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228:, Mir Seyid Ali). Kamancheh is mainly made of walnut wood. The instrument consists of a wine bowl-shaped resonator, a circular neck, a "kelleh" (the part where the "ashiqs" rest their chin), and a steel rod called "sish." A metal brace attached to the lower part of the body allows the kamancheh to be played on the knee. The metal brace also holds the four strings that pass over the instrument's arms and body from the top. The front of the body is covered with skin. The instrument's sound is produced by drawing the bow across the strings. The bow is made of a horsehair-covered wooden stick with a metal ring attached to its end. The total length of the instrument is between 65 and 90 cm. The kamancheh used to have 1–3 strings, but now it has four. The notes "lya" in the small octave, "mi" and "lya" in the first octave, and "mi" in the second octave are played on the instrument. The range of the instrument is from the "lya" note in the small octave to the "mi" note in the third octave (sometimes solo). The kamancheh has a delicate and tender sound.
664:, which is the most responsible stage. Often, musicians who are invited to play at the wedding are first invited to the village tea house, where they are given a good place to perform. After that, all the elders and dignitaries of the village would give their consent, and those musicians would be entrusted with performing at the wedding. The mugham trio would perform at the boy's wedding, especially on the second day, with a "concert program" dedicated to the wedding. The second night of the boy's wedding was considered a responsible night for the mugham performers, as the elders, respectable men, and dignitaries of the village would gather to listen to the mugams. Since the 1950s, these weddings have frequently invited the mugham trio in Lankaran and its villages. In recent years,
174:), and his instrument is the tar. When the khananda sings, the tar player accompanies him with the organ point, playing solo mugham pieces between the vocal lines and modulating to new modes. The performance of the dastgah is a dialogue between the khananda and the tar player, as the tar initially plays any given gusha (section) instrumentally before handing it over to the khananda. In the instrumental pieces that alternate with the vocal sections of the mugham, the tar player is the sole soloist. The tar player must have a keen sense of ensemble, supporting the khananda while also being sensitive to his individual capabilities and knowing when to breathe.
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163:. According to their personal taste and abilities, they create compositions. In other words, it is the khananda who decides which branches and tunes should be included in the dastgah, their volume, rang, or the placement of the tasnif. When performing the mugham, khananda brings the qaval close to their face, ensuring that its sound is directed towards the listeners and resonates. During the performance of tunes with different colors and tunings, the khananda competes with and accompanies the qaval.
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65:. The dastgah represents the entire mugham, including its form, all sections and branches, as well as the sequential performance of each section or diringah. The sections that make up the mugham composition are improvised recitative with melody, which determine the musical-poetic content of the work. These are alternated with songs that have a precise rhythm, as well as dance episodes. The song episodes are called
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while the tar imitates the khananda, the kamancheh's imitation of the tar creates a complex expression style called "two-fold imitation" in the language of musicology. However, the kamancheh is not just an accompanist. In the most lyrical and passionate episodes of mugham, after the khananda's declamatory passages, the solos of the kamancheh sound as expressive and impactful as the human voice.
100:
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592:, who is considered one of the most impressive performers of the mugham art, and leads the famous mugham trio, has introduced mugham art to France and other foreign countries on numerous occasions. He started performing with the Mansurov brothers – Tar player Jamal and kamancheh player Elshan – in 1989.
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The
Azerbaijani tar used in the Mugham trio is unique in its structure, design, and artistic and technical possibilities. The modern Azerbaijani tar with eleven strings has a wide range of sounds and rich performance capabilities. The instrument was developed in the second half of the 19th century by
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is a wind instrument. It is made of a cylindrical body with a width of 60–75 mm and a diameter of 350–450 mm, covered with fish skin on one end. Thin rings are carved into the inside of the cylinder, and they produce sound when played. It is widely used in Mugam performance and is an attribute of the
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This group, which used to participate in wedding and other festive gatherings, now performs in theaters and concert halls in modern times. In fact, the history of this change goes back to the end of the 19th century. At that time, the art of singing had moved from gatherings, weddings, and festivals
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is a stringed instrument played with a pick, producing shimmering and melodious sounds. Its body resembles a figure eight and consists of a large and small bowl. The front part of the bowls is covered with skin. The small bowl has twenty-two strings called "Arm," which are tied to animal intestines
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The third participant of the trio plays the kamancheh which has a somewhat limited function in mugham performance when compared to the qaval and tar. The kamancheh player accompanies the kamancheh and tar player and serves to bring about the complex expression style of mugham. In addition to that,
205:
the renowned
Azerbaijani artist Mirza Sadig, known as Sadigjan, based on the Iranian tar. He increased the number of strings from five to eleven, slimmed down the body, raised the bridge, and created the Azerbaijani tar, which greatly increased the instrument's tonal and technical capabilities.
