Mateiu Caragiale - Knowledge (XXG)

1818: 1959:, Caragiale used characters and dialogues to illustrate his own worldview and historical points of reference. Among the rich cultural references present in the novel, Șerban Cioculescu identified various direct or hidden portrayals of Caragiale's contemporaries, several of which point to his own family. Thus, Cioculescu argued, the character Zinca Mamonoaia is the writer's step aunt Catinca Momuloaia, while an entire passage sheds a negative light on Ion Luca (the unnamed "leading writer of the nation" who prostitutes his trade). Commenting on the brief mention of one of Pirgu's associates, "the 2024: 1524:

property, explaining that he was going to have furniture moved in. According to Ghica, the owners were shocked to discover that the stable had been used instead to accommodate Maria Constantinescu. Ion Vianu also notes that Caragiale "appears to have been in love for just one moment", referring to his 1907 pursuit of an upper-class French girl, Fernande de Bondy, who rejected his advances and complained to Caragiale-father. For a while in 1908, Caragiale had a brief affair with a reportedly unattractive Frenchwoman, Mariette Lamboley, who had been a

1221: 2193:. The general intent, Manolescu notes, is not in realistically depicting police procedures, but in showing "the human mystery." Thus, Ion Vartic argues, Gogu Nicolau may be Caragiale's attempt to see himself from the outside, and his disappearance may be a clue that the writer was planning to sever links with the cultural milieu. The work's title and its generic meaning are found in Ruse's final statement: "There are such things meant to always remain—since forever—under the seal of secrecy." 637:. Caragiale later commented: " entrusted me with this golden key, which I had wanted for so long, and which, for all of this, I had not been desperate to obtain." This contradicted another one of his accounts, in which he confessed that, initially received with indifference by Bădărău, he had claimed that him joining the Conservative-Democrats had been Ion Luca's dying request. Șerban Cioculescu would comment: "There could not have been a more complete distortion of a parent's last wish!" 437: 334:(until the building was sold), Mateiu had a half-sister, his mother's daughter from another extra-conjugal affair. In 1889, almost a year after separating from his concubine, his father married Alexandrina Burelly, bringing Mateiu into his new family. In following years, he was progressively estranged from his father, and, according to Ecaterina, the youngest of Ion Luca Caragiale and Burelly's children, "Mateiu alone confronted and contradicted him systematically." 2070:. The mysterious events standing at the center of the writing have been interpreted by several critics as an allusion to de Vere's homosexuality. Probably taking place in 1907, it contrasts Caragiale's other, more tenebrous, writings of its kind—one of its main traits is the writer's nostalgia towards the German capital, which serves to give the story an atmospheric rather than narrative quality. Its depiction of hallucinatory visions probably owes inspiration to 1602:

judgment, and declared himself outraged that the object of his affection had a "scandalous liaison" with another man. He ultimately decided not to persevere, basing himself on the principle that "business is business." In his final years, Caragiale was weighing in the probability of his still fathering a male son, and, although he concluded that it was not likely, laid out a "Family Law" for his potential descendants to abide by.

1771:. Tudor Vianu noted that this habit was similar to experiments presents in Ion Barbu's cryptic poetry, ascribing both cases to "the intent of underlining the differentiation between the written and the spoken words", while Ion Vianu defined Caragiale as "an accurate artisan of the language, an extraordinary connaisseur of the Romanian language, which, out of snobbery, he sets aside for the plebeian readers." 834:, the former Conservative leader, asking him to take over rule of the country. The political choice was highly controversial, and its exposure later contributed to the end of Caragiale's political career. In a 1970 biographical essay critical of Mateiu Caragiale, Cioculescu attributed Mateiu authorship of the document, and claimed that Luca had agreed to join in only as a result of his brother's pressures. 614:; at the time, he criticized Ion Luca's political choices, but nonetheless noted that it could serve as a means for his own advancement ("From now on I'll have political lode , something certain, if there ever was certainty on Earth.") Four years after this comment, soon after making his literary debut, he clashed with his father over having considered a cabinet appointment in Ionescu's executive. 1039: 33: 2169:. A recurring element in the plot is the role played by secretive women, who may be directly or indirectly responsible for the deaths of male characters. Commentators have since attempted to match several of the protagonists with real people in Caragiale's life. Such theories identify Rache Ruse himself with Cantuniari, a policeman whom Caragiale had befriended, the minister with the leading 849:. He thus resigned and left the Conservative-Democrats, an action which he later defined as "a grave error". Caragiale was reputedly living in penury, holding temporary residence in various cheap houses on the outskirts of Bucharest, and being thrown out from at least one such location after failing to pay his rent. Ion Vianu believes that his exclusive focus on writing 888:(although he resided in downtown Bucharest). His wife, whom he had most likely met before 1916, while attending Miller Verghy's soirées, was his senior by 25 years. Despite owning land in the country and living a comfortable life in the city, Caragiale confessed a nostalgia towards the houses he had been raised in, and especially for his mother's Bucharest home. 1785:, as well as rendering the then-common habit of borrowing whole sentences from French to express oneself (a trait notably present in Mateiu Cargiale's own day-to-day vocabulary). The novel's tone, often irreverent, and the book's foray into the mundane have been seem by some as tributary to the informal style cultivated by Bogdan-Pitești. 1402:(such as a blazon displaying a donkey's head, which he mockingly assigned to Octav-George Lecca himself). Several of the heraldic objects he created were destined for his own use. In June 1928, he raised a green over yellow ensign he created for the Caragiale family at his property in Fundulea. He also hoisted other symbols, including the 2638:", claimed that Romanians as a group were at the source of any innovative movement in world culture. Papu thus believed that Caragiale, whom he described as superior to Flaubert, had foreshadowed Lampedusa's writing techniques. Independent of this approach, Mateiu Caragiale was being rediscovered by new generations of writers. In 1966, 1007:". The writer was nonetheless pleased with his visit, having been deeply impressed by the Italian landscape, and, as a result, attempted to create an atmosphere of, in his words, "profound Italian rustic quietude" on his property in Fundulea. His diary also perpetuated the rumor according to which Titulescu was a 1523:

cites the writer's alleged disdain for his mother, referencing a claim made by the socialite Grigore "Grigri" Ghica. The latter, familiar with Miller Verghy and her circle, recounted that the poverty-stricken but proud Caragiale had asked their common female friend to allow him use of a stable on her

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He ceased most literary activities later in the year, and confessed in his diary: "My spiritual state is probably the same as that of people who feel their final hour nearing and lose all hope". The writer was probably planning to move out of the city and into Fundulea, breaking all connections with

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Most of Caragiale's prose is interconnected through allusions to himself, and, occasionally, the narratives discreetly refer to one another. Although his texts are characterized by precision in defining the moment and location for the plot, the general lines of the narratives are often subject to a

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The situation most likely degenerated in 1904, after the death of his aunt Lenci, when Ion Luca took over his son's inheritance, and aggravated by his father's decision to cease subsidizing him, which left the latter without a stable source of income. He was thus supposed to provide for his mother

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Ion Luca and his two sons, Vianu pointed out that the three shared, as characteristic traits, "The cultivation of fully-developed forms, the view of art as a closed system resistant to the anarchic forces of reality". According to Cioculescu, Mateiu's work would be "minor, unless placed alongside

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recalled having seen a middle-aged Caragiale taking walks through downtown Bucharest: amused by the writer's everyday clothes, which he depicted as of an archaic fashion and slightly deteriorated, compared him to "a butler on Sunday leave". Călinescu also told that, during winter, Caragiale would

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coincided with major floods, an event recorded with interest in his private notes. Titulescu received him at the Miramare Hotel, but talks between them were inconclusive. According to Perpessicius, the failure was generated by the adversity other politicians had towards Caragiale, while Ion Vianu

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of 1941. Additional notes, which notably featured Caragiale's criticism of his father, were preserved for a while by Șerban Cioculescu, before being borrowed to Ecaterina Logadi, Ion Luca's daughter, and never recovered. A significant number of his drawings and paintings, which Vianu assumed had

1188:, he recorded the effect it had on his life as "the revelation of my intellectual superiority, my intuition and my power of reflection, as well as the latent forces that I feel at the foundation of my being." He also made a point of renouncing his hectic lifestyle, giving up alcohol and coffee. 1601:

Mateiu Caragiale's final erotic pursuit was the high society lady and amateur singer Eliza "Elise" Băicoianu. He courted her for a few months in 1932, despite being married to Marica Sion. His private notes show that he struggled with the lust for Băicoianu, which he believed was impairing his

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ancestors—Ion Luca is known to have described his own origins as uncertain, even though these had been well recorded, and to have later commented that any noble lineage in Romania relied on spurious genealogies. Caragiale-father is also thought to have discouraged his son's claims, and to have

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and tobacco abuse had made his father decay physically and mentally. Despite his love for Berlin, he was also dissatisfied with his father's move to the city, and spread the rumor that, in the eyes of his family and friends, Ion Luca's departure was interpreted as "insane" (while alleging that

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made by Mateiu Caragiale at various moments during his lifetime. Large portions of the diaries kept by Mateiu Caragiale are lost. The transcript made by Perpessicius was criticized for having selectively discarded much content, while originals kept by Rosetti were mysteriously lost during the

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His father died in June 1912, which, according to Șerban Cioculescu (who cited Mateiu's correspondence), left him indifferent. By then, Caragiale-son resented Ion Luca's alleged exploitation of his popularity for material gains, and, later in the same year, commented that, "for a small fee",

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in 2002. Iovan is noted for defending Caragiale against the traditional topics of criticism. In contrast to his father Șerban, who was often a vocal critic of Mateiu Caragiale's literature and lifestyle choices, Barbu Cioculescu is likewise one of the writer's most noted promoters, and has

1692:, that greasy mix of obscene phrases, lascivious impulses, awareness of an adventurous and fuzzy genealogy, everything purified and seen from above by a superior intelligence". In relation to Romanian literature, he believed to have discovered a common trait of "Balkan" writers of mostly 2493: 1615:

Writing shortly after Caragiale died, Tudor Vianu defined him as "a figure, possibly a delayed one, from that aesthetic generation of around 1880, who professed a concept of the supremacy of artistic values in life." This allowed him to draw a parallel between Mateiu Caragiale and

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and a close associate of Bogdan-Pitești. Nevertheless, he came to define this position as "a bad solution", and, as Maiorescu and Ionescu formed an alliance, he successfully requested appointment from Bădărău, eventually obtaining it through the means of a decree signed by

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work covering the final events in Caragiale's life. In addition to covering the elements of his biography, it invents a character by the name of Jean Mathieu, Caragiale's secret son. Caragiale's work was also treasured by Romanian-language writers in newly independent

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Other eccentricities Caragiale adopted included wearing a "princely gown" of his own design, developing unusual speech patterns, as well as a noted love for decorations—official honors which he tried to obtain for himself on several occasions, culminating in the

486:, returned to Berlin, where Ion Luca's family was still residing. He soon became the lover of a local woman, an affair which reportedly caused his father to declare himself scandalized. During the same year, Mateiu Caragiale was fascinated with rumors of the 967:

ideology (a turn which coincided with Vianu's departure), argued that Caragiale had been an important gain for the literary venue. In his belief, Caragiale and other "writers of talent" helped the magazine, which had no "critic of authority" at its helm.

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Several contemporary accounts focus on Mateiu's unusual preferences in clothing, pointing to a studied extravagance first adopted during his stay in Berlin, and in support of which he was reportedly spending more than he could afford. Literary historian

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violence, recording various exaggerated news about its character and extent, and describing it as "a fine thing". In 1909, he was again enrolled at University, having decided to prepare for a graduation diploma, but again failed to complete his studies.

5043:, pp. 189, 203; I. Vianu, pp. 35, 42–55, 91, 105–106. In the 1930s, Caragiale was describing A.K. as a "damaged" woman posing nude on Bogdan-Pitești's command, and claiming that "sexually, has for long inspired me a strong repulsion." (I. Vianu, p. 39) 463:

and sister, until Ion Luca transferred the inheritance resulting from the death of his other aunt Catinca Momuloaia, to his former lover. He also indicated that his father had made him attend the Frederick William University without advancing money for

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locally, but there is disagreement over whether his work in the field produced a complete narrative or just fragments. The scarcity of writings he left is contrasted by their critical acclaim and a large, mostly posthumous, following, commonly known as

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woman) whose arrival in Bucharest poses a threat on the life of their female host, Lena Ceptureanu. Ruse's accounts, which oblique references in the text seem to place in 1930, form part of his conversations with the unnamed narrator, which are set in

2696:, "The Borzois", Bogza, who praised the dog breed for its innate grace, wrote: "I do not know if Mateiu Caragiale, who thought himself so uncommon, ever owned borzois. But, if he did, I'm sure he gazed on them with melancholy and with secret envy." 2089:). Lovinescu praises the story for "the gravity of its tone, the cadence of its sumptuous, cultured and noble style." George Călinescu, who referred to the narrative as "a pastiche", and to Berlin as portrayed in Caragiale's story as "a Berlin- 1597:

situation with Bogdan-Pitești and Caragiale. He confessed being thankful that the long record of sums he had borrowed from Bogdan-Pitești beginning 1916 had been destroyed, probably by Domnica, at a time when his patron was on his deathbed.

1378:. Commenting that "heredity has, after all, only the value of a psychological fact", he stressed: " thus had the right to seek his ancestry on the ascents of history and even to be ready to believe, from time to time, that he had found it." 2919:("The Troika of Recollections. Under Four Kings"), published only after the Revolution. The work depicts notable episodes in his Bohemian life, including a scene where the overweight and inebriated Admiral Vessiolkin leaps over tables at 1895:, George Călinescu wrote: "Reality is transfigured, it becomes fantastical and a sort of Edgar Poe-like unease agitates , these good-for-nothings of the old Romanian capital." This, he argued, validated placing Caragiale's novel among 1453:

suspected that Caragiale was merely acting, Eugen Lovinescu, who described Caragiale's personality as "bizarre", also referred to him as "colorful and sterile." Despite his hectic lifestyle, Caragiale feared poverty and lashed out at

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both recorded being amused by aspects of Caragiale's clothing, such as his oversized boots and his using scissors to cut out the worn out extremities of his trouser legs. In 1926, the writer began wearing a ring bearing the seal of

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Families"). Many of the comments added by him to his copy of the book are polemic, sarcastic, or mysterious, while the sketches he made on the margin include portrayals of boyars being put to death in various ways, as well as

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saw the story as proof that Mateiu Caragiale was running out of "narrative resourcefulness" and creating "the most detached from his work's obsessions", while Șerban Cioculescu deplored Caragiale's move to abandon work on

1546:, although, Ion Vianu stresses, such pronouncements appear to have become a staple of Caragiale's private records only long after Bogdan-Pitești had died. Aside from claiming to expose his patron's alleged financing by the 6319: 1092:, requesting appointment as prefect, but was refused. During the same period, Caragiale was occasionally involved in events affecting the cultural scene. In May 1930, he was present at a banquet in honor of Italian author 1994:

believed to have identified other traits shared by the narrator and author, as well as a covert reference to Marica Sion, while researcher Radu Cernătescu suggests further allusions to real-life eccentric noblemen, from

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in disparaging terms (calling him "a blusterer of the anti-natural vice"), and even laying out a plan to rob his residence. The violent solution to poverty, Ion Vianu proposes, may have reflected his appreciation for

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A characteristic of Mateiu Caragiale's life was his search for noble origins, contrasting his illegitimate status. According to historian Lucian Nastasă, it clashed with his father's discreetness in relation to his

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According to Manolescu, Mateiu Caragiale took direct inspiration from foreign works of detective fiction when outlining his story, but also mocked their conventions by having Ruse rely on literature and even

845:, serving until 1921. Later writings of his show that he was deeply dissatisfied with the office, which he equated with "a demotion", and that he resented Ionescu not having assigned the diplomatic office of 1432:

when it was offered to him with a rank lower than he had asked. Ion Vianu argues that, intimately aware of his genealogical claims being questionable, the writer sought to compensate by finding his way into

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He assumed office on November 7, 1912, but, as he later confessed, official records were modified to make it seem that he had been a civil servant since October 29. His time in office is described by critic

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mockingly noted that their own family's origin could not have been aristocratic. Early in his youth, Mateiu jokingly referred to himself as "Prince Bassaraba-Apaffy", mixing the title used by the early

455:, describes Mateiu's sentiment toward Ion Luca as "antipathy, bordering on hatred", and proposes that this reflected maternal influences from the brief period when Maria Constantinescu had been left a 1164:("Old Impressions of a Spectator"). In it, Caragiale stated having reached "a serene maturity", and indicated: "I now placidly begin the rhythm of a new life." He was planning to write a biography of 1657:

that of Ion Luca Caragiale". Elsewhere, Cioculescu indicated that a letter written by Mateiu Caragiale in his early youth, which featured his first pieces of social commentary, imitated his father's

1712:, and Urmuz. He went on to define this gathering as "the great grimacing sensitive ones, buffoons with just too much plastic intelligence." In parallel, Lovinescu saw Caragiale as one in a group of 1279:, consolidated his reputation as an erudite in spite of his lack of formal studies. The cultivation of aesthetic goals had seemingly guided the writer throughout his life—the poet and mathematician 341:'s Sfântul Gheorghe College in Bucharest, where he discovered a passion for history and heraldry. At around that time, he was probably introduced to Demetriescu's circle, which included the doctor 6391: 2245:. According to Perpessicius, Caragiale had "a certain outlook , according to which the past should not be sought in books, but in the surrounding landscape". He illustrated this notion with a 1445:

Mateiu Caragiale's personal life has for long attracted interest for the traces it left in his literary work. This is enhanced by his reputation for being a secretive man. In a late interview,

2911:, featuring his many comments and sketches, was the basis for a 2002 reprint. In addition to the volumes of recollections by "Grigri" Ghica and Ionel Gherea, Mateiu Caragiale is mentioned in 2152:

minister whom Ruse is supposed to guard and who, after going missing and returning, presents his resignation and dies, leaving the general public clueless as to his fate; finally, that of a

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in front of the Central Powers, he made known his support for the more pro-German Conservative Party: on June 29, 1918, he and Luca were among the signers of a letter addressed to the aging

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proposed that, while the story was not given a finishing touch, its plot was meant to seem ambiguous, and thus had led other commentators to wrongly assume that the text ended abruptly.

