560:, the song's subject - a tumultuous end to a relationship - sees a new light in the context of the series, where it "becomes a way of calming Will when he sings it in the Upside Down, and a way of reminding Joyce and Jonathan that he's still alive, lifting their spirits as well." The Duffers found this song of particular importance to the main narrative, though The Clash were reluctant to lend their song to a show they perceived to be about "monsters from an alternative world" that may denigrate its original cultural significance and meaning. The brothers left it up to the show's
564:, the Grammy-winning Nora Felder, to obtain the rights to use the song. She convinced the band to lend the narrative their song after downplaying the role of the monster, explaining that the show is more about the "bonds between family." After the song's usage was approved, Felder made an effort to "protect " from being trivialized, specifically with the context of the song's use in conjunction with the happenings on-screen. The Duffers weren't made aware of the struggle to obtain the rights to the song's usage until Felder spoke about the process during an event held by
256:, the Duffers contacted Survive around July 2015 to ask if the group was still together and available to potentially score the season. Then, Dixon and Stein provided the production team with dozens of unreleased tracks from their band's past. The Duffers were ecstatic after listening to the material provided, and they implored the duo to quit their day jobs to produce music for the show full-time. Dixon and Stein were hired before the casting process, and their motif
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sent during filming to The
Duffers, who later labelled the demos as "sketches" due to Dixon and Stein's odd title choices ("Jupiter 8 Spirit Winds," "Soakers Forum 3," and "Lighting Candles and Eggy Pizza" are among the most unique of the batch). A "sketch" that was originally titled "Prophecy" was later developed into the show's theme. In all, just under 14 hours of music was produced for the show over the course of one year.
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25:
586:, which is used in the final episode when Suzie refuses to provide the critical code until Dustin sings it with her. The Duffers had wanted to introduce Suzie into the show's narrative in some dramatic fashion while giving Matarazzo, who has sung on Broadway before, a chance to show off his own vocals. Initially, they were planning to use "The Ent and the Entwife" song from
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for many of the cast on the day that scene was filmed. Later in the episode, Lucas and Max, played by Caleb McLaughlin and Sadie Sink, sing the song in duet back to Dustin to mock him; both McLaughlin and Sink also have had experience in
Broadway musicals. As a result of its appearance in the series,
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series, decided to change direction. The
Duffers credit writer Curtis Gwinn for using "The NeverEnding Story" as the replacement. Matarazzo and Gabriella Pizzolo, the actress playing Suzie and also a seasoned singer on Broadway, were on sets near each other when they sang the song together and were
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were used and played over the actors' audition tapes, as part the casting selection. The two worked with producers to select some of their older music to rework for the show while simultaneously developing new music which was to chiefly serve as character motifs. The tracks produced by the duo were
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The show's theme is based on an unused piece Stein composed much earlier that ended up in a library of work that was available for potential commercial licensing. The duo shared a "loose" version of the potential demo with the production staff, who thought that with some reworking it would be good
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features prominently in the fourth episode of the fourth season, and is re-used in subsequent episodes. Resurgence in interest pushed the song to the top ten of several record charts around the world, most notably reaching number one in the UK, where it became the country's Song of The Summer for
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After the release of the show's first season and its meteoric rise in popularity that followed, Dixon and Stein's composition quickly gained a large amount of popularity as well. Various musical entertainers such as the band
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for the opening credits. Dixon and Stein proceeded to retool the demo, and on the staff's suggestion, made it "bigger, bolder and kind of build to a climax," a goal that was ultimately achieved with the inclusion of
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able to harmonize the song as well without the backing music. As their characters were not meant to be in that much synchronization due to being in two different places, the song's backing track and some
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The scene in season 4, episode 7, where Henry is recounting his story to 11 about his life which is intershot with images of Nancy
Wheeler in the house in the upside down are accompanied by "
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were used to blend their singing to their respective settings and the tone of the soundtrack. According to the cast and to composers Kyle Dixon and
Michael Stein, the song became an
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was specifically picked to play at pivotal moments of the first season, such as when Will is trying to communicate with Joyce from the Upside Down. According to Bill
Desowitz of
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saw the film. While creating a mock trailer that was later used to sell the show to
Netflix, the Duffers used Survive's piece "Dirge" to serve as the trailer's soundtrack.