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They also reserved a room for our mugham trio. We would rest and practice there depending on our needs. An hour before we entered the assembly, instead of the black clarinet, the low-pitched balaban would be played. This created an opportunity for the delicate sound of our mugham trio to be
147:
made improvements to the tar, the need for the loud qoshanaqara disappeared and it was replaced with the soft and subtle sound of the shepherd's flute (qaval) held by khananda. As a result, this ensemble became composed of only three people: the tar player, kamancheh player, and
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called "qrif." The strings of the tar pass over the top of the instrument and are tied to the upper part of the bowl with the help of "ashug" from above and to the metal anchor at the bottom of the larger bowl from below. The tar is the leading instrument in the mugham trio.
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is a stringed musical instrument with a pear-shaped body covered with a stretched membrane or skin. It is one of the oldest musical instruments in
Azerbaijan and the only bowed string instrument among Azerbaijani folk instruments. The name of kamancheh is mentioned in
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for 5 days. After the concerts, the musicians also held master classes for students at the Lille
Conservatory. In general, France is one of the countries where young mugham trios from Azerbaijan perform the most. For example, in May 2010, at the invitation of the
719:'s work "Mugham") and sculptors (such as Zakir Ahmadov). Additionally, clothing collections featuring garments inspired by this trio of instruments – the qaval, tar, and kamancheh – have been showcased and presented. Moreover, for instance, embroidery artist
599:, which has been active since December 2009, has become the young representative of Azerbaijani mugham by participating in national and international competitions, festivals and events. The performers of this trio, who are the young successors of the famous
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created the first all-female mugham trio in 1989 and this small collective has performed in several foreign countries. Their first tour was to France in 1992, where they achieved great success. Later, this trio performed concerts in the UK, Italy, Iran,
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487:(khananda). In subsequent years, this mugam trio collaborated with many khanandas and went on concert tours to many countries around the world. Their performances were recorded on various albums released in foreign countries.
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was accompanied not only by his business team but also by the mugham trio. He took a group of musicians with him on his spiritual demand to Europe, not for the sake of fame or to impress foreigners, but for personal reasons.
84:
152:, and since the second half of the 19th century, this trio has been active until today. Their role in the development of Azerbaijani folk music and the creation of the mugham performance school is immeasurable.
586:– laureate of the International Mugham Festival, young khananda Vefa Orucova, tar musician Rufat Hasanov, and kamancheh player Elnur Mikayilov participated in the 1000th anniversary celebrations in France.
342:, in Tabriz. Many artists played and performed at the wedding, but Haji Husu was recognized as the best khananda and Sadigjan was recognized as the best tar player, and they were awarded the prestigious
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and mugham were brought together here. The performers, who were mugham singers, performed certain parts of the poem's text on the mugham. The famous mugham singers of that time, Jabbar
Qaryagdioglu and
192:
khananda. The
Khananda participates in the precise rhythmic music episodes of the trio while playing the qaval. Therefore, the qaval instrument has been transformed into an attribute of the khananda.
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in 1997, and among 46 musicians from different countries, they were awarded the highest prize, the "Gran-Pri". The trio's successful performance and bright victory were acknowledged by the then-
81:
As the name suggests, the muğam trio consists of three people. This ensemble is the only one that performs the complete muğam in dastgah form with all its intricacies delivered to the listener.
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between 1906 and 1916. It should also be noted that in these rare records, Gurban
Pirimov accompanied not only Jabbar Garyaghdioglu but also other khanandas such as Kechachioghlu Muhammed,
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814:
550:, who awarded all three with the honorary title of "Honored Artist". After that, the state began to invite this mugam trio to national events and provide them with continuous support.