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press agency Asmanli, a job which he held for eight months, until, as he later wrote, "the 'sweet waters' dried out". In mid summer 1916, Caragiale donated money to a fund whereby the

6919: 1888:. For Matei Călinescu, Pirgu and the other protagonists stand as allegories for a set of essentially Romanian traits that, he argues, were still observable in the early 21st century. 412:("the vagrant school"), and stressed that " was of great use to me". Ecaterina Caragiale indicated that one of her brother's favorite pastimes was "admiring the secular trees in the 719:

funds. Nevertheless, the two figures were especially close to one another during and after 1915, and, in 1916, even visited Berlin together. At the time, Caragiale also visited the

868:, "Cele trei hagialâcuri" ("The Three Pilgrimages"), was sporadically written between 1918 and 1921 (according to Caragiale himself: "it was written on restaurant tables, in the 6924: 3535: 3209:

Călinescu, pp. 489, 490, 897; Ș. Cioculescu, pp. 359, 366, 375. It is also probable that Maria Constantinescu was at the time a tobacco industry worker (I. Vianu, pp. 11, 63).

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came to power. According to Ion Vianu, Caragiale was right in assuming that his marginal involvement in the political intrigues had made him a target for Bădărău's adversity.

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repeatedly published articles claiming to expose Take Ionescu's faction and often focused such attacks on Bădărău. His employment eventually ended on January 17, 1914, as the

927:(it was to be printed only after his death). In the 1925–1933 period, Caragiale's notes show that he was seeing his life as marked by existential cycles and crucial moments. 385:, which, as he himself acknowledged, contributed to his vision of social climbing. In 1903, with Ion Luca, Burelly and their children, he traveled through large portions of 6889: 6849: 5471:Ș. Cioculescu, pp. 347–352; Lovinescu, p. 219; Nastasă, p. 19; Perpessicius, pp. X–XI; Vartic, p. 131; I. Vianu, pp. 7–9, 44–49, 52–53, 55–56, 58, 59, 62, 64–65, 65–78, 94 595: 2827:("Mateiu I. Caragiale: Re-readings"). Several other new monographs were dedicated to Caragiale, including a favorable review of his work authored by literary researcher 1531:. In letters he sent to his close friend, Nicolae Boicescu, Caragiale bragged about his sexual exploits with Lamboley, and of having exposed her to "the most terrifying 5973: 533:, Ion Luca admired his son's contributions, his criticism being minimal, constructive, and welcomed by Mateiu. This led Gherea to conclude that, copying in real life a 6839: 3189: 2684:, whose poetry, according to Barbu Cioculescu, was influenced by "the charm of word appositions" in Caragiale's poems. Caragiale's name was also cited by the writer 3197: 2873:, all of whom do not take the forefront in Călinescu's work, among their generation's "canonical writers". A diverging opinion was expressed by literary critic and 2442: 6341: 1332: 952:. For the work it required, as well as for the tiresome obsession to which it had me submitted I bear it no grudge: it is truly magnificent ." Literary historian 645:

as a bland affair, Mateiu having "ehausted his fantasy" with his efforts to charm Bădărău. As Caragiale later recounted, he led talks with a delegation from the

1252:", as well as the love of history he displayed throughout his career. It was sparked during his college years, when he would fill his notebooks with sketches of 2607:

and shared his thoughts on it with a group of friends, noting that this was part of a "secret life" which contrasted with the rigors one had to obey in public.

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when southern Romania fell to the Central Powers, and remained in Bucharest. He was still active within the Germanophile circles, including those who opted for

594:, informing his readers that he had also become the sole legitimate Caragiale family representative in Romania. In October, he became the chief of staff in the 2100:

has been the subject of debates in the literary community. One disagreement refers to its nature: some see it as a standalone novella, while others, including

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described him as "made up of small patches, so well sewn together that one never knew what he had said, what he had meant to say, what he is thinking." While

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and the Italo-Romanian Cultural Association, it was also attended by many other cultural figures, most of which, including artist Marcel Janco and the writers

1458:, stressing that "it kills, and many times not just figuratively". In tandem, fragments of his writings and private records are thought by cultural historian 2461:, referring, respectively, to supporters of and things connected to Caragiale's literature. Barbu is also credited with having set up and presided the first 2048:, depicting dramatic events in the life of dandy Aubrey de Vere. Perpessicius argued that the main protagonist was "taken, apparently, from a short story by 1720:, and were thus paradoxically outdated by 20th century standards. The delayed character of Caragiale's contribution was also mentioned by literary historian 5913: 2170: 1846:

and decadent figures, allow the intrusion of Gore Pirgu, a low-class and uncultured self-seeker, whose character comes to embody the new political class of

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in December 1929. The Romanian author himself noted that this had been made possible by the intercession of François Lebrun, the Bucharest correspondent of

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as a series. He completed the last additions to the text in November 1927, as its first sections were already in print. As the last episode was featured by

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Caragiale's secrecy and eccentricity is credited with having marked his personal life and sexuality, often with dramatic consequences. In support of this,

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Caragiale returned to Bucharest: in summer 1912, with help from journalist Rudolf Uhrinowsky, the young writer was employed by a French-language gazette,

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proposes that the clashes between father and son evidenced Mateiu's "maternal attachment and a break with paternal authority", and, in particular, his "

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was chosen "best Romanian novel of the twentieth century" in an early 2001 poll conducted among 102 Romanian literary critics by the literary magazine

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Călinescu noted that, in several of his poems, Mateiu Caragiale had infused his search for aristocratic heredities. He saw this present in the poem

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Romanian society in the early decades of the 20th century (it probably depicts events from ca. 1910). A core group of three persons, all withdrawn,

1587:. Caragiale's diary also dealt with Bogdan-Pitești's wife, the socialite Domnica, depicting her as an immoral woman. A person known by the initials 907:, which, as he recounted, coincided with "the most terrible crisis" of his life. Several of his poems were published in a 1925 collection edited by 3657: 1641: 1628:, Caragiale tended to stay away from the literary movements of his age, and placed his cultural references in the relative past, being inspired by 983:. In January 1928, he again became pursuing a career in the diplomatic service, and sought an appointment for himself at the Romanian Consulate in 525:

stressed that these had been printed following his father's interventions with the magazine's staff, and, according to the contemporary account of

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Law School, but quit one year later. For a short while, Caragiale-father even entrusted Ștefănescu-Delavrancea with supervising his estranged son.

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and his private correspondence, further suggests that Caragiale's various admirers, including exegetes such as Matei Călinescu, Vasile Lovinescu,

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of Bucharesters; according to Amăriuței, Pirgu is "the eternal and real Mitică of the Romanian world". According to Matei Călinescu, the story is

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Caragiale continued to be hailed as a relevant writer during the ten years following his death, and his work went through new critical editions.

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for his crime solving techniques. Vartic drew a parallel between Caragiale's style and that of two 20th century foreign authors of crime fiction—

1370:'s view, Caragiale's quest for "an elective heredity" saw him joining a diverse group of writers with similar interests, among whom were Balzac, 1295:(he reportedly said to Barbu: "Remembering its splendor provides me with a ceaseless drive to reread it"). At the same time, he was attracted by 537:

cliché, Caragiale-son fabricated an unfair image of his father. In later years, Mateiu continued to write poetry, published by literary promoter

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nobleman of the 18th century, who is briefly mentioned in "Cele trei hagialâcuri", and was also interested in the works of two French classics,

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s three sections, titled "Întâmpinarea crailor" ("Meeting the Rakes"). He would later reflect on the importance of 1916, deeming it "end of the

6081: 1195:. Despite his explicit wish and opposition from his widow, speeches were held at his funeral ceremony, including ones by Alexandru Rosetti and 1081: 692: 5998: 5425: 6691: 6683: 6522: 6487: 5881: 3454: 948:, to widespread acclaim, he noted: "From the time when the first of its parts saw print, this work was received with unprecedented fervor in 1817: 6789: 6363: 838: 245: 6156: 5948: 2375:

and a vengeful attitude, believed by Vianu to stand as one of Caragiale's most personal messages on one's disappointment with the world:

711:, as Romania remained a neutral country, Caragiale's notes record that his friend Bogdan-Pitești was acting as a political agent of the 4730: 3762: 685:. Although his office was owed to Conservative-Democratic politics, Caragiale was still close to Bogdan-Pitești, whose daily newspaper 3085:. The book and its author were also the subject of one episode in a documentary series produced by journalist and political scientist 1637: 988: 377:(in a letter he wrote at the time, he described the latter as "only too crazy and a frantic maniac"). His favorite book at age 17 was 6126: 3532: 2000: 346: 256:. He afterwards focused on literature, and, during the late 1920s and early 1930s, published most of his prose texts in the magazine 6944: 6799: 6600: 6582: 6451: 6178: 5798: 1735:

Among other traits which set Caragiale apart from his fellow Romanian writers was his highly creative vocabulary, partly reliant on

1567:, in which the protagonist uses murder to affirm himself socially. Despite Caragiale's relationships with women and his lapses into 6739: 487: 236:, the young Caragiale published his works sporadically, seeking instead to impose himself in politics and pursuing a career in the 6103: 6904: 6774: 1207:, looked intensely upon the dead body as he was paying his respects; later in the evening, he committed suicide in a hotel room. 1952:. He also proposed that, less directly, Macedonski's themes and style also influenced similar prose works by Arghezi and Urmuz. 6864: 4050: 2709:

group of authors, themselves noted for attempting to evade cultural guidelines by adopting fantasy and avant-garde literature.

2590: 1803:

cycle—which is known to have been one of the books Caragiale treasured most—, influenced the general structure of his stories.

781: 253: 6272: 6027: 4696: 1974:

diplomat Poponel, were Caragiale's companions: the latter two were based, respectively, on Uhrinowsky and a member of "an old

393:, Switzerland, Italy and France; during the trip, he recorded the impressions left on him by the various European art trends. 6879: 6859: 6844: 6829: 2903:

In 2001, Caragiale's collected writings, edited by Barbu Cioculescu, were republished in a single edition, while his copy of

1876: 980: 6196: 1986:, emphasizes connections between the various characters and other real-life persons, including Ion Luca, Bogdan-Pitești and 1696:

origin, citing Mateiu Caragiale in a group that also included Caragiale-father, the early 19th century aphorist and printer

2473:

took up the genre of Byzantine portraits as cultivated by him and by Constantinescu-Teleormăneanu, creating a piece titled

1165: 746:, Mateiu Caragiale was constantly surrounded by a tight group of party-goers, which included Uhrinowsky and the aristocrat 6909: 2242: 2015:"), only to have the narrator speak out against him; in the process, the reader is informed about Caragiale's own tastes. 1970:

Cioculescu identifies several other characters, including Pirgu and two secondary characters, the journalist Uhry and the

1621: 724: 611: 421: 401: 302: 282: 241: 161: 903:

as a volume the following year; from 1922, he began work on "Spovedanii" ("Confessions"), the third and final section of

6814: 6804: 6784: 6769: 2550: 2532: 2225:, was defined by Lovinescu as a series of "archaically-toned tableaux of our ancient existence", and by Ion Vianu as "a 2023: 1907:

notes that Barbu believed himself thought Caragiale's prose was equal in value to the poetry of Romania's national poet

1624:, with the one essential difference provided by their level of involvement in cultural affairs. Unlike his half-brother 1417: 1101: 654: 622: 6745: 2942:

In the post-Revolution era, authors continued to take direct inspiration from Caragiale. In 2008, Ion Iovan published

2806: 1324: 1292: 1283:, who was one of Caragiale's greatest admirers, recounted with amazement that the writer would periodically visit the 1203:

later recounted an unusual incident sparked by the event: Iancu Vulturescu, a friend of Caragiale's and frequenter of

732: 626: 6056: 3298: 1649: 1543: 476: 298: 6874: 6479: 2786: 1416:

award. He took special pride in noting that, after 14 months of governmental service, he had received the Romanian

1256:, and as attested by various drawings he produced throughout his life. He also developed an enduring curiosity for 827: 5520: 4173:

Călinescu, p. 898; Nastasă, p. 19; Perpessicius, p. XIX; Vartic, pp. 131–132; I. Vianu, pp. 63, 79–83, 87–103, 106

2765:("Confambulatory Treatment") on Caragiale, and again much later, by adopting the same practice in his final novel 1948: 603: 447:

The conflict with his father was to prolong itself for as long as the latter was alive. Psychiatrist and essayist

6834: 5910: 3054:

as Mr. M. (a character loosely based on Caragiale), with a set design and videos by Dionisis Christofilogiannis.

