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Mărgărita Miller-Verghy

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166: 28: 422: 755:. It was here that Caragiale met Marica Sion, whom he would marry in 1932. Miller-Verghy extended her patronage on the impoverished Caragiale, and, according to Grigri Ghica, helped him store his belongings in a stable she owned. Ghica also reported his aunt's astonishment upon discovering that Mateiu Caragiale was using the building to house his destitute mother. According to one critic's interpretation, Miller-Verghy inspired the character Arethy in Caragiale's prose work 1083:" carrying the dedication "to a friend forever hostile to detective novels", it introduced a style which was to influence a new generation of women writers. The book recounts the investigation of amateur detectives Diomed and Florin, who, together with their female colleague Clelia (disguised as a bricklayer), expose the killer of 598:. Literary critic Bianca Burța-Cernat refers to the style of such books as "romanticized-moralizing prose for all-girl schools." Others have included her as among the first female representatives of modern literature in Romania. Her contemporaries gave her children's work a good reception: in 1912, her book for adolescents, 1021:
contains "exceptional" detail on the object of its study, "and many times constitutes a unique source". While she commends the volume for being "rare, useful and of an antiquated charm", Bianca Burța-Cernat disagrees with Zaharia-Filipaș on its exact importance, noting that Miller-Verghy and
679: 960:, which were then used as vacation homes by painters and sculptors, and organized a series of music parties. From 1930, Miller-Verghy also planned a charity scheme, whereby students of Elena Doamna paid for the pensions of their retired schoolmistresses. 2595: 321:, was supposed to receive specialized treatment. They spent some eight years abroad, during which time Mărgărita, a gifted but sickly child, acquired a standard classical culture and learned to speak six languages. 297:
region; her father, Elena's second husband, was a descendant of the Counts Milewski, but used the name Gheorghe Miller. In addition to his teaching career, Gheorghe was politically active, holding a seat in the
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As an art critic and student of traditional technologies, Miller-Verghy researched the origin of weaving patterns and symbols, making educated assumptions about their pre-Christian origins. She discussed the
395:. In 1892, she tried her hand at translating into French some of Eminescu's works, as possibly the first-ever person to have published such poetry translations. There resulted a volume in her translation, 355:
circles. The adolescent Miller-Verghy was especially close to Ștefănescu Delavrancea, with whom she corresponded. He courted her for a while, but ultimately proposed to Mary, the daughter of Alexandru and
1002:("The Two-faced Prince"). It was a production specifically aimed at children, but tackled complex subjects (moral dualism, lust, human sacrifice) and had lengthy monologues. Critics found it unpalatable. 202:; January 1, 1865 – December 31, 1953) was a Romanian socialite and author, also known as a schoolteacher, journalist, critic and translator. A cultural animator, she hosted a literary club of 2315: 437:(1894–1895). Upon her second return from Switzerland, Miller-Verghy became a teacher at girls' schools in Bucharest, and was headmistress of Elena Doamna. In 1900, she published her own 501:
Miller-Verghy still took interest in Eminescu translations, working with Adela Xenopol on a play that incorporated Eminescu's verse (1909). This was followed by a translation of
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The writer died at her Bucharest home, where her family was preparing to celebrate New Year's Day, 1954. She was buried alongside her mother Elena, at Bucharest's
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Her career almost ended in 1924. On visit to Paris, she was run over by a truck, and lost sight in both her eyes. She was treated for several years at a clinic in
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for women (1874), and for employing as teachers some of Romania's literary celebrities. Mărgărita attended her mother's institution, but took her Baccalaureate at
1172: 2435: 2415: 686:, criticizing the social exclusion of war orphans. The man, who is about to slap the child, exclaims: "A war orphan and out begging? Mind your rank, you moron!" 998:: "at least one of them, 'So That I May Die', is admirable." Two years later, the National Theater Bucharest staged her adaptation of Eufrosina Pallă's tale, 2470: 2320: 710:("Ilderim: A Tale of Light and Shade"). A year later, Miller-Verghy also contributed the Romanian version of Marie's story "Four Seasons from a Man's Life" ( 879:, but never recovered fully. However, the incident rekindled Miller-Verghy's interest in spirituality. In the mid-1920s, she was a registered member of the 2590: 2555: 2460: 859:
and a theater festival attended by Queen Marie. She was returning to children's literature, and, as Ilie Cambrea, drafted the project for a screenplay and
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As a socialite, Miller-Verghy was noted for her close relationships with prominent cultural figures of her lifetime. Among them were the acclaimed writers
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and Sadoveanu-Evan. Founded as an explicitly all-female venue, it came to terms with the SSR and male authors in 1928, when it changed its name to
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during the 1920s and '30s. She helped in setting up charity networks, founded some of Romania's first women's associations, and was a pioneer of
1864: 490:(1907), she published a brochure on the subject of arts and crafts (1908). Exploring this interest, she patented her own girls' teaching aid, a 27: 2565: 2425: 2370: 2281: 1947: 1263: 1255: 1088: 633:. She also had a strong social profile, as a member of leadership committees for several associations, and authored more textbooks. In 1912, 2217:
Lucreția Angheluță, Eva-Maria Marian, Tamara Teodorescu, Grigore Goanță, Liana Miclescu, Marilena Apostolescu, Marina Vazaca, Rodica Fochi,
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The war had reduced Miller-Verghy to poverty, and she relied on handouts from her former students. She still had contracts as a translator:
2560: 796:("Romania in Pictures", Paris, 1919), which was marketed to a French and international audience, with the hope of improving awareness of 2505: 2465: 2450: 1562: 1043: 1794: 1013:
calls it "one of the most important references for any study devoted to literature written by Romanian women." According to researcher
782:, it continued to assist children in need even after the defeat of the Central Powers and the return of Bucharest into Romanian hands. 2580: 2525: 2440: 2405: 2365: 2202: 253: 2455: 2445: 2395: 2325: 2258: 2089: 1990: 1982: 1828: 1382: 563:("Ancient Romanian Patterns and Decorations"), both in 1911. That same year, she represented Romania at the first World Congress in 165: 317:
Gheorghe Miller died suddenly in 1869. His widow took the daughters to Switzerland, where young Mărgărita, wrongly diagnosed with
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Between 1934 and 1936, Mărgărita Miller-Verghy worked on translating from the English the Queen Marie's complete autobiography,
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Biographical Dictionary of Women's Movements and Feminisms. Central, Eastern and South Eastern Europe, 19th and 20th Centuries
2550: 2490: 2014: 2545: 2535: 2420: 2330: 2222: 1009:("The Evolution of Feminine Writing in Romania"), which was prefaced by the same Lovinescu. Romanian linguist and critic 2575: 2510: 2375: 2340: 840: 743:, Miller-Verghy was the animator of a Bucharest-located cultural circle noted for its Germanophilia and support for the 1749: 1189: 2570: 2385: 2360: 2355: 2350: 1417: 1169: 1064:
In 1946, despite her blindness and her age-related illnesses, Miller-Verghy published her best-known work of fiction,
728: 409: 836:. Galsworthy wrote to thank Miller-Verghy, but informed her that the issue of copyrights still needed to be tackled. 2055: 1005:
In parallel, Miller-Verghy became a historiographer of Romanian feminism. She and Ecaterina Săndulescu published an
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Turning to dictation, Miller-Verghy still maintained access to literary affairs. In 1925, she joined her old friend
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By 1914, Miller-Verghy had become the official translator for Romania's English-speaking Crown Princess (from 1916,
2500: 2380: 1878: 1572: 1422: 930: 763: 645: 512: 2233:"Viața și activitatea Margaretei Miller-Verghy în documentele Arhivei Istorice a Bibliotecii Naționale a României" 2530: 2267: 844: 691: 564: 1974: 611: 151: 2600: 2390: 1567: 1558: 587: 110: 1698: 1939: 1180: 404: 368: 1014: 445:("to be used by high schools and extern schools"), followed in 1903 by a French translation from Vlahuță's 2605: 1469: 718:. Queen Marie took an interest in Miller-Verghy's other work, and was enthusiastic about her rendition of 649: 421: 337: 307: 1758: 1707: 1099:, attending high society parties, and meeting with the fictionalized version of English-born journalist 775: 740: 552: 215: 54: 2232: 1644: 949: 914: 595: 348: 2242: 1010: 2310: 2305: 2060: 991: 913:("The Woman Writer's Review"), joining a writing staff which also included cultural figures Xenopol, 880: 852: 483: 476: 434: 430: 333: 459: 145: 2273: 2150: 2116: 2019: 1799: 1324: 1295: 1124: 832:, the English novelist and playwright. In exchange, she was asking for permission to translate his 825: 767: 719: 715: 502: 237:
Although an accident left her completely blind, Miller-Verghy remained active as both a writer and
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Miller-Verghy built relationships with various other literary figures, among them female novelist
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in the 1870s, having by then spent most of their Miller inheritance. Mărgărita enlisted at the in
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Throughout her life, Miller-Verghy contributed to diverse newspapers and magazines, especially
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Intimitatea amfiteatrelor. Ipostaze din viața privată a universitarilor "literari" (1864–1948)
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Miller-Verghy also contributed a series of short prose works, which she signed with the names
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All three women frequented the high end of literary societies, keeping company with
1092: 1031: 790: 779: 318: 311: 1977:, "Adela Xenopol", in Francisca de Haan, Krasimira Daskalova, Anna Loutfi (eds.), 1034:, Miller-Verghy was mainly active as a playwright. Bucharest troupes produced her 847:
in its field. She was by then manager of a small Bucharest theater (owned by the
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In 1916, Romania formally entered the Entente, and, after brief successes, was
1656: 1472:'s Department of Neo-Latin Languages and Literatures; retrieved April 30, 2009 902:("The Romanian Women Writers' Society"). It ran against the SSR, labeling it " 623: 347:
Around that time, Mărgărita's older sister, also named Elena, married Justice
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Journalist, critic, translator, schoolteacher, philanthropist, nurse, inventor
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as both a positive and a negative symbol, and speculated that the Romanians'
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Mărgărita Miller-Verghy continued with her cultural activities during the
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helped establish a philanthropic society for the war orphans. Financed by
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and other women writers, Miller-Verghy was also a founding member of the
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Ariel, Dionis, Ilie Cambrea, Ion Pravilă, Mama Lola, Marg. M-V., Marmill
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Săndulescu failed to even mention several women writers of importance.
