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Muiraquitã

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37: 17: 208:. The story is considered a fictional masterpiece that “opened up new themes, a new Brazilian language for fiction.” Macunaíma, tells the story of a young man named Macunaíma, who was born in the Brazilian jungle, as he embarks on a series of adventures where he encounters strange characters along the way. On one of his adventures, Macunaíma loses his 153:
warriors with whom they mated. At midnight, they dived into the river and brought up a greenish clay in their hands, which they molded into various forms: frogs, turtles or other animals, and presented these to their loved ones. Some versions say that this ritual would take place in an enchanted lake
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Retrieved from the bottom of the river and shaped by the women, the still soft clay hardened in contact with the elements. These objects were then strung on the strands of hair of their brides and used as amulets by their male warriors. To date, this amulet is considered a sacred object, believed to
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during the 1920s and 1930s, de Andrade's impressive work was distinguished by its engagement with Brazilian folklore and culture. He worked “to define a vision to which artists could adhere, through generations and ensuing trends, and claimed that actualizing postwar European models of constructive
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women to prevent disease and avoid infertility. Their popularity spread around the Lower Amazon Basin and through to the Caribbean, where Muiraquitãs from the Amazon state in Brazil were found. "They must have been an object of exchange among elites," says archaeologist Marcondes Lima da Costa,
212:, which signified the only link left between Macunaíma and his wife Ci, who gave him the amulet before departing to the skies after the death of their son. There is a legend that says that Amazonian warrior women couldn’t have long-lasting relationships with men, therefore gifting the 120:
Federal University of Pará. Fashion reached Europe in the eighteenth century when these amulets were taken to the Old Continent. It was believed that they prevented epilepsy and kidney stones. Today they are rare pieces that reach high prices at auctions.
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to Macunaíma, who is “the hero of our people”, in the story came to “represent a union between Brazilian people and tropical nature.” The union between Ci and Macunaíma becomes the “high point of the hero’s happiness and tranquility” which is why the
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modernist tendencies could make possible a similar renovation of Brazilian culture.” He aimed to emphasize Brazilian native culture in modern Brazil while moving away from the Eurocentric narratives that dominated Brazilian culture.
100:) or wood, and representing animals (especially frogs, but also others such as fish and turtles) or people. Muiraquitãs are often used as pendants, amulets, and in other decorative capacities. 196:(1893-1945) a writer, poet, and musician, born in Brazil, is considered one of the most influential figures in Brazilian literature and culture. A leading member of the 599: 267: 594: 511:[Muyrakytã or Muiraquitã, an Archaeological Jade Talisman Coming from Amazonia: Historical Review and Anthropogeological Implications] 584: 509:"Muyrakytã ou Muiraquitã, um Talismã Arqueológico em Jade Procedente da Amazônia: Uma Revisão Histórica e Considerações Antropogeológicas" 36: 308: 292: 579: 243: 89: 589: 107:, there are a number of legends associated with the muiraquitã, to which supernatural qualities are often attributed. 16: 216:
to a man represented a symbolic alliance between the man and the woman. Ci, an Amazonian warrior woman, giving the
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prompts Macunaíma on a journey to search for the amulet, becoming a driving force in the story.
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Handbook of South American Archaeology, pg. 292, Helaine Silverman, William Isbell - Springer
288: 458:"(De-)Latinizing America: How Gilberto Freyre and Mário de Andrade Imagined the Global South" 328:
Abrasoffa: Associação Brasileira Dos Organizadores de Festivais de Folclore e Artes Populares
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bring happiness and luck and also to cure almost all diseases. It is also found in
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female warriors to all those Indians who annually visited their camp at the river
377:"Mario de Andrade, Mentor: Modernism and Musical Aesthetics in Brazil, 1920-1945" 528: 115:
The Muiraquitã, a carved green frog-shaped stone, was used as an amulet by the
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One of de Andrade's most famous modernist works is his novel
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The legend says that the amulet was offered as a gift by the
