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overcoat on her brocade dress, like the sleeves. Following the
Spanish fashion of the 16th century, her sumptuous dress is rich in embroidery and golden stitching. A white collar of very fine lace and a necklace of white pearls act as a change of color from the dress, which also appears on the young woman's cheeks, and in the golden hairstyle. The hanging ear with a small white pearl acts as a set with the necklace. The polychrome marble floor also mirrors the gray colors of the back wall and the pinky-orange of the dress, enhancing them. Everything is meant to express a great richness and elegance, if it weren't for the somewhat upset and amused look and apparent blush of the young lady, like if she was made uncomfortable by having been portrayed so richly dressed. The model pose variations, compared to the artist's previous portraits, seems an improvement, with the more minute proportion of the head and a higher perspective, refining the whole, and thus presenting a more elegant work.
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The painting depicts Lucia Albani
Avogadro, sitting sideways on a chair, with her right arm on the armrest, at the left, and her left arm on her dress while she holds a golden fan in her hand. What immediately catches the viewers eye in the painting is the bright pinky-orange shimmering of the open
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In the restoration of 1975 it was ascertained that the painting was enlarged both in the upper part by 8.8 cm and in the lower part by 6.30 cm: these parts were then covered by the frame but they were supposed to give more space to the portrait. There is no certainty that the painting
137:, of whom she was widowed in 1564. She was known for her beauty, intelligence and wisdom. Her husband is believed to have died of a fall from a balcony, leaving her a widow some years before her own death, in 1568, of tuberculosis.
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The painting was part of the
Fenaroli collection in Brescia. It is mentioned in 1857 by Charles Lock Eastlake, and was purchased by the antiquarian Giuseppe Baslini, who sold it to the National Gallery, in
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154.6 cm Ă— 106.7 cm (60.9 in Ă— 42.0 in)
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Portrait of a Lady, perhaps
Contessa Lucia Albani Avogadro ('La Dama in Rosso')
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poet born in
Bergamo in 1530, the wife of Faustino Avogadro, a nobleman from
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Moroni frequented the Albani
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Giovan
Battista Moroni. Lo sguardo sulla realtĂ (1560-1579)
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Giovan
Battista Moroni. Lo sguardo sulla realtĂ (1560-1579)
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Giovan
Battista Moroni. Lo sguardo sulla realtĂ (1560-1579)
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Giovan
Battista Moroni. Lo sguardo sulla realtĂ (1560-1579)
225:(PDF), Fondazione civiltĂ Bresciana, 2008, p. 296 (Italian)
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108:Lucia Albani Avogadro
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411:Moretto da Brescia
361:The Knight in Pink
353:Portrait of a Lady
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432:Categories
377:The Tailor
186:References
173:Provenance
165:depicting
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62:Dimensions
417:Mannerism
372:(c. 1567)
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70:Location
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