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watching men burn their village. It single-handedly confronts the viewer with the terrible beauty of strife. The film is littered with these images. There is one where a naked woman stands in the middle of the river, staring intently at the viewer. There is another showing the canopy of the mangrove forest with a flock of white birds flying above it. In between more mundane scenes, verses from the Quran are chanted.
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There are scenes in Iar
Arondaing’s Musmos na Sumibol sa Gubat ng Digma that are just terrifyingly striking, reflective of the mesmerizing draw of narratives derived from communities torn apart by war. There is one long and staggered frame of a family, rendered immobile perhaps by fear and awe,
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works best when it relishes in imagery," Cruz opines. "As soon as the characters talk, its shrouds of integrity and genuineness are removed, making it a tale, much like its young characters, that is sorely missing a home."
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Arondaing complements his tale of children hiding in the forest from the dangers of war with ample doses of mystery, setting an unsubtle mythical and primal mood to a story that seems current and pertinent.
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tale of a young Muslim girl named Eshal (Junyka Sigrid
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languages that would have actually been used by the characters, who supposedly live in Muslim
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actually literally means "A Child Who Sprung out of Forest of War", is a 2018
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However, Cruz questioned the film's choice to have the characters speak in
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Film critic Oggs Cruz gave the film a mostly positive review, noting that:
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Cruz specifically praised the films for its imagery:
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426:"Musmos na sumibol sa gubat ng digma"
401:"FULL LIST: Winners, Cinemalaya 2018"
125:In the film, an old man recounts the
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508:Philippine coming-of-age drama films
321:Cinemalaya Independent Film Festival
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298:Musmos na Sumibol sa Gubat ng Digma
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18:Musmos na Sumibol sa Gubat ng Digma
112:directed by Iar Lionel Arondaing.
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117:14th (2018)
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432:2018-08-10
411:2018-08-12
386:2018-08-10
358:References
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200:talk page
172:Reception
305:See also
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