1930:", and stressing that they both portray decadent characters. Building on the observations of his older colleague 1093: 590: 2912: 2888:" aesthetics and "embarrassing affectations". Mihăieș, who believes that Caragiale's only valuable writings are 2640: 2215: 1135: 747: 509: 6819: 6629: 2562: 1979: 1014:

His political projects were put on hold, and Caragiale instead concentrated his energy on obtaining the French

1789:

calculated fragmentation, an innovative technique which, Vartic writes, attests the author's familiarity with

6750: 6247: 1142:

his peers. Despite this abrupt change, Caragiale had not entirely abandoned his writing career. In 1931, the

6726: 6514: 6418: 5873: 4539:

Călinescu, p. 898; Ș. Cioculescu, pp. 343, 368; Nastasă, p. 19; I. Vianu, pp. 10, 16, 17, 29, 61, 63, 81, 84

2845: 2710: 2578: 1960: 1421: 1336: 846: 754: 425: 370: 1220: 424:. Dissatisfied with Mateiu's attitude, Ion Luca sent him back to Romania in 1905, where he enrolled at the 6609: 5238: 2105: 1983: 1851: 1831: 1721: 1688:

Discussing Mateiu Caragiale's originality, Călinescu saw in him "a promoter (maybe the first) of literary

751: 482:

In spring 1907, despite the ongoing father-son tensions, Mateiu, who was recovering from a severe form of

5525: 4735: 3662: 3303: 2125:(which he considered a more promising venture) in order to "implant a sort of Romanian detective novel". 1412: 1016: 769:, a recently deceased painter and protégé of Bogdan-Pitești, was to be decorated with a bust by sculptor 3972: 2904: 2880:, who suggested that, despite the theoretical potential presented by Mateiu's lifestyle and background, 2718: 2681: 2478: 2053: 1885: 1823: 1812: 1773: 1525: 1386: 1272:, and kept detailed notes recording the deaths of all Romanian aristocrats who were his contemporaries. 976: 949: 823: 777: 496: 209: 178: 6557: 6387: 6192: 6122: 5294: 3977: 2769:("Sign of the Deep-sea Diver"). The isolated Postmodernist figure and former Communist Party ideologue 2729:("Tache de Velvet"). According to critic Dumitru Ungureanu, it was mainly through Radu Albala that the 2004: 1795: 1661:

to the point where George Călinescu initially believed they were the work of Ion Luca. Literary critic

1560: 1148: 1109: 696: 382: 374: 330:

employee who was 21 at the time. Living his first years at his mother's house on Frumoasă Street, near

6535: 6107: 5969: 4331: 3653: 2861:

revisits George Călinescu's pronouncements on interwar literature. Manolescu places Mateiu Caragiale,

2790: 2665: 2356: 2101: 1991: 750:. They were later joined by the Russian admiral Vessiolkin, who was allegedly the illegitimate son of 642: 6934: 6929: 6809: 6592: 6527: 3090: 3023: 3011: 2615: 2512: 1943: 1790: 1713: 1617: 1593: 1173: 1089: 873: 522: 417: 205: 134: 6549: 6077: 6052: 5720:

Călinescu, p. 899; Ș. Cioculescu, p. 365; Lovinescu, p. 105; Perpessicius, pp. IX–X; I. Vianu, p. 29

5516: 4726: 3078: 3019: 2996: 2877: 2722: 366: 6824: 6492: 6396: 6368: 6346: 6324: 6268: 6161: 6131: 6086: 6061: 6007: 5922: 5803: 5198: 4701: 4569: 4016: 3767: 3459: 3058: 3043: 3031: 2960: 2947: 2924: 2815: 2742: 2079: 2071: 1536: 1509: 1495: 1343: 1328: 1177: 5421: 3015: 2991:

in style, based on their "energetic and spontaneous superposition of lines." One later reprint of

2542: 2469:("The Protocol of a Club"), intended as an homage to his friend's memory. The traditionalist poet 923:; at the time, Caragiale announced that he was going to publish a series of poems under the title 819: 436: 6642: 6392:"«Am rămas în continuare atașat, din păcate, unui cinematograf elitist». Interviu cu Stere Gulea" 5865: 5182: 4038: 3352:

Călinescu, p. 898; Ș. Cioculescu, pp. 344, 358; Perpessicius, pp. V–VI, XVII; I. Vianu, pp. 16–17

2645: 2631: 2623: 2586: 2174: 2090: 1987: 1931: 1927: 1782: 1756: 1645: 1371: 1261: 1008: 634: 559:. In a since-lost piece of his diary that was commented upon by Cioculescu, he also claimed that 472: 440: 342: 338: 327: 326:, he was born out of wedlock to Ion Luca Caragiale and Maria Constantinescu, an unmarried former 266: 100: 6463: 5206: 3528: 3250:Ș. Cioculescu, pp. 366–367; Nastasă, pp. 18–19; Perpessicius, p. V; I. Vianu, pp. 11, 15–16, 105 3082: 2705: 2664:. Albala was significantly influenced by Caragiale throughout his work, as was his contemporary 2600: 1964: 1572: 1504: 1483: 1459: 3051: 2828: 2781:, more critics grew interested in subjects relating to Caragiale's work. Various comprehensive 1474:. During his final years of life, he was harvesting an unspecified wild herb from the hills of 606:. He had manifested a relative interest in politics around 1908, after his father rallied with 6704: 6687: 6679: 6654: 6633: 6596: 6578: 6561: 6539: 6518: 6483: 6457: 6447: 6231: 6174: 5877: 5242: 5202: 4692: 4277: 4257: 4054: 3138: 3133: 3086: 2897: 2858: 2850: 2669: 2508: 2492: 2429: 1942:, all members of the same "post-Symbolist" generation, ultimately traced their inspiration to 1446: 1429: 1425: 1382: 1351: 1316: 1127: 1074: 1051: 1026: 991: 770: 766: 687: 666: 646: 573: 505: 413: 350: 217: 195: 156: 126: 108: 1914:

Writing in 2007, Cernat also noted a similarity between Vinea's 1930 collection of novellas,

1080:

In 1931, the writer was still hoping for a return to the political stage, this time with the

6615: 6252: 5299: 5246: 5214: 4261: 4042: 3074: 2893: 2570: 2238: 2233:", while George Călinescu remarks their "savant" character. The same critic also noted that 2202: 2186: 2117: 1744: 1653: 1321: 1284: 1180:. He was preoccupied with death, which he feared greatly. In early 1935, soon after reading 814:

was employed by the new administrative apparatus, but Mateiu's own promotion to the rank of

807: 798: 534: 468: 464: 200: 191: 122: 2531:

is reputed to have done the same. During communism, Gheorghiu published a translation from

1963:

Papura Jilava", the critic concluded that it most likely referred to novelist and traveler

1669:", which he also sees manifested in the personality of modern Romanian writers such as the 1057:("Under the Seal of Secrecy", 1930), but they would remain unfinished. In its first draft, 1038: 731:

from Bogdan-Pitești, which he never returned. Caragiale's own Germanophile preferences and

32: 6570: 6500: 6277: 6036: 6031: 5917: 5847: 5194: 5178: 3539: 3039: 3007: 2874: 2750: 2504: 2190: 2137: 2062:(the lyric: "And, Guy de Vere, hast thou no tear?- weep now or nevermore!"), or a partial 1867: 1847: 1752: 1666: 1633: 1467: 1463: 1403: 1347: 1200: 953: 631: 538: 390: 331: 213: 5816:

I. Vianu, pp. 17–18. Vianu argues that Logadi may have wittingly suppressed such records.

5230: 4269: 2936: 2738: 2618:

as communist leader, Caragiale's work enjoyed a more favorable reception. At that stage,

2523:, had memorized large sections of the novel and could recite them by heart. According to 2165:

restaurant and in the narrator's Bucharest home; this, Manolescu notes, echoes scenes in

1420:

and the other medals. His major regret in this respect was not having received Finland's

802:". He did not follow the authorities and Take Ionescu's supporters as they redeployed in 293:, and, for much of his life, a regular presence in the intellectual circle formed around 3022:

also adapted fragments from the novel, alongside texts by Ion Luca and Ion Luca's uncle

2581:

were investing their time trying to determine the exact location of houses described in

2148:, the clerk Gogu Nicolau, who may or may not have been murdered by his wife; that of an 2003:. Perpessicus noted that, in one of his outbursts, the character Pașadia criticizes the 3113: 3047: 2770: 2611: 2566: 2364: 2145: 2008: 1908: 1748: 1740: 1625: 1547: 1471: 1117: 1097: 1069:

was kept in three different variants. In a 1985 essay later published as a preface for

811: 762: 758: 712: 662: 599: 569: 560: 526: 452: 386: 354: 270: 249: 80:

Poet, short story writer, novelist, visual artist, heraldist, civil servant, journalist

3268:Ș. Cioculescu, p. 367; Perpessicius, pp. V, IX, XVII; I. Vianu, pp. 22, 52–54, 94, 105 3104:

Mateiu Caragiale's name was assigned to a street in Bucharest (and officially spelled

2144:

are employed, the text is structured into accounts of three unsolved cases: that of a

757:. Thanks to Uhrinowsky's intervention, Caragiale became a press correspondent for the 6763: 6650: 5226: 5222: 5186: 3098: 3070: 2988: 2920: 2789:

and two influential works written by, respectively, Alexandru George and philosopher

2635: 2574: 2558: 2528: 2371:("The Loneliness"), notably expresses, through the voice of its demonic protagonist, 2360: 2340: 2058: 1996: 1971: 1729: 1705: 1701: 1682: 1580: 1576: 1555: 1532: 1375: 1204: 1191:

Mateiu Caragiale died two years later in Bucharest, at the age 51, after suffering a

1185: 1122: 1113: 1085: 972: 877: 831: 789: 743: 565: 518: 456: 405: 294: 278: 237: 130: 2477:(roughly, "Cellar" or "Cellar-Keeper"). Around the same period, the writer known as 6621: 6024: 5234: 5218: 5210: 5174: 4612: 4265: 4253: 3968: 3185: 2984: 2980: 2956: 2866: 2554: 2524: 2162: 2157: 2104:, view it as an unfinished novel. In this context, a singular position was held by 2075: 2027: 1939: 1935: 1904: 1859: 1843: 1591:, who was probably the same as Domnica, is referred to in such notes as being in a 1571:, Ion Vianu argues (partly building on similar comments made by literary historian 1450: 1359: 1245: 1229: 1196: 1181: 920: 908: 785: 736: 728: 720: 607: 530: 514: 400:, bringing Mateiu with him—in hopes that he could be persuaded to study law at the 233: 96: 2085: 853:

had a "therapeutic effect", in that it helped the writer deal with the situation.

2884:

is primarily a poorly written work, characterized by "a disconcerting naïvite", "

6696: 6506: 6471: 6166: 5994: 5978: 5794: 5250: 4560: 4249: 4007: 3758: 3481:Ș. Cioculescu, pp. 352, 357–358, 360–362, 363–364; I. Vianu, pp. 17, 22, 23, 105 3450: 3112:("Constitution Street"), it is located in a low-income area on the outskirts of 3062: 2862: 2794: 2689: 2619: 2595: 2537: 2470: 2437: 2372: 2226: 2129: 2049: 1725: 1670: 1662: 1658: 1629: 1551: 1455: 1434: 1367: 1296: 1288: 936: 931: 708: 290: 274: 258: 187: 139: 3557:

Călinescu, p. 898; Ș. Cioculescu, pp. 358, 362–363, 368; Perpessicius, p. XVIII

2853:

story: a place containing all other conceivable places. In his 2008 synthesis,

479:, who provided the young Caragiale with money and often invited him to supper. 6205: 5953: 5430: 4855:

Călinescu, pp. 898–899; Ș. Cioculescu, p. 380; Nastasă, p. 19; I. Vianu, p. 30

4834:

Călinescu, p. 898; Perpessicius, p. XXI; Vartic, p. 131; I. Vianu, pp. 90, 106

4273: 3544: 2870: 2627: 2516: 2428:

was published in spring 1936, having been edited by Marica Caragiale-Sion and

2221: 2182: 1896: 1863: 1697: 1584: 1568: 1513: 1399: 1308: 1130:

signed a contract with Caragiale, through which the latter agreed to complete

1004: 912: 716: 564:

Caragiale-father was planning to author plays in German, with assistance from

543: 6476:"Germanofilii". Elita intelectuală românească în anii Primului Război Mondial 5173:

Lovinescu, p. 213. Alongside Caragiale, Lovinescu argues, the group includes

2699:

During the final stages of Ceaușescu's rule, when liberalization was curbed,

837:

In 1919, as Ionescu gained political influence through his alliance with the

6663: 5254: 5190: 3154: 2932: 2805:

Caragiale was completely recovered in mainstream cultural circles after the

2782: 2685: 2450: 2352: 2230: 1923: 1900: 1709: 1693: 1520: 1475: 1304: 1280: 1257: 1240:

mirrored his tastes and outlook on the world, which have been described as "

1237: 1225: 1105: 964: 448: 358: 323: 306: 52: 2839:

Reflecting on Mateiu's growing popularity, Matei Călinescu has argued that

2634:

on the basis of nationalist tenets: Papu's controversial theory, known as "

1855: 1363: 5398:

Lovinescu, pp. 218–219; Perpessicius, pp. XIII–XVI; Steinhardt, pp. 97–101

4058: 1342:

In his permanent search for nobility rights, occasionally ascribed to the

617:

As Caragiale senior died, Mateiu initially planned to join the mainstream

6671: 6637: 6618:'s George Bariț Institute of History, Cluj-Napoca; retrieved July 3, 2007 4621: 2979:

Published within the 1925 anthology compiled by Perpessicius and Pillat,

2746: 2653: 2593:, and, as a consequence of this episode, the main Communist Party organ, 2241:

settings, were more accomplished versions of a genre first cultivated by

2149: 2141: 1736: 1717: 1487: 1479: 1346:

of illegitimate children, he indicated that his mother's origins were in

1269: 999: 984: 885: 869: 803: 229: 6708: 6658: 6565: 6543: 6412: 2519:

author whose Bohemian lifestyle was itself described as a reflection of

1899:

writings, and alongside the works of eclectic authors such as Barbu and

6675: 3190:"Romania and the Balkans. From Geocultural Bovarism to Ethnic Ontology" 2952: 2777:

as inspiration for his novels of the 1980s. In parallel, as an echo of

2603:

recalled that, "during the dark 1950–60 decade", he clandestinely read

2063: 2041: 2012: 1975: 1881: 1689: 1335:. Letters he wrote while still a student show that he was envisaging a 1300: 1169: 995: 971:

By 1926, he rallied with the People's League, and unsuccessfully asked

815: 501: 483: 297:

restaurant. His associates included the controversial political figure

56: 2927:

to an audience comprising Caragiale and various by-standers. In 2007,

1350:: before his marriage to Marica Sion, he claimed that he had lost his 5853: 3533:"Scriitorii români și narcoticele (5). Prima jumătate a secolului XX" 3406:

Călinescu, p. 898; Perpessicius, pp. XVII–XVIII; I. Vianu, pp. 16, 25

2885: 2657: 2577:. Eugen Simion writes that, late in the same decade, students at the 2246: 2206: 2153: 2109: 2045: 1839: 1355: 1265: 1253: 1192: 1153: 1143: 773:(the world conflict and later events prevented this from happening). 739:, and rumors spread that he himself was a spy for the German Empire. 650: 397: 362: 112: 104: 3975:, but notes that Caragiale was never suspected as such by Romania's 2967:("A New Fashion of Rakes"), which is both a memoir and a tribute to 2052:", while others noted a direct reference to the 19th century writer 653:

to link the two states. In 1913, he became a Knight of the Romanian

6466:, "Sâmburele de cireașă al celui din urmă senior", pp. 119–133 5279:Ș. Cioculescu, p. 363; Steinhardt, pp. 96–97; T. Vianu, pp. 180–181 2507:, took the aspect of an underground cultural phenomenon during the 2156:

couple of con artists and presumed murderers (one of whom may be a

810:, and was held in high regard by the occupying forces: his brother 3150: 2626:

became standards of official discourse, and intellectuals such as

1778: 1674: 1500: 1394: 1249: 1003:

argues that the ambition itself had constituted proof of "perfect

408:

capital. He would later refer to this period using a French term,

286: 183: 2721:, referred to Caragiale as one of his interwar precursors, while 1874:("Inspection..."), is part of the Mitică cycle, while the other, 1854:

proposed that there is an intrinsic connection between Pirgu and

1716:

prose writers who sought to reshape the genre through the use of

176:, was a Romanian poet and prose writer, best known for his novel 5454: 5452: 4248:

Lovinescu, p. 39. Among the "talented writers", Lovinescu cites

1777:

introduces a large array of words present in early 20th century

1678: 1535:" (which included allowing her to be raped by a stranger in the 1241: 556: 552: 265:

The illegitimate and rebellious child of influential playwright

5870:

Literatura în totalitarism. Vol. II: Bătălii pe frontul literar

2589:

to republish the volume was met with a stiff reaction from the

715:, and that money he made available had been provided by German 467:. Some time after returning to Romania, he began attending the 277:

poet who died in 1921, and the posthumous son-in-law of author

3674: 3672: 2377: 2304: 2255: 2136:

comprises the recollections of Teodor "Rache" Ruse, a retired

1528: 1088:. To this goal, he approached Internal Affairs Undersecretary 876:"). He married Marica Sion, the daughter of poet and nobleman 677:

Romanian medals 1st Class. In 1913, Caragiale wrote the story

164:

March 12] 1885 – January 17, 1936), also credited as

2725:

acknowledged he pursued Mateiu's interests in his 1981 novel

2213:, which reunited all of the poems Caragiale had published in 2116:. The other point of contention involves its artistic value. 1870:

shaped by two of Ion Luca's prose works: one of them, titled

1759:—for example, he consistently rendered the word for "charm", 1354:, and, upon completing a new one, that his mother resided in 551:

Caragiale-father could be persuaded to read his works at the

4784:Ș. Cioculescu, pp. 352, 361, 376; I. Vianu, pp. 25–27, 54–55 4134:Ș. Cioculescu, p. 381; Perpessicius, p. XIX; I. Vianu, p. 59 3932:, p. 194; Ș. Cioculescu, p. 376; I. Vianu, pp. 37–38, 40, 42 3069:

was turned into an eponymous cinema production, directed by

2785:

were published after 1980, including a volume edited by the

2140:

officer. Punctuated by willing omissions, for which rows of

1486:

notes, Caragiale's obsession with death had developed into "

4802:

Călinescu, p. 898; Nastasă, p. 19; I. Vianu, pp. 12, 63, 94

4793:Ș. Cioculescu, p. 359; I.Vianu, pp. 9–10, 12, 14–16, 63, 98 3361:Ș. Cioculescu, p. 344; Perpessicius, p. VI; I. Vianu, p. 17 3030:("A Friend as Old as Time?"). In 2009, actor-choreographer 2983:'s modernist portraits of Caragiale and avant-garde writer 2351:

In various pieces, the poetic language is characterized by

1978:

family". Ion Vianu, who believes the unnamed narrator is a

880:, in 1923, thus becoming the owner of a plot of land named 5773: 5771: 4503:

Perpessicius, p. XXIII; I. Vianu, pp. 98–100, 101–102, 106

3050:. The original cast included Mazilu as Aubrey de Vere and 2668:

in his series of fiction writings. Other such authors are

2283:

Listen to the mighty rustling with which the wind awakens,

2011:(which he contrasts with "the tumultuous flowering of the 1955:

Several critics and researchers have pointed out that, in

6624:, "Prefață" and "Tabel cronologic", in Mateiu Caragiale, 5488: 5486: 2900:, are responsible for overvaluing their favorite author. 2449:

Caragiale's work exercised some influence from early on.

