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After 1963, Lichtenstein's comics-based women "look hard, crisp, brittle, and uniformly modish in appearance, as if they all came out of the same pot of makeup." This particular example is one of several that is cropped so closely that the girl's hair flows beyond the edges of the canvas. This is an
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Eckhard
Schneider describes this single-frame style of art as stills suddenly halting a narrative associated with young women's predicaments, noting that "The private tone of the words increases the paintings’ aura of authenticity, like verbal snap-snots – an aspect especially apparent in the
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reads "M–Maybe he became ill and couldn’t leave the studio". The text and her expression jointly capture her continuing worry and anticipation. David Britt likens the work to
Victorian narrative painting because Lichtenstein invites much speculation with the work, including the identities of the
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example of
Lichtenstein humorously presenting a subject that might be crowded out in a newspaper with a sort of ironic self-awareness that relies on the difference between art and the rest of the world.
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Lichtenstein had a desire that his paintings look as mechanical as possible although he was a painter. Rather than selecting subject matter from photographs by an individual, he selected teen and action
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hesitantly voiced ‘M-Maybe’." However, Lichtenstein idealizes the appearance with graphic tension that separates the emotional subject matter from the apparent poise of the depiction.
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from his personal collection. By then, the going rate for a
Lichtenstein was $ 6000 and Castelli estimated $ 12,000. Ludwig offered Lichtenstein $ 30,000 to purchase the work.
161:, such as the obvious source for this work, as subjects since they were illustrated by teams that produced source material that was devoid of "personal elements of style".
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sold for $ 1000. Prices for his work rose quickly. In 1965, German collector Peter Ludwig asked
Castelli, what price Lichtenstein might accept to sell
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present and absent subjects of the work as well as the "nature of the situation". I.e, what might be holding up his arrival.
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Hendrickson, Janis (1993). "The
Pictures That Lichtenstein made Famous, or The Pictures that Made Lichtenstein Famous".
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adaptations. As is a common theme among these works, she awaits a man in a vague but urban setting. The
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Lichtenstein's first solo show at The Leo
Castelli Gallery in February 1962 sold out before opening.
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Coplans, John, ed. (1972). "Introduction, Biographical Notes, Chronology of
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152.4 cm × 152.4 cm (60 in × 60 in)
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depicts a blonde girl, which is typical for
Lichtenstein's romance
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Rondeau, James and Sheena
Wagstaff (2012). Rigas, Maia M. (ed.).
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This article about a twentieth-century painting is a
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I Can See the Whole Room...and There's Nobody in It!
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811:Large Interior with Three Reflections
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691:Oh, Jeff...I Love You, Too...But...
1027:. You can help Knowledge (XXG) by
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787:Artist's Studio—Look Mickey
346:Roy Lichtenstein: A Retrospective
238:Britt, David, ed. (1999). "Pop".
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267:Schneider, Eckhard, ed. (2005).
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376:Lichtenstein Foundation website
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1089:Portraits by American artists
1084:Paintings by Roy Lichtenstein
795:Cubist Still Life with Lemons
779:Yellow and Green Brushstrokes
771:The Melody Haunts My Reverie
16:Painting by Roy Lichtenstein
1094:20th-century painting stubs
997:Mitchell Lichtenstein (son)
945:Mural with Blue Brushstroke
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902:Tokyo Brushstroke I and II
539:Portrait of Madame Cézanne
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350:Art Institute of Chicago
209:Tomkins, Calvin (1988).
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643:Woman with Flowered Hat
1079:20th-century portraits
862:Brushstrokes in Flight
894:The Head of Barcelona
827:Nudes with Beach Ball
739:Girl with Hair Ribbon
215:Harry N. Abrams, Inc.
611:Okay Hot-Shot, Okay!
246:. pp. 311–314.
119:sold for $ 1200 and
755:Little Big Painting
101:. It is one of his
953:Times Square Mural
854:Expressionist Head
731:Big Painting No. 6
331:Praeger Publishers
82:, Cologne, Germany
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878:Five Brushstrokes
870:Five Brushstrokes
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97:painting by
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980:BMW Art Car
964:Other works
910:Brushstroke
886:Modern Head
667:Happy Tears
579:Crying Girl
547:Takka Takka
531:Masterpiece
475:Mr. Bellamy
467:Look Mickey
191:1965 in art
1068:Categories
838:Sculptures
603:In the Car
483:Roto Broil
93:is a 1965
68:Dimensions
976:(1965–66)
563:Bratatat!
515:Jet Pilot
507:Golf Ball
419:Paintings
595:Hopeless
499:Brattata
169:See also
76:Location
57:Movement
990:Related
926:House I
846:Mermaid
763:M-Maybe
627:Varoom!
523:Kiss II
138:M-Maybe
133:Details
127:M-Maybe
109:History
95:pop art
90:M-Maybe
62:Pop art
24:M-Maybe
982:(1977)
974:series
956:(1994)
948:(1986)
937:Murals
929:(1996)
921:(1996)
913:(1996)
905:(1994)
897:(1992)
889:(1989)
865:(1984)
857:(1980)
849:(1979)
830:(1994)
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798:(1975)
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635:Whaam!
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159:comics
142:comics
38:Artist
675:Nurse
571:Crak!
197:Notes
1025:stub
491:Blam
354:ISBN
306:ISBN
277:ISBN
248:ISBN
219:ISBN
122:Blam
51:1965
48:Year
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
