245:
244:
239:
235:
230:
228:
224:
220:
216:
212:
208:
204:
200:
189:
186:
178:
168:
164:
158:
157:
152:This section
150:
146:
141:
140:
134:
132:
130:
126:
122:
118:
114:
110:
105:
101:
96:
94:
90:
89:Pierre Bernac
86:
85:
80:
72:
70:
68:
63:
61:
60:
55:
54:
49:
42:
36:
28:
27:
19:
645:
644:, including
641:
635:
631:
625:
615:
611:
605:Bibliography
578:
571:
559:. Retrieved
555:
545:
533:. Retrieved
528:
518:
506:. Retrieved
502:
492:
480:. Retrieved
476:
466:
447:
441:
422:
416:
401:
393:
392:
387:
384:Louis Vierne
380:André Caplet
367:
365:
359:
350:
346:Henri Duparc
341:
339:
332:
326:
320:
319:, including
308:
300:
294:
289:
285:
279:
263:
259:
255:
251:
241:
233:
231:
226:
218:
214:
210:
206:
202:
198:
196:
181:
172:
161:Please help
156:verification
153:
116:
112:
108:
106:
103:
98:
92:
82:
78:
76:
64:
57:
51:
25:
24:
22:
268:Victor Hugo
671:Song forms
660:Categories
650:Alan Blyth
561:1 December
535:1 December
508:1 December
482:1 December
432:0393008789
408:References
276:Lord Byron
175:March 2012
640:); V. 2 (
525:"Memoirs"
272:Lamartine
223:Romantics
681:Mélodies
503:La Folia
402:mélodies
394:Mélodies
388:mélodies
360:mélodies
313:Schumann
309:mélodies
301:mélodies
299:, wrote
297:Massenet
264:mélodies
252:mélodies
234:mélodies
227:mélodies
113:mélodies
48:art song
646:mélodie
616:Reprint
368:mélodie
342:mélodie
290:mélodie
286:romance
260:mélodie
256:romance
219:mélodie
215:mélodie
211:romance
207:mélodie
199:mélodie
135:History
129:elision
125:liaison
117:mélodie
109:mélodie
79:mélodie
59:chanson
31:French:
26:mélodie
637:Lieder
590:
454:
429:
73:Nature
67:melody
584:77–78
642:Song
588:ISBN
563:2016
537:2016
510:2016
484:2016
452:ISBN
427:ISBN
378:and
354:and
331:and
270:and
203:lied
197:The
127:and
107:The
84:lied
77:The
56:. A
53:Lied
648:).
278:'s
258:to
165:by
121:IPA
69:".
662::
624::
586:.
554:.
527:.
501:.
475:.
374:,
348:.
337:.
292:.
131:.
95::
87:.
23:A
596:.
565:.
539:.
512:.
486:.
460:.
435:.
188:)
182:(
177:)
173:(
159:.
29:(
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