957: 800:. Also then, Miller-Verghy completed a novel, eponymously titled after 641: 517: 384: 282: 223: 122: 58: 50: 1958:"The Presidential Address. Our National Societies. 1927. Rumania", in 2285: 1057:. The academy presented her with a 1944 award, in honor of her novel 903: 876: 801: 735:
In 1914–1916, the period between the outbreak of World War I and the
583: 400: 399:("Some of Mihai Eminescu's Poems"). Its first draft was published in 118: 986:
She collected her own novellas into a volume, published in 1935 as
1695: 1087:-born Princess Ralü Muzuridi. The plot sees them traveling to the 726:. She also published, in 1915, the Romanian version to Browning's 290: 214:
in setting up feminist cultural venues. Her main contributions to
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nurse. During the occupation of Bucharest, in June 1918, she and
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People from the United Principalities of Moldavia and Wallachia
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On May 19, 1922, Mărgărita Miller-Verghy was admitted into the
471:"). Additionally, Miller-Verghy became a vice president of the 1462: 1072:"). It was a breakthrough in popular fiction and the Romanian 956:
scholarships. During the 1930s, this club purchased villas in
230:. Many of her other works have been described as mediocre and 2247:
An Encyclopedia of Continental Women Writers, Volume Two: L-Z
990:("Shadows on the Screen"). The work drew praise from Romania 310:, and Mărgărita was also akin to members of the aristocratic 383:. She began her own writing career in 1883, when one of her 2245:, "Margareta Miller-Verghy", in Katharina M. Wilson (ed.), 407:, it was rated a "remarkable" contribution by the staff of 222:, a history of feminine writing in the national context, a 2219:
Bibliografia românească modernă (1831–1918). Vol. III: L-Q
453:, she held a permanent column in the Bucharest newspaper 425:
View of the Elena Doamna Asylum and High School, ca. 1882
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Avangarda românească și complexul periferiei: primul val
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Istoria literaturii române de la origini pînă în prezent
515:. The National Theater also contracted her to translate 486:
department at Elena Doamna, and exhibit its work at the
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Cronologia della letteratura rumena moderna (1780–1914)
937:("The Women and Men Writers' Review"). That same year, 1815:, "Sâmburele de cireașă al celui din urmă senior", in 457:, while contributing articles to the literary review 443:
pentru usul claselor superióre de liceie și externate
314:, being an aunt of socialite Grigore "Grigri" Ghica. 1320:" 'Să se știe că în Anul 1883 au fost lipsă iarna' " 906:", and elected Miller-Verghy as its vice president. 812:("For You"), published respectively with the names 594:. She was inspired by, and incorporated text from, 336:, noted for being the first one in Romania to hold 289:descent. Her mother, Elena Verghy, belonged to the 158: 136: 106: 98: 90: 82: 65: 37: 18: 1132:, she made her last contributions as a dramatist: 375:. In the 1880s Mărgărita was also acquainted with 245:. Around 1940, she was also known for her work in 1250:, Cluj-Napoca & Iași, 2008, p.12, 62–63, 94. 2316:20th-century Romanian dramatists and playwrights 967:. In parallel, she put out Romanian versions of 555:civilizations. Such work resulted in the albums 751:(Barbu Delevrancea's daughter) and by the poet 1161: 1159: 417:University student and teacher at Elena Doamna 1823:, Editura Echinox, Cluj-Napoca, 1994, p.122. 1377:, Éditions Le Manuscrit, Paris, 2005, p.93. 8: 2168: 2166: 2164: 2162: 2160: 1918: 1916: 1914: 1912: 1910: 1908: 1636: 1634: 1632: 1630: 1628: 1626: 1624: 1542: 1540: 1538: 1536: 1534: 1515: 1513: 1511: 1501: 1499: 1497: 1495: 1493: 1491: 1360: 1358: 1356: 1354: 1352: 935:Revista Scriitoarelor și Scriitorilor Români 747:. This club was notably attended by pianist 433:, where she graduated in Letters and took a 302:. The family was related to that of authors 1451: 1449: 1447: 1445: 1443: 1405: 1403: 1279: 1277: 1275: 1273: 1271: 2146:"Despre literatura femeilor, cu precauție" 2137: 2135: 1893:Cojuhari, p.55. See also Golopenția, p.840 1783: 1781: 1231: 1229: 948:, with whom she became close friends, and 698:. This literary duo debuted with the tale 667:Asociația Ghidelor și Ghizilor din România 15: 2516:Romanian women