Knowledge (XXG)

My Boyfriend Came Back from the War

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refer to early silent movies. Of its filmic qualities, curator Michael Connor wrote of the work, "the work adapts cinematic montage to the web ... separate frames are joined together by HTML code and the browser itself and experienced in both space and in time, employing what
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is recognized a seminal internet artwork; art critic Josephine Bosma has called it "one of the most influential net art pieces of the mid nineties." It is included in various college syllabi, including the
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a solo presentation, using emulation, historical equipment and alongside remixes of the work. A fully illustrated monograph edited by
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with a neighbour while the returned soldier proposes marriage. The story unfolds to the point where the screen has become a
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selected the work for its Net Art Anthology online exhibition, comprising 100 net art works that define the form.
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was remixed and adapted by a number of artists. Some examples of these adaptations include
70:. The lovers find it difficult to reconnect; the woman confesses hate that she has had an 44: 530: 115: 540: 95: 29: 25: 352: 297:"Olia Lialina - 20 Years of My Boyfriend Came Back From The War | Josephine Bosma" 157:, curator of HeK Basel, accompanied the exhibition. The exhibition also toured to 533:
with a wider explanation of Olia Lialina's "My Boyfriend Came Back From The War".
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in the work, the frame splits into smaller frames and the user reveals a
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with black and white web pages and (sometimes animated) grainy
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RHIZOME NET ART ANTHOLOGY, My Boyfriend Came Back From the War
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Thomas Dreher: History of Computer Art, chap. VI.3.2 HTML Art
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On the occasion of the work's 20th anniversary in 2016,
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story about a couple that is reunited after a nameless
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has characterized as spatial and temporal montage."
89:narrative. The grainy black-and-white images and 8: 50:storytelling. The work consists of nested 211:"Mark Tribes teaching wiki: Olia Lialina" 176: 140:Emily Carr University of Art and Design 383:"Exhibiting Digital Art via Emulation" 359:from the original on 25 February 2012 185:"My Boyfriend Came Back From the War" 7: 393:from the original on 2 February 2020 277:from the original on 8 November 2010 191:from the original on 30 October 2016 147:Haus der elektronischen Künste Basel 582:Russian electronic literature works 445:My boyfriend came back from the war 269:My Boyfriend Came Back From the War 151:My Boyfriend Came Back From the War 131:My Boyfriend Came Back From the War 108:My Boyfriend Came Back From the War 41:My Boyfriend Came Back From the War 21:My Boyfriend Came Back From the War 509:from the original on 12 March 2017 479:from the original on 13 March 2017 424:from the original on 13 March 2017 307:from the original on 13 March 2017 247:from the original on 13 March 2017 28:created in 1996 by Russian artist 14: 577:1990s electronic literature works 327:"University of Maryland Syllabus" 85:, because of its similarity with 353:"Emily Carr University Syllabus" 333:from the original on 7 June 2010 16:Internet artwork by Olia Lialina 81:Olia Lialina calls the work a 1: 443:Himmelsbach, Sabine (2016). 447:. Stuttgart: Merzakademie. 598: 381:; Rechert, Klaus (2016). 126:Reception and exhibitions 567:1996 in Internet culture 557:Russian contemporary art 78:of empty black frames. 