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Mungurrawuy Yunupingu

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253: 242: 299:, or sea cucumbers. It is suspected that Yunupingu was quite young when he last interacted with Makassans, since the Australian Government banned other countries from using the resources found on Australian coasts in 1906. However, he did remember meeting Makassan people and for Berndt’s crayon drawing commission, he drew his famous 280:
out the major ancestral narratives of the Yolngu clans. Scougall described these works as "the first time such a collection of bark paintings was made in a pictorial ballad sequence whereas other collections have been essentially sporadic, of a piecemeal nature." The majority of these works are now held in the
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traditional stories and concepts, his innovation greatly diverged from common single-panelled narrative paintings. His painting style can be described as a well-balanced mix of colours dominated by the use of yellow ochre. The human figures he painted tend to be broad-shouldered and have elongated bodies.
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Between 1959 and 1962, Yunupingu produced some of his largest and most significant works for the collector-donor Stuart Scougall, who along with the Art Gallery of New South Wales' assistant director, Tony Tuckson, commissioned a series of monumental bark paintings from the artists of Yirrkala to lay
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During his career as an artist, Yunupingu drew upon ancestral narratives in his paintings and wood carvings. He is known to be one of the artists who spearheaded the “episodic” manner of painting, where stories are painted in a series of panels to show how they unfold over time. While he painted
273: 203:, described Mungurrawuy as "an impressive figure – tall, massive, bearded, powerful. He has seven wives and thirty children. These, no doubt, are measures of his status in his community". 264:
Yunupingu was involved in most of the significant moments in Yolngu art history of the twentieth century. He produced a number of fine crayon drawings for the anthropologist
192:, in Arnhem Land, and was one of the most significant painters of his time. He was the most prominent Gumatj artist active during the mission days in Arnhem Land. 1018: 1296: 252: 307: 1301: 1084: 310:
tracking station at Gurlkurla by Geoff Woods, who was employed as the base manager at a nearby weapons research centre. One work of these works,
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Many of these children would go on to have significant careers as artists, musicians and political leaders, most notably his daughters
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In the late 1960s, Yunupingu was commissioned to produce a series of painting on masonite board to commemorate events involving the
909: 434:, and were described by YolƋu leaders as "Title Deeds which establish the legal tenure for each of our traditional clan estates". 744: 950: 641: 583: 501: 884: 946: 800: 571: 556: 473: 468: 284:, however a small number of works commissioned by Scougall can be found in other collections around the world, including the 281: 1220:
Australian Aboriginal bark paintings, 1912-1964: exhibition organized by the Institute Walker Art Gallery, Liverpool, 1965
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Aside from ancestral stories, he also produced several paintings depicting the interaction of Yolngu with the
394:) painted one sheet with their major ancestral narratives and clan designs, and eight elders of the Yirritja 448: 414: 362:
mines in the Arnhem Land reserve without consulting Yolngu leaders. Furious at the lack of transparency the
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May, Sally K. (2011). "Piecing the History Together: An overview of the 1948 Arnhem Land Expedition".