282:. They also produced additional versions that varied in length, so as to ease the integration of the theme into the as-of-then uncompleted, tentative opening sequence.
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610:"The NeverEnding Story" drew an 800% increase in viewership and streaming requests on YouTube and Spotify over the days after initial broadcast, putting
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1511:"Kate Bush's Running Up That Hill is Official Charts Number 1 Single: Singer becomes 3 x Official Charts Record Breaker with Stranger Things success"
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526:, as well as excerpts from Tangerine Dream, John Carpenter, and Vangelis. In particular, a number of famous popular songs from the
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https://www.classicfm.com/discover-music/periods-genres/film-tv/stranger-things-classical-music-opera-soundtrack/
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have used the track in their live productions, and a number of amateur musicians have posted cover versions to
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1483:"Harry Styles' 'As It Was' Keeps Atop Billboard Hot 100, Kate Bush's 'Running Up That Hill' Hits Top Five"
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1619:"Creative Arts Emmy Winners: 'Stranger Things,' 'Westworld,' 'Big Little Lies' Win Big — Complete List"
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1422:"The NeverEnding Story theme singer Limahl celebrates newfound interest thanks to 'Stranger Things'"
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1061:"'Stranger Things' Composers Interview: Duo Discusses Soundtrack, That Haunting Theme Song and More"
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1455:"Limahl 'Gobsmacked' by Explosion of Interest in 'Never-ending Story' Thanks to 'Stranger Things'"
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1391:"How Stranger Things' Hilarious Season 3 Musical Scene And Iconic Opening Theme Came Together"
1292:"Stranger Things Had To Hide the Monsters To Get the Rights To 'Should I Stay or Should I Go'"
1035:"An Interview With S U R V I V E: The Mysterious Band Behind The Epic 'Stranger Things' Score"
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1136:"Even the Guys Who Wrote the Stranger Things Theme Can't Believe How Popular It's Become"
1257:"How The Clash Became an Integral Part of the 'Stranger Things' Musical Emmy Nomination"
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1674:"2023 GRAMMY Nominations: See The Complete Winners & Nominees List | GRAMMY.com"
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1084:"'Stranger Things' composers reveal how they made title-track for Netflix series"
914:"Stranger Things: 10 eerie electronic gems to hear if you loved the Netflix show"
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soundtracks are composed by Kyle Dixon and
Michael Stein of the electronic band
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1549:"2016 Music In Visual Media Nominees – Hollywood Music In Media Awards - HMMA"
1007:"Stranger Things episode 5: The Duffer Brothers explain the show's soundtrack"
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Co-Composer Shares the Story Behind 2016's Most
Unlikely Musical Sensation"
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Kyle Dixon and
Michael Stein's music, produced and performed by their band
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Stranger Things: Music from the Netflix Original Series, Season 4 (Vol. 2)
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1320:"The NeverEnding Story moment in Stranger Things 3 almost didn't happen"
974:"'Stranger Things': Meet the Band Behind Show's Creepy, Nostalgic Score"
941:"How the Duffer Brothers Picked the Perfect Music for 'Stranger Things'"
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1358:"How 'Stranger Things' Pulled Off Its Most Ambitious Music Moment Yet"
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play an important role in the narrative and/or marketing of the show.