301:www.josephinebosma.com 159:MU Artspace, Eindhoven 136:University of Maryland 58:images. When clicking 267:"Video Adaptation of 122:'s video adaptation. 387:phaidra.univie.ac.at 505:. 27 October 2016. 379:Espenschied, Dragan 24:is a browser-based 164:In December 2016, 155:Sabine Himmelsbach 106:Starting in 1998, 572:Hypertext fiction 454:978-3-85616-689-2 217:on 5 October 2013 120:Marton Fernezelyi 68:military conflict 43:is an example of 589: 519: 518: 516: 514: 495: 489: 488: 486: 484: 465: 459: 458: 440: 434: 433: 431: 429: 409: 403: 402: 400: 398: 375: 369: 368: 366: 364: 349: 343: 342: 340: 338: 323: 317: 316: 314: 312: 293: 287: 286: 284: 282: 263: 257: 256: 254: 252: 233: 227: 226: 224: 222: 213:. Archived from 207: 201: 200: 198: 196: 187:. Olia Lialina. 181: 26:internet artwork 597: 596: 592: 591: 590: 588: 587: 586: 537: 536: 527: 522: 512: 510: 497: 496: 492: 482: 480: 467: 466: 462: 455: 442: 441: 437: 427: 425: 411: 410: 406: 396: 394: 377: 376: 372: 362: 360: 351: 350: 346: 336: 334: 325: 324: 320: 310: 308: 295: 294: 290: 280: 278: 265: 264: 260: 250: 248: 235: 234: 230: 220: 218: 209: 208: 204: 194: 192: 183: 182: 178: 174: 128: 104: 38: 17: 12: 11: 5: 595: 593: 585: 584: 579: 574: 569: 564: 559: 554: 549: 539: 538: 535: 534: 526: 525:External links 523: 521: 520: 490: 460: 453: 435: 404: 370: 344: 318: 288: 258: 228: 202: 175: 173: 170: 127: 124: 103: 100: 37: 34: 15: 13: 10: 9: 6: 4: 3: 2: 594: 583: 580: 578: 575: 573: 570: 568: 565: 563: 560: 558: 555: 553: 550: 548: 545: 544: 542: 532: 529: 528: 524: 508: 504: 500: 494: 491: 478: 474: 470: 464: 461: 456: 450: 446: 439: 436: 423: 419: 415: 408: 405: 392: 388: 384: 380: 374: 371: 358: 354: 348: 345: 332: 328: 322: 319: 306: 302: 298: 292: 289: 276: 272: 270: 262: 259: 246: 242: 238: 232: 229: 216: 212: 206: 203: 190: 186: 180: 177: 171: 169: 167: 162: 160: 156: 152: 148: 143: 141: 137: 132: 125: 123: 121: 117: 113: 109: 101: 99: 97: 92: 88: 84: 79: 77: 73: 69: 65: 61: 57: 53: 49: 46: 42: 35: 33: 31: 27: 23: 22: 562:Art websites 547:Internet art 511:. Retrieved 502: 493: 481:. Retrieved 472: 463: 444: 438: 426:. Retrieved 417: 407: 395:. Retrieved 386: 373: 361:. Retrieved 347: 335:. Retrieved 321: 309:. Retrieved 300: 291: 279:. Retrieved 268: 261: 249:. Retrieved 240: 231: 219:. Retrieved 215:the original 205: 193:. Retrieved 179: 163: 150: 144: 130: 129: 107: 105: 96:Lev Manovich 82: 80: 40: 39: 30:Olia Lialina 20: 19: 18: 552:Digital art 363:5 September 221:26 February 195:26 February 116:Wolfenstein 91:intertitles 45:interactive 541:Categories 418:www.hek.ch 397:2 February 172:References 60:hyperlinks 87:cinematic 64:nonlinear 48:hypertext 513:12 March 507:Archived 483:12 March 477:Archived 428:12 March 422:Archived 391:Archived 357:Archived 331:Archived 311:12 March 305:Archived 275:Archived 251:12 March 245:Archived 189:Archived 138:and the 118:mod and 36:The work 337:9 April 281:9 April 241:Rhizome 166:Rhizome 102:Remixes 83:netfilm 451:  76:mosaic 72:affair 52:frames 473:mu.nl 412:HeK. 149:gave 515:2017 485:2017 449:ISBN 430:2017 399:2020 365:2017 339:2010 313:2017 283:2010 253:2017 223:2014 197:2014 112:JODI 114:'s 56:GIF 543:: 501:. 475:. 471:. 420:. 416:. 389:. 385:. 355:. 329:. 303:. 299:. 273:. 243:. 239:. 161:. 142:. 32:. 517:. 487:. 457:. 432:. 401:. 367:. 341:. 315:. 285:. 271:" 255:. 225:. 199:.

Index

internet artwork
Olia Lialina
interactive
hypertext
frames
GIF
hyperlinks
nonlinear
military conflict
affair
mosaic
cinematic
intertitles
Lev Manovich
JODI
Wolfenstein
Marton Fernezelyi
University of Maryland
Emily Carr University of Art and Design
Haus der elektronischen Künste Basel
Sabine Himmelsbach
MU Artspace, Eindhoven
Rhizome
"My Boyfriend Came Back From the War"
Archived
"Mark Tribes teaching wiki: Olia Lialina"
the original
"Speaking in Net Language: My Boyfriend Came Back from the War"
Archived
"Video Adaptation of My Boyfriend Came Back From the War"

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