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holds significant value for Macunaíma. The loss of the
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Muiraquitã right to Andrade on the banknote of 500,000
283:Entangled Edens: Visions of the Amazon, pg. 81, 507:Marcondes Lima da Costa; et al. (2002). 8: 318: 316: 35: 268:Dicionário Houaiss da Língua Portuguesa 260: 206:Macunaíma: The Hero with No Character 7: 600:Indigenous sculpture of the Americas 451: 449: 375:Hamilton-Tyrrell, S. (2005-12-12). 92:origin, carved in stone (primarily 14: 287:- University of California Press 595:Indigenous culture of the Amazon 349:"Amazonas: lenda ou realidade?" 77:, "tree", "stick", "wood" and 1: 585:Indigenous culture in Brazil 456:Melo, Alfredo Cesar (2013). 244:Indigenous peoples in Brazil 198:Modernist movement in Brazil 529:10.1590/1809-43922002323490 616: 414:Morse, Richard M. (1950). 555:Culture, Fauna and Flora 357:(in Brazilian Portuguese) 26:National Museum of Brazil 324:"Folclore: Estatuetas" 250:Additional information 111:Historical information 54:: /mujɾakiˈtɐ̃/, from 44: 33: 474:10.1353/mln.2013.0029 416:"Brazilian Modernism" 393:10.1093/musqtl/gdi001 381:The Musical Quarterly 39: 19: 562:Folclore: Muiraquitã 52:Brazilian Portuguese 24:. Collection of the 580:Brazilian mythology 239:Brazilian mythology 184:Literature and Arts 42:Brazilian cruzeiros 590:Brazilian folklore 442:– via JSTOR. 158:("mirror moon" in 45: 34: 519:(in Portuguese). 420:The Hudson Review 354:Superinteressante 607: 566: 558: 538: 536: 535: 514: 494: 493: 453: 444: 443: 411: 405: 404: 372: 366: 365: 363: 362: 345: 339: 338: 336: 335: 320: 311: 301: 295: 281: 275: 265: 194:Mário de Andrade 178:Mário de Andrade 139: 615: 614: 610: 609: 608: 606: 605: 604: 570: 569: 565:(in Portuguese) 564: 557:(in Portuguese) 556: 545: 533: 531: 512: 506: 503: 498: 497: 455: 454: 447: 432:10.2307/3847468 413: 412: 408: 374: 373: 369: 360: 358: 347: 346: 342: 333: 331: 330:(in Portuguese) 322: 321: 314: 302: 298: 282: 278: 266: 262: 257: 252: 235: 191: 186: 133: 126: 113: 12: 11: 5: 613: 611: 603: 602: 597: 592: 587: 582: 572: 571: 568: 567: 559: 544: 543:External links 541: 540: 539: 523:(3): 467–490. 517:Acta Amazonica 502: 499: 496: 495: 468:(2): 298–316. 445: 426:(3): 447–452. 406: 367: 340: 312: 296: 285:Candace Slater 276: 259: 258: 256: 253: 251: 248: 247: 246: 241: 234: 231: 190: 187: 185: 182: 125: 122: 112: 109: 30:Rio de Janeiro 13: 10: 9: 6: 4: 3: 2: 612: 601: 598: 596: 593: 591: 588: 586: 583: 581: 578: 577: 575: 563: 560: 554: 550: 547: 546: 542: 530: 526: 522: 518: 510: 505: 504: 500: 491: 487: 483: 479: 475: 471: 467: 463: 459: 452: 450: 446: 441: 437: 433: 429: 425: 421: 417: 410: 407: 402: 398: 394: 390: 386: 382: 378: 371: 368: 356: 355: 350: 344: 341: 329: 325: 319: 317: 313: 310: 309:0-387-75228-5 306: 300: 297: 294: 293:0-520-22642-9 290: 286: 280: 277: 273: 269: 264: 261: 254: 249: 245: 242: 240: 237: 236: 232: 230: 228: 224: 219: 215: 211: 207: 202: 199: 195: 188: 183: 181: 179: 175: 174: 167: 165: 161: 157: 152: 149:received the 148: 144: 140: 137: 132: 123: 121: 118: 110: 108: 106: 103:In Brazilian 101: 99: 95: 91: 88: 84: 80: 76: 72: 68: 64: 60: 57: 53: 49: 43: 38: 31: 27: 23: 18: 532:. Retrieved 520: 516: 465: 461: 423: 419: 409: 384: 380: 370: 359:. Retrieved 352: 343: 332:. Retrieved 327: 299: 279: 271: 263: 226: 222: 217: 213: 209: 203: 192: 171: 168: 163: 155: 150: 146: 142: 129: 127: 114: 102: 78: 74: 70: 58: 47: 46: 21: 20:Frog-shaped 387:(1): 7–34. 164:îasy arugûá 134: [ 81:, "knot", " 59:mbïraki'tã, 574:Categories 549:Muiraquitã 534:2011-11-04 361:2021-01-27 334:2011-11-05 272:muiraquitã 255:References 227:Muiraquitã 223:Muiraquitã 218:Muiraquitã 214:Muiraquitã 210:Muiraquitã 156:Jaci uaruá 90:Indigenous 48:Muiraquitã 22:Muiraquitã 490:161092049 482:1080-6598 401:0027-4631 189:Macunaíma 173:Macunaíma 147:Icamiabas 87:Amazonian 270:, entry 233:See also 160:Old Tupi 151:Guacaris 143:Nhamundá 131:icamiaba 105:folklore 98:nephrite 69:", from 551:, from 501:Sources 440:3847468 117:Tapajós 488:  480:  438:  399:  307:  291:  154:named 124:Legend 513:(PDF) 486:S2CID 436:JSTOR 138:] 75:mbyra 71:muyrá 67:trees 553:Pará 478:ISSN 397:ISSN 305:ISBN 289:ISBN 94:jade 83:wart 79:quit 63:knot 56:Tupi 525:doi 470:doi 466:128 462:MLN 428:doi 389:doi 166:). 65:of 576:: 521:32 515:. 484:. 476:. 464:. 460:. 448:^ 434:. 422:. 418:. 395:. 385:88 383:. 379:. 351:. 326:. 315:^ 180:. 162:: 136:pt 96:, 73:/ 28:, 537:. 527:: 492:. 472:: 430:: 424:3 403:. 391:: 364:. 337:. 274:. 61:" 50:( 32:.

Index


National Museum of Brazil
Rio de Janeiro

Brazilian cruzeiros
Brazilian Portuguese
Tupi
knot
trees
wart
Amazonian
Indigenous
jade
nephrite
folklore
Tapajós
icamiaba
pt
Old Tupi
Macunaíma
Mário de Andrade
Mário de Andrade
Modernist movement in Brazil
Macunaíma: The Hero with No Character
Brazilian mythology
Indigenous peoples in Brazil
Dicionário Houaiss da Língua Portuguesa
Candace Slater
ISBN
0-520-22642-9

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