120:'s visit in 1575. The altar on which it stood was built on the wishes of Francesco Lisotti for a weekly mass for his soul, probably towards the end of the church's construction. This suggests a dating in the late 1560s, as do the facial features of the Madonna, similar to those of the 1567 altarpiece for the Santa Maria della Ripa Monastery in
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The church had been begun in 1520 through the will of
Giorgio Rota, but work lapsed until restarting in 1562. The painting draws on the composition of Moretti's 1539
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It is placed slightly later by
Gregori, on the basis of the architectural background, which he argues tends towards the
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school, and similarities between the folds of the female saint's mantle and of those of the apostles in his
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Giovanni
Battista Moroni, I pittori Bergamaschi del XIII al XIX secolo, Il cinquecento
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228 cm × 148 cm (90 in × 58 in)
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Giovan
Battista Moroni: lo sguardo sulla realtà, 1560-1579
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Giovan
Battista Moroni: lo sguardo sulla realtà, 1560-1579
167:, Cinisello Balsamo, Silvana Editoriale, 2004, p. 164.
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Paintings of the mystical marriage of Saint
Catherine
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105:, where it still hangs. It is signed at lower right
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101:in the church of San Bartolomeo, parish church of
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181:Inventario degli oggetti d'arte d'Italia
93:is a 1567-1570 oil on panel painting by
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183:, Bergamo, Provincia di Bergamo, 1931.
368:Paintings by Giovanni Battista Moroni
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373:Paintings in the Province of Bergamo
16:Painting by Giovanni Battista Moroni
90:Mystic Betrothal of Saint Catherine
323:Portrait of a Man Holding a Letter
315:Mystic Marriage of Saint Catherine
84:Mystic Marriage of Saint Catherine
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97:, produced for the side-altar of
22:ystic Marriage of Saint Catherine
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267:Portrait of Alessandro Vittoria
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275:Portrait of Bartolomeo Bonghi
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73:Church of San Bartolomeo,
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252:Giovanni Battista Moroni
95:Giovanni Battista Moroni
40:Giovanni Battista Moroni
99:Catherine of Alexandria
103:Almenno San Bartolomeo
75:Almenno San Bartolomeo
195:Simone Facchinetti,
163:Simone Facchinetti,
299:The Knight in Black
141:Romano di Lombardia
341:Moretto da Brescia
291:The Knight in Pink
283:Portrait of a Lady
122:Desenzano al Serio
111:Rovelli Altarpiece
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139:in the church at
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57:oil on panel
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318:(1567-1570)
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211:M.Gregori,
137:Last Supper
362:Categories
307:The Tailor
149:References
62:Dimensions
347:Mannerism
302:(c. 1567)
259:Paintings
133:Cremonese
49:1567-1570
343:(master)
70:Location
334:Related
294:(1560)
278:(1553)
54:Medium
36:Artist
126:Parre
46:Year
128:.
87:or
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244:e
237:t
230:v
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