572:). At the funeral ceremony, he reputedly shocked pianist 416:", and he is also known to have spent entire days at the 6511:

Avangarda românească și complexul periferiei: primul val

6497:

Istoria literaturii române de la origini până în prezent

5501:

I. Vianu, pp. 7–10, 44–49, 52–53, 59, 62, 64–78, 94, 110

4999:

I. Vianu, pp. 55–59, 91–92, 94–95, 109–110, 100–101, 106

4070: 4068: 4066: 3867: 3865: 3863: 3861: 3842: 3840: 3729: 3727: 3725: 3565: 3563: 2995:

was notably illustrated with drawings by graphic artist

2688:, who, in his youth, was a major figure of the Romanian 5548: 5546: 5544: 5287: 5285: 4086: 4084: 4082: 4080: 3237: 3235: 3233: 3057:

In the early 1970s, Mateiu Caragiale's life inspired a

2946:("Mateiu Caragiale's Final Records"), a mock-diary and 2290:

The ancestors laid to rest may shudder in the moaning.

2279:

But the evening's mist is flooding the heaps of embers.

404:—, but Mateiu spent his time reading and exploring the 4328:"Manual de fotografie: Cum se fotografiază scrisorile" 4160: 4158: 2549:. Caragiale's aesthetics contrasted with those of the 2286:

So that, stirred by the spell, inside your tired soul,

2177:, and the female character Arethy with Miller Verghy. 1652:. Noting the manifest difference in style between the 1542:

Notes in his diaries show that he discreetly resented

1311:, all of which form background elements in his prose. 248:, and ultimately raised controversy by supporting the 5560: 5558: 5348:Ș. Cioculescu, pp. 344, 361, 362–363; I. Vianu, p. 10 5138: 5136: 5134: 3658:"Din viața lui Mateiu I. Caragiale: Șeful de cabinet" 2585:. Also according to Eugen Simion, an attempt by poet 2288:

When the black veil of night has enveloped the earth,

1512:, which, Vartic supposes, evidenced his trust in the 1275:

These skills, as well as his tastes and talents as a

1046:

Caragiale also began work on the fragmentary writing

5680: 5678: 4821: 4819: 4817: 4653: 4651: 4649: 3706: 3704: 3702: 3393: 3391: 3389: 3387: 3385: 3131:Ș. Cioculescu (p. 360) criticizes the pronunciation 2330:

That, shedding light upon the darkness of my memory,

1911:, and argues that this perspective was exaggerated. 1406:, which, he claimed, underlined his foreign origin. 649:

involving the initiative to build a bridge over the

309:, who was also one of his most dedicated promoters. 5623: 5621: 5611: 5609: 5572: 5570: 3879: 3877: 2108:, who believed that Caragiale was building up to a 1287:'s just to look over a certain page in a manual of 216:. In other late contributions, Caragiale pioneered 118: 92: 84: 76: 62: 39: 23: 6320:"S-a stins un scenograf. In memoriam Sică Rusescu" 6025:"Spécial Roumanie. Dans la peau de Ștefan Agopian" 5442: 5440: 5385: 5383: 5381: 4842: 4840: 4481: 4479: 3798:Perpessicius, p. XIX; I. Vianu, pp. 34–40, 91, 105 2692:movement. In one of his late prose pieces, titled 2432:. Later in the year, a volume of collected works, 919:), and were accompanied by an ink portrait signed 451:, who explored the relationship with the tools of 4298:Ș. Cioculescu, pp. 381–382; I. Vianu, pp. 83, 106 4190: 4188: 3990:Ș. Cioculescu, pp. 351, 370; I. Vianu, pp. 30, 40 2857:("The Critical History of Romanian Literature"), 2265:Ascultă mândrul freamăt ce-n el deșteaptă vântul, 2209:, also display his profound interest in history. 1934:, Cernat commented that Vinea, Mateiu Caragiale, 1424:, having earlier claimed that he had refused the 1030:newspaper, whom he considered a personal friend. 6611:Genealogia între știință, mitologie și monomanie 5414: 5412: 5410: 5408: 5406: 5404: 4565:"Boierimea română, adnotată de Mateiu Caragiale" 3941:Boia, pp. 202–203; I. Vianu, pp. 35, 42, 105–106 2703:writings were rediscovered and reclaimed by the 2573:sections" of works by both Mateiu Caragiale and 1862:by Ion Luca Caragiale, and best remembered as a 4464:Vartic, pp. 132, 133; I. Vianu, pp. 89–101, 106 4415:Manolescu, pp. 7, 8–11, 15; Vartic, pp. 119–121 4352:Perpessicius, pp. VII–VIII, XX; I. Vianu, p. 83 2797:layers in Matein texts, remains controversial. 2561:signaled a relative change in cultural tenets, 2481:took inspiration from the style of his novels. 2328:Come autumn, there are deep and splendid nights 2281:Go then and sit yourself under an old oak tree, 2263:Atunci mergi de te-așează sub un bătrân stejar, 1793:'s vision. Vartic also indicates that Balzac's 281:. Mateiu Caragiale was loosely affiliated with 6920:Recipients of the Order of St. Anna, 2nd class 6703:, Vol. III, Editura Minerva, Bucharest, 1971. 6380: 6378: 6011:, Nr. 76, August 2001; Mihăilescu, pp. 285–286 5426:"Reluate plimbări prin păduri (inter)textuale" 4307:Perpessicius, pp. VII, XX–XXI; I. Vianu, p. 83 3751: 3749: 3747: 3745: 3743: 3741: 3739: 3415:Ș. Cioculescu, pp. 356–382; I. Vianu, pp. 9–20 2821: 2759: 2757:prose by basing a character of his 1986 novel 2406:Down that abruptest path to the dark grave... 1765: 1339:as a means to increase his wealth and status. 1158: 6895:People's Party (interwar Romania) politicians 6408: 6406: 5902: 5900: 5898: 4605: 4603: 4601: 4599: 4553: 4551: 4549: 4547: 4545: 4319: 4317: 4315: 4313: 3596:Perpessicius, p. XVIII; I. Vianu, pp. 35, 105 3443: 3441: 2614:during the 1960s, which followed the rise of 2387:Mi-am răzbunat printr-însa întreaga seminție, 1499:only touch metal with his hand while wearing 1470:of his age, in addition to his self admitted 8: 4719: 4717: 4715: 4713: 4711: 4685: 4683: 4681: 4597: 4595: 4593: 4591: 4589: 4587: 4585: 4583: 4581: 4579: 4230:Perpessicius, p. XXII; I. Vianu, pp. 83, 106 3439: 3437: 3435: 3433: 3431: 3429: 3427: 3425: 3423: 3421: 3290: 3288: 3286: 3284: 3282: 3280: 3278: 3276: 3274: 3198:Institut für die Wissenschaften vom Menschen 2446:survived by 1936, have also been misplaced. 2391:Pe-atât de aspra cale a negrului mormânt... 2310:Sunt seri, spre toamnă,-adânci și strălucite 2270:Când negrul văl al nopții înfășură pământul, 1236:Mateiu Caragiale's interest in heraldry and 1050:("The Council of Busibodies", 1929) and the 841:, he became head of the press bureau of the 6925:Knights of the Order of the Crown (Romania) 6110:, May 15, 2003; retrieved February 18, 2009 6104:"Un scriitor uitat (?) și o faptă bună (!)" 5787: 5785: 5783: 5509: 5507: 5357:Vartic, pp. 130–131, 133; I. Vianu, pp. 7–8 5088:I. Vianu, pp. 19, 29; T. Vianu, pp. 172–173 4012:"Senzaționalul unor amintiri de mare clasă" 4000: 3998: 3996: 3646: 3644: 3642: 3640: 3521: 3519: 3517: 3515: 3513: 3511: 3509: 3507: 3505: 3149:, several young people pronounce the final 3097:("Bucharest, Top Secret"), it was aired by 2944:Ultimele însemnări ale lui Mateiu Caragiale 2402:Through it, I have avenged my entire tribe, 2359:and Ion Vianu, was influenced by Romania's 2337:When the ripening sky envelops in its sheen 2268:Ca-n obositu-ți suflet de vrajă răzvrătiți, 1918:("The Paradise of Sighs"), and Caragiale's 1358:, and that he himself had been born in the 963:s later moves towards traditionalism and a 500:in 1910. Two years later, during a trip to 494:Mateiu Caragiale had his first thoughts on 471:literary circle formed around the poet and 5257:and a few others (Lovinescu, pp. 213–226). 4731:"Care e cea mai proastă carte românească?" 4289:Ș. Cioculescu, p. 381; I. Vianu, pp. 82–83 3638: 3636: 3634: 3632: 3630: 3628: 3626: 3624: 3622: 3620: 2975:Visual tributes, filmography and landmarks 2773:is also believed to have used elements of 2745:among them. Another Postmodernist author, 2599:, renewed its campaign against Caragiale. 2465:circle. In 1947, Ion Barbu wrote the poem 2404:And under its guidance I ruggedly advance 2272:În geamăt să tresalte străbunii adormiți. 1126:. In January 1934, linguist and publisher 337:The young Caragiale was sent to school at 20: 6890:Conservative-Democratic Party politicians 6850:Writers who illustrated their own writing 5974:"Bun venit în lagărul de lectură forțată" 5339:Călinescu, pp. 899–900; Lovinescu, p. 219 4221:Vartic, pp. 129–130; I. Vianu, 84–96, 106 4051:Editura de stat pentru literatură și artă 2923:and recites English-language quotes from 2496:Mateiu Caragiale on a 1985 Romanian stamp 2400:I held nothing sacred other than conceit, 2383:Că margini nu cunoaște păgâna-mi semeție, 1739:and words occurring rarely in the modern 1381:Between 1907 and 1911, Caragiale studied 504:, he published his first 13 poems in the 6460:, " 'Un brelan de dame' ", pp. 7–15 6173:, Reaktion Books, London, 2001, p. 254. 5711:Manolescu, pp. 13–14, 15; Vartic, p. 120 4927:Călinescu, p. 897; I. Vianu, pp. 61, 102 4634:Perpessicius, p. IX; I. Vianu, pp. 60–62 4182:Călinescu, p. 898; Ș. Cioculescu, p. 352 3181: 3179: 3177: 3175: 3173: 3171: 3169: 3167: 2987:, were described by a number critics as 2793:. The latter, with its claim to uncover 2503:, growing during the late stages of the 2491: 2436:, was published by Rosetti and featured 2335:For long sleeping, and thus I'm cheated, 2261:Dar ceața serii îneacă troianele de jar. 2022: 1816: 1228:, drawn in his own hand and showing the 1219: 1037: 742:A frequenter of the renowned restaurant 681:, while continuing his contributions to 435: 6840:Romanian book and manuscript collectors 6575:Istoria literaturii române contemporane 6082:"Mircea Nedelciu în zodia scafandrului" 3967:, pp. 202–203. Boia reports a claim of 3614:Călinescu, p. 898; Perpessicius, p. XIX 3455:"Spre Ion Iovan, prin Mateiu Caragiale" 3334:I. Vianu, pp. 17, 22–23, 52–54, 94, 105 3124: 2678:The Handsome Lunatics of the Big Cities 2569:wrote in favor of recovering supposed " 2078:, the main character is reminiscent of 1880:, is one of the earliest depictions of 1821:Mateiu Caragiale's illustration to his 1575:) that the writer had a preference for 1554:, Caragiale discussed Bogdan-Pitești's 6446:, Editura Echinox, Cluj-Napoca, 1994. 5645:Ș. Cioculescu, p. 355; Manolescu, p. 7 5585:Lovinescu, p. 218; I. Vianu, pp. 66–67 4873:Ș. Cioculescu, p. 381; I. Vianu, p. 91 4406:Perpessicius, p. XXII; I. Vianu, p. 79 4379:Perpessicius, p. VIII; I. Vianu, p. 91 4212:Lovinescu, p. 105; Perpessicius, p. XX 3910:Ș. Cioculescu, p. 380; I. Vianu, p. 34 3789:Ș. Cioculescu, p. 369; I. Vianu, p. 20 3499:Ș. Cioculescu, p. 369; I. Vianu, p. 39 3227:Ș. Cioculescu, p. 375; I. Vianu, p. 11 2733:model seeped into the work of various 2398:For my pagan race knows no boundaries, 2389:Și sub călăuzirea-i pășesc cu bărbăție 2385:Afară de trufie nimic n-avut-am sfânt, 1858:, a voluble clerk depicted in several 1020:order, eventually becoming one of its 735:had by then extinguished his cultural 432:Father-son conflict and literary debut 6632:, Bucharest, 1965, pp. V–XXIII. 6364:"Remember – lumea ca fenomen estetic" 6273:"De la sămănătorism la postmodernism" 6209:, Nr. 7–8 (105–106), July–August 2003 6197:"Cu Matei Călinescu, o lecție despre 5008:I. Vianu, pp. 22–23, 52–58, 91–92, 94 4666:I. Vianu, pp. 61–62; T. Vianu, p. 172 4521:Ș. Cioculescu, p. 357; Vartic, p. 132 4397:Perpessicius, p. XXII; Vartic, p. 120 3218:Nastasă, p. 19; Perpessicius, p. XVII 3132: 2551:1950s Socialist Realist establishment 1922:, defining the two books as "poetic, 1166:Albrecht Joseph Reichsgraf von Hoditz 190:. Caragiale's style, associated with 155: 7: 6589:De la proletcultism la postmodernism 6577:, Editura Minerva, Bucharest, 1989. 6225:Istoria critică a literaturii române 5480:Ș. Cioculescu, pp. 350, 351, 358–359 3370:Perpessicius, p. VI; I. Vianu, p. 17 3108:in this context). Formerly known as 3061:production produced and directed by 2855:Istoria critică a literaturii române 2321:Purpura toată, și toți trandafirii 2243:Dumitru Constantinescu-Teleormăneanu 2030:restaurant, setting for Caragiale's 2545:believes was marked by the tone of 2319:Când cerul pârguit la zări cuprinde 1134:and have it published by Rosetti's 856:Also in 1921, a first draft of his 669:2nd Class. He was also awarded the 6940:20th-century Romanian male writers 6157:"Romanul românesc al secolului XX" 5799:"Mateiu Caragiale &Co, als ob" 4446:Manolescu, pp. 8–9; Vartic, p. 119 2917:Troica amintirilor. Sub patru regi 2317:De mult, încât cad pradă amăgirii, 2312:Ce, luminându-mi negura-amintirii, 1462:to show intimate familiarity with 1120:, were associates of the magazine 975:to assign him a candidature for a 580:("I came to see my late father"). 420:, especially fond of paintings by 14: 6900:20th-century Romanian politicians 6342:"Cometa... în drum spre Arnoteni" 5151:Călinescu, pp. 814, 895; Cernat, 4811:I. Vianu, p. 61; T. Vianu, p. 171 2832:occasionally been described as a 1728:and, through it, the subjects of 1042:Photograph of the aging Caragiale 792:, Caragiale drafted the first of 727:, and borrowed a reported 10,000 208:, was an original element in the 6950:20th-century Romanian memoirists 6870:Romanian people of Greek descent 6678:, Cluj-Napoca & Iași, 2008. 5115:Ș. Cioculescu, pp. 342, 344, 368 2314:Trezesc în mine suflete-adormite 2302:("In Praise of the Conqueror"): 2074:, while, according to historian 1755:). In certain cases, he used an 1478:neighborhood, and using it as a 1065:in April 1930-April 1933, while 872:den, in the meeting hall at the 31: 6915:Knights of the Legion of Honour 6780:20th-century Romanian novelists 6248:"Spectacolul în 100 de cuvinte" 4530:Vartic, p. 128; I. Vianu, p. 90 4125:, p. 204; Ș. Cioculescu, p. 369 3763:"De la Barbu Cioculescu citire" 3719:Ș. Cioculescu, pp. 356–357, 368 2843:is to Romanian literature what 1642:Jules Amédée Barbey d'Aurevilly 1638:Auguste Villiers de l'Isle-Adam 1441:Alleged disorders and sexuality 529:'s brother-in-law, philosopher 361:. During a 1901 summer trip to 182:, which portrays the milieu of 172:, or in the antiquated version 157:[maˈtejiˈonkaraˈdʒjale] 6885:Romanian people of World War I 6855:20th-century Romanian painters 6795:Romanian crime fiction writers 6722:Critics about Mateiu Caragiale 6548:Vasile Drăguț, Vasile Florea, 5297:, "Mitică prin Heidegger", in 4981:I. Vianu, pp. 38, 41–46, 91–92 3014:company, with stage design by 3002:An eponymous stage version of 2801:Post-1989 recovery and debates 2553:. However, after the death of 2237:, which drew inspiration from 1743:(including ones borrowed from 1724:, who identified its roots in 1632:and Symbolist authors such as 818:was vetoed by puppet minister 578:Je suis venu voir feu mon père 365:, where he sojourned with the 1: 6728:Mateiu Caragiale Par Lui-Même 6554:Pictura românească în imagini 6421:; retrieved November 21, 2007 6171:Romania: Borderland of Europe 6127:"Descumpănit și fără plăcere" 5856:; retrieved February 22, 2008 4343:Perpessicius, pp. VII, XX–XXI 4334:; retrieved November 22, 2007 2823:Mateiu I. Caragiale: recitiri 2787:Museum of Romanian Literature 1877:Grand Hotel "Victoria română" 940:magazine published his novel 612:Conservative-Democratic Party 576:by coldly stating in French: 568:, the one-time lover of poet 513:, winning the praise of poet 422:Jacob Isaakszoon van Ruisdael 396:In 1904, his father moved to 369:, Mateiu was acquainted with 269:, he was the half-brother of 242:Conservative-Democratic Party 240:. He was associated with the 186:descendants before and after 6223:"Nicolae Manolescu lansează 5949:"Poezia unui fiu al luminii" 5876:, Bucharest, 2008, p. 349. 5017:I. Vianu, pp. 65–78, 94, 100 4388:I. Vianu, pp. 83–84, 91, 106 2713:, a leading exponent of the 2630:were allowed to reinterpret 2533:Giuseppe Tomasi di Lampedusa 2343:, as well as all the roses 1949:Thalassa, Le Calvaire de feu 1084:, which came to power under 1082:Nationalist Democratic Party 930:In March 1926-October 1928, 843:Minister of Internal Affairs 623:Grigore Gheorghe Cantacuzino 584:Entry into the civil service 402:Frederick William University 347:Barbu Ștefănescu-Delavrancea 6790:20th-century Romanian poets 6746:Romanian Cultural Institute 6165:, Nr. 45–46, January 2001; 6003:, cu ochelari de protecție" 4945:I. Vianu, pp. 12, 62–63, 94 3825:Ș. Cioculescu, pp. 366, 379 3807:Ș. Cioculescu, pp. 365, 378 3678:Ș. Cioculescu, pp. 365, 368 3325:Ș. Cioculescu, pp. 344, 368 3046:piece, set to the music of 2807:Romanian Revolution of 1989 2056:, an indirect one to Poe's 1232:he had designed for himself 1160:Vechi impresii de spectator 987:, Finland; he thus visited 899:Mateiu Caragiale published 733:traditionalist conservatism 707:During the early stages of 517:and the ridicule of writer 16:Romanian writer (1885–1936) 6966: 4864:Ș. Cioculescu, pp. 380–381 4143:I. Vianu, pp. 59, 106, 109 3919:I. Vianu, pp. 34–35, 38–40 3780:Ș. Cioculescu, pp. 363–364 3578:Ș. Cioculescu, pp. 372–373 3538:February 20, 2012, at the 3490:Ș. Cioculescu, pp. 364–365 2913:Gheorghe Jurgea-Negrilești 2007:developed in 17th century 1810: 1136:Editura Fundațiilor Regale 822:. After the government of 748:Gheorghe Jurgea-Negrilești 723:literary circle set up by 602:executive, under Minister 6630:Editura pentru Literatură 5807:, Nr. 470–471, April 2009 3028:Un prieten de când lumea? 