Myrrha - Knowledge (XXG)

29: 767:) knows the identity of the other as well. Myrrha's metamorphosing into a tree is read by Doll as a metaphor where the tree incarnates the secret. As a side effect, Doll notes, the metamorphosis also alters the idea of incest into something natural for the imagination to think about. Commenting on a Freudian analysis of the myth stating that Ovid "disconcertingly suggests that might be an unspoken universal of human experience". Doll notes that Ovid's stories work like metaphors: they are meant to give insight into the human psyche. Doll states that the moments when people experience moments like those of father-lust are repressed and unconscious, which means that they are a natural part of growing and that most grow out of it sometime. She concludes about Ovid and his version of Myrrha that: "What is perverted, for Ovid, is the use of sex as a power tool and the blind acceptance of sexual male power as a cultural norm." 5450: 674:, the secret of her true feelings. Hippolyte told the king that a girl of exalted parentage wanted to lie with him, but in secret. The affair lasted for an extended period of time, and Smyrna became pregnant. At this point, Thias desired to know who she was so he hid a light, illuminating the room and discovering Smyrna's identity when she entered. In shock, Smyrna gave birth prematurely to her child. She then raised her hands and said a prayer, which was heard by Zeus who took pity on her and turned her into a tree. Thias killed himself, and it was on the wish of Zeus that the child was brought up and named Adonis. 659:, written around 1 A.D., Hyginus states that King Cinyras of Assyria had a daughter by his wife, Cenchreis. The daughter was named Smyrna and the mother boasted that her child excelled even Venus in beauty. Angered, Venus punished the mother by cursing Smyrna to fall in love with her father. After the nurse had prevented Smyrna from committing suicide, she helped her engage her father in sexual intercourse. When Smyrna became pregnant, she hid in the woods from shame. Venus pitied the girl's fate, changing her into a myrrh tree, from which was born Adonis. 652:, who states that King Theias of Assyria had a daughter called Smyrna. Smyrna failed to honor Aphrodite, incurring the wrath of the goddess, by whom was made to fall in love with her father; and with the aid of her nurse she deceived him for twelve nights until her identity was discovered. Smyrna fled, but her father later caught up with her. Smyrna then prayed that the gods would make her invisible, prompting them to turn her into a tree, which was named the Smyrna. Ten months later the tree cracked and Adonis was born from it. 5444: 1385: 1151: 832: 454: 271: 976:. The play deals with the revolt against the extravagant king and his relationship to his favourite slave Myrrha. Myrrha made Sardanapalus appear at the head of his armies, but after winning three successive battles in this way he was eventually defeated. A beaten man, Myrrha persuaded Sardanapalus to place himself on a funeral pyre which she would ignite and subsequently leap onto - burning them both alive. The play has been interpreted as an 560:, the worshipping women (including Cenchreis, Myrrha's mother) were not to be touched by men for nine nights; the nurse tells Cinyras of a girl deeply in love with him, giving a false name. The affair lasts several nights in complete darkness to conceal Myrrha's identity, until Cinyras wanted to know the identity of his paramour. Upon bringing in a lamp, and seeing his daughter, the king attempted to kill her on the spot, but Myrrha escaped. 5438: 942:(written in 1786) is inspired by the story of Myrrha. In the play, Mirra falls in love with her father, Cinyras. Mirra is to be married to Prince Pyrrhus, but decides against it, and leaves him at the altar. In the ending, Mirra has a mental breakdown in front of her father who is infuriated because the prince has killed himself. Owning that she loves Cinyras, Mirra grabs his sword, while he recoils in horror, and kills herself. 711:

and Myrrha is then made into a woman in the grip of an uncontrollable lust. The marriage between her father and mother is then set as an obstacle for her love along with incest being forbidden by the laws, profane as well as divine. The way the daughter seduces her father illustrates the most extreme version a seduction can take: the union between two persons who by social norms and laws are strictly held apart.

333: 635: 549: 1023:. The work was praised for not directly translating, but instead retelling the story in a language which was as fresh and new for the audience today as Ovid's texts were to his contemporary audience. Hughes was also complimented on his achievements in using humour or horror when describing Myrrha or a flood, respectively. The work received critical acclaim winning the 4590: 670:, had a daughter named Smyrna. Being of great beauty, she was sought by men from far and wide. She had devised many tricks in order to delay her parents and defer the day they would choose a husband for her. Smyrna had been driven mad by desire for her father and did not want anybody else. At first she hid her desires, eventually telling her nurse, 1117:. Mary and William were crowned king and queen of England in 1689, and because Dryden was deeply sympathetic to James he lost his public offices and fell into political disfavor under the new reign. Dryden turned to translation and infused these translations with political satire in response - the myth of Myrrha being one of these translations. 1534: 1126:

succession thereby breaking both natural as well as divine statutes which resulted in fundamental social confusion. When Myrrha craves and achieves her father's (Cinyras') bed, Lee sees a parallel to Mary's ascending James' throne: both daughters incestuously occupied the place which belonged to their fathers.

616:, eventually becoming king of Cyprus through her family. Cinyras had five children by Metharme: the two boys, Oxyporos and Adonis, and three daughters, Orsedice, Laogore, and Braisia. The daughters at some point became victims of Aphrodite's wrath and had intercourse with foreigners, ultimately dying in Egypt. 960:

the best of Alfieri's tragedies." Audra Dibert Himes, in an essay entitled "Knew shame, and knew desire", notes a more subtle reference to Myrrha: Mathilda spends the last night before her father’s arrival in the woods, but as she returns home the next morning the trees seemingly attempt to encompass

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First he does not tell the story himself, but has one of his in-story characters, Orpheus, sing it; second, Ovid tells his audience not even to believe the story (cf. quote in "Ovid's version"); third, he has Orpheus congratulate Rome, Ovid's home town, for its being far away from the land where this

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The story I am going to tell is a horrible one: I beg that daughters and fathers should hold themselves aloof, while I sing, or if they find my songs enchanting, let them refuse to believe this part of my tale, and suppose that it never happened: or else, if they believe that it did happen, they must

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in 1820, contains similarities to the myth and mentions Myrrha. Mathilda is left by her father as a baby after her birth causes the death of her mother, and she does not meet her father until he returns sixteen years later. Then he tells her that he is in love with her, and, when she refuses him, he