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1110:"Stranger Things composers break down theme music on Song Exploder"
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1185:"Unpacking the '80s nostalgia of the 'Stranger Things' soundtrack"
1162:"Emmys 2017: "Stranger Things" Wins Outstanding Theme Music Award"
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Stranger Things: Music from the Netflix Original Series, Season 4
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Stranger Things: Music from the Netflix Original Series, Season 3
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in the styles of 1980s artists and film composers including
1574:"HMMA Winners – Hollywood Music In Media Awards - HMMA"
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Stranger Things: Music from the Netflix Original Series
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Stranger Things: Music from the Netflix Original Series
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Stranger Things: Halloween Sounds from the Upside Down
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49:. Unsourced material may be challenged and removed.
1588:"59th Annual GRAMMY Awards Winners & Nominees"
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1551:. Hollywood Music in Media Awards. Archived from
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278:synthesizers, coupled with the usage of various
1646:"2019 Grammy Awards: The Full List Of Winners"
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482:features period music from artists including
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824:Best Compilation Soundtrack for Visual Media
578:Of note in the third season was the use of "
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745:Outstanding Music Supervision – Television
684:List of awards and nominations received by
299:Outstanding Original Main Title Theme Music
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972:Weingarten, Christopher (August 1, 2016).
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58:"Stranger Things Kyle Dixon Michael Stein"
1617:Littleton, Cynthia (September 10, 2017).
737:Best Original Score – TV Show/Miniseries
239:, was featured in the 2014 thriller film
109:Learn how and when to remove this message
1761:Chapter One: The Vanishing of Will Byers
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303:69th Primetime Creative Arts Emmy Awards
171:includes period music from the artists:
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1956:Music from the Netflix Original Series
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765:Best Score Soundtrack for Visual Media
1965:Halloween Sounds from the Upside Down
1005:The Duffer Brothers (July 19, 2016).
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939:Gruttadaro, Andrew (August 2, 2016).
16:American television series soundtrack
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1290:Lussier, Germain (August 18, 2017).
918:FACT Magazine: Music News, New Music
47:adding citations to reliable sources
1160:Sodomsky, Sam (12 September 2017).
297:. The piece also won the award for
1576:. Hollywood Music in Media Awards.
1434:from the original on July 10, 2019
1255:Desowitz, Bill (August 18, 2017).
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1370:from the original on July 8, 2019
1332:from the original on July 9, 2019
1214:Minsker, Evan (August 10, 2016).
1183:Mylnar, Phillip (July 25, 2016).
1082:Jones, Damian (26 October 2017).
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881:Kaufman, Gil (August 29, 2016).
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1059:Nguyen, Hanh (10 August 2016).
1033:Thomas, Helen (2 August 2016).
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478:In addition to original music,
231:Original music score production
34:needs additional citations for
1793:Chapter One: The Hellfire Club
1453:Kaufman, Gil (July 18, 2019).
1389:Hurley, Laura (July 4, 2019).
646:"Koyaanisqatsi" and "Akhnaten"
538:"Should I Stay or Should I Go"
1:
1509:Smith, Carl (June 17, 2022).
1481:Trust, Gary (June 16, 2022).
1420:Codero, Rosy (July 9, 2019).
1356:Wigler, Josh (July 6, 2019).
805:Kyle Dixon and Michael Stein
727:Kyle Dixon and Michael Stein
437:Kyle Dixon and Michael Stein
342:Kyle Dixon and Michael Stein
135:. They make extensive use of
635:. It also reached #3 on the
544:Should I Stay or Should I Go
2007:Stranger Things 3: The Game
1318:Stack, Tim (July 9, 2019).
1134:Rich, Katey (17 May 2017).