690:. In 1897, a musical performance titled "On the Grave of Majnun Layla" was organized with his leadership. This was the theatrical musical interpretation of the last part of the poem
417:
but also throughout
Central Asia. They became famous during that period of activity, made concert tours to various countries, and their performances were recorded on
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has created the work "Mugham trio" using needles. Samadagha
Jafarov's "Mugham trio" photograph taken on a rocky ledge in this subject area also draws attention.
413:. This mugham trio, active for up to 20 years starting from 1905, was a special stage in their creativity. This trio became known not only in Azerbaijan and the
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668:, a kamancheh player and the initiator and active participant of the newly opened mugham theater in Lankaran, has said this about these weddings:
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643:, India, and other countries and received several diplomas and awards. These concerts were widely covered in the mass media of those countries.
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records. In this regard, it is possible to note the records written by "Potte," "Sport-Rekord," and "Gramophone" companies in the cities of
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In the 1930s, Jabbar
Garyaghdioglu performed "Heyrati" mugham (accompanied by Gurban Pirimov on tar and Qilman Salahov on kamancheh)..
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to theaters and concert halls, and musical performances began to emerge.. This idea was first realized by the distinguished writer
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On 17 February 2014, a postage stamp featuring the image of the mugham trio was released as an Azerbaijani philatelic product by
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As a result of increasing interest of women in this field, several mugham trios consisting only of women have also been formed.
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for playing tasnif and rangs. When playing tunes and color pieces, the daira and qoshanaqara were used. After famous musician
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627:, respectively. They achieved great success by winning the first prize at the 2011 II Republic Mugham competition.
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It should be noted the activity of the mugham trio created together by tar player Gurban Pirimov, master khananda
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customs. For example, traditional mughams play a special role in the peak stage of the boy's wedding ceremony in
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456:, created the "Mugham" jazz trio in 1977. He led this trio and they became laureates of festivals held in
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1758:Шушински Ф. Азәрбайҹан халг мусигичиләри / Под ред. Т. Ахмедова. — Б.: Јазычы, 1985. — С. 182. — 478 с.
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In the 1970s, the mugham trio emerged in a new format. The famous composer, pianist, and founder of the
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771:. The part of the image featuring the qaval was also separately released as a postage stamp.
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Nizami Ganjavi, Khamsa, Khosrow and Shirin, 70tn of the XVI century, SPL, Dorn 341. f. 70 b.
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The postage stamp of Azerbaijan issued in 2014, featuring the depiction of the mugham trio..
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performers. It is a traditional musical group of Azerbaijani musicians who perform the
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AĞDAMIN XAN ŞUŞİNSKİ ADINA MUĞAM ÜÇLÜYÜ FRANSADA ÇIXIŞ ETMİŞ, USTAD DƏRSLƏRİ KEÇMİŞDİR
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88:"The mugham trio depicted in a miniature from the 16th century, which was based on
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1386:“Muğama sevgi bizi bir araya gətirib”. “Aypara” muğam üçlüyünün üzvləri ilə söhbət
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During his trip to Paris, the famous Azerbaijani millionaire and philanthropist
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Mugham trios have been featured in a number of films. For example, in the 1956
353:'s ensemble was one of the famous mugham trios. The ensemble even performed in
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Azerbaijani music triad who play traditional tar, kamancheh and daf instruments
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1690:Хан Шушинский, Бахрам Мансуров, Талят Бакиханов в фильме "О олмасын, бу олсун"
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Azərbaycan Respublikası Prezidentinin 24 may 1998-ci il tarixli, 711 nömrəli
34:) is a classical ensemble of three Azerbaijani national musical instruments:
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715:"Mugham trio" is a subject widely explored by Azerbaijani painters (such as
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by the great Azerbaijani poet Muhammad Fuzuli. For the first time, theater,
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led by honored artist and laureate of the Union of Composers, tar musician
522:. In 1997, Aghakhan Abdullayev was replaced by an unknown female student,
61:
The performance of the muğam trio is called a complete vocal-instrumental
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The musical instruments of the mugham trio were depicted on Azerbaijan's
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during a concert tour, giving performances in the cities of France,
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in 2005 and 2009, and on Azerbaijan's 1 gapik coin issued in 2006.
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Azərbaycan musiqisinin atası Qurban Pirimov hamı üçün nümunə idi
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Tarı diz üstdən sinəyə qaldıran virtuoz musiqiçi – Sadıqcan...