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Particularly in light of the themes of secrecy in the taboo, and the patriarchal nature of Ovid's society, the myth may also serve to reverse the narrative on cases where the father manipulates and sexually abuses his own daughters and no actual seduction of the father by the daughter occurs, except

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Myrrha has been interpreted as developing from a girl into a woman in the course of the story: in the beginning she is a virgin refusing her suitors, in that way denying the part of herself that is normally dedicated to Aphrodite. The goddess then strikes her with desire to make love with her father

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is indicted. Lee suggests that Dryden critiques the intrusiveness of the Convention Parliament, because it acted without constituted legal authority. Finally the daughter, Mary as Myrrha, is described as an impious outcast from civilization, whose greatest sin was her disrupting the natural line of

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In the opening lines of the poem Dryden describes King Cinyras just as Ovid did as a man who had been happier if he had not become a father. Lee suggests that this is a direct parallel to James who could have been counted as happier if he had not had his daughter, Mary, who betrayed him and usurped

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refers to Adonis' mother. In the 34th stanza Venus is lamenting because Adonis is ignoring her approaches and in her heart-ache she says "O, had thy mother borne so hard a mind, She had not brought forth thee, but died unkind." Shakespeare makes a subtle reference to Myrrha later when Venus picks a

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Cinyras' relationship with a girl on his daughter's age was therefore not unnatural, but Myrrha's being in love with her own father was. Doll elaborates further on this stating that Myrrha's lamenting that animals can mate father and daughter without problems is a way for Ovid to express a paradox:

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and before he turns to the tale of Venus and Adonis. As the myth of Myrrha is also the longest tale sung by Orpheus (205 lines) and the only story that corresponds to his announced theme of girls punished for forbidden desire, it is considered the centerpiece of the song. Ovid opens the myth with a

329:. It is likely that lack of clarity concerning whether Myrrha was called Smyrna, and who her father was, originated in Cyprus before the Greeks first encountered the myth. However, it is clear that the Greeks added much to the Adonis-Myrrha story, before it was first recorded by classical scholars. 1216:

competition. The competition required that the candidates jumped through a series of academic hoops before entering the final where they were to compose a cantata on a prescribed text. Though it was not the best musical piece, the jury praised Ravel's work for its "melodic charm" and "sincerity of

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by Ovid. The case of Myrrha, critic Langdon Hammer notes, is the worst possible made against desire, because the story of Myrrha shows how sex can lead people to destroy others as well as themselves. He comments that "the "precious bitter resin" into which Myrrha's tears are changed tastes bitter

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Although own play evades the full import of this complicated association, Myrrha's name means that it cannot be escaped entirely - especially since Ovid's story of Myrrha's incest poses a potential reciprocal to the nightmare Byron invents for Sardanapalus, of sympathy with the son who is the

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incest is sanctioned by reproductive necessity; because it lacks consequences, this story is not a socially recognized narrative paradigm for incest. In the cases of both Lot's daughters and Myrrha, the daughter's seduction of the father has to be covert. While other incest configurations -

742:. Doll suggests that both Ovid's and Proulx' main concerns are civilization and its discontents and that their use of images of nature uncovers similar understandings of what is "natural" when it comes to who and how one should love. On the subject of Ovid’s writing about love Doll states: 1121:

his monarchical position. When describing the act of incest Dryden uses a monster metaphor. Those lines are suggested as aimed at William III who invaded England from the Netherlands and whose presence Dryden describes as a curse or a punishment, according to Lee. A little further on the

923:(1603), it has been suggested that he has made another reference. In act 5, scene 2 the main character Othello compares himself to a myrrh tree with its constant stream of tears (Myrrha's tears). The reference is justified in the way that it draws inspiration from Book X of Ovid's 105:. Myrrha falls in love with her father and tricks him into sexual intercourse. After discovering her identity, Cinyras draws his sword and pursues Myrrha. She flees across Arabia and, after nine months, turns to the gods for help. They take pity on her and transform her into a 914:

flower: "She crops the stalk, and in the breach appears, Green dropping sap, which she compares to tears." It has been suggested that these plant juices being compared to tears are a parallel to Myrrha's tears being the drops of myrrh exuding from the myrrh tree.

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as being that her sin is so unnatural and unlawful that she is forced to abandon human society and simultaneously she loses her identity. Her madness in Hell prevents even basic communication which attests to her being contemptuous of the social order in life.

168:, with the ensuing transformation to tree as a silencing punishment. It has been suggested that the taboo of incest marks the difference between culture and nature and that Ovid's version of Myrrha showed this. A translation of Ovid's Myrrha, by English poet 755:

in nature a father-daughter relationship is not unnatural, but it is in human society. On this Doll concludes that "Nature follows no laws. There is no such thing as "natural law"". Still, Ovid distances himself in three steps from the horrifying story:

988:. At a more abstract level Myrrha is the desire for freedom driving those who feel trapped or bound, as well as being the incarnation of Byron's dream of romantic love. Byron knew the story of the mythical Myrrha, if not directly through Ovid's 4158:

The works of Flavius Josephus: the learned and authentic Jewish historian and celebrated warrior. With three dissertations, concerning Jesus Christ, John the Baptist, James the Just, God's command to Abraham, & c. and explanatory notes and

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story took place (Cyprus). By distancing himself, Doll writes, Ovid lures his audience to keep listening. First then does Ovid begin telling the story describing Myrrha, her father and their relationship, which Doll compares to the mating of

545:; however, she is discovered by her nurse, in whom she confides. The nurse tries to make Myrrha suppress the infatuation, but later agrees to help Myrrha into her father's bed if she promises that she will not try to kill herself again. 1221:

commented on Ravel's failures at winning the competition: "Ravel's repeated failure to win the Prix de Rome, the most coveted prize for young composers in France at the turn of the 20th century, has become part of musical folklore."