dramatists and playwrights 1186:Revista Română de Jurnalism și Comunicare 285:, Mărgărita Miller-Verghy was of partial 2184: 2182: 2180: 2178: 2099: 2097: 714:), in an edition illustrated by painter 677: 475:club, a philanthropic society headed by 420: 2411:Romanian theatre managers and producers 2078:Istoria literaturii române contemporane 1571:, Nr. 23/1910, p.564 (digitized by the 1421:, Nr. 39/1901, p.465 (digitized by the 1291: 1289: 1155: 602:("Răzvan's Children"), was awarded the 561:Motifs anciens de décorations roumaines 1877:, Nr. 9/1921, p.174 (digitized by the 590:, noted for both their refinement and 429:Miller-Verghy went on to study at the 360:; they were married in February 1887. 1007:Evoluția scrisului feminin în România 909:She was contributing to its tribune, 759:("Under the Seal of Secrecy", 1930). 181: 7: 2416:Women theatre managers and producers 2223:Editura științifică și enciclopedică 397:Quelques poésies de Michaïl Eminesco 206:tendencies during the early part of 2471:Romanian expatriates in Switzerland 2321:20th-century Romanian women writers 708:Ilderim, Poveste în umbră și lumină 463:, for which she used the signature 20:Mărgărita (Margareta) Miller-Verghy 2591:Translators of William Shakespeare 2556:Romanian writers with disabilities 2461:Romanian women short story writers 2253:, London, 1991, p. 839–840. 2203:Nicolae Iorga Institute of History 712:Patru anotimpuri din viața unui om 226:series and an influential work of 14: 2486:Romanian people of Polish descent 2436:Romanian women children's writers 2292:George Bariț Institute of History 1983:Central European University Press 1682:Cojuhari, p.52; Golopenția, p.840 1605:Cojuhari, p.49; Golopenția, p.839 1170:"Jurnaliste și publiciste uitate" 702:("Dreamer of Dreams"), edited by 1128:. During the early years of the 789:. Her contributions include the 660:Association, an early branch of 379:, later recognized as Romania's 183:[mərɡəˈritaˈmilerˈverɡi] 164: 32:Miller-Verghy, studio photograph 26: 2521:Romanian women literary critics 2496:Scouting and Guiding in Romania 1795:"De la Barbu Cioculescu citire" 939:Societatea Scriitoarelor Române 900:Societatea Scriitoarelor Române 883:, which was also joined by her 2481:Romanian people of World War I 2346:Romanian crime fiction writers 664:(created in 1915, ancestor of 644:featured her translation from 210:, and was later involved with 1: 2239:, Nr. 1–2/2009, p. 46–65 2110:Studii de literatură feminină 2056:"Piese celebre de partimoniu" 1882:Transsylvanica Online Library 1576:Transsylvanica Online Library 1426:Transsylvanica Online Library 1118:in her version), followed by 1019:Evoluția scrisului feminin... 764:invaded by the Central Powers 477:Princess Elisabeth of Romania 2586:English–Romanian translators 2566:Female nurses in World War I 2426:Romanian short story writers 2371:Romanian literary historians 1733:, p.213, 346; Cojuhari, p.52 828:, was sent by the author to 254:Barbu Ștefănescu Delavrancea 2561:University of Geneva alumni 2476:Romanian–French translators 2336:Romanian children's writers 1089:Northern Moldavian churches 981:Bahá'u'lláh and the New Era 843:(SSR), the country's first 729:Sonnets from the Portuguese 482:Having helped organize the 391:daily, under the signature 2622: 2506:Romanian women art critics 2466:Romanian writers in French 2451:Romanian women journalists 2084:, Bucharest, 1989, p.231. 1985:, Budapest, 2006, p.614. 1942:, Bucharest, 2007, p.272. 1485:, p.346; Cojuhari, p.49–50 1459:"Miller-Verghy, Mărgărita" 1042:("After the Ball", 1939). 941:voted to dissolve itself. 931:Hortensia Papadat-Bengescu 871:1924 accident and recovery 646:Elizabeth Barrett Browning 547:ancestors had created the 513:National Theater Bucharest 403:in 1901. Prefaced by poet 338:Baccalaureate examinations 218:include translations from 2581:Burials at Bellu Cemetery 2526:Women literary historians 2441:Romanian women columnists 2406:Romanian textbook writers 2366:Romanian literary critics 2154:, Nr. 286, September 2005 1140:("Bilberry and Laurel"). 887:friend, Bucura Dumbravă. 851:), noted for hosting the 845:professional organization 841:Romanian Writers' Society 163: 25: 2456:Romanian women novelists 2446:Romanian women essayists 2396:Romanian philanthropists 2326:20th-century translators 2205:, Bucharest, 1972, p.189 2108:"Elena Zaharia-Filipaș, 2023:, Nr. 307, February 2006 1328:, Nr. 308, February 2006 1306:, Bucharest, 1986, p.567 867:("Ghosts of the Past"). 