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Azerbaijan State Philharmonic Society named after M. Magomayev
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Ministry of Culture and Tourism of the Republic of Azerbaijan
707:
başçılıq etdiyi ənənəvi muğam üçlüyü ilə müşayiət olunurdu.
919:
Elmi-filoloji qaynaqlar, ədəbi simalar haqqında düşüncələr
615:(kamancheh), all of whom are students of People's Artist
1013:
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1005:
1591:"Muğam və Milli Geyimlər" adli moda nümayişi keçirilib
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978:
AZƏRBAYCAN ÇALĞI ALƏTLƏRİ ANSAMBLLARI TƏSVİRİ SƏNƏTDƏ
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334:. In 1880, he was invited to the wedding of Prince
1303:
1301:
1275:""Əməkdar artist" fəxri adının verilməsi haqqında"
467:In 1987, the first mugham trio was created at the
166:The second participant of the trio is the tarzen (
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135:(ensemble of musicians) used to include the tar,
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302:Mugham trio – Segah Islam's ensemble, in 1912
1225:Əliyev Zamiq Balarza oğlu (25 May 1950, Bakı)
518:related to the 500th anniversary of the poet
475:. The ensemble consisted of People's Artists
8:
326:accompanied the great musician of the East,
1414:
1412:
1410:
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1324:Fransızlar Azərbaycan muğamının cazibəsində
322:In the 19th century, the famous tar player
1668:AZƏRBAYCAN XALQ MUSİQİSİ VƏ TƏSVİRİ SƏNƏTİ
1420:Muğam və xalq mahnılarımızın mahir ifaçısı
1248:Nə tez ötdü illərim, nə tez keçdi günlərim
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950:: CS1 maint: location missing publisher (
788:Central Bank of the Republic of Azerbaijan
50:repertoire and represent the ensemble of
758:
656:The mugham trio holds a special role in
390:
376:The trio created by the master khananda
282:
114:
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1198:Cabbar Qaryağdı oğlu adına muğam üçlüyü
911:
909:
838:
810:
230:
1450:"Musiqi sənəti" fakültəsinin kafedrası
943:
220:, and it is depicted in miniatures of
155:The main performer in the trio is the
69:, while the dance episodes are called
1737:Hacı Zeynal Abdin Tağıyevin ev muzeyi
7:
1801:mugham trio in the joint program of
1534:, səh. 4, e-library.musigi-dunya.az
1509:, səh. 3, e-library.musigi-dunya.az
526:, and they performed under the name
111:'s ensemble, end of the 19th century
1839:Zülfü Adıgözəlov adına muğam üçlüyü
1715:Avropa 2014. Milli musiqi alətləri.
473:"Jabbar Garyaghdioglu mugham trio"
232:Musical instruments of mugham trio
14:
813:
682:, who was then a student at the
264:
250:
236:
1848:. maisondesculturesdumonde.org
1724:azermarka.az, 17 February 2014
1310:. azertag.az, 19 December 2005
878:. strategiya.az, 30 April 2013
576:Embassy of Azerbaijan in France
530:. The trio participated in the
1623:. azadliq.org, 16 August 2011
1082:. 26 November 2014, page. 15.
737:If Not That One, Then This One
528:"East Nightingale mugham trio"
504:"Zulfu Adigozelov mugham trio"
490:In 1992, the trio of khananda
1:
1809:'s "Yeni Gün" was featured.:
1547:Тогрул Нариманбеков – "Мугам"
658:Azerbaijan's national wedding
555:"Khan Shushinski mugham trio"
1600:. anspress.com, 18 May 2010
684:University of St. Petersburg
578:and with the support of the
1148:, 28 avqust 2011, səh. 11.
349:In the early 20th century,
1912:
1891:Azerbaijani musical groups
1178:, 9 dekabr 2011, səh. 12.
1121:, 3 November 2010, p. 12.
824:consisting of muğam trio,
822:Meshedi Mehrali Farzeliyev
680:Abdurrahim bey Hagverdiyev
584:"Vefa Orucova mugham trio"
336:Mozaffar ad-Din Shah Qajar
119:Mugham ensemble including
103:Mugham ensemble including
1399:, 24 iyul 2013, səh. 12.
1367:. 23 iyul 2011, səh. 15.