1503:gloves. Rosetti and poet 1211:Outlook and personal life 1146:-based cultural magazine 1102:Romanian Writers' Society 1094:Filippo Tommaso Marinetti 917:Antologia poeților de azi 488:Romanian Peasants' Revolt 381:, by the French novelist 285:, a figure noted for his 228:Also known as an amateur 30: 6945:20th-century journalists 6800:Romanian fantasy writers 6135:, Nr. 295, November 2005 6065:, Nr. 350, December 2006 5892:Mihăilescu, pp. 149, 153 5375:Vartic, pp. 121, 124–125 4617:"Arta marelui Mateiu..." 4203:Perpessicius, pp. XIX–XX 3687:I. Vianu, pp. 18–19, 105 3463:, Nr. 153, February 2003 3095:București, strict secret 2909:Familii boierești române 2541:, which literary critic 2381: 2308: 2259: 2205:, including a series of 1583:, both in line with his 1544:Alexandru Bogdan-Pitești 1391:Familii boierești române 1385:and, to this goal, read 596:Ministry of Public Works 477:Alexandru Bogdan-Pitești 443:holding Mateiu, ca. 1890 299:Alexandru Bogdan-Pitești 6905:Romanian civil servants 6775:Romanian male novelists 6419:Internet Movie Database 6350:, Nr. 140, October 2002 5957:, Nr.795, May–June 2005 5854:Memoria Digital Library 5729:Călinescu, pp. 595, 899 4705:, Nr. 393, October 2007 3343:Călinescu, pp. 494, 898 3141:, with its final short 2955:, formerly part of the 2676:to write his 1976 book 2579:University of Bucharest 2443:Legionnaires' Rebellion 1946:and his Symbolist work 1891:In direct reference to 1422:Order of the White Rose 1337:marriage of convenience 725:Mărgărita Miller Verghy 621:and demand a post from 591:L'Indépendence Roumaine 426:University of Bucharest 303:Mărgărita Miller Verghy 6865:Writers from Bucharest 6647:Incertitudini literare 6328:, Nr. 236, August 2004 6023:Iulia Badea-Gueritée, 5935:Steinhardt, pp. 95–101 5916:April 3, 2012, at the 5849:Boema anilor '55 - '70 5777:Perpessicius, p. XXIII 5738:Perpessicius, pp. IX–X 5538:Perpessicius, pp. X–XI 4697:"Zaraza all inclusive" 4020:, Nr. 130, August 2002 2822: 2760: 2672:, who was inspired by 2497: 2396: 2326: 2277: 2034: 1832:first-person narrative 1827: 1766: 1677:and the co-founder of 1233: 1159: 1043: 998:. His passage through 981:elections of that year 794:Craii de Curtea-Veche' 776:As Romania joined the 444: 353:, the literary critic 6880:Romanian esotericists 6860:Censorship in Romania 6845:Romanian illustrators 6830:Romanian genealogists 6735:Craii de Curtea-Veche 6653:, Cluj-Napoca, 1980. 6626:Craii de Curtea-Veche 6442:Mateiu I. Caragiale, 6430:I. Vianu, pp. 107–111 6414:Craii de Curtea-Veche 6400:, Nr. 76, August 2001 6372:, Nr. 469, April 2009 5926:, Nr. 218, April 2004 5911:"Istorii 'albalate' " 5492:Ș. Cioculescu, p. 351 5434:, Nr. 737, April 2004 4918:Ș. Cioculescu, p. 352 4675:Ș. Cioculescu, p. 349 4455:Perpessicius, p. XXII 4424:I. Vianu, pp. 84, 106 4239:Perpessicius, p. VIII 4099:I. Vianu, pp. 68, 110 4074:Ș. Cioculescu, p. 369 3973:Alexandru Marghiloman 3871:Ș. Cioculescu, p. 381 3855:Ș. Cioculescu, p. 380 3846:Ș. Cioculescu, p. 379 3834:Ș. Cioculescu, p. 366 3816:Ș. Cioculescu, p. 378 3733:Ș. Cioculescu, p. 357 3605:Ș. Cioculescu, p. 365 3569:Ș. Cioculescu, p. 363 3379:Ș. Cioculescu, p. 368 3316:Perpessicius, p. XVII 3259:Ș. Cioculescu, p. 367 3241:Ș. Cioculescu, p. 362 3010:was performed by the 2993:Craii de Curtea-Veche 2811:Craii de Curtea-Veche 2761:Tratament fabulatoriu 2660:and final chapter of 2565:affiliate and writer 2495: 2467:Protocol al unui Club 2332:Awake within me souls 2026: 1903:. Literary historian 1886:literature of Romania 1836:Craii de Curtea-Veche 1824:Craii de Curtea-Veche 1820: 1813:Craii de Curtea-Veche 1774:Craii de Curtea-Veche 1650:José María de Heredia 1223: 1041: 1034:Later years and death 942:Craii de Curtea-Veche 893:Craii de Curtea-Veche 864:. The second part of 828:May 1918 capitulation 824:Alexandru Marghiloman 784:began, overlooked by 497:Craii de Curtea-Veche 439: 254:occupation of Romania 179:Craii de Curtea-Veche 160:; March 25 [ 6910:Romanian journalists 6668:Investigații mateine 6482:, Bucharest, 2010. 6090:, Nr. 277, July 2005 6030:May 5, 2007, at the 5663:Manolescu, pp. 10–11 5654:Manolescu, pp. 11–14 5366:Vartic, pp. 121, 130 5097:I. Vianu, pp. 19, 29 4900:I. Vianu, pp. 19, 60 4775:I. Vianu, pp. 18, 21 4361:Perpessicius, p. VII 4252:himself, as well as 4090:Perpessicius, p. XXI 3892:Perpessicius, p. XIX 3299:"Un straniu cvartet" 3091:history of Bucharest 2915:'s book of memoirs, 2849:is in the eponymous 2650:În deal, pe Militari 2591:censorship apparatus 2355:, and, according to 2001:"Claymoor" Văcărescu 1944:Alexandru Macedonski 1916:Paradisul suspinelor 1852:Constantin Amăriuței 1799:, in particular its 1618:Alexandru Macedonski 1482:. By then, essayist 1216:Views and mannerisms 874:Justice of the Peace 675:Bărbăție și credință 357:, and the architect 301:, cultural animator 149:Mateiu Ion Caragiale 6815:Symbolist novelists 6805:Decadent literature 6785:Romanian male poets 6770:Romanian memoirists 6672:Biblioteca Apostrof 6595:, Constanța, 2002. 6587:Florin Mihăilescu, 6560:, Bucharest, 1970. 6552:, Marin Mihalache, 6538:, Bucharest, 1974. 6517:, Bucharest, 2007. 6397:Observator Cultural 6369:Observator Cultural 6347:Observator Cultural 6325:Observator Cultural 6235:, November 13, 2008 6162:Observator Cultural 6132:Observator Cultural 6087:Observator Cultural 6062:Observator Cultural 6008:Observator Cultural 5923:Observator Cultural 5909:Dumitru Ungureanu, 5846:Constantin Olariu, 5804:Observator Cultural 5756:I. Vianu, pp. 88–95 5702:Vartic, pp. 132–133 5693:Vartic, pp. 122–123 5603:Manolescu, pp. 8–10 5552:Perpessicius, p. XI 5239:Dragoș Protopopescu 5079:I. Vianu, pp. 92–93 4963:I. Vianu, pp. 28–29 4954:I. Vianu, pp. 27–28 4936:I. Vianu, pp. 60–61 4757:Vartic, pp. 124–130 4702:Observator Cultural 4643:Perpessicius, p. IX 4625:, December 29, 2001 4573:, Nr. 72, July 2001 4570:Observator Cultural 4473:Vartic, pp. 129–130 4164:Perpessicius, p. XX 4029:I. Vianu, pp. 40–41 4017:Observator Cultural 3901:I. Vianu, pp. 34–35 3771:, Nr. 319, May 2006 3768:Observator Cultural 3548:, Nr. 951, May 2008 3472:I. Vianu, pp. 10–11 3460:Observator Cultural 3297:Elisabeta Lăsconi, 3137:: "Deceived by the 3110:Strada Constituției 3089:, dealing with the 3059:Romanian Television 3044:contemporary ballet 2948:speculative fiction 2925:William Shakespeare 2816:Observator Cultural 2717:and an advocate of 2300:Lauda cuceritorului 2106:Ovid Crohmălniceanu 2080:Joris-Karl Huysmans 1722:Ovid Crohmălniceanu 1700:, the modern poets 1344:inferiority complex 1100:. Organized by the 1096:, the ideologue of 950:Romanian literature 895:and Italian sojourn 475:political agitator 410:l'école buissonière 289:, eccentricity and 210:Romanian literature 6444:Sub pecetea tainei 6340:Gabriela Riegler, 6199:Cititorul în doliu 6102:Iulia Arsintescu, 5947:Ioana Anghelescu, 5747:Perpessicius, p. X 4766:Nastasă, pp. 18–19 3978:Siguranța Statului 3153:, as if part of a 3038:into an eponymous 2965:Craii de modă nouă 2905:Octav-George Lecca 2767:Zodia Scafandrului 2753:, paid tribute to 2682:Virgiliu Stoenescu 2662:Sub pecetea tainei 2652:("On the Hill, in 2624:national communism 2610:With the relative 2587:Anatol E. Baconsky 2498: 2479:Sărmanul Klopștock 2175:Alexandru Lahovary 2171:Conservative Party 2134:Sub pecetea tainei 2098:Sub pecetea tainei 2068:Barbey d'Aurevilly 2035: 2032:Sub pecetea tainei 2005:Brâncovenesc style 1988:Anghel Demetriescu 1828: 1796:La Comédie humaine 1783:Romanian profanity 1757:inventive spelling 1646:Charles Baudelaire 1622:Romanian Symbolism 1561:Félicien Champsaur 1550:before and during 1418:Order of the Crown 1387:Octav-George Lecca 1372:Arthur de Gobineau 1333:Hungarian nobility 1325:Wallachian princes 1234: 1132:Sub pecetea tainei 1073:, literary critic 1071:Sub pecetea tainei 1059:Sub pecetea tainei 1055:Sub pecetea tainei 1044: 697:Ion I. C. Brătianu 655:Order of the Crown 627:Mayor of Bucharest 619:Conservative Party 521:. Literary critic 445: 441:Ion Luca Caragiale 383:Félicien Champsaur 343:Constantin Istrati 339:Anghel Demetriescu 283:Romanian Symbolism 267:Ion Luca Caragiale 6875:Romanian adoptees 6692:978-973-46-1031-0 6684:978-973-9279-97-0 6558:Editura Meridiane 6528:Șerban Cioculescu 6523:978-973-23-1911-6 6515:Cartea Românească 6503:, Bucharest, 1986 6488:978-973-50-2635-6 6458:Nicolae Manolescu 6388:Svetlana Cârstean 6362:Gina Șerbănescu, 6232:Evenimentul Zilei 6193:Mircea A. Diaconu 6123:Dan C. Mihăilescu 5882:978-973-23-1961-1 5874:Cartea Românească 5834:Călinescu, p. 918 5825:Călinescu, p. 885 5594:Lovinescu, p. 218 5564:Călinescu, p. 899 5521:"Cum grano salis" 5295:Dan C. Mihăilescu 5243:Eugeniu Sperantia 5164:Călinescu, p. 814 5142:Călinescu, p. 900 4909:Lovinescu, p. 219 4278:Vasile Voiculescu 3710:Lovinescu, p. 105 3397:Călinescu, p. 898 3134:[maˈteju] 2931:was issued as an 2859:Nicolae Manolescu 2851:Jorge Luis Borges 2711:Mircea Cărtărescu 2616:Nicolae Ceaușescu 2453:coined the terms 2430:Alexandru Rosetti 2412: 2411: 2349: 2348: 2296: 2295: 2249:from Caragiale's 2082:' Des Esseintes ( 2019:Other prose works 1791:Antoine Furetière 1447:Cella Delavrancea 1430:Order of St. Sava 1383:Romanian heraldry 1352:birth certificate 1307:subjects such as 1174:Antoine Furetière 1168:, an extravagant 1149:Cele Trei Crișuri 1128:Alexandru Rosetti 1110:Jacques G. Costin 1075:Nicolae Manolescu 1061:was published by 992:Nicolae Titulescu 956:, who criticized 782:Romanian Campaign 771:Dimitrie Paciurea 667:Order of St. Anna 647:Kingdom of Serbia 604:Alexandru Bădărău 574:Cella Delavrancea 541:in his magazine, 523:Șerban Cioculescu 506:literary magazine 375:Alexandru Bibescu 218:detective fiction 196:Decadent movement 146: 145: 119:Literary movement 109:detective fiction 6957: 6835:Heraldic artists 6754:(various issues) 6701:Scriitori români 6616:Romanian Academy 6608:Lucian Nastasă, 6607: 6536:Editura Eminescu 6493:George Călinescu 6431: 6428: 6422: 6410: 6401: 6386: 6382: 6373: 6361: 6357: 6351: 6339: 6335: 6329: 6318: 6314: 6308: 6301: 6295: 6288: 6282: 6267: 6263: 6257: 6253:Ziarul Financiar 6246: 6242: 6236: 6220: 6216: 6210: 6191: 6187: 6181: 6155: 6151: 6145: 6142: 6136: 6121: 6117: 6111: 6108:Editura LiterNet 6101: 6097: 6091: 6076: 6072: 6066: 6051: 6047: 6041: 6022: 6018: 6012: 5993: 5989: 5983: 5982:, April 11, 2004 5970:Cătălin Mihuleac 5968: 5964: 5958: 5946: 5942: 5936: 5933: 5927: 5908: 5904: 5893: 5890: 5884: 5863: 5857: 5845: 5841: 5835: 5832: 5826: 5823: 5817: 5814: 5808: 5793: 5789: 5778: 5775: 5766: 5763: 5757: 5754: 5748: 5745: 5739: 5736: 5730: 5727: 5721: 5718: 5712: 5709: 5703: 5700: 5694: 5691: 5685: 5684:Manolescu, p. 14 5682: 5673: 5670: 5664: 5661: 5655: 5652: 5646: 5643: 5637: 5634: 5628: 5625: 5616: 5613: 5604: 5601: 5595: 5592: 5586: 5583: 5577: 5574: 5565: 5562: 5553: 5550: 5539: 5536: 5530: 5526:România Literară 5515: 5511: 5502: 5499: 5493: 5490: 5481: 5478: 5472: 5469: 5463: 5456: 5447: 5444: 5435: 5420: 5416: 5399: 5396: 5390: 5387: 5376: 5373: 5367: 5364: 5358: 5355: 5349: 5346: 5340: 5337: 5331: 5328: 5322: 5321:T. Vianu, p. 452 5319: 5313: 5312:T. Vianu, p. 181 5310: 5304: 5300:Ziarul Financiar 5293: 5289: 5280: 5277: 5271: 5264: 5258: 5247:Al. T. Stamatiad 5171: 5165: 5162: 5156: 5149: 5143: 5140: 5129: 5122: 5116: 5113: 5107: 5106:T. Vianu, p. 173 5104: 5098: 5095: 5089: 5086: 5080: 5077: 5071: 5068: 5062: 5059: 5053: 5050: 5044: 5037: 5031: 5024: 5018: 5015: 5009: 5006: 5000: 4997: 4991: 4990:I. Vianu, p. 110 4988: 4982: 4979: 4973: 4970: 4964: 4961: 4955: 4952: 4946: 4943: 4937: 4934: 4928: 4925: 4919: 4916: 4910: 4907: 4901: 4898: 4892: 4889: 4883: 4880: 4874: 4871: 4865: 4862: 4856: 4853: 4847: 4844: 4835: 4832: 4826: 4825:T. Vianu, p. 171 4823: 4812: 4809: 4803: 4800: 4794: 4791: 4785: 4782: 4776: 4773: 4767: 4764: 4758: 4755: 4749: 4748:T. Vianu, p. 174 4746: 4740: 4736:România Literară 4725: 4721: 4706: 4691: 4687: 4676: 4673: 4667: 4664: 4658: 4657:T. Vianu, p. 172 4655: 4644: 4641: 4635: 4632: 4626: 4611: 4607: 4574: 4559: 4555: 4540: 4537: 4531: 4528: 4522: 4519: 4513: 4510: 4504: 4501: 4495: 4492: 4486: 4483: 4474: 4471: 4465: 4462: 4456: 4453: 4447: 4444: 4438: 4431: 4425: 4422: 4416: 4413: 4407: 4404: 4398: 4395: 4389: 4386: 4380: 4377: 4371: 4368: 4362: 4359: 4353: 4350: 4344: 4341: 4335: 4332:Editura LiterNet 4325: 4321: 4308: 4305: 4299: 4296: 4290: 4287: 4281: 4262:Nichifor Crainic 4246: 4240: 4237: 4231: 4228: 4222: 4219: 4213: 4210: 4204: 4201: 4195: 4192: 4183: 4180: 4174: 4171: 4165: 4162: 4153: 4150: 4144: 4141: 4135: 4132: 4126: 4119: 4113: 4106: 4100: 4097: 4091: 4088: 4075: 4072: 4061: 4043:Petru Comarnescu 4036: 4030: 4027: 4021: 4006: 4002: 3991: 3988: 3982: 3961: 3955: 3948: 3942: 3939: 3933: 3926: 3920: 3917: 3911: 3908: 3902: 3899: 3893: 3890: 3884: 3883:I. Vianu, p. 105 3881: 3872: 3869: 3856: 3853: 3847: 3844: 3835: 3832: 3826: 3823: 3817: 3814: 3808: 3805: 3799: 3796: 3790: 3787: 3781: 3778: 3772: 3757: 3753: 3734: 3731: 3720: 3717: 3711: 3708: 3697: 3694: 3688: 3685: 3679: 3676: 3667: 3663:România Literară 3654:Barbu Cioculescu 3652: 3648: 3615: 3612: 3606: 3603: 3597: 3594: 3588: 3585: 3579: 3576: 3570: 3567: 