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The myth of Myrrha has been interpreted in various ways. The transformation of Myrrha in Ovid's version has been interpreted as a punishment for her breaking the social rules through her incestuous relationship with her father. Like

718:'s theories and psychoanalysis this is shown in Ovid's version of the myth of Myrrha. When the girl has been gripped by desire, she laments her humanity, for if she and her father were animals, there would be no bar to their union. 701:. They live with their father in an isolated cave and because their mother is dead they decide to befuddle Lot's mind with wine and seduce him in order to keep the family alive through him. Nancy Miller comments on the two myths: 28: 871:

and the counterfeiters suffer dreadful diseases, Myrrha's being madness. Myrrha's suffering in the tenth bolgia indicates her most serious sin was not incest but deceit. Diana Glenn interprets the symbolism in Myrrha's

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Scientific names may change over time as animals are reclassified and the current standard scientific name for the married underwing is Catocala nuptialias. Catocala myrrha is a scientific synonym of Catocala

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To most a monarch was God's earthly representative, chosen by Him for the benefit of His people. For men to meddle in that choice was to tamper with the divine order, the inevitable price of which was chaos.

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Over several verses, Ovid depicts the psychic struggle Myrrha faces between her sexual desire for her father and the social shame she would face for acting on it. Sleepless, and losing all hope, she attempts

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is mentioned, wherein the main character, Cinyras, is to be slain along with his daughter Myrrha, and "a great deal of fictitious blood was shed". No further details are given about the plot of this play.

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as a whole". He further writes: "The inescapability of desire makes Bidart's long story of submission to it a kind of affirmation. Rather than aberrant, the Ovidian characters come to feel exemplary".

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Over the centuries Myrrha, the girl, and myrrh, the fragrance, have been linked etymologically. Myrrh was precious in the ancient world, and was used for embalming, medicine, perfume, and incense. The

1372:" and depicted a nude woman sitting on a rectangular pedestal. It was an outdoor project in Bryant Park, and the skin of the sculpture was made of perforated steel. Inside was a visible skeleton of 302:

was known to the Greeks from around the sixth century B.C., but it is unquestionable that they became aware of it through contact with Cyprus. Around this time, the cult of Adonis is noted in the

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was not to blame for Myrrha's incestuous love for her father, Cinyras; he comments that hating one's father is a crime, but that Myrrha's love was a greater crime, and blames it instead on the

3239: 4632: 575:. Afraid of death and tired of life, and pregnant as well, she begged the gods for a solution, and was transformed into the myrrh tree, with the sap thereof representing her tears. Later, 725:

the word Adonis could mean both "perfume" and "lover" and likewise Adonis is both the perfume made from the aromatic drops of myrrh as well as the human lover who seduces two goddesses.

608:, written around the 1st century B.C., Apollodorus tells of three possible parentages for Adonis. In the first he states that Cinyras arrived in Cyprus with a few followers and founded 1280:

and includes excerpts from the volume that "move in and out of the music as though in a dream, or perhaps Myrrha’s memory of the events that shaped her fate," as described by Kuster.

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That Myrrha is transformed into a myrrh tree has also been interpreted to have influenced the character of Adonis. Being the child of both a woman and a tree he is a split person. In

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in the 6th century B.C., myrrh is referenced seven times, making the Song of Solomon the passage in the Old Testament referring to myrrh the most, often with erotic overtones. In the

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when naming minor planets was standard custom at the time when 381 Myrrha was discovered. It was the general opinion that using numbers instead might lead to unnecessary confusion.

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by Ovid as one of the top ten stories of incestuous love ever. It complimented the myth for being more disturbing than any of the other incestuous relationships depicted in the

6415: 681:, the sun god, over some unclear insult, which might reflect the role the Sun has in the myrrh's production, but nevertheless this version was far from being a popular one. 3692: 3313:"Ovid Illustrated: The Reception of Ovid's Metamorphoses in Image and Text - Abbé Banier's Ovid commentary Englished from Ovid's Metamorphoses (Garth tr., Amsterdam, 1732)" 1510:. It was discovered and named on January 10, 1894 by A. Charlois at Nice. The mythical Myrrha inspired the name and her son, Adonis, is the name given to another asteroid, 888:

with "Myrrha, wicked and ungodly, yearning for the embrace of her father, Cinyras"; a metaphor, Claire Honess interprets as referring to the way Florence tries to "seduce"

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was the practice by the elite to take nubile young girls as lovers or mistresses, girls who could be as young as daughters. Such a practice was considered normal, natural.

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Reading the translation of the myth of Myrrha by Dryden as a comment on the political scene, states Lee, is partly justified by the characterization done by the historian

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mother-son, sibling - permit consensual agency, father-daughter incest does not; when the daughter displays transgressive sexual desire, the prohibitive father appears.

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as having engineered the tragic liaison. Critical interpretation of the myth has considered Myrrha's refusal of conventional sexual relations to have provoked her

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by Antoninus Liberalis, written somewhere in the 2nd or 3rd century A.D., the myth is set in Phoenicia, near Mount Lebanon. Here King Thias, son of Belus and

221:, a character named Myrrha appeared, whom critics interpreted as a symbol of Byron's dream of romantic love. The myth of Myrrha was one of 24 tales retold in 3335:"Ovid Illustrated: The Reception of Ovid's Metamorphoses in Image and Text - Preface of Garth Translation (London, 1717) and Banier-Garth (Amsterdam, 1732)" 321:

Adonis originally was a Phoenician god of fertility representing the spirit of vegetation. It is further speculated that he was an avatar of the version of

1443: 1094:" that this translation, along with several others, can be interpreted as a subtle comment on the political scene of the late seventeenth-century England. 1253:(1909). Suffering from being monotonic, the final showdown between father and daughter, the critics commented, was the only part really making an impact. 3367: 4618: 1347:

at the Getty Center in Los Angeles, California which lasted from December 16, 2008 through May 3, 2009. Normally the painting is exhibited in the

1304:. The illustration of Myrrha depicts Myrrha's deceiving her father as well as her fleeing from him. In 1717 in London, a Latin-English edition of 1169: 728:

In her essay "What Nature Allows the Jealous Laws Forbid" literary critic Mary Aswell Doll compares the love between the two male protagonists of

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remains Alaleona's most ambitious composition and though the music tended to be "eclectic and uneven", it showed "technical enterprise".

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In Ovid’s work no love is "taboo" unless it arises out of a need for power and control. A widespread instance for the latter during the

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the substance is famously associated with the birth of Christ when the magi presented their gifts of "gold, frankincense, and myrrh".