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people, who were seafarers that seasonally visited the northern Arnhem Land coast to harvest
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after he arrived in Yirrkala in 1946 and in 1948 created a large number of paintings for
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The Yirrkala panels were discarded by the church in 1974, but were salvaged by the
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Mangarawui, Mungurawi, Mungarawoi, Munggaraui, Mangarawoi, Mungurrawuy, Munggeraui
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through ancestral stories. Consisting of two 4 m (13 ft) sheets of
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Mungurrawuy Yunupingu was born in northeast Arnhem Land around 1905, of the
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held for the Yolngu people, clan elders came together to paint the famous
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in 1978. On 27 February 1998 they were unveiled by then prime minister
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at the Asia Society Galleries in New York City in 1988. Another work,
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of 1963 (to which Yunupingu was a signatory) and the high court case
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Facsimiles of the panels were commissioned as part of the
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He became a senior cultural leader of the Gumatj clan in
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American-Australian Scientific Expedition to Arnhem Land
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Exploring the Legacy of the 1948 Arnhem Land Expedition
1217:Australian Institute of Aboriginal Studies (1965). 354:On 18 February 1963, the Australian Prime Minister 89: 73: 65: 57: 49: 41: 30: 23: 796:Kulinma : listening to Aboriginal Australians 987:Dreamings : the art of aboriginal Australia 515:Australian Aboriginal Bark Paintings 1912-1964 447:(2000), and created in 1999 by Yolngu artists 980: 978: 8: 256:Nureri the sacred fire ancestorbefore 1970 606:Old Masters: Australia's Great Bark Artists 1017:: CS1 maint: location missing publisher ( 530:Dreamings: The Art of Aboriginal Australia 320:Dreamings: The Art of Aboriginal Australia 233:He died in northeast Arnhem Land in 1979. 20: 858: 705: 703: 701: 699: 314:(1967), was subsequently acquired by the 413:This would lead to the creation of the 665: 1235:"Ich Bin Ein Aratjara: 20 years later" 1010: 673: 671: 669: 541:Aratjara: Art of the First Australians 932: 930: 592:Charles Darwin University Art Gallery 455:(both daughters of Mungurrawuy), and 7: 910:"Jim Davidson: Collector/Art Dealer" 816: 814: 812: 810: 763: 761: 738: 736: 734: 732: 479:Kluge-Ruhe Aboriginal Art Collection 340:Kluge-Ruhe Aboriginal Art Collection 169:of Australia. He was known for his 1297:People from the Northern Territory 14: 1059:"Buku-Larrnggay Mulka (Yirrkala)" 545:Kunstsammlung Nordrhein-Westfalen 1139:Angel, Anita (3 February 2011). 937:Pinchbeck, Cara; Blake, Andrew; 1302:Australian contemporary artists 951:University of Western Australia 642:Shanghai Natural History Museum 584:University of Western Australia 502:University of Western Australia 318:and included in the exhibition 947:Art Gallery of New South Wales 821:Northern Myth (11 July 2013). 801:Australian National University 572:Art Gallery of New South Wales 557:Louisiana Museum of Modern Art 474:Art Gallery of South Australia 469:Art Gallery of New South Wales 370:, which documented the Yolngu 282:Art Gallery of New South Wales 149:(c.1905–1979) was a prominent 1: 1292:Australian Aboriginal artists 1083:Northern Myth (8 July 2013). 