3558: 3555: 3549: 3527: 3523: 3500: 3497: 3491: 3488: 3482: 3479: 3473: 3470: 3464: 3449: 3445: 3416: 3413: 3407: 3404: 3398: 3395: 3380: 3377: 3371: 3368: 3362: 3359: 3353: 3350: 3344: 3341: 3335: 3332: 3326: 3323: 3317: 3314: 3308: 3304:România Literară 3296: 3292: 3269: 3266: 3260: 3257: 3251: 3248: 3242: 3239: 3228: 3225: 3219: 3216: 3210: 3207: 3201: 3183: 3162: 3136: 3129: 3075:Mircea Albulescu 3026:, into the play 2935:, read by actor 2825: 2791:Vasile Lovinescu 2763: 2727:Tache de catifea 2666:Alexandru George 2656:"), which was a 2641:Viața Românească 2632:Romanian culture 2509:communist regime 2378: 2357:Barbu Cioculescu 2305: 2256: 2216:Viața Românească 2187:Dashiell Hammett 2102:Alexandru George 2072:Gérard de Nerval 1992:Barbu Cioculescu 1769: 1673:founding figure 1537:Cișmigiu Gardens 1496:George Călinescu 1413:Légion d'honneur 1285:Romanian Academy 1178:Honoré de Balzac 1162: 1017:Légion d'honneur 989:Foreign Minister 979:seat during the 962: 862:Viața Românească 808:collaborationism 693:National Liberal 683:Viața Românească 661:), received the 659:Coroana României 643:Barbu Cioculescu 510:Viața Românească 418:National Gallery 349:, the physicist 159: 154: 69: 66:January 17, 1936 49: 47: 35: 25:Mateiu Caragiale 21: 6965: 6964: 6960: 6959: 6958: 6956: 6955: 6954: 6820:Symbolist poets 6760: 6759: 6751:Plural Magazine 6717: 6605: 6593:Editura Pontica 6571:Eugen Lovinescu 6501:Editura Minerva 6439: 6434: 6429: 6425: 6411: 6404: 6384: 6383: 6376: 6359: 6358: 6354: 6337: 6336: 6332: 6316: 6315: 6311: 6302: 6298: 6289: 6285: 6278:Revista Sud-Est 6265: 6264: 6260: 6256:, June 15, 2007 6244: 6243: 6239: 6221:Simona Chițan, 6218: 6217: 6213: 6189: 6188: 6184: 6153: 6152: 6148: 6143: 6139: 6119: 6118: 6114: 6099: 6098: 6094: 6074: 6073: 6069: 6049: 6048: 6044: 6040:, November 2005 6032:Wayback Machine 6020: 6019: 6015: 5991: 5990: 5986: 5966: 5965: 5961: 5944: 5943: 5939: 5934: 5930: 5918:Wayback Machine 5906: 5905: 5896: 5891: 5887: 5864: 5860: 5843: 5842: 5838: 5833: 5829: 5824: 5820: 5815: 5811: 5791: 5790: 5781: 5776: 5769: 5765:I. Vianu, p. 89 5764: 5760: 5755: 5751: 5746: 5742: 5737: 5733: 5728: 5724: 5719: 5715: 5710: 5706: 5701: 5697: 5692: 5688: 5683: 5676: 5671: 5667: 5662: 5658: 5653: 5649: 5644: 5640: 5635: 5631: 5627:Manolescu, p. 7 5626: 5619: 5615:Manolescu, p. 9 5614: 5607: 5602: 5598: 5593: 5589: 5584: 5580: 5576:I. Vianu, p. 29 5575: 5568: 5563: 5556: 5551: 5542: 5537: 5533: 5513: 5512: 5505: 5500: 5496: 5491: 5484: 5479: 5475: 5470: 5466: 5457: 5450: 5445: 5438: 5418: 5417: 5402: 5397: 5393: 5388: 5379: 5374: 5370: 5365: 5361: 5356: 5352: 5347: 5343: 5338: 5334: 5330:I. Vianu, p. 10 5329: 5325: 5320: 5316: 5311: 5307: 5303:, March 4, 2003 5291: 5290: 5283: 5278: 5274: 5265: 5261: 5195:Demostene Botez 5179:Dimitrie Anghel 5172: 5168: 5163: 5159: 5150: 5146: 5141: 5132: 5123: 5119: 5114: 5110: 5105: 5101: 5096: 5092: 5087: 5083: 5078: 5074: 5070:I. Vianu, p. 86 5069: 5065: 5061:I. Vianu, p. 85 5060: 5056: 5052:I. Vianu, p. 41 5051: 5047: 5038: 5034: 5025: 5021: 5016: 5012: 5007: 5003: 4998: 4994: 4989: 4985: 4980: 4976: 4972:I. Vianu, p. 28 4971: 4967: 4962: 4958: 4953: 4949: 4944: 4940: 4935: 4931: 4926: 4922: 4917: 4913: 4908: 4904: 4899: 4895: 4890: 4886: 4882:I. Vianu, p. 30 4881: 4877: 4872: 4868: 4863: 4859: 4854: 4850: 4845: 4838: 4833: 4829: 4824: 4815: 4810: 4806: 4801: 4797: 4792: 4788: 4783: 4779: 4774: 4770: 4765: 4761: 4756: 4752: 4747: 4743: 4723: 4722: 4709: 4689: 4688: 4679: 4674: 4670: 4665: 4661: 4656: 4647: 4642: 4638: 4633: 4629: 4609: 4608: 4577: 4557: 4556: 4543: 4538: 4534: 4529: 4525: 4520: 4516: 4511: 4507: 4502: 4498: 4493: 4489: 4484: 4477: 4472: 4468: 4463: 4459: 4454: 4450: 4445: 4441: 4432: 4428: 4423: 4419: 4414: 4410: 4405: 4401: 4396: 4392: 4387: 4383: 4378: 4374: 4370:I. Vianu, p. 83 4369: 4365: 4360: 4356: 4351: 4347: 4342: 4338: 4323: 4322: 4311: 4306: 4302: 4297: 4293: 4288: 4284: 4247: 4243: 4238: 4234: 4229: 4225: 4220: 4216: 4211: 4207: 4202: 4198: 4193: 4186: 4181: 4177: 4172: 4168: 4163: 4156: 4152:I. Vianu, p. 59 4151: 4147: 4142: 4138: 4133: 4129: 4120: 4116: 4107: 4103: 4098: 4094: 4089: 4078: 4073: 4064: 4053:, 1956, p. 93. 4037: 4033: 4028: 4024: 4004: 4003: 3994: 3989: 3985: 3962: 3958: 3949: 3945: 3940: 3936: 3927: 3923: 3918: 3914: 3909: 3905: 3900: 3896: 3891: 3887: 3882: 3875: 3870: 3859: 3854: 3850: 3845: 3838: 3833: 3829: 3824: 3820: 3815: 3811: 3806: 3802: 3797: 3793: 3788: 3784: 3779: 3775: 3755: 3754: 3737: 3732: 3723: 3718: 3714: 3709: 3700: 3696:I. Vianu, p. 19 3695: 3691: 3686: 3682: 3677: 3670: 3650: 3649: 3618: 3613: 3609: 3604: 3600: 3595: 3591: 3587:I. Vianu, p. 25 3586: 3582: 3577: 3573: 3568: 3561: 3556: 3552: 3540:Wayback Machine 3529:Andrei Oișteanu 3525: 3524: 3503: 3498: 3494: 3489: 3485: 3480: 3476: 3471: 3467: 3447: 3446: 3419: 3414: 3410: 3405: 3401: 3396: 3383: 3378: 3374: 3369: 3365: 3360: 3356: 3351: 3347: 3342: 3338: 3333: 3329: 3324: 3320: 3315: 3311: 3294: 3293: 3272: 3267: 3263: 3258: 3254: 3249: 3245: 3240: 3231: 3226: 3222: 3217: 3213: 3208: 3204: 3184: 3165: 3139:old orthography 3130: 3126: 3122: 3106:Matei Caragiale 3083:Gheorghe Dinică 3040:musical theater 3024:Iorgu Caragiale 3012:Nottara Theater 3008:Alexandru Repan 2977: 2959:. One of them, 2803: 2751:Mircea Nedelciu 2601:Matei Călinescu 2563:Communist Party 2513:Tașcu Gheorghiu 2505:interwar period 2490: 2488:under communism 2422: 2417: 2408: 2405: 2403: 2401: 2399: 2393: 2390: 2388: 2386: 2384: 2367:. One of them, 2345: 2338: 2336: 2334: 2333: 2331: 2329: 2323: 2320: 2318: 2316: 2315: 2313: 2311: 2292: 2289: 2287: 2285: 2284: 2282: 2280: 2274: 2271: 2269: 2267: 2266: 2264: 2262: 2203:Symbolist poems 2199: 2191:Giorgio Bassani 2123:Soborul țațelor 2021: 1990:. In addition, 1982:of Caragiale's 1965:Bucura Dumbravă 1848:Greater Romania 1815: 1809: 1751:, or even from 1667:Oedipus complex 1634:Edgar Allan Poe 1620:, the doyen of 1613: 1608: 1573:Matei Călinescu 1505:Ștefana Velisar 1468:drug subculture 1464:substance abuse 1460:Andrei Oișteanu 1443: 1426:Serbian Kingdom 1404:flag of Hungary 1348:Austria-Hungary 1218: 1213: 1201:Eugen Lovinescu 1090:Nicolae Ottescu 1067:Soborul țațelor 1052:detective story 1048:Soborul țațelor 1036: 960: 954:Eugen Lovinescu 897: 839:People's League 705: 586: 539:Constantin Banu 434: 406:Imperial German 391:Austria-Hungary 371:George Valentin 332:Calea Victoriei 320: 315: 246:People's League 244:, and then the 214:interwar period 152: 71: 67: 51: 45: 43: 26: 17: 12: 11: 5: 6963: 6961: 6953: 6952: 6947: 6942: 6937: 6932: 6927: 6922: 6917: 6912: 6907: 6902: 6897: 6892: 6887: 6882: 6877: 6872: 6867: 6862: 6857: 6852: 6847: 6842: 6837: 6832: 6827: 6822: 6817: 6812: 6807: 6802: 6797: 6792: 6787: 6782: 6777: 6772: 6762: 6761: 6756: 6755: 6733:excerpts from 6716: 6715:External links 6713: 6712: 6711: 6694: 6661: 6640: 6619: 6603: 6585: 6568: 6550:Dan Grigorescu 6546: 6525: 6504: 6490: 6469: 6468: 6467: 6461: 6438: 6435: 6433: 6432: 6423: 6402: 6374: 6352: 6330: 6309: 6296: 6283: 6258: 6237: 6211: 6182: 6146: 6144:I. Vianu, p. 7 6137: 6112: 6092: 6078:Adina Dinițoiu 6067: 6053:Adina Dinițoiu 6042: 6013: 5984: 5959: 5937: 5928: 5894: 5885: 5858: 5836: 5827: 5818: 5809: 5779: 5767: 5758: 5749: 5740: 5731: 5722: 5713: 5704: 5695: 5686: 5674: 5672:Vartic, p. 122 5665: 5656: 5647: 5638: 5636:Vartic, p. 128 5629: 5617: 5605: 5596: 5587: 5578: 5566: 5554: 5540: 5531: 5517:Cosmin Ciotloș 5503: 5494: 5482: 5473: 5464: 5448: 5446:I. Vianu, p. 6 5436: 5400: 5391: 5389:Vartic, p. 131 5377: 5368: 5359: 5350: 5341: 5332: 5323: 5314: 5305: 5281: 5272: 5259: 5203:Emanoil Bucuța 5166: 5157: 5144: 5130: 5117: 5108: 5099: 5090: 5081: 5072: 5063: 5054: 5045: 5041:"Germanofilii" 5032: 5019: 5010: 5001: 4992: 4983: 4974: 4965: 4956: 4947: 4938: 4929: 4920: 4911: 4902: 4893: 4891:Vartic, p. 123 4884: 4875: 4866: 4857: 4848: 4846:Nastasă, p. 19 4836: 4827: 4813: 4804: 4795: 4786: 4777: 4768: 4759: 4750: 4741: 4727:Mircea Mihăieș 4707: 4693:Stelian Tănase 4677: 4668: 4659: 4645: 4636: 4627: 4575: 4541: 4532: 4523: 4514: 4512:Vartic, p. 121 4505: 4496: 4494:Vartic, p. 130 4487: 4485:Vartic, p. 129 4475: 4466: 4457: 4448: 4439: 4426: 4417: 4408: 4399: 4390: 4381: 4372: 4363: 4354: 4345: 4336: 4326:Alina Andrei, 4309: 4300: 4291: 4282: 4258:Emanoil Bucuța 4241: 4232: 4223: 4214: 4205: 4196: 4194:Vartic, p. 132 4184: 4175: 4166: 4154: 4145: 4136: 4127: 4123:"Germanofilii" 4114: 4110:"Germanofilii" 4101: 4092: 4076: 4062: 4047:Ștefan Luchian 4031: 4022: 3992: 3983: 3965:"Germanofilii" 3956: 3952:"Germanofilii" 3943: 3934: 3930:"Germanofilii" 3921: 3912: 3903: 3894: 3885: 3873: 3857: 3848: 3836: 3827: 3818: 3809: 3800: 3791: 3782: 3773: 3735: 3721: 3712: 3698: 3689: 3680: 3668: 3616: 3607: 3598: 3589: 3580: 3571: 3559: 3550: 3501: 3492: 3483: 3474: 3465: 3417: 3408: 3399: 3381: 3372: 3363: 3354: 3345: 3336: 3327: 3318: 3309: 3270: 3261: 3252: 3243: 3229: 3220: 3211: 3202: 3194:Tr@nsit online 3163: 3123: 3121: 3118: 3114:Drumul Taberei 3087:Stelian Tănase 3079:Marius Bodochi 3048:Richard Wagner 3020:Radu Macrinici 3006:, directed by 2997:George Tomaziu 2976: 2973: 2898:Ion Negoițescu 2878:Mircea Mihăieș 2802: 2799: 2771:Paul Georgescu 2723:Ștefan Agopian 2612:liberalization 2567:Petru Dumitriu 2489: 2483: 2421: 2418: 2416: 2413: 2410: 2409: 2394: 2365:Mihai Eminescu 2347: 2346: 2324: 2294: 2293: 2275: 2198: 2195: 2146:missing person 2054:Aubrey de Vere 2020: 2017: 1909:Mihai Eminescu 1872:Inspecțiune... 1868:intertextually 1860:sketch stories 1811:Main article: 1808: 1805: 1741:Romanian lexis 1612: 1611:Literary style 1609: 1607: 1604: 1594:ménage à trois 1548:Central Powers 1526:Roman Catholic 1516:god's powers. 1472:binge drinking 1442: 1439: 1437:environments. 1291:outlining the 1217: 1214: 1212: 1209: 1199:. Rosetti and 1152:published his 1118:Camil Petrescu 1035: 1032: 1009:cocaine addict 896: 890: 767:Ștefan Luchian 763:Bellu Cemetery 713:Central Powers 704: 701: 663:Russian Empire 600:Titu Maiorescu 598:in the second 585: 582: 570:Mihai Eminescu 561:binge drinking 453:psychoanalysis 433: 430: 387:Western Europe 367:Bibescu family 351:Ștefan Hepites 319: 316: 314: 311: 271:Luca Caragiale 250:Central Powers 234:graphic artist 144: 143: 120: 116: 115: 94: 90: 89: 86: 82: 81: 78: 74: 73: 70:(aged 50) 64: 60: 59: 50:March 25, 1885 41: 37: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 6962: 6951: 6948: 6946: 6943: 6941: 6938: 6936: 6933: 6931: 6928: 6926: 6923: 6921: 6918: 6916: 6913: 6911: 6908: 6906: 6903: 6901: 6898: 6896: 6893: 6891: 6888: 6886: 6883: 6881: 6878: 6876: 6873: 6871: 6868: 6866: 6863: 6861: 6858: 6856: 6853: 6851: 6848: 6846: 6843: 6841: 6838: 6836: 6833: 6831: 6828: 6826: 6823: 6821: 6818: 6816: 6813: 6811: 6808: 6806: 6803: 6801: 6798: 6796: 6793: 6791: 6788: 6786: 6783: 6781: 6778: 6776: 6773: 6771: 6768: 6767: 6765: 6758: 6753: 6752: 6747: 6743: 6742: 6737: 6736: 6730: 6729: 6724: 6723: 6719: 6718: 6714: 6710: 6706: 6702: 6698: 6695: 6693: 6689: 6685: 6681: 6677: 6673: 6669: 6665: 6662: 6660: 6656: 6652: 6651:Editura Dacia 6648: 6644: 6643:N. Steinhardt 6641: 6639: 6635: 6631: 6627: 6623: 6620: 6617: 6613: 6612: 6606:(in Romanian) 6604: 6602: 6601:973-9224-63-6 6598: 6594: 6590: 6586: 6584: 6583:973-21-0159-8 6580: 6576: 6572: 6569: 6567: 6563: 6559: 6555: 6551: 6547: 6545: 6541: 6537: 6533: 6529: 6526: 6524: 6520: 6516: 6512: 6508: 6505: 6502: 6498: 6494: 6491: 6489: 6485: 6481: 6477: 6473: 6470: 6465: 6462: 6459: 6456: 6455: 6453: 6452:973-9114-27-X 6449: 6445: 6441: 6440: 6436: 6427: 6424: 6420: 6416: 6415: 6409: 6407: 6403: 6399: 6398: 6393: 6389: 6385:(in Romanian) 6381: 6379: 6375: 6371: 6370: 6365: 6360:(in Romanian) 6356: 6353: 6349: 6348: 6343: 6338:(in Romanian) 6334: 6331: 6327: 6326: 6321: 6317:(in Romanian) 6313: 6310: 6306: 6300: 6297: 6293: 6287: 6284: 6280: 6279: 6274: 6270: 6269:Iulian Ciocan 6266:(in Romanian) 6262: 6259: 6255: 6254: 6249: 6245:(in Romanian) 6241: 6238: 6234: 6233: 6228: 6226: 6219:(in Romanian) 6215: 6212: 6208: 6207: 6202: 6200: 6194: 6190:(in Romanian) 6186: 6183: 6180: 6179:1-86189-103-2 6176: 6172: 6168: 6164: 6163: 6158: 6154:(in Romanian) 6150: 6147: 6141: 6138: 6134: 6133: 6128: 6124: 6120:(in Romanian) 6116: 6113: 6109: 6105: 6100:(in Romanian) 6096: 6093: 6089: 6088: 6083: 6079: 6075:(in Romanian) 6071: 6068: 6064: 6063: 6058: 6057:"Match Point" 6054: 6050:(in Romanian) 6046: 6043: 6039: 6038: 6033: 6029: 6026: 6017: 6014: 6010: 6009: 6004: 6002: 5996: 5992:(in Romanian) 5988: 5985: 5981: 5980: 5975: 5971: 5967:(in Romanian) 5963: 5960: 5956: 5955: 5950: 5945:(in Romanian) 5941: 5938: 5932: 5929: 5925: 5924: 5919: 5915: 5912: 5907:(in Romanian) 5903: 5901: 5899: 5895: 5889: 5886: 5883: 5879: 5875: 5871: 5867: 5862: 5859: 5855: 5851: 5850: 5844:(in Romanian) 5840: 5837: 5831: 5828: 5822: 5819: 5813: 5810: 5806: 5805: 5800: 5796: 5792:(in Romanian) 5788: 5786: 5784: 5780: 5774: 5772: 5768: 5762: 5759: 5753: 5750: 5744: 5741: 5735: 5732: 5726: 5723: 5717: 5714: 5708: 5705: 5699: 5696: 5690: 5687: 5681: 5679: 5675: 5669: 5666: 5660: 5657: 5651: 5648: 5642: 5639: 5633: 5630: 5624: 5622: 5618: 5612: 5610: 5606: 5600: 5597: 5591: 5588: 5582: 5579: 5573: 5571: 5567: 5561: 5559: 5555: 5549: 5547: 5545: 5541: 5535: 5532: 5529:, Nr. 44/2010 5528: 5527: 5522: 5518: 5514:(in Romanian) 5510: 5508: 5504: 5498: 5495: 5489: 5487: 5483: 5477: 5474: 5468: 5465: 5461: 5455: 5453: 5449: 5443: 5441: 5437: 5433: 5432: 5427: 5423: 5419:(in Romanian) 5415: 5413: 5411: 5409: 5407: 5405: 5401: 5395: 5392: 5386: 5384: 5382: 5378: 5372: 5369: 5363: 5360: 5354: 5351: 5345: 5342: 5336: 5333: 5327: 5324: 5318: 5315: 5309: 5306: 5302: 5301: 5296: 5292:(in Romanian) 5288: 5286: 5282: 5276: 5273: 5269: 5263: 5260: 5256: 5252: 5248: 5244: 5240: 5236: 5232: 5228: 5227:Ion Minulescu 5224: 5223:Petru Manoliu 5220: 5216: 5215:Horia Furtună 5212: 5208: 5204: 5200: 5199:Ioachim Botez 5196: 5192: 