1253:27 September 2022 at the
800:Haji Zeynalabdin Taghiyev
506:. This trio performed at
431:Mashadi Mammad Farzaliyev
384:together with tar player
365:and the kamancheh player
218:"Khosrow and Shirin" poem
94:"Khosrow and Shirin" poem
1742:10 February 2015 at the
1261:, 21 may 2010, səh. 12.
1230:23 February 2018 at the
1207:. mugam.musigi-dunya.az
1049:. mugam.musigi-dunya.az
900:. mugam.musigi-dunya.az
739:", a trio consisting of
705:Mirzə Sadıq Əsəd oğlunun
483:(kamancheh player), and
182:Musical instruments used
131:In the early times, the
1831:14 October 2015 at the
1783:14 October 2015 at the
1614:İynə ilə «çəkən» rəssam
1475:LƏNKƏRANDA TOY MƏRASİMİ
1455:21 October 2021 at the
1425:3 December 2021 at the
1391:25 October 2021 at the
1359:25 October 2021 at the
1337:, 21 may 2010, səh. 5.
1329:25 October 2021 at the
1140:25 October 2021 at the
896:17 October 2021 at the
874:19 October 2021 at the
544:President of Azerbaijan
498:, and kamancheh player
409:, and kamancheh player
340:Naser al-Din Shah Qajar
1864:. icherisheher.gov.az
1635:Məhəmməd Nərimanoğlu.
1596:13 August 2020 at the
1234:mugam.musigi-dunya.az
925:. Bakı. Archived from
764:
675:
601:"Karabakh" mugham trio
532:"Melodies of the East"
402:
388:
351:Kechachioghlu Muhammed
344:"Shiri-Khurshid" order
319:
306:. From left to right:
295:
288:Kechachioghlu Muhammed
171:
145:Mirza Sadiq Asad oghlu
128:
112:
96:
31:
1886:Azerbaijani musicians
1746:. azhistorymuseum.az
1642:25 March 2022 at the
1569:Закир Ахмедов – Мугам
1525:QARABAĞ MUĞAM MƏKTƏBİ
1500:QARABAĞ MUĞAM MƏKTƏBİ
1354:ONLAR VƏ MƏMLƏKƏTİMİZ
1285:25 March 2022 at the
1203:25 March 2022 at the
1170:25 March 2022 at the
1165:«Sevil»in dörd gözəli
1113:31 March 2022 at the
1108:Qurbansız qalan tarım
1075:25 March 2022 at the
1045:15 March 2017 at the
916:Əhməd, Vüqar (2010).
762:
623:, and Honored Artist
400:
380:and kamancheh player
375:
301:
286:
118:
102:
87:
1860:4 March 2016 at the
1844:5 March 2016 at the
1811:"Mən aşiq gözlərinə"
1720:4 March 2016 at the
1695:12 June 2018 at the
1673:4 March 2016 at the
1619:4 March 2016 at the
1574:12 June 2018 at the
1552:12 June 2018 at the
1530:3 March 2022 at the
1023:5 March 2016 at the
983:4 March 2016 at the
597:"Aypara" mugham trio
407:Jabbar Garyaghdioglu
1881:Music of Azerbaijan
1797:The performance of
1648:"Azərbaycan" qəzeti
1505:6 July 2011 at the
1480:3 July 2020 at the
1397:"Mədəniyyət" qəzeti
1384:Ceyhun Zərbəliyev.
1335:"Mədəniyyət" qəzeti
1176:"Mədəniyyət" qəzeti
1163:Həmidə Nizamiqızı.
1119:"Mədəniyyət" qəzeti
1104:Səadət Təhmirazqızı
1080:"Bakı Xəbər" qəzeti
721:Mehriban Khalilzade
717:Togrul Narimanbekov
647:In different fields
492:Aghakhan Abdullayev
481:Fakhraddin Dadashov
411:Sasha Okanezashvili
382:Sasha Oganezashvili
378:Jabbar Garyagdioglu
367:Sasha Okanezashvili
1664:Səadət Abdullayeva
1637:Tikmələrin izi ilə
1484:. musigi-dunya.az
1431:"İki sahil" qəzeti
974:Səadət Abdullayeva
932:on 28 October 2019
765:
692:"Layla and Majnun"
454:Vagif Mustafazadeh
439:Alasgar Abdullayev
403:
389:
320:
296:
226:Aghamirak Isfahani
129:
127:'s ensemble, 1916.