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1802:Chapter Four: Dear Billy
596:were developing its own
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2065:Treehouse of Horror XXX
1516:Official Charts Company
785:Stranger Things, Vol. 2
771:Stranger Things, Vol. 1
633:Official Charts Company
631:2022, according to the
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349:Stranger Things, Vol. 2
337:Stranger Things, Vol. 1
1736:Awards and nominations
1363:The Hollywood Reporter
664:Akhnaten and Nefertiti
626:" by English musician
618:"Running Up That Hill"
1592:The Recording Academy
796:Primetime Emmy Awards
660:Window of Appearances
589:The Lord of the Rings
584:film of the same name
580:The NeverEnding Story
512:Echo and the Bunnymen
201:Echo and the Bunnymen
2017:Lego Stranger Things
1598:on February 13, 2017
1427:Entertainment Weekly
1325:Entertainment Weekly
1220:Soundtrack Detailed"
1012:Entertainment Weekly
624:Running Up That Hill
43:improve this article
1654:. February 10, 2019
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1860:Mike Wheeler
1724:
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1658:February 11,
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672:Philip Glass
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177:Joy Division
165:Fabio Frizzi
137:synthesizers
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41:Please help
36:verification
33:
2055:Missing You
1998:Other media
1900:Soundtracks
1846:Joyce Byers
1602:January 24,
1216:"Netflix's
1168:October 29,
1164:. Pitchfork
1145:October 29,
1140:Vanity Fair
1119:October 29,
1093:October 29,
1067:October 29,
1063:. IndieWire
1018:December 2,
952:December 2,
504:The Bangles
314:Soundtracks
193:The Bangles
129:music score
99:August 2024
1853:Will Byers
1839:Jim Hopper
1823:Characters
1683:2024-07-19
1678:grammy.com
1559:2017-10-30
1231:August 19,
898:August 31,
861:References
852:Nominated
835:Nominated
790:Nominated
776:Nominated
740:Nominated
730:Nominated
703:Recipient
652:Prophecies
603:autotuning
570:magazine.
524:Corey Hart
407:Artist(s)
265:Show theme
213:Corey Hart
169:soundtrack
69:newspapers
1488:Billboard
1460:Billboard
1262:IndieWire
1225:Pitchfork
892:Billboard
700:Category
678:Accolades
638:Billboard
628:Kate Bush
557:Indiewire
552:the Clash
548:punk rock
508:Foreigner
496:New Order
484:The Clash
291:Blink-182
276:Mellotron
272:Prophet V
254:green-lit
242:The Guest
197:Foreigner
185:New Order
173:The Clash
127:original
2110:Category
2093:Category
1983:Season 4
1974:Season 3
1753:Season 1
1744:Episodes
1522:June 20,
1494:June 20,
1466:July 18,
1438:July 12,
1432:Archived
1399:Archived
1368:Archived
1330:Archived
1190:Mashable
668:Akhnaten
666:" from "
658:", and "
654:" from "
467:Various
452:Various
422:Various
309:Releases
225:Vangelis
149:Vangelis
2039:Related
2030:(stage)
1624:Variety
1405:July 9,
1374:July 9,
1336:July 9,
1303:May 21,
1297:Gizmodo
1268:May 21,
946:Complex
706:Result
662:" and "
640:Hot 100
607:earworm
567:Variety
500:Madonna
301:at the
295:YouTube
280:filters
237:Survive
189:Madonna
133:Survive
83:scholar
2020:(sets)
1832:Eleven
697:Award
612:Limahl
522:, and
404:Title
324:Title
245:. The
223:, and
211:, and
167:. The
163:, and
153:Goblin
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1892:Music
1881:Vecna
1037:. NME
756:2017
716:2016
694:Year
550:band
532:1980s
528:1970s
516:Queen
457:2022
442:2019
427:2018
412:2017
401:Year
380:2022
368:2019
356:2017
332:2016
321:Year
258:demos
205:Queen
90:JSTOR
76:books
1660:2019
1632:2017
1604:2017
1524:2022
1496:2022
1468:2019
1440:2019
1407:2019
1376:2019
1338:2019
1305:2019
1270:2019
1233:2016
1198:2017
1170:2017
1147:2017
1121:2017
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900:2016
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808:Won
751:Won
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181:Toto
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