853:experimental productions 820:. The French edition of 627:and the French-language 559:("Ancient Sources") and 2431:Romanian travel writers 2401:Romanian schoolteachers 2197:Gheorghe G. Bezviconi, 1879:Babeș-Bolyai University 1673:, p.345; Cojuhari, p.52 1660:, Nr. 969, October 2008 1573:Babeș-Bolyai University 1461:, biographical note in 1423:Babeș-Bolyai University 1397:, p.346; Cojuhari, p.49 1318:Cătălin D. Constantin, 1181:University of Bucharest 1000:Prințul cu două chipuri 435:Doctorate in Philosophy 369:August Treboniu Laurian 179:Romanian pronunciation: 175:Mărgărita Miller-Verghy 2541:Women textbook writers 2276:, Cluj-Napoca, 2010. 1902:Cojuhari, p.55, 62, 63 1747:"Poveste pentru Cella" 1470:University of Florence 1375:La Roumanie littéraire 1183:Faculty of Journalism 1061:("That Other Light"). 973:Fellowship of the Frog 898:militant, in creating 739:'s affiliation to the 687: 650:Izabela Sadoveanu-Evan 533:Blot in the 'Scutcheon 426: 344:High School, in 1877. 324:The family settled in 264:, as well as musician 2551:Romanian blind people 2491:Romanian Theosophists 2013:Bianca Burța-Cernat, 1643:Bianca Burța-Cernat, 1596:Cojuhari, p.52, 64–65 1559:Gheorghe Bogdan-Duică 1373:Bernard Camboulives, 1066:Prințesa în crinolină 1015:Elena Zaharia-Filipaș 952:, who handed out the 794:La Roumanie en images 681: 674:World War I and after 606:Alina Știrbey Prize. 588:children's literature 586:and contributions to 424: 332:. Elena Verghy ran a 111:Children's literature 55:United Principalities 2536:Women travel writers 2421:Romanian translators 2331:Romanian art critics 2120:, Nr. 274, June 2005 2054:Veronica Marinescu, 2015:"Memoria ca datorie" 1240:Investigații mateine 1136:("People Talk") and 881:Theosophical Society 865:Fantomele trecutului 768:battle for Bucharest 484:vocational education 431:University of Geneva 281:Born in the city of 2576:Red Cross personnel 2511:Women crime writers 2376:Romanian memoirists 2341:Romanian columnists 2199:Necropola Capitalei 2151:Observator Cultural 2117:Observator Cultural 2064:, November 26, 2005 2020:Observator Cultural 1975:Ştefania Mihăilescu 1865:"Cărți și reviste. 1817:Mateiu I. Caragiale 1803:, Nr. 319, May 2006 1800:Observator Cultural 1413:"Salon. Literatură" 1325:Observator Cultural 1244:Biblioteca Apostrof 911:Revista Scriitoarei 885:Româncele Cercetașe 855:of writer-director 720:Rabindranath Tagore 658:Româncele Cercetașe 557:Izvoade strămoșești 503:William Shakespeare 447:Picturesque Romania 439:French teaching aid 308:Păstorel Teodoreanu 216:Romanian literature 2571:World War I nurses 2386:Romanian novelists 2361:Romanian inventors 2356:Romanian feminists 2351:Romanian essayists 2032:Cojuhari, p.57, 60 1848:Cojuhari, p.53, 55 1821:Sub pecetea tainei 1752:2016-10-05 at the 1745:Simona Vasilache, 1701:2015-09-24 at the 1694:Simona Vasilache, 1650:2012-02-20 at the 1563:"Cronica teatrală" 1528:Cojuhari, p.52, 64 1223:Cojuhari, p.46, 62 1192:2011-07-20 at the 1175:2011-07-20 at the 1112:Strangers May Kiss 1076:. A self-defined " 1068:("The Princess in 1053:("The Derby") and 1030:Before and during 923:Ana Conta-Kernbach 776:Maruca Cantacuzino 772:Romanian Red Cross 757:Sub pecetea tainei 696:Marie of Edinburgh 688: 427: 373:Edmond de Goncourt 220:English literature 186:; first name also 2546:Writers from Iași 2501:Scouting pioneers 2381:Romanian nobility 2282:978-973-726-469-5 2225:, Bucharest, 1989 2188:Golopenția, p.839 2129:Golopenția, p.840 2061:Curierul Național 2041:Cojuhari, p.60–61 2001:Cojuhari, p.55–56 1948:978-973-23-1911-6 1940:Cartea Românească 1839:Cojuhari, p.52–53 1337:Cojuhari, p.47–48 1264:978-973-46-1031-0 1256:978-973-9279-97-0 1214:Cojuhari, p.46–47 804:, a character in 749:Cella Delavrancea 700:Visătorul de vise 662:Romanian Scouting 600:Copiii lui Răzvan 582:. They comprised 488:Romanian Atheneum 405:Alexandru Vlahuță 387:was published by 349:Alexandru Lupașcu 300:Senate of Romania 266:Cella Delavrancea 243:Romanian Scouting 228:detective fiction 198:; full name also 172: 171: 137:Literary movement 115:detective fiction 69:December 31, 1953 2613: 2531:Women memoirists 2290:Romanian Academy 2266:Lucian Nastasă, 2265: 2243:Sanda Golopenția 2231:Elena Cojuhari, 2230: 2206: 2195: 2189: 2186: 2173: 2170: 2155: 2143: 2139: 2130: 2127: 2121: 2106:Florina Pîrjol, 2105: 2101: 2092: 2071: 2065: 2053: 2050:Cojuhari, p.61; 2048: 2042: 2039: 2033: 2030: 2024: 2012: 2008: 2002: 1999: 1993: 1973:Cojuhari, p.55; 1971: 1965: 1956: 1950: 1929: 1923: 1920: 1903: 1900: 1894: 