113:
97:
1778:"Əfsanəvi tarzən"
1018:Azərbaycan muğamı
869:Azərbaycan muğamı
794:Interesting facts
632:Sakina Ismayilova
619:, Honored Artist
605:Aytan Maharramova
398:
357:, the capital of
1903:
1867:
1866:(in Azerbaijani)
1851:
1826:Mugam Azerbaycan
1794:
1793:(in Azerbaijani)
1762:
1761:
1760:(in Azerbaijani)
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1748:(in Azerbaijani)
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1679:(in Azerbaijani)
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1604:
1603:
1602:(in Azerbaijani)
1588:
1582:
1581:
1566:
1560:
1559:
1544:
1538:
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1536:(in Azerbaijani)
1522:
1513:
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1511:(in Azerbaijani)
1497:
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1486:(in Azerbaijani)
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1305:
1296:
1295:
1294:(in Azerbaijani)
1271:
1265:
1264:
1263:(in Azerbaijani)
1259:"Olaylar" qəzeti
1244:
1238:
1237:
1236:(in Azerbaijani)
1222:
1211:
1210:
1209:(in Azerbaijani)
1195:
1182:
1181:
1180:(in Azerbaijani)
1161:
1152:
1151:
1150:(in Azerbaijani)
1131:
1125:
1124:
1123:(in Azerbaijani)
1101:
1086:
1085:
1084:(in Azerbaijani)
1068:İradə Sarıyeva.
1066:
1053:
1052:
1051:(in Azerbaijani)
1037:
1031:
1030:
1029:(in Azerbaijani)
1015:
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997:
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989:(in Azerbaijani)
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949:
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937:
931:
924:
913:
904:
903:
902:(in Azerbaijani)
888:
882:
881:
880:(in Azerbaijani)
862:
820:The ensemble of
817:
749:Talat Bakıkhanov
733:Azerbaijani film
617:Mansum Ibrahimov
443:Seyid Shushinski
435:Islam Abdullayev
399:
316:Levon Garakhanov
308:Islam Abdullayev
268:
254:
240:
125:Seyid Shushinski
1911:
1910:
1906:
1905:
1904:
1902:
1901:
1900:
1871:
1870:
1865:
1862:Wayback Machine
1849:
1846:Wayback Machine
1833:Wayback Machine
1815:"Yandırar səni"
1792:
1785:Wayback Machine
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1612:Durna Səfərli.
1611:
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1598:Wayback Machine
1589:
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1473:
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1459:. admiu.edu.az
1457:Wayback Machine
1448:
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1438:
1427:Wayback Machine
1417:
1406:
1400:
1393:Wayback Machine
1383:
1374:
1368:
1365:"Ədalət" qəzeti
1361:Wayback Machine
1348:
1344:
1338:
1331:Wayback Machine
1321:
1317:
1311:
1306:
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1287:Wayback Machine
1272:
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1255:Wayback Machine
1246:Alim Nəbioğlu.
1245:
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1232:Wayback Machine
1223:
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1205:Wayback Machine
1196:
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1162:
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1142:Wayback Machine
1133:Məhərrəmova T.
1132:
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1115:Wayback Machine
1102:
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1077:Wayback Machine
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1016:
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889:
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876:Wayback Machine
863:
840:
836:
829:
818:
809:
796:
777:
757:
751:played a role.
745:Bahram Mansurov
741:Khan Shushinski
729:
713:
654:
649:
621:Elchin Hashimov
613:Perviz Farhadov
609:Adalat Behbudov
561:, performed in
520:Muhammad Fuzuli
477:Mohlat Muslumov
391:
312:Shirin Akhundov
290:'s ensemble in
281:
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1769:
1768:External links
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1437:2007, səh. 8.