580:Berndt Museum of Anthropology 350:Yirrkala Church Panels (1963) 199:, the former Governor of the 34: 1264:National Museum of Australia 1111:Gosford, Bob (8 July 2013). 989:(First ed.). New York. 773:National Museum of Australia 715:National Museum of Australia 610:National Museum of Australia 488:National Museum of Australia 1141:"(Nancy) Gaymala Yunupingu" 941:; Stanton, John E. (2013). 555:, London, England; and the 428:Buku-Larrnggay Mulka Centre 420:Milirrpum v Nabalco Pty Ltd 114:Dorothy Djakanngu Yunupingu 1323: 853:. ANU Press. p. 339. 1172:www.artgallery.nsw.gov.au 1146:Charles Darwin University 1063:Lauraine Diggins Fine Art 860:10.22459/elale.06.2011.09 596:Charles Darwin University 423:(Gove land rights case). 358:announced the opening of 201:Reserve Bank of Australia 153:artist and leader of the 949:in association with the 745:"Munggurraway Yunupingu" 743:Wells, Benjamin (2018). 683:AGSA - Online Collection 650:National Museum of China 16:Yolngu artist and leader 769:"MUNGURRAWUY YUNUPINGU" 508:Significant exhibitions 449:Nancy Gaymala Yunupingu 415:Yirrkala Bark Petitions 324:Man Landing on the Moon 316:South Australian Museum 228:Australians of the Year 161:people of northeastern 136:Nancy Gaymala Yunupingu 84:Yirrkala bark petitions 985:Sutton, Peter (1988). 793:Coombs, H. C. (1978). 711:"MuƋgurrawuy YunupiƋu" 679:"MuƋgurrawuy YunupiƋu" 618:National Taiwan Museum 534:Asia Society Galleries 493:Saint Louis Art Museum 483:University of Virginia 408:Aboriginal Australians 378:, eight elders of the 368:Yirrkala Church Panels 344:University of Virginia 326:(1969), which depicts 312:Space Tracking Station 286:Saint Louis Art Museum 257: 249: 81:Yirrkala Church Panels 1039:(111). September 2020 543:, Europe, 1993-1994: 441:for the feature film 364:Australian Government 255: 244: 226:, who have both been 151:Aboriginal Australian 147:Mungurrawuy Yunupingu 25:Mungurrawuy Yunupingu 392:Mithinarri Gurruwiwi 216:Nyapanyapa Yunupingu 197:H.C. "Nugget" Coombs 128:Nyapanyapa Yunupingu 246:The Sea and the Sky 132:Ranydjupi Yunupingu 123:Djerrkngu Yunupingu 97:Galarrwuy Yunupingu 914:www.artoceanic.com 519:Walker Art Gallery 457:Dhuwarrwarr Marika 382:moiety (including 258: 250: 224:Mandawuy Yunupingu 167:Northern Territory 102:Mandawuy Yunupingu 1266:. 29 October 2021 960:978-1-74174-103-2 943:Yirrkala drawings 870:978-1-921666-44-5 717:. 1 February 2019 568:Yirrkala Drawings 453:Gulumbu Yunupingu 404:Narritjin Maymuru 400:Birrikitji Gumana 372:claim to the land 270:Charles Mountford 212:Gaymala Yunupingu 208:Gulumbu Yunupingu 144: 143: 118:Gulumbu Yunupingu 111:Dhopiya Yunupingu 107:Barrupu Yunupingu 1314: 1307:Yunupingu family 1276: 1275: 1273: 1271: 1256: 1250: 1249: 1247: 1245: 1239:Artlink Magazine 1231: 1225: 1224: 1214: 1208: 1207: 1205: 1203: 1189: 1183: 1182: 1180: 1178: 1164: 1158: 1157: 1155: 1153: 1136: 1130: 1129: 1127: 1125: 1108: 1102: 1101: 1099: 1097: 1080: 1074: 1073: 1071: 1069: 1055: 1049: 1048: 1046: 1044: 1029: 1023: 1022: 1016: 1008: 982: 973: 972: 934: 925: 924: 922: 920: 906: 900: 899: 897: 895: 889:Artlink Magazine 881: 875: 874: 862: 846: 840: 839: 837: 835: 818: 805: 804: 790: 784: 783: 781: 779: 765: 756: 755: 749: 740: 727: 726: 724: 722: 707: 694: 693: 691: 689: 675: 301:Port of Macassar 58:Other names 36: 21: 1322: 1321: 1317: 1316: 1315: 1313: 1312: 1311: 1282: 1281: 1280: 1279: 1269: 1267: 1258: 1257: 1253: 1243: 1241: 1233: 1232: 1228: 1216: 1215: 1211: 1201: 