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Myrrh is a bitter-tasting, aromatic, yellow to reddish brown gum. It is obtained from small thorny flowering trees of the genus

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who fell in love with her brother, Myrrha is transformed and rendered voiceless making her unable to break the taboo of incest.

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Incest would likely have been categorized as a "carnal sin" by Dante which would have earned her a place in Hell's 2nd circle.

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show that Ovid was more interested in questioning how laws interfered with people's lives than writing epic tales like

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tree after having intercourse with her father, and gave birth to Adonis in tree form. Although the tale of Adonis has

1343:. The painting was included in the art exhibition "Captured Emotions: Baroque Painting in Bologna, 1575-1725" at the 4532:

Iconoclastic departures: Mary Shelley after Frankenstein: essays in honor of the bicentenary of Mary Shelley's birth

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Beccaloni, G.; Scoble, M.; Kitching, I.; Simonsen, T.; Robinson, G.; Pitkin, B.; Hine, A.; Lyal, C., eds. (2003).

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is a purely narrative poem and Ovid leaves his cynicism behind to reveal a sympathetic insight in human emotions.

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move in and out of the music as though in a dream, or perhaps Myrrha's memory of the events that shaped her fate

3171:"Alaleona: Mirra: Mazzola-Gavezzeni/ Gertseva/ Malagnini/ Ferrari/ Chorus and Orchestra of Radio France/ Valcuh" 2068: 499:

is not narrated by Ovid, but rather by the characters in the stories. The myth of Myrrha and Cinyras is sung by

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Doll, Mary Aswell (2006). "What Nature Allows the Jealous Laws Forbid: The Cases of Myrrha and Ennis del Mar".

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Doll, Mary Aswell (2006). "What Nature Allows the Jealous Laws Forbid: The Cases of Myrrha and Ennis del Mar".

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is the father of all and it is also implied that the city in that way rejects her true husband, the Emperor.

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Solomon's Vineyard: Literary and Linguistic Studies in the Song of Songs (Ancient Israel and Its Literature)

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bilingual translation by Johann Posthius was published, featuring the woodcuts of renowned German engraver

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In the Bible, myrrh is referenced as one of the most desirable fragrances, and though mentioned alongside

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In post-classical times, Myrrha has had widespread influence in Western culture. She was mentioned in the

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James Richard Ellis has argued that the incest taboo is fundamental to a civilized society. Building on

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to write a love-and-erotica themed concert. The concert was inspired by the myth of Myrrha in Ovid's

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Ovid spoke in his own person in his previous works where he was reputed as a witty and cynical man.

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It is not known exactly how many nights the affair lasted, but a source suggests only three nights.

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and featured Myrrha as a tree delivering Adonis while surrounded by women. In 1857 French engraver

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commits suicide. In chapter 4, Mathilda makes a direct allusion: "I chanced to say that I thought

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warning to the audience that this is a myth of great horror, especially to fathers and daughters:

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Lee notes the phonetic similarity of the names. If you switch the vowels "Myrrha" becomes "Mary".

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The myth of Myrrha is closely linked to that of her son, Adonis, which has been easier to trace.

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in 1700, has been interpreted as a metaphor for British politics of the time, linking Myrrha to

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The compact edition of the Oxford English dictionary: complete text reproduced micrographically

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Doll remarks that the union of Cupid and Psyche is a metaphor for the union of love and soul.

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her. Himes suggests that the trees can be seen as a parallel to Ovid’s metamorphosed Myrrha.

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E.g. from a love letter written by a courtesan to her lover: "My perfume, my tender Adonis"

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tree. While in plant form, Myrrha gives birth to Adonis. According to legend, the aromatic

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roots, it is uncertain where the myth of Myrrha emerged from, though it was probably from

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A possible route for the Myrrha myth's spread: the red is certain, the orange uncertain.

5984: 5928: 5877: 5716: 5681: 5671: 5268: 4802: 4752: 4377: 4176: 1940:. Vol. 8 (15th ed.). U.S.A.: Encyclopædia Britannica, Inc. 2003. p. 467. 1313: 1234: 889: 722: 638: 406: 341: 315: 239: 3264: 1479:). There are two main varieties of myrrh: bisabol and herabol. Bisabol is produced by 634: 262:. She was also the inspiration for several species' scientific names and an asteroid. 6409: 6394: 6325: 4952: 4832: 4757: 4294: 4078: 4061:

McGraw-Hill encyclopedia of world drama: an international reference work in 5 volumes

4029: 3530: 3368:"Captured Emotions: Baroque Painting in Bologna, 1575-1725 Opens at the Getty Museum" 3287:"Ovid Illustrated: The Reception of Ovid's Metamorphoses in Image and Text - Fab. X. 3040: 1447: 1405: 1401: 1265: 1201: 1130: 977: 880:

Dante had already shown his familiarity with the myth of Myrrha in a prior letter to

849: 715: 437: 425: 378: 259: 185: 127: 118: 3472: 1062: 6345: 6309: 6183: 4610: 4526: 3596: 3407: 3312: 3135: 1309: 1301: 1213: 1031: 973: 952: 812: 772: 747: 729: 457: 421: 235: 208: 4887: 1688:

This is considered a possible reference to temple prostitution connected with the

1636:

According to Ovid Pygmalion was Myrrha's great-grandfather: Pygmalion's daughter,

805:

One of the earliest recordings of a play inspired by the myth of Myrrha is in the

4156: 2373: 1167: 250:

chose to depict Myrrha in Hell as a part of his series of engravings for Dante's

6243: 5706: 5631: 5102: 4453:

Park, Edwards; Taylor, Samuel (1858). Edwards A. Park; Samuel H. Taylor (eds.).

4252: 1740:

is often associated with the daughter of an Athenian king who was taken away by

1675:

is referred to as Apollodorus, but see discussion of historicity of the author:

1511: 1476: 1463: 1373: 1075: 1067: 873: 628: 548: 351: 332: 169: 1101:

is suggested as being a critique of the political settlement that followed the

1038:, which was another retelling of the myth of Myrrha as it was presented in the 972:

published in 1821 and produced in 1834 is set in Assyria, 640 B.C., under King

126:, and the story was the subject of the most famous work (now lost) of the poet 6294: 6268: 6213: 6121: 6049: 5696: 5263: 5228: 5097: 5032: 4977: 4732: 3887: 3032: 1529: 1507: 1471: 1184: 1014: 471:

of Ovid has become one of the most influential poems by writers in Latin. The

228: 218: 4051: 1054:

Myrrha - or Smyrna - is also mentioned in André Aciman's 2019 novel Find Me.