1891: 1885: 1867:Le Monde nouveau 1859: 1855: 1849: 1846: 1840: 1837: 1831: 1810: 1804: 1789: 1785: 1776: 1769: 1763: 1759:România Literară 1744: 1740: 1734: 1727: 1721: 1718: 1712: 1708:România Literară 1693: 1689: 1683: 1680: 1674: 1667: 1661: 1642: 1638: 1619: 1612: 1606: 1603: 1597: 1594: 1588: 1585: 1579: 1557: 1553: 1547: 1544: 1529: 1526: 1520: 1517: 1506: 1503: 1486: 1479: 1473: 1457: 1453: 1438: 1435: 1429: 1411: 1407: 1398: 1391: 1385: 1371: 1365: 1362: 1347: 1344: 1338: 1335: 1329: 1317: 1313: 1307: 1296:George Călinescu 1293: 1284: 1281: 1266: 1233: 1224: 1221: 1215: 1212: 1206: 1203: 1197: 1167: 1163: 1130:communist regime 1011:Sanda Golopenția 857:Benjamin Fondane 826:Éditions Grasset 753:Mateiu Caragiale 737:Romanian Kingdom 682:1920 cartoon by 639: 612:Viața Românească 604:Romanian Academy 371:and, allegedly, 258:Mateiu Caragiale 185: 180: 168: 152:Viața Românească 72: 47: 45: 30: 16: 2621: 2620: 2616: 2615: 2614: 2612: 2611: 2610: 2601:Blind educators 2391:Romanian nurses 2296: 2295: 2288:version at the 2263: 2228: 2214: 2209: 2196: 2192: 2187: 2176: 2171: 2158: 2141: 2140: 2133: 2128: 2124: 2103: 2102: 2095: 2082:Editura Minerva 2074:Eugen Lovinescu 2072: 2068: 2051: 2049: 2045: 2040: 2036: 2031: 2027: 2010: 2009: 2005: 2000: 1996: 1972: 1968: 1961:The Theosophist 1957: 1953: 1930: 1926: 1921: 1906: 1901: 1897: 1892: 1888: 1857: 1856: 1852: 1847: 1843: 1838: 1834: 1811: 1807: 1787: 1786: 1779: 1770: 1766: 1754:Wayback Machine 1742: 1741: 1737: 1728: 1724: 1719: 1715: 1703:Wayback Machine 1691: 1690: 1686: 1681: 1677: 1668: 1664: 1652:Wayback Machine 1640: 1639: 1622: 1613: 1609: 1604: 1600: 1595: 1591: 1586: 1582: 1555: 1554: 1550: 1545: 1532: 1527: 1523: 1518: 1509: 1504: 1489: 1480: 1476: 1455: 1454: 1441: 1436: 1432: 1409: 1408: 1401: 1392: 1388: 1372: 1368: 1363: 1350: 1345: 1341: 1336: 1332: 1315: 1314: 1310: 1304:Editura Minerva 1294: 1287: 1282: 1269: 1234: 1227: 1222: 1218: 1213: 1209: 1204: 1200: 1194:Wayback Machine 1177:Wayback Machine 1165: 1164: 1157: 1153: 1120:George Meredith 1074:detective novel 1059:Cealaltă lumină 1044:Radio Bucharest 1028: 996:Eugen Lovinescu 950:Elena Văcărescu 946:Lucia Demetrius 915:Constanța Hodoș 873: 830:John Galsworthy 824:, published by 808:, and the play 806:Greek mythology 798:Greater Romania 684:Nicolae Tonitza 676: 654:Bucura Dumbravă 637: 529:Robert Browning 419: 293:aristocracy of 287:Polish-Romanian 279: 274: 262:Lucia Demetrius 190:, surname also 178: 74: 70: 49: 48:January 1, 1865 43: 41: 33: 21: 12: 11: 5: 2619: 2617: 2609: 2608: 2603: 2598: 2593: 2588: 2583: 2578: 2573: 2568: 2563: 2558: 2553: 2548: 2543: 2538: 2533: 2528: 2523: 2518: 2513: 2508: 2503: 2498: 2493: 2488: 2483: 2478: 2473: 2468: 2463: 2458: 2453: 2448: 2443: 2438: 2433: 2428: 2423: 2418: 2413: 2408: 2403: 2398: 2393: 2388: 2383: 2378: 2373: 2368: 2363: 2358: 2353: 2348: 2343: 2338: 2333: 2328: 2323: 2318: 2313: 2308: 2298: 2297: 2294: 2293: 2261: 2240: 2226: 2213: 2210: 2208: 2207: 2190: 2174: 2172:Cojuhari, p.62 2156: 2144:Bianca Burța, 2131: 2122: 2093: 2066: 2043: 2034: 2025: 2003: 1994: 1966: 1951: 1924: 1922:Cojuhari, p.55 1904: 1895: 1886: 1850: 1841: 1832: 1805: 1777: 1764: 1735: 1722: 1720:Nastasă, p.234 1713: 1684: 1675: 1662: 1645:"Știați că..." 1620: 1607: 1598: 1589: 1587:Cojuhari, p.65 1580: 1548: 1546:Cojuhari, p.61 1530: 1521: 1519:Cojuhari, p.57 1507: 1505:Cojuhari, p.52 1487: 1474: 1439: 1437:Cojuhari, p.48 1430: 1399: 1386: 1366: 1364:Cojuhari, p.49 1348: 1346:Nastasă, p.117 1339: 1330: 1308: 1285: 1283:Cojuhari, p.47 1267: 1225: 1216: 1207: 1205:Cojuhari, p.46 1198: 1196:, Nr. 2–3/2006 1168:Marian Petcu, 1154: 1152: 1149: 1145:Bellu cemetery 1108:Ursula Parrott 1101:Gordon Seymour 1027: 1024: 988:Umbre pe ecran 977:John Esslemont 872: 869: 745:Central Powers 741:Entente Powers 706:, followed by 675: 672: 592:sentimentality 524:As You Like It 511:, used by the 418: 415: 377:Mihai Eminescu 278: 275: 273: 270: 170: 169: 161: 160: 156: 155: 141:Neoromanticism 138: 134: 133: 131:travel writing 108: 104: 103: 100: 96: 95: 92: 88: 87: 84: 80: 79: 73:(aged 88) 67: 63: 62: 39: 35: 34: 31: 23: 22: 19: 13: 10: 9: 6: 4: 3: 2: 2618: 2607: 2606:Blind writers 2604: 2602: 2599: 2597: 2594: 2592: 2589: 2587: 2584: 2582: 2579: 2577: 2574: 2572: 2569: 2567: 2564: 2562: 2559: 2557: 2554: 2552: 2549: 2547: 2544: 2542: 2539: 2537: 2534: 2532: 2529: 2527: 2524: 2522: 2519: 2517: 2514: 2512: 2509: 2507: 2504: 2502: 2499: 2497: 2494: 2492: 2489: 2487: 2484: 2482: 2479: 2477: 2474: 