1199: 1191: 1190: 1186: 1176: 1174: 1166: 1165: 1161: 1151: 1149: 1138: 1137: 1133: 1123: 1121: 1110: 1109: 1105: 1095: 1093: 1082: 1081: 1077: 1067: 1065: 1057: 1056: 1052: 1042: 1040: 1031: 1030: 1026: 1009: 997: 984: 983: 976: 961: 936: 935: 928: 918: 916: 908: 907: 903: 893: 891: 883: 882: 878: 871: 848: 847: 843: 833: 831: 820: 819: 808: 792: 791: 787: 777: 775: 767: 766: 759: 747: 742: 741: 730: 720: 718: 709: 708: 697: 687: 685: 677: 676: 667: 662: 634:Shenzhen Museum 553:Hayward Gallery 536:, New York City 510: 465: 352: 338:is held in the 239: 218:, and his sons 179: 140: 82: 80: 26: 17: 12: 11: 5: 1320: 1318: 1310: 1309: 1304: 1299: 1294: 1284: 1283: 1278: 1277: 1251: 1226: 1209: 1184: 1159: 1131: 1103: 1075: 1050: 1037:E-flux Journal 1024: 995: 974: 959: 939:Morphy, Howard 926: 901: 876: 869: 841: 806: 785: 757: 728: 695: 664: 663: 661: 658: 657: 656: 626:Sichuan Museum 602: 564: 537: 526: 509: 506: 505: 504: 495: 490: 485: 476: 471: 464: 461: 388:Wandjuk Marika 384:Mawalan Marika 356:Robert Menzies 351: 348: 328:Neil Armstrong 238: 235: 178: 175: 171:bark paintings 142: 141: 139: 138: 133: 130: 125: 120: 115: 112: 109: 104: 99: 93: 91: 87: 86: 75: 74:Known for 71: 70: 67: 63: 62: 59: 55: 54: 51: 47: 46: 43: 39: 38: 32: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 1319: 1308: 1305: 1303: 1300: 1298: 1295: 1293: 1290: 1289: 1287: 1265: 1261: 1260:"Old Masters" 1255: 1252: 1240: 1236: 1230: 1227: 1222: 1221: 1213: 1210: 1198: 1194: 1193:"Collections" 1188: 1185: 1173: 1169: 1163: 1160: 1148: 1147: 1142: 1135: 1132: 1120: 1119: 1114: 1107: 1104: 1092: 1091: 1086: 1079: 1076: 1064: 1060: 1054: 1051: 1038: 1034: 1028: 1025: 1020: 1014: 1006: 1002: 998: 996:0-8076-1201-4 992: 988: 981: 979: 975: 970: 966: 962: 956: 952: 948: 944: 940: 933: 931: 927: 915: 911: 905: 902: 890: 886: 880: 877: 872: 866: 861: 856: 852: 845: 842: 830: 829: 824: 817: 815: 813: 811: 807: 802: 798: 797: 789: 786: 774: 770: 764: 762: 758: 753: 746: 739: 737: 735: 733: 729: 716: 712: 706: 704: 702: 700: 696: 684: 680: 674: 672: 670: 666: 659: 655: 651: 647: 643: 639: 635: 631: 627: 623: 619: 615: 611: 607: 603: 601: 597: 593: 589: 585: 581: 577: 573: 569: 565: 562: 558: 554: 550: 546: 542: 538: 535: 531: 527: 524: 520: 516: 512: 511: 507: 503: 499: 498:Berndt Museum 496: 494: 491: 489: 486: 484: 480: 477: 475: 472: 470: 467: 466: 462: 460: 458: 454: 450: 446: 445: 440: 435: 433: 429: 424: 422: 421: 416: 411: 409: 405: 401: 397: 393: 389: 385: 381: 377: 373: 369: 365: 361: 357: 349: 347: 345: 341: 337: 333: 329: 325: 321: 317: 313: 309: 304: 302: 298: 294: 289: 287: 283: 277: 275: 271: 267: 266:Ronald Berndt 262: 254: 247: 243: 236: 234: 231: 229: 225: 221: 217: 213: 209: 204: 202: 198: 193: 191: 186: 184: 176: 174: 172: 168: 164: 160: 156: 152: 148: 137: 134: 131: 129: 126: 124: 121: 119: 116: 113: 110: 108: 105: 103: 100: 98: 95: 94: 92: 88: 85: 79: 78:Bark painting 76: 72: 68: 64: 60: 56: 52: 48: 44: 40: 33: 29: 22: 19: 1268:. 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Index

Bark painting
Yirrkala bark petitions
Galarrwuy Yunupingu
Mandawuy Yunupingu
Barrupu Yunupingu
Gulumbu Yunupingu
Djerrkngu Yunupingu
Nyapanyapa Yunupingu
Nancy Gaymala Yunupingu
Aboriginal Australian
Gumatj
Yolngu
Arnhem Land
Northern Territory
bark paintings
Yirritja
Yirrkala
H.C. "Nugget" Coombs
Reserve Bank of Australia
Gulumbu Yunupingu
Gaymala Yunupingu
Nyapanyapa Yunupingu
Galarrwuy
Mandawuy Yunupingu
Australians of the Year


Ronald Berndt
Charles Mountford
American-Australian Scientific Expedition to Arnhem Land

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