1027:

1997 and being adapted to the stage in 1999, starring Sirine Saba as Myrrha.

6371: 6109: 5948: 5686: 5646: 5606: 5560: 5474: 5396: 5368: 5288: 5238: 5178: 5117: 5087: 5042: 4972: 4917: 4862: 4762: 1790: 1717:

of Ovid, due to their using the same source for their individual works: the

1293: 1233:. The libretto drew on the legend of Myrrha while the music was inspired by 864: 649: 307: 287: 232: 161: 3265:"Ovid Illustrated: The Reception of Ovid's Metamorphoses in Image and Text" 1611: 4589: 3913:

A Brief Introduction to the Old Testament: The Hebrew Bible in Its Context

763:: here the lovemaking occurs in complete darkness and only the initiator ( 587:

The myth of Myrrha has been chronicled in several other works than Ovid's

231:. In art, Myrrha's seduction of her father has been illustrated by German 6248: 6228: 6099: 6094: 6084: 5989: 5979: 5958: 5943: 5902: 5872: 5807: 5737: 5641: 5591: 5545: 5383: 5373: 5338: 5333: 5303: 5248: 5213: 5208: 5183: 5112: 5037: 5002: 4997: 4897: 4837: 4777: 4697: 4682: 4207:

The Metamorphoses of Antoninus Liberalis: A translation with a commentary

4148: 3539:] (in German). Vol. 20. Wien, Naturhistorisches Museum. p. 1737: 1724: 1496: 1361: 1292:

of Ovid has been illustrated by several artists through time. In 1563 in

885: 867:, in the tenth bolgia (ditch). Here she and other falsifiers such as the 820: 572: 568: 557: 322: 3397:"Object list: Captured Emotions: Baroque Painting in Bologna, 1575–1725" 6366: 6299: 6019: 6004: 5999: 5923: 5857: 5742: 5666: 5651: 5621: 5611: 5601: 5570: 5565: 5555: 5406: 5363: 5348: 5328: 5298: 5193: 5158: 5153: 5017: 4957: 4877: 4872: 4867: 4817: 4797: 4702: 1794: 1693: 1577: 1572: 1519: 1500: 1419: 1009:

In 1997 the myth of Myrrha and Cinyras was one of 24 tales from Ovid's

919: 868: 542: 526: 500: 491: 399: 311: 153: 141: 110: 102: 6304: 6278: 6273: 6188: 6054: 6024: 5974: 5842: 5837: 5817: 5797: 5676: 5656: 5504: 5484: 5401: 5283: 5253: 5188: 5127: 5107: 4982: 4882: 4822: 4782: 1806:

This fate of Myrrha's father is also accounted for by Hyginus in his

1797:, but there is no evidence that this Hippolyte is related in any way. 1766: 1741: 1697: 1637: 1515: 1351:(English: Dresden State Art Collections) in Germany as a part of the 691: 678: 620: 609: 564: 563:

Thereafter Myrrha walked in exile for nine months, past the palms of

534: 481: 476: 385: 326: 299: 283: 165: 157: 98: 91: 75: 3970:

Sexuality and citizenship: metamorphosis in Elizabethan erotic verse

1328:, the depiction of Myrrha showing her in the eighth circle of Hell. 1175:

A rendition of the piano reduction of Sousa's 1876 "Myrrha Gavotte".

384:, but, ultimately, the word is of Semitic origin, with roots in the 373:, all are synonymous Latin words for the tree substance). The Latin 3810:. Translated by Hard, Robin. US: Oxford University Press. pp. 3695:. International center for research in agroforestry. Archived from 1364:

created a sculpture based on Doré's illustration of Myrrha for the

6340: 6009: 5933: 5867: 5832: 5827: 5757: 5499: 5489: 5479: 5223: 5163: 5067: 5012: 4677: 1749: 1659: 1415: 1383: 1079: 830: 764: 547: 530: 486: 359: 346: 331: 190: 106: 83: 4275:

Figs, dates, laurel, and myrrh: plants of the Bible and the Quran

1506:

A large asteroid, measuring 124 kilometres (77 mi) is named

980:, with Sardanapalus as Byron's alter ego, Zarina as Byron's wife 5168: 4947: 4942: 4529:(1997). Conger, Syndy; Frank, Frederick; O'Dea, Gregory (eds.). 4419: 4397: 4109:. Lawrence, Kansas: University of Kansas Publications. pp. 3673:"LepIndex - The Global Lepidoptera Names Index for taxon myrrha" 2515: 2222:

Stokes, Jamie (2009). "Yemenis: nationality (people of Yemen)".

1217:

dramatic sentiment". Musical critic Andrew Clements writing for

893: 816: 619:

For the second possible parentage of Adonis, Apollodorus quotes

522: 123: 4614: 1097:

The translation of the myth of Myrrha as it appeared in Ovid's

4606:

The Warburg Institute Iconographic Database (images of Myrrha)

4338:

Onions, Charles; Friedrichsen, George; Burchfield, R. (1966).

3764:. Translated by Zimmerman, Seth. iUniverse. pp. vii-210. 3240:"New Music From American Composers Orchestra at Carnegie Hall" 1260:

More recently, Kristen Kuster created a choral orchestration,

1090:. Literary critic Anthony W. Lee notes in his essay "Dryden's 65: 51: 1962: 1149: 4448:. Vol. 2. Oxford University Press. 1971. p. 1888. 3987:

Gleckner, Robert F. (1997). "'A Problem Few Dare Imitate':

3573:(1414). Field Museum of Natural History: 12. Archived from 776:

named Myrrha's relationship with her father as depicted in

3991:

and 'Effeminate Character'". In Beatty, Bernard G. (ed.).