1404:
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1183:
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1146:"Kaspi" qəzeti
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865:Həcər Babayeva
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786:issued by the
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712:
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701:Ahmed Agdamski
666:Tariyel Aliyev
653:
650:
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645:
559:Rafiq Rustamov
524:Simara Imanova
500:Adalat Vezirov
479:(tar player),
425:, Warsaw, and
386:Gurban Pirimov
363:Gurban Pirimov
280:
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263:
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249:
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214:Nizami Ganjavi
183:
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159:who plays the
90:Nizami Ganjavi
78:
75:
63:mugham dastgah
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1027:. 9 May 2013
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625:Elnur Ahmadov
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581:
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553:In 2005, the
551:
549:
548:Heydar Aliyev
545:
541:
537:
533:
529:
525:
521:
517:
513:
509:
505:
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497:
494:, tar player
493:
488:
486:
485:Zahid Guliyev
482:
478:
474:
471:, called the
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33:
29:
25:
24:mugham triads
21:
1850:(in English)
1798:
1754:
1732:
1701:(in Russian)
1685:
1659:
1631:
1608:
1586:
1580:(in Russian)
1564:
1558:(in Russian)
1542:
1445:
1345:
1318:
1278:
1274:
1269:
1242:
1129:
1035:
995:
934:. Retrieved
927:the original
918:
891:Muğam Üçlüyü
886:
797:
778:
766:
730:
714:
676:
671:
655:
629:
607:(khananda),
600:
596:
594:
590:Alim Gasimov
588:
583:
554:
552:
534:festival in
531:
527:
503:
502:created the
496:Zamiq Aliyev
489:
472:
466:
447:
404:
348:
321:
279:Famous trios
207:
203:
195:
194:
186:
185:
176:
165:
154:
130:
121:qoshanaqarah
105:qoshanaqarah
80:
62:
60:
32:Muğam üçlüyü
23:
19:
18:
1774:Vugar Ahmad
1677:. azyb.net
1418:Qocayeva A.
1350:Tofiq Abdin
987:. azyb.net
641:Netherlands
450:jazz-mugham
332:Mashadi Isi
324:Mirza Sadig
168:Azerbaijani
28:Azerbaijani
20:Mugham trio
1875:Categories
1824:"YouTube:
1819:"Gözəldir"
1807:İctimai TV
1699:. baku.ru
1578:. baku.ru
1556:. baku.ru
1435:31 oktyabr
1291:e-qanun.az
936:19 January
834:References
611:(tar) and
540:Uzbekistan
510:events in
419:gramophone
946:cite book
784:banknotes
769:Azermarka
755:Philately
536:Samarkand
338:, son of
328:Haji Husu
272:Kamancheh
209:Kamancheh
137:kamancheh
109:Bulbuljan
77:Structure
52:khanandas
40:kamancheh
1858:Archived
1842:Archived
1835:channel.
1829:Archived
1803:TRT Avaz
1799:"Aypara"
1781:Archived
1740:Archived
1718:Archived
1693:Archived
1671:Archived
1640:Archived
1617:Archived
1594:Archived
1572:Archived
1550:Archived
1528:Archived
1503:Archived
1478:Archived
1453:Archived
1423:Archived
1389:Archived
1357:Archived
1327:Archived
1322:Təranə.
1283:Archived
1251:Archived
1228:Archived
1201:Archived
1168:Archived
1138:Archived
1111:Archived
1073:Archived
1043:Archived
1021:Archived
981:Archived
894:Archived
872:Archived
662:Lankaran
415:Caucasus
157:khananda
150:khananda
56:sazandas
1791:, 2010
1652:29 iyul
1279:Fərmanı
1040:Kamança
828:, 1911.
807:Gallery
781:1 manat
775:Economy
696:poetry,
652:Culture
462:Tbilisi
458:Tallinn
452:style,
294:in 1912
141:balaban
133:sazanda
1896:Mugham
747:, and
727:Cinema
688:Shusha
673:heard.
639:, the
637:Turkey
603:, are
582:, the
563:Aghdam
508:UNESCO
441:, and
359:Poland
355:Warsaw
292:Warsaw
222:Tabriz
172:tarzən
139:, and
67:tasnif
48:mugham
42:, and
930:(PDF)
923:(PDF)
826:Ganja
686:, in
567:Lille
244:Qaval
224:art (
188:Qaval
161:qaval
44:qaval
1805:and
1789:Bakı
952:link
938:2016
595:The
571:Lyon
569:and
516:Iraq
514:and
512:Iran
460:and
427:Kiev
423:Riga
304:Baku
71:rang
54:and
711:Art
258:Tar
216:'s
197:Tar
92:'s
36:tar
22:or
1877::
1817:,
1813:,
1787:.
1776:.
1707:^
1666:.
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1646:.
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954:)
940:.
735:"
318:.
26:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