5188: 5187:Tudor Arghezi 5184: 5180: 5176: 5170: 5167: 5161: 5158: 5154: 5148: 5145: 5139: 5137: 5135: 5131: 5127: 5121: 5118: 5112: 5109: 5103: 5100: 5094: 5091: 5085: 5082: 5076: 5073: 5067: 5064: 5058: 5055: 5049: 5046: 5042: 5036: 5033: 5029: 5023: 5020: 5014: 5011: 5005: 5002: 4996: 4993: 4987: 4984: 4978: 4975: 4969: 4966: 4960: 4957: 4951: 4948: 4942: 4939: 4933: 4930: 4924: 4921: 4915: 4912: 4906: 4903: 4897: 4894: 4888: 4885: 4879: 4876: 4870: 4867: 4861: 4858: 4852: 4849: 4843: 4841: 4837: 4831: 4828: 4822: 4820: 4818: 4814: 4808: 4805: 4799: 4796: 4790: 4787: 4781: 4778: 4772: 4769: 4763: 4760: 4754: 4751: 4745: 4742: 4739:, Nr. 31/2009 4738: 4737: 4732: 4728: 4724:(in Romanian) 4720: 4718: 4716: 4714: 4712: 4708: 4704: 4703: 4698: 4694: 4690:(in Romanian) 4686: 4684: 4682: 4678: 4672: 4669: 4663: 4660: 4654: 4652: 4650: 4646: 4640: 4637: 4631: 4628: 4624: 4623: 4618: 4614: 4610:(in Romanian) 4606: 4604: 4602: 4600: 4598: 4596: 4594: 4592: 4590: 4588: 4586: 4584: 4582: 4580: 4576: 4572: 4571: 4566: 4562: 4558:(in Romanian) 4554: 4552: 4550: 4548: 4546: 4542: 4536: 4533: 4527: 4524: 4518: 4515: 4509: 4506: 4500: 4497: 4491: 4488: 4482: 4480: 4476: 4470: 4467: 4461: 4458: 4452: 4449: 4443: 4440: 4437:, pp. 174–175 4436: 4430: 4427: 4421: 4418: 4412: 4409: 4403: 4400: 4394: 4391: 4385: 4382: 4376: 4373: 4367: 4364: 4358: 4355: 4349: 4346: 4340: 4337: 4333: 4329: 4324:(in Romanian) 4320: 4318: 4316: 4314: 4310: 4304: 4301: 4295: 4292: 4286: 4283: 4279: 4275: 4271: 4267: 4263: 4259: 4255: 4251: 4245: 4242: 4236: 4233: 4227: 4224: 4218: 4215: 4209: 4206: 4200: 4197: 4191: 4189: 4185: 4179: 4176: 4170: 4167: 4161: 4159: 4155: 4149: 4146: 4140: 4137: 4131: 4128: 4124: 4118: 4115: 4112:, pp. 203–204 4111: 4105: 4102: 4096: 4093: 4087: 4085: 4083: 4081: 4077: 4071: 4069: 4067: 4063: 4060: 4056: 4052: 4048: 4044: 4040: 4035: 4032: 4026: 4023: 4019: 4018: 4013: 4009: 4005:(in Romanian) 4001: 3999: 3997: 3993: 3987: 3984: 3980: 3979: 3974: 3970: 3966: 3960: 3957: 3953: 3947: 3944: 3938: 3935: 3931: 3925: 3922: 3916: 3913: 3907: 3904: 3898: 3895: 3889: 3886: 3880: 3878: 3874: 3868: 3866: 3864: 3862: 3858: 3852: 3849: 3843: 3841: 3837: 3831: 3828: 3822: 3819: 3813: 3810: 3804: 3801: 3795: 3792: 3786: 3783: 3777: 3774: 3770: 3769: 3764: 3760: 3756:(in Romanian) 3752: 3750: 3748: 3746: 3744: 3742: 3740: 3736: 3730: 3728: 3726: 3722: 3716: 3713: 3707: 3705: 3703: 3699: 3693: 3690: 3684: 3681: 3675: 3673: 3669: 3666:, Nr. 14/2001 3665: 3664: 3659: 3655: 3651:(in Romanian) 3647: 3645: 3643: 3641: 3639: 3637: 3635: 3633: 3631: 3629: 3627: 3625: 3623: 3621: 3617: 3611: 3608: 3602: 3599: 3593: 3590: 3584: 3581: 3575: 3572: 3566: 3564: 3560: 3554: 3551: 3547: 3546: 3541: 3537: 3534: 3530: 3526:(in Romanian) 3522: 3520: 3518: 3516: 3514: 3512: 3510: 3508: 3506: 3502: 3496: 3493: 3487: 3484: 3478: 3475: 3469: 3466: 3462: 3461: 3456: 3452: 3448:(in Romanian) 3444: 3442: 3440: 3438: 3436: 3434: 3432: 3430: 3428: 3426: 3424: 3422: 3418: 3412: 3409: 3403: 3400: 3394: 3392: 3390: 3388: 3386: 3382: 3376: 3373: 3367: 3364: 3358: 3355: 3349: 3346: 3340: 3337: 3331: 3328: 3322: 3319: 3313: 3310: 3307:, Nr. 40/2008 3306: 3305: 3300: 3295:(in Romanian) 3291: 3289: 3287: 3285: 3283: 3281: 3279: 3277: 3275: 3271: 3265: 3262: 3256: 3253: 3247: 3244: 3238: 3236: 3234: 3230: 3224: 3221: 3215: 3212: 3206: 3203: 3200:, Nr. 21/2002 3199: 3195: 3191: 3187: 3182: 3180: 3178: 3176: 3174: 3172: 3170: 3168: 3164: 3160: 3156: 3152: 3148: 3144: 3140: 3135: 3128: 3125: 3119: 3117: 3115: 3111: 3107: 3102: 3100: 3099:Realitatea TV 3096: 3092: 3088: 3084: 3080: 3076: 3073:. It starred 3072: 3071:Mircea Veroiu 3068: 3064: 3060: 3055: 3053: 3049: 3045: 3041: 3037: 3033: 3032:Răzvan Mazilu 3029: 3025: 3021: 3017: 3013: 3009: 3005: 3000: 2998: 2994: 2990: 2989:Expressionist 2986: 2982: 2974: 2972: 2970: 2966: 2962: 2961:Anatol Moraru 2958: 2954: 2949: 2945: 2940: 2938: 2934: 2930: 2926: 2922: 2918: 2914: 2910: 2906: 2901: 2899: 2895: 2894:Ovidiu Cotruș 2891: 2887: 2883: 2879: 2876: 2872: 2868: 2864: 2860: 2856: 2852: 2848: 2847: 2842: 2837: 2835: 2830: 2826: 2824: 2818: 2817: 2812: 2808: 2800: 2798: 2796: 2792: 2788: 2784: 2780: 2776: 2772: 2768: 2764: 2762: 2756: 2752: 2748: 2744: 2743:Florin Șlapac 2740: 2737:—Cărtărescu, 2736: 2732: 2728: 2724: 2720: 2719:Postmodernism 2716: 2712: 2708: 2707: 2702: 2697: 2695: 2691: 2687: 2683: 2679: 2675: 2671: 2667: 2663: 2659: 2655: 2651: 2647: 2643: 2642: 2637: 2636:protochronism 2633: 2629: 2625: 2621: 2617: 2613: 2608: 2606: 2602: 2598: 2597: 2592: 2588: 2584: 2580: 2576: 2575:Tudor Arghezi 2572: 2568: 2564: 2560: 2559:Joseph Stalin 2556: 2552: 2548: 2544: 2540: 2539: 2534: 2530: 2529:Aurel Baranga 2526: 2522: 2518: 2514: 2510: 2506: 2502: 2494: 2487: 2484: 2482: 2480: 2476: 2472: 2468: 2464: 2460: 2456: 2452: 2447: 2444: 2439: 2435: 2431: 2427: 2420:Early decades 2419: 2414: 2407: 2395: 2392: 2380: 2379: 2376: 2374: 2370: 2366: 2362: 2361:national poet 2358: 2354: 2344: 2342: 2341:Tyrian purple 2325: 2322: 2307: 2306: 2303: 2301: 2291: 2276: 2273: 2258: 2257: 2254: 2252: 2248: 2244: 2240: 2236: 2232: 2228: 2224: 2223: 2218: 2217: 2212: 2208: 2204: 2196: 2194: 2192: 2188: 2184: 2178: 2176: 2172: 2168: 2164: 2159: 2155: 2151: 2147: 2143: 2139: 2135: 2131: 2128:Written as a 2126: 2124: 2119: 2118:Ovidiu Cotruș 2115: 2111: 2107: 2103: 2099: 2094: 2092: 2088: 2087: 2081: 2077: 2073: 2069: 2065: 2061: 2060: 2055: 2051: 2047: 2043: 2040:is a fantasy 2039: 2033: 2029: 2025: 2018: 2016: 2014: 2010: 2006: 2002: 1998: 1997:Pantazi Ghica 1993: 1989: 1985: 1981: 1977: 1973: 1968: 1966: 1962: 1958: 1953: 1951: 1950: 1945: 1941: 1937: 1933: 1929: 1925: 1921: 1917: 1912: 1910: 1906: 1902: 1898: 1894: 1889: 1887: 1883: 1879: 1878: 1873: 1869: 1865: 1861: 1857: 1853: 1850:. Researcher 1849: 1845: 1841: 1837: 1833: 1826: 1825: 1819: 1814: 1806: 1804: 1802: 1798: 1797: 1792: 1786: 1784: 1780: 1776: 1775: 1770: 1768: 1762: 1758: 1754: 1750: 1746: 1742: 1738: 1733: 1731: 1730:Byzantine art 1727: 1723: 1719: 1715: 1711: 1707: 1706:Ion Minulescu 1703: 1702:Tudor Arghezi 1699: 1695: 1691: 1686: 1684: 1683:Tristan Tzara 1680: 1676: 1672: 1668: 1664: 1660: 1655: 1651: 1647: 1643: 1639: 1635: 1631: 1627: 1623: 1619: 1610: 1605: 1603: 1599: 1596: 1595: 1590: 1586: 1582: 1581:homoeroticism 1578: 1577:homosociality 1574: 1570: 1566: 1562: 1557: 1556:homosexuality 1553: 1549: 1545: 1540: 1538: 1534: 1530: 1527: 1522: 1517: 1515: 1511: 1506: 1502: 1497: 1491: 1489: 1485: 1481: 1477: 1473: 1469: 1465: 1461: 1457: 1452: 1448: 1440: 1438: 1436: 1431: 1427: 1423: 1419: 1415: 1414: 1407: 1405: 1401: 1396: 1392: 1388: 1384: 1379: 1377: 1376:Stefan George 1373: 1369: 1365: 1361: 1360:Transylvanian 1357: 1353: 1349: 1345: 1340: 1338: 1334: 1330: 1329:Apaffy family 1326: 1323: 1318: 1312: 1310: 1306: 1302: 1298: 1294: 1293:rule of three 1290: 1286: 1282: 1278: 1273: 1271: 1267: 1264:, as well as 1263: 1259: 1255: 1251: 1247: 1243: 1239: 1231: 1227: 1222: 1215: 1210: 1208: 1206: 1202: 1198: 1194: 1189: 1187: 1186:faith healing 1183: 1179: 1175: 1171: 1167: 1163: 1161: 1155: 1151: 1150: 1145: 1139: 1137: 1133: 1129: 1125: 1124: 1123:Contimporanul 1119: 1115: 1114:Ion Minulescu 1111: 1107: 1103: 1099: 1095: 1091: 1087: 1086:Nicolae Iorga 1083: 1078: 1076: 1072: 1068: 1064: 1060: 1056: 1053: 1049: 1040: 1033: 1031: 1029: 1028: 1023: 1019: 1018: 1012: 1010: 1006: 1001: 997: 994:in Italy, at 993: 990: 986: 982: 978: 977:Parliamentary 974: 973:Octavian Goga 969: 966: 959: 955: 951: 947: 943: 939: 938: 933: 928: 926: 922: 918: 914: 910: 906: 902: 894: 891: 889: 887: 883: 879: 878:Gheorghe Sion 875: 871: 867: 863: 860:saw print in 859: 854: 852: 848: 844: 840: 835: 833: 832:Petre P. Carp 829: 825: 821: 817: 813: 809: 805: 801: 800: 799:Ancien Régime 795: 791: 790:Romanian Army 787: 783: 779: 778:Allied Powers 774: 772: 768: 764: 760: 756: 755:Alexander III 753: 749: 745: 740: 738: 734: 730: 726: 722: 718: 714: 710: 702: 700: 698: 694: 690: 689: 684: 680: 676: 672: 668: 664: 660: 656: 652: 648: 644: 638: 636: 633: 628: 624: 620: 615: 613: 609: 605: 601: 597: 593: 592: 583: 581: 579: 575: 571: 567: 566:Mite Kremnitz 562: 558: 554: 548: 546: 545: 540: 536: 532: 528: 524: 520: 519:Tudor Arghezi 516: 512: 511: 507: 503: 499: 498: 492: 489: 485: 480: 478: 474: 470: 466: 460: 458: 457:single parent 454: 450: 442: 438: 431: 429: 427: 423: 419: 415: 411: 407: 403: 399: 394: 392: 388: 384: 380: 376: 372: 368: 364: 360: 356: 352: 348: 345:, the writer 344: 340: 335: 333: 329: 325: 317: 312: 310: 308: 304: 300: 296: 292: 288: 284: 280: 279:Gheorghe Sion 276: 272: 268: 263: 261: 260: 255: 252:during their 251: 247: 243: 239: 238:civil service 235: 231: 226: 224: 219: 215: 211: 207: 203: 202: 201:fin de siècle 197: 193: 189: 185: 181: 180: 175: 171: 167: 163: 158: 150: 142: 141: 136: 132: 131:Parnassianism 128: 124: 121: 117: 114: 110: 106: 102: 98: 95: 91: 87: 83: 79: 75: 65: 61: 58: 54: 42: 38: 34: 29: 22: 19: 6757: 6749: 6740: 6734: 6727: 6721: 6700: 6667: 6646: 6625: 6622:Perpessicius 6610: 6588: 6574: 6553: 6532:Caragialiana 6531: 6510: 6496: 6475: 6443: 6426: 6413: 6395: 6367: 6355: 6345: 6333: 6323: 6312: 6304: 6299: 6291: 6286: 6276: 6261: 6251: 6240: 6230: 6224: 6214: 6204: 6198: 6185: 6170: 6160: 6149: 6140: 6130: 6115: 6095: 6085: 6070: 6060: 6045: 6035: 6016: 6006: 6000: 5987: 5977: 5962: 5952: 5940: 5931: 5921: 5888: 5869: 5861: 5848: 5839: 5830: 5821: 5812: 5802: 5761: 5752: 5743: 5734: 5725: 5716: 5707: 5698: 5689: 5668: 5659: 5650: 5641: 5632: 5599: 5590: 5581: 5534: 5524: 5497: 5476: 5467: 5460:Avangarda... 5459: 5429: 5422:Carmen Mușat 5394: 5371: 5362: 5353: 5344: 5335: 5326: 5317: 5308: 5298: 5275: 5268:Avangarda... 5267: 5262: 5235:Dinu Nicodin 5231:Sanda Movilă 5219:Adrian Maniu 5211:N. Davidescu 5207:Ion Călugăru 5175:Felix Aderca 5169: 5160: 5153:Avangarda... 5152: 5147: 5126:Avangarda... 5125: 5120: 5111: 5102: 5093: 5084: 5075: 5066: 5057: 5048: 5040: 5035: 5028:Avangarda... 5027: 5022: 5013: 5004: 4995: 4986: 4977: 4968: 4959: 4950: 4941: 4932: 4923: 4914: 4905: 4896: 4887: 4878: 4869: 4860: 4851: 4830: 4807: 4798: 4789: 4780: 4771: 4762: 4753: 4744: 4734: 4700: 4671: 4662: 4639: 4630: 4620: 4613:Eugen Simion 4568: 4535: 4526: 4517: 4508: 4499: 4490: 4469: 4460: 4451: 4442: 4435:Avangarda... 4434: 4429: 4420: 4411: 4402: 4393: 4384: 4375: 4366: 4357: 4348: 4339: 4303: 4294: 4285: 4270:Gib Mihăescu 4266:Adrian Maniu 4254:Lucian Blaga 4244: 4235: 4226: 4217: 4208: 4199: 4178: 4169: 4148: 4139: 4130: 4122: 4117: 4109: 4104: 4095: 4046: 4034: 4025: 4015: 3986: 3976: 3969:Germanophile 3964: 3959: 3951: 3946: 3937: 3929: 3924: 3915: 3906: 3897: 3888: 3851: 3830: 3821: 3812: 3803: 3794: 3785: 3776: 3766: 3715: 3692: 3683: 3661: 3610: 3601: 3592: 3583: 3574: 3553: 3543: 3495: 3486: 3477: 3468: 3458: 3411: 3402: 3375: 3366: 3357: 3348: 3339: 3330: 3321: 3312: 3302: 3264: 3255: 3246: 3223: 3214: 3205: 3193: 3186:Sorin Antohi 3158: 3146: 3142: 3127: 3109: 3105: 3103: 3094: 3066: 3056: 3035: 3027: 3018:. 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Davidescu 1919: 1915: 1913: 1905:Eugen Simion 1892: 1890: 1875: 1871: 1835: 1829: 1822: 1800: 1794: 1787: 1772: 1764: 1760: 1734: 1687: 1614: 1600: 1592: 1588: 1564: 1541: 1518: 1492: 1451:Ionel Gherea 1444: 1435:meritocratic 1411: 1408: 1390: 1380: 1341: 1313: 1276: 1274: 1246:aestheticism 1235: 1230:coat of arms 1224:Caragiale's 1197:Adrian Maniu 1190: 1184:'s texts on 1182:Stefan Zweig 1157: 1147: 1140: 1131: 1121: 1079: 1070: 1066: 1062: 1058: 1054: 1047: 1045: 1025: 1021: 1015: 1013: 970: 957: 945: 941: 935: 929: 924: 921:Marcel Janco 916: 909:Perpessicius 904: 900: 898: 892: 881: 865: 861: 857: 855: 850: 836: 820:Lupu Kostaki 797: 793: 786:conscription 775: 741: 737:Francophilia 721:Germanophile 706: 686: 682: 678: 674: 671:Bene Merenti 670: 658: 639: 616: 608:Take Ionescu 589: 587: 577: 549: 542: 531:Ionel Gherea 515:Panait Cerna 508: 495: 493: 481: 461: 446: 409: 395: 378: 336: 322:A native of 321: 264: 257: 227: 222: 204:, and early 199: 177: 173: 169: 165: 148: 147: 138: 97:lyric poetry 68:(1936-01-17) 18: 6935:1936 deaths 6930:1885 births 6697:Tudor Vianu 6507:Paul Cernat 6472:Lucian Boia 6281:, 2002/4/50 6167:Lucian Boia 6021:(in French) 5995:Paul Cernat 5866:Ana Selejan 5795:Paul Cernat 5251:I. Valerian 5183:Ticu Archip 4561:Paul Cernat 4250:Tudor Vianu 4039:Ionel Jianu 4008:Paul Cernat 3759:Paul Cernat 3451:Paul Cernat 3065:. In 1995, 3063:Stere Gulea 2863:Max Blecher 2690:avant-garde 2670:Fănuș Neagu 2646:Radu Albala 2620:nationalism 2538:The Leopard 2471:Sandu Tudor 2373:misanthropy 2229:history of 2227:picturesque 2130:frame story 2050:Oscar Wilde 1961:theosophist 1932:Simion Mioc 1838:traces and 1726:Art Nouveau 1671:avant-garde 1663:Paul Cernat 1659:calligraphy 1565:L'Arriviste 1552:World War I 1456:Bohemianism 1400:caricatures 1393:("Romanian 1368:Tudor Vianu 1297:esotericism 1289:arithmetics 932:Tudor Vianu 826:signed the 709:World War I 703:World War I 695:cabinet of 389:, visiting 379:L'Arriviste 355:N. Petrașcu 305:, and poet 291:Bohemianism 275:avant-garde 188:World War I 6825:Sonneteers 6764:Categories 6464:Ion Vartic 6437:References 6206:Contrafort 5954:Revista 22 5431:Revista 22 4274:Ion Pillat 3545:Revista 22 2921:Casa Capșa 2871:Ion Pillat 2783:monographs 2735:Optzeciști 2715:Optzeciști 2706:Optzeciști 2644:published 2628:Edgar Papu 2517:Surrealist 2183:cartomancy 1980:projection 1972:homosexual 1897:Surrealist 1864:stereotype 1698:Anton Pann 1694:Wallachian 1585:narcissism 1569:homophobia 1514:psychopomp 1484:Ion Vartic 1309:numerology 1205:Casa Capșa 1022:Chevaliers 1005:utopianism 913:Ion Pillat 744:Casa Capșa 717:propaganda 414:Tiergarten 318:Early life 295:Casa Capșa 77:Occupation 46:1885-03-25 6744:, in the 6664:Ion Vianu 6614:, at the 6480:Humanitas 5852:, at the 5255:Ion Vinea 5191:H. 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