1192:

In music, Myrrha was the subject of an 1876 band piece by

677:

In a rare version, Myrrha's curse was inflicted on her by

19:

This article is about the Greek myth. For other uses, see

4457:. Vol. 15. Allen, Morrill and Wardwell. p. 212. 4277:. Portland, Oregon: Timber Press, Inc. pp. 194–200. 2224:

Encyclopedia of the Peoples of Africa and the Middle East

738:(1997) with the love Myrrha has for her father in Ovid's 697:

Myrrha has also been thematically linked to the story of

152:, with major variations depicting Myrrha's father as the 4036:. The Hamlyn Publishing Group Limited. pp. 94–132. 1212:. Caplet finished first over Ravel who was third in the 116:

The most familiar form of the myth was recounted in the

3019:

Lee, Anthony W. (2004). "Dryden's Cinyras and Myrrha".

2995:

Hammer, Langdon (1997-11-24). "Poetry and Embodiment".

1810:, though not in the same story as the rest of the myth. 591:. Among the scholars who recounted it are Apollodorus, 2763:"Mathilda, Mary Wollstonecraft Shelley - Introduction" 2522:. New York: Barnes & Noble Classics. p. xxx. 4601:

The myth of Myrrha retold in comic, by Glynnis Fawkes

4535:. Fairleigh Dickinson University Press. p. 362. 4085:. Berkeley: Oxford University Press. pp. 21–22. 1640:, was the mother of Cinyras, who was Myrrha's father. 1339:

depicted Myrrha as a tree while delivering Adonis in

1070:

translated the myth of Myrrha for political purposes.

4319:

Noegel, Scott B.; Rendsburg, Gary A. (29 Oct 2009).

2004:

Casson, Lionel (December 1986). "Points of origin".

884:, which he wrote on 17 April 1311. Here he compares 6359: 6318: 6287: 5967: 5916: 5730: 5584: 5523: 5457: 5141: 4655: 4648: 4178:

Planets and their atmospheres: origin and evolution

2605: 2603: 623:, who postulates that Adonis could be the child of 4293: 4251: 4175: 3124: 3122: 1931: 1929: 892:away from Henry VII. It is incestuous because the 863:, where Dante sees her soul being punished in the 4231:McGann, Jerome J. (2002). James Soderholm (ed.). 4012:Dante's reforming mission and women in the Comedy 3439:Heller Anderson, Susan; David Bird (1984-08-14). 2671: 2669: 2259: 2257: 1773:uses it when describing the relationship between 1436:, the club beak, is a butterfly native to India. 1376:. When finished, the sculpture was 29 feet tall. 336:Myrrh, the precious embalming resin of antiquity. 3932:The gardens of Adonis: spices in Greek mythology 3915:. Oxford: Oxford University Press. p. 394. 2443: 2441: 2226:. Vol. 1. Infobase Publishing. p. 745. 1229:'s only opera, premiering in 1920, was entitled 4323:. Society of Biblical Literature. p. 184. 4250:Miller, Nancy K.; Tougaw, Jason Daniel (2002). 4162:. Armstrong and Plaskitt, and Plaskitt & Co 3337:. University of Virginia Electronic Text Center 3315:. University of Virginia Electronic Text Center 3293:. University of Virginia Electronic Text Center 3267:. University of Virginia Electronic Text Center 2307: 2305: 2303: 2022: 1793:is also the name of the legendary queen of the 409:" as well as referring to the plant. Regarding 4361:. Courier Dover Publications. pp. 35–36. 3934:. Princeton University Press. pp. 63–64. 3014: 3012: 3010: 3008: 3006: 2990: 2988: 2590: 2588: 2322: 2320: 2205: 2203: 2201: 2199: 2197: 1987: 1985: 1983: 1475:, which is a part of the incense-tree family ( 1466:(moths and butterflies) with the myrrha name. 788:in his own mind. This would be similar to how 631:. He elaborates no further on this statement. 529:and Queen Cenchreis of Cyprus. Ovid says that 517:believe also in the punishment that followed. 4626: 4254:Extremities: trauma, testimony, and community 3532:Annalen des Naturhistorischen Museums in Wien 3289:Myrrha changed to a tree; the Birth of Adonis 3194:C.G. Waterhouse, John. "Alaleona, Domenico". 2620: 2618: 2290: 2288: 1893: 1891: 1889: 1887: 1601:The word "frankincense" means "fine incense". 1105:. The wife of the leader of this revolution, 1078:published his translations of myths by Ovid, 130:. Several alternate versions appeared in the 8: 4379:The Cambridge guide to literature in English 3972:. University of Toronto Press. p. 191. 3930:Detienne, Marcel (1994). Janet Lloyd (ed.). 3853:. Oxford University Press. pp. 58–187. 2909:"What's the Latin for 'the Brookside vice'?" 2612:, pp. 205–210 (canto XXX, verses 34-48) 2502: 2490: 2432: 2428: 2426: 2209: 2188: 2176: 2172: 2170: 2161: 2149: 2137: 2125: 2113: 2090: 2088: 2086: 2084: 2082: 2080: 2078: 2076: 1454:is a synonym for a species of moth known as 1392:is linked to Myrrha in its scientific name, 238:, her tree-metamorphosis by French engraver 101:relationship between Myrrha and her father, 6416:Metamorphoses into trees in Greek mythology 3597:"Catocala: Classification and Common Names" 3466:"Checklist of Beetles of the British Isles" 2834:The New Encyclopædia Britannica: Micropædia 2748: 2699: 2687: 2263: 2248: 2236: 1938:The New Encyclopædia Britannica: Micropædia 4652: 4633: 4619: 4611: 4340:The Oxford dictionary of English etymology 3716: 3557:Gall, Lawrence F; Hawks, David C. (1990). 3537:Museum of Natural History of Vienna annual 2557:"Ten of the best incestuous relationships" 1974: 1963:Onions, Friedrichsen & Burchfield 1966 1324:made a series of illustrations to Dante's 1316:. The illustration of Myrrha was entitled 254:. In music, she has appeared in pieces by 4174:Lewis, John S.; Prinn, Ronald G. (1984). 4063:. Vol. 4. McGraw-Hill. p. 123. 3649:Catalogue of Life - 2010 Annual Checklist 3354: 3156: 2794:. Oxford University Press, 1990 cited in 2675: 2660: 2648: 2636: 2609: 2326: 2311: 2294: 1991: 1671:Following customary usage, the author of 1268:in 2006. Kuster stated that the idea for 1264:, written in 2004 and first performed at 1133:on the events of the revolution of 1688: 927:, just like his previously written poem, 4556:Watson, Owen (1976). Owen Watson (ed.). 4342:. Oxford University Press. p. 600. 3993:The plays of Lord Byron: critical essays 3953:. Vol. 1. McGraw-Hill. p. 38. 3872:. Alfred Music Publishing. p. 236. 3786:. Translated by Honess, Claire E. MHRA. 3740: 3728: 2999:. Katrina vanden Heuvel. pp. 32–34. 2894: 2882: 2594: 2579: 2478: 2447: 2406: 1444:Gottlieb August Wilhelm Herrich-Schäffer 1442:is a rare species of butterfly named by 1357:(English: Old Masters Picture Gallery). 1061: 633: 579:freed the newborn Adonis from the tree. 452: 424:, it is usually more expensive. Several 413:, the word is a Greek dialectic form of 269: 27: 4404:. Penguin Books Ltd. pp. 232–238. 3951:McGraw-Hill encyclopedia of world drama 3784:Dante Alighieri: four political letters 3065: 2968:"THE INFORMATION on; 'Tales from Ovid'" 2846: 2807: 2795: 2761:Whitaker, Jessica Menzo Russel (2002). 2338: 2275: 1883: 1850:Drop tears as fast as the Arabian trees 1846:Othello: "...of one whose subdued eyes, 1594: 4510: 4210:. London: Routledge. pp. 93–202. 4136: 4126: 3870:John Philip Sousa: American Phenomenon 3837: 3827: 3693:"Species identity - Commiphora myrrha" 3625:Butterflies and Moths of North America 3441:"The See-Through Woman Of Bryant Park" 3053: 2870: 2597:, p. 384 (Book XIX, chapter 1.13) 2034: 1950: 1920: 1897: 1182: 113:of the myrrh tree are Myrrha's tears. 4464:Life and Reminiscence of Gustave Doré 4300:. Cornell University Press. pp. 4296:Playing with time: Ovid and the Fasti 4083:A Land of Liberty?: England 1689-1727 2858: 2819: 2624: 2459: 1514:. Using classical names like Myrrha, 7: 2736: 2724: 2723:Othello, V, II, 357-360 as cited in 2711: 2493:, pp. 228–245 (Book X, 143-739) 2212:, pp. 233–238 (Book X, 298-513) 2152:, pp. 231–245 (Book X, 243-739) 1491:, which produces the herabol myrrh. 1485:, an Arabian species similar to the 4466:. New York: Cassell & Co., Ltd. 4376:Ousby, Ian (1993). "Sardanapalus". 4292:Newlands, Carole Elizabeth (1995). 3559:"Systematics of Moths in the Genus 1370:Myrrha of the Post Industrial World 1312:and with plates of French engraver 298:". It is believed that the cult of 3621:"Attributes of Catocala nuptialis" 3527:Naturhistorisches Museum (Austria) 3507:The Global Lepidoptera Names Index 3471:. The Coleopterist. Archived from 3412:Staatliche Kunstsammlungen Dresden 3333:Kinney, Daniel; Elizabeth Styron. 3311:Kinney, Daniel; Elizabeth Styron. 3285:Kinney, Daniel; Elizabeth Styron. 3263:Kinney, Daniel; Elizabeth Styron. 2372:Forbes Irving, Paul M. C. (1990). 1848:Albeit unused to the melting mood, 1761:Antoninus Liberalis uses the verb 1736:Bēlos was a Greek name for Ba'al. 1349:Staatliche Kunstsammlungen Dresden 992:, then at least through Alfieri's 525:, Myrrha was the daughter of King 14: 4559:Longman modern English dictionary 4428:University of Massachusetts Press 1013:that were retold by English poet 1005:object of his mother's 'incest'. 