2472: 2469: 2467: 2464: 2462: 2459: 2457: 2454: 2452: 2449: 2447: 2444: 2442: 2439: 2437: 2434: 2432: 2429: 2427: 2424: 2422: 2419: 2417: 2414: 2412: 2409: 2407: 2404: 2402: 2399: 2397: 2394: 2392: 2389: 2387: 2384: 2382: 2379: 2377: 2374: 2372: 2369: 2367: 2364: 2362: 2359: 2357: 2354: 2352: 2349: 2347: 2344: 2342: 2339: 2337: 2334: 2332: 2329: 2327: 2324: 2322: 2319: 2317: 2314: 2312: 2309: 2307: 2304: 2303: 2301: 2291: 2287: 2283: 2279: 2275: 2274:Editura Limes 2271: 2270: 2264:(in Romanian) 2262: 2260: 2259:0-8240-8547-7 2256: 2252: 2248: 2244: 2241: 2238: 2234: 2229:(in Romanian) 2227: 2224: 2220: 2216: 2215: 2211: 2204: 2200: 2194: 2191: 2185: 2183: 2181: 2179: 2175: 2169: 2167: 2165: 2163: 2161: 2157: 2153: 2152: 2147: 2142:(in Romanian) 2138: 2136: 2132: 2126: 2123: 2119: 2118: 2113: 2111: 2104:(in Romanian) 2100: 2098: 2094: 2091: 2090:973-21-0159-8 2087: 2083: 2079: 2075: 2070: 2067: 2063: 2062: 2057: 2052:(in Romanian) 2047: 2044: 2038: 2035: 2029: 2026: 2022: 2021: 2016: 2011:(in Romanian) 2007: 2004: 1998: 1995: 1992: 1991:963-7326-39-1 1988: 1984: 1980: 1976: 1970: 1967: 1963: 1962: 1955: 1952: 1949: 1945: 1941: 1937: 1933: 1928: 1925: 1919: 1917: 1915: 1913: 1911: 1909: 1905: 1899: 1896: 1890: 1887: 1883: 1880: 1876: 1875: 1870: 1868: 1862: 1858:(in Romanian) 1854: 1851: 1845: 1842: 1836: 1833: 1830: 1829:973-9114-27-X 1826: 1822: 1818: 1814: 1809: 1806: 1802: 1801: 1796: 1792: 1788:(in Romanian) 1784: 1782: 1778: 1774: 1768: 1765: 1762:, Nr. 32/2006 1761: 1760: 1755: 1751: 1748: 1743:(in Romanian) 1739: 1736: 1732: 1726: 1723: 1717: 1714: 1711:, Nr. 27/2008 1710: 1709: 1704: 1700: 1697: 1696:"Contribuții" 1692:(in Romanian) 1688: 1685: 1679: 1676: 1672: 1666: 1663: 1659: 1658: 1653: 1649: 1646: 1641:(in Romanian) 1637: 1635: 1633: 1631: 1629: 1627: 1625: 1621: 1617: 1611: 1608: 1602: 1599: 1593: 1590: 1584: 1581: 1577: 1574: 1570: 1569: 1564: 1560: 1556:(in Romanian) 1552: 1549: 1543: 1541: 1539: 1537: 1535: 1531: 1525: 1522: 1516: 1514: 1512: 1508: 1502: 1500: 1498: 1496: 1494: 1492: 1488: 1484: 1478: 1475: 1471: 1467: 1465: 1460: 1452: 1450: 1448: 1446: 1444: 1440: 1434: 1431: 1427: 1424: 1420: 1419: 1414: 1410:(in Romanian) 1406: 1404: 1400: 1396: 1390: 1387: 1384: 1383:2-7481-6120-3 1380: 1376: 1370: 1367: 1361: 1359: 1357: 1355: 1353: 1349: 1343: 1340: 1334: 1331: 1327: 1326: 1321: 1316:(in Romanian) 1312: 1309: 1305: 1301: 1297: 1292: 1290: 1286: 1280: 1278: 1276: 1274: 1272: 1268: 1265: 1261: 1257: 1253: 1249: 1245: 1241: 1237: 1232: 1230: 1226: 1220: 1217: 1211: 1208: 1202: 1199: 1195: 1191: 1188: 1187: 1182: 1178: 1174: 1171: 1166:(in Romanian) 1162: 1160: 1156: 1150: 1148: 1146: 1141: 1139: 1138:Afin și Dafin 1135: 1131: 1127: 1126: 1125:Rhoda Fleming 1121: 1117: 1113: 1109: 1104: 1102: 1098: 1094: 1093:Transylvanian 1090: 1086: 1082: 1079: 1075: 1071: 1067: 1062: 1060: 1056: 1052: 1049: 1045: 1041: 1037: 1033: 1025: 1023: 1020: 1016: 1012: 1008: 1003: 1001: 997: 993: 989: 984: 982: 978: 974: 970: 969:Edgar Wallace 966: 961: 959: 955: 951: 947: 942: 940: 936: 932: 928: 927:Sofia Nădejde 924: 920: 916: 912: 907: 905: 901: 897: 893: 892:Adela Xenopol 888: 886: 882: 878: 870: 868: 866: 862: 858: 854: 850: 846: 842: 837: 835: 831: 827: 823: 819: 815: 811: 807: 803: 799: 795: 792: 788: 783: 781: 780:charity shops 777: 773: 769: 765: 760: 758: 754: 750: 746: 742: 738: 733: 731: 730: 725: 721: 717: 716:Nicolae Grant 713: 709: 705: 701: 697: 693: 692:Queen-consort 685: 680: 673: 671: 669: 668: 663: 659: 655: 651: 647: 643: 636: 632: 631: 626: 625: 620: 619: 614: 613: 607: 605: 601: 597: 593: 589: 585: 581: 577: 573: 568: 566: 562: 558: 554: 550: 546: 542: 536: 534: 530: 526: 525: 520: 519: 514: 510: 509: 504: 499: 497: 493: 489: 485: 480: 478: 474: 470: 466: 462: 461: 456: 452: 448: 444: 440: 436: 432: 423: 416: 414: 412: 411: 406: 402: 398: 394: 390: 386: 382: 381:national poet 378: 374: 370: 366: 365:V. A. Urechia 361: 359: 358:Elena Lupașcu 354: 350: 345: 343: 339: 335: 334:girls' school 331: 327: 322: 320: 315: 313: 309: 305: 301: 296: 292: 288: 284: 276: 271: 269: 267: 263: 259: 255: 250: 248: 244: 240: 235: 233: 229: 225: 221: 217: 213: 212:Adela Xenopol 209: 205: 201: 197: 193: 192:Miller-Verghi 189: 184: 176: 167: 162: 157: 154: 153: 148: 147: 142: 139: 135: 132: 128: 124: 120: 116: 112: 109: 105: 101: 97: 93: 89: 85: 81: 77: 68: 64: 60: 56: 52: 40: 36: 29: 24: 17: 2268: 2246: 2236: 2218: 2198: 2193: 2149: 2125: 2115: 2109: 2077: 2069: 2059: 2046: 2037: 2028: 2018: 2006: 1997: 1978: 1969: 1959: 1954: 1935: 1927: 1898: 1889: 1872: 1866: 1853: 1844: 1835: 1820: 1808: 1798: 1772: 1767: 1757: 1738: 1730: 1725: 1716: 1706: 1687: 1678: 1670: 1665: 1655: 1615: 1610: 1601: 1592: 1583: 1566: 1551: 1524: 1482: 1477: 1463: 1456:(in Italian) 1433: 1416: 1394: 1389: 1374: 1369: 1342: 1333: 1323: 1311: 1299: 1239: 1219: 1210: 1201: 1185: 1142: 1137: 1133: 1123: 1115: 1111: 1105: 1065: 1063: 1058: 1054: 1050: 1039: 1036:Garden-party 1035: 1032:World War II 1029: 1018: 1006: 1004: 999: 987: 985: 980: 972: 964: 962: 954:Maison d'Art 953: 943: 938: 934: 910: 908: 899: 894:, by then a 889: 884: 874: 864: 849:Maison d'Art 848: 838: 833: 821: 818:Ilie Cambrea 817: 813: 809: 793: 791:travel guide 784: 761: 756: 734: 727: 723: 711: 707: 703: 699: 689: 665: 657: 634: 628: 622: 616: 610: 608: 599: 579: 575: 571: 569: 560: 556: 537: 532: 522: 516: 506: 500: 495: 481: 473:Maison d'Art 472: 464: 458: 454: 450: 446: 442: 428: 408: 396: 392: 388: 362: 346: 342:Elena Doamna 323: 319:Pott disease 316: 312:Ghica family 280: 251: 236: 204:Germanophile 199: 196:Miller-Vergy 195: 191: 187: 174: 173: 150: 144: 71:(1953-12-31) 2311:1953 deaths 2306:1865 births 2237:Revista BNR 1932:Paul Cernat 1791:Paul Cernat 1078:sensational 1048:audio plays 1046:hosted her 1038:(1938) and 1026:Final years 919:Aida Vrioni 861:silent film 810:Pentru tine 630:La Roumanie 580:Ion Pravilă 496:Statu-Palmă 460:Sămănătorul 353:neoromantic 247:radio drama 208:World War I 146:Sămănătorul 127:radio drama 2300:Categories 2212:References 1861:D. I. Cucu 1813:Ion Vartic 1771:Angheluță 1729:Angheluță 1669:Angheluță 1657:Revista 22 1614:Angheluță 1568:Luceafărul 1481:Angheluță 1393:Angheluță 1134:Gura lumii 834:Fraternity 572:Marg. M-V. 494:she named 413:magazine. 277:Early life 200:Marg. M-V. 91:Occupation 44:1865-01-01 2251:Routledge 1468:, at the 1236:Ion Vianu 1179:, in the 1085:Moldavian 1070:Crinoline 992:modernist 766:. In the 618:Dreptatea 576:Mama Lola 508:King Lear 455:La Patrie 330:Bucharest 326:Bucharest 272:Biography 188:Margareta 159:Signature 102:1883–1953 78:, Romania 76:Bucharest 1874:Gândirea 1750:Archived 1699:Archived 1648:Archived 1466:database 1190:Archived 1173:Archived 1114:(titled 1095:city of 1091:and the 1055:Ramuncio 1040:După bal 896:feminist 787:interwar 724:Gardener 596:G. Bruno 565:Pedology 553:Etruscan 545:Thracian 541:swastika 469:Dionysus 389:Națiunea 385:novellas 295:Moldavia 239:feminist 232:didactic 83:Pen name 1775:, p.346 1618:, p.345 1418:Familia 1248:Polirom 1116:Lisbeth 1081:mystery 1051:Derbyul 994:doyen, 965:My Life 704:Flacăra 648:. With 642:almanac 635:Flacăra 624:Flacăra 584:memoirs 527:, then 518:Macbeth 410:Familia 393:Marmill 224:novella 123:novella 59:Romania 2286:e-book 2280:  2257:  2088:  1989:  1946:  1827:  1773:et al. 1731:et al. 1671:et al. 1616:et al. 1483:et al. 1395:et al. 1381:  1262:  1254:  1246:& 1097:Brașov 958:Balcic 904:sexist 877:Nantes 822:Theano 814:Dionis 802:Theano 549:Trojan 465:Dionis 401:Geneva 119:memoir 99:Period 2235:, in 2148:, in 2114:, in 2058:, in 2017:, in 1871:, in 1797:, in 1756:, in 1705:, in 1654:, in 1565:, in 1415:, in 1322:, in 1151:Notes 638:' 451:Ariel 449:. As 304:Ionel 291:boyar 107:Genre 57:(now 2278:ISBN 2255:ISBN 2086:ISBN 1987:ISBN 1944:ISBN 1825:ISBN 1379:ISBN 1260:ISBN 1252:ISBN 975:and 816:and 578:and 551:and 521:and 492:loom 306:and 283:Iași 260:and 66:Died 51:Iași 38:Born 1122:'s 1110:'s 979:'s 971:'s 722:'s 670:). 531:'s 505:'s 2302:: 2284:; 2272:, 2249:, 2221:, 2201:, 2177:^ 2159:^ 2134:^ 2096:^ 2080:, 2076:, 1981:, 1938:, 1934:, 1907:^ 1863:, 1819:, 1793:, 1780:^ 1623:^ 1561:, 1533:^ 1510:^ 1490:^ 1442:^ 1402:^ 1351:^ 1302:, 1298:, 1288:^ 1270:^ 1258:; 1242:, 1238:, 1228:^ 1158:^ 1147:. 1103:. 1017:, 983:. 929:, 925:, 921:, 917:, 863:, 732:. 694:) 652:, 640:s 621:, 615:, 574:, 567:. 535:. 498:. 479:. 467:(" 441:, 367:, 268:. 256:, 249:. 234:. 194:, 149:, 143:, 129:, 125:, 121:, 117:, 113:, 53:, 2112:" 1884:) 1869:" 1578:) 1428:) 177:( 61:) 46:) 42:(

Index

Miller-Verghy, studio photograph
Iași
United Principalities
Romania
Bucharest
Children's literature
detective fiction
memoir
novella
radio drama
travel writing
Neoromanticism
Sămănătorul
Viața Românească

[mərɡəˈritaˈmilerˈverɡi]
Germanophile
World War I
Adela Xenopol
Romanian literature
English literature
novella
detective fiction
didactic
feminist
Romanian Scouting
radio drama
Barbu Ștefănescu Delavrancea
Mateiu Caragiale
Lucia Demetrius

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