5448: 5442: 5436: 4642:Metamorphoses in Greek mythology 4588: 4473:Dictionary of minor planet names 4258:. University of Illinois Press. 2907:Balmer, Josephine (1997-05-04). 2538:Journal of Curriculum Theorizing 2097:Journal of Curriculum Theorizing 1744:, the north wind. In Liberalis' 1568:List of Metamorphoses characters 1532: 1458:. In total the United Kingdom's 1183:Problems playing this file? See 1165: 1025:Whitbread Book Of The Year Award 917:In another work of Shakespeare, 648:For the third option, he quotes 428:passages refer to myrrh. In the 4422:(2003). Michael Simpson (ed.). 4273:Musselman, Lytton John (2007). 4204:(1992). Francis Celoria (ed.). 4010:Glenn, Diana (2008). "Myrrha". 3129:Clements, Andrew (2001-03-23). 2505:, p. 233 (Book X, 304-307) 2358:Commentary on Virgil's Eclogues 2191:, p. 233 (Book X, 311-315) 2179:, p. 233 (Book X, 300-303) 2140:, p. 232 (Book X, 296-298) 1272:came when she was asked by the 552:Myrrha's flight from her father 4382:. Cambridge University Press. 4235:. Cambridge University Press. 4059:Hochman, Stanley, ed. (1984). 3995:. Liverpool University Press. 3807:The Library of Greek Mythology 3762:The Inferno of Dante Alighieri 3669:Natural History Museum, London 2266:, p. 131 (Book III, 14.4) 2251:, p. 131 (Book III, 14.3) 1610:Myrrh is not mentioned in the 507:after he has told the myth of 1: 6441:Princesses in Greek mythology 4400:(1971). Mary M. Innes (ed.). 4103:(1960). Mary A. Grant (ed.). 3968:Ellis, James Richard (2003). 2378:. Oxford, New York, Toronto: 2341:, p. 162 (No. CCXLII in 1308:was published, translated by 984:, and Myrrha as his mistress 599:. All three versions differ. 82:. She was transformed into a 4493:(1932). "Venus and Adonis". 4475:. Springer. pp. 4–372. 4014:. Troubador Publishing Ltd. 3238:Kozinn, Allan (2006-05-05). 3215:American Composers Orchestra 2518:(2005). F. J. Miller (ed.). 2375:Metamorphosis in Greek Myths 1368:. The sculpture was titled " 1274:American Composers Orchestra 811:, written in 93 A.D. by the 16:Character in Greek mythology 4462:Roosevelt, Blanche (1885). 4182:. Academic Press. pp. 3949:Eggenberger, David (1972). 3911:Coogan, Michael D. (2009). 2555:Mullan, John (2008-04-10). 2278:, p. 61 (No. LVIII in 2023:Noegel & Rendsburg 2009 1354:Gemäldegalerie Alte Meister 1208:each wrote cantatas titled 1057: 839:, illustration for Dante's 792:theory functions socially. 6482: 5434: 4471:Schmadel, Lutz D. (2003). 3198:. Oxford University Press. 3169:Ashley, Tim (2005-04-08). 2702:, p. 755 (stanza 196) 1088:Fables, Ancient and Modern 66: 52: 18: 6390: 4424:The Metamorphoses of Ovid 4402:The Metamorphoses of Ovid 4357:Orenstein, Arbie (1991). 3868:Bierley, Paul E. (2001). 3516:Retrieved April 21, 2018. 3139:. Guardian News and Media 3033:10.1080/00144940409597201 2690:, p. 732 (stanza 34) 1563:Incest in popular culture 1450:in south-eastern Turkey. 1058:John Dryden's translation 193:, was an inspiration for 6446:Metamorphoses characters 4517:: CS1 maint: location ( 4034:Larousse World Mythology 2433:Miller & Tougaw 2002 2329:, p. 93 (No. XXXIV) 1337:Marcantonio Franceschini 1000:and the myth of Myrrha: 467:Published in 8 A.D. the 246:, while French engraver 244:Marcantonio Franceschini 201:, and was alluded to in 33:Marcantonio Franceschini 6461:Asia in Greek mythology 4359:Ravel: man and musician 3893:Sardanapalus: a tragedy 3888:Byron, George Gordon N. 3849:Bate, Jonathan (1994). 3131:"Classical CD releases" 2792:The Mary Shelley Reader 2520:The Metamorphoses: Ovid 2380:Oxford University Press 1428:Myrrha octodecimguttata 1394:Myrrha octodecimguttata 808:Antiquities of the Jews 448: 21:Myrrha (disambiguation) 3717:Lewis & Prinn 1984 3512:Natural History Museum 3210:"Myrrha in the Making" 1975:Park & Taylor 1858 1713:have parallels to the 1460:Natural History Museum 1397: 1154: 1140: 1071: 1030:In 1997 American poet 1007: 847:Myrrha appears in the 844: 770:In 2008 the newspaper 752: 708: 645: 612:, and that he married 553: 519: 464: 337: 275: 40: 4420:Ovidius Naso, Publius 4398:Ovidius Naso, Publius 4233:Byron and romanticism 4101:Hyginus, Gaius Julius 3500:Cupido myrrha 2516:Ovidius Naso, Publius 1852:Their medicinal gum". 1709:Antoninus Liberalis' 1583:Nyctimene (mythology) 1422:beetles, such as the 1387: 1153: 1135: 1123:Convention Parliament 1074:In 1700 English poet 1065: 1017:in his poetical work 1002: 865:eighth circle of Hell 834: 823:. A tragedy entitled 744: 703: 637: 551: 514: 503:in the tenth book of 456: 335: 273: 97:The myth details the 31: 6431:Mythological rapists 5863:Menippe and Metioche 4597:at Wikimedia Commons 4562:. Longman. pp. 4491:Shakespeare, William 4430:. pp. 373–376. 4202:Liberalis, Antoninus 4106:The Myths of Hyginus 3851:Shakespeare and Ovid 3464:A. G., Duff (2008). 3404:J. Paul Getty Museum 2058:Song of Solomon 5:13 1769:' love as well, and 1700:Aphrodite in Cyprus. 1548:The Freudian Coverup 1408:reference the myth. 1345:J. Paul Getty Museum 1240:Pelléas et Mélisande 790:The Freudian Coverup 571:, until she reached 434:Babylonian captivity 377:originated from the 266:Origin and etymology 242:and Italian painter 74:), is the mother of 6456:Helios in mythology 6015:Baucis and Philemon 5388:Tyrrhenian pirates 4495:Histories and poems 2047:Song of Solomon 5:5 1341:The Birth of Adonis 1318:The Birth of Adonis 1103:Glorious Revolution 970:George Gordon Byron 907:William Shakespeare 643:The Birth of Adonis 597:Antoninus Liberalis 358:) derives from the 310:, though under the 150:Antoninus Liberalis 37:The Birth of Adonis 6426:Deeds of Aphrodite 5883:Pyramus and Thisbe 5768:Arethusa (Boeotia) 3445:The New York Times 3372:Art Knowledge News 3357:, pp. 212–227 3244:The New York Times 3196:Grove Music Online 2885:, pp. 223–224 2873:, pp. 142–150 2474:Palatine Anthology 1994:, pp. 194–197 1727:(2nd century B.C.) 1677:pseudo-Apollodorus 1558:Incest in folklore 1439:Polyommatus myrrha 1398: 1243:(1902) as well as 1155: 1092:Cinyras and Myrrha 1072: 845: 735:Brokeback Mountain 646: 567:and the fields of 554: 465: 462:Myrrha and Cinyras 338: 276: 41: 6451:Cypriot mythology 6403: 6402: 5778:Arethusa (Ithaca) 5585:Inanimate objects 5432: 5431: 4858:Cycnus of Liguria 4853:Cycnus of Colonae 4843:Cycnus of Aetolia 4708:Agrius and Oreius 4593:Media related to 4573:978-0-582-55512-9 4542:978-0-8386-3684-8 4482:978-3-540-00238-3 4455:Bibliotheca Sacra 4437:978-1-55849-399-5 4389:978-0-521-44086-8 4368:978-0-486-26633-6 4349:978-0-19-861112-7 4330:978-1-58983-422-4 4311:978-0-8014-3080-0 4284:978-0-88192-855-6 4265:978-0-252-07054-9 4242:978-0-521-00722-1 4217:978-0-415-06896-3 4193:978-0-12-446580-0 4149:Josephus, Flavius 4092:978-0-19-925100-1 4070:978-0-07-079169-5 4043:978-0-600-02366-1 4021:978-1-906510-23-7 4002:978-0-85323-891-1 3979:978-0-8020-8735-5 3960:978-0-07-079567-9 3941:978-0-691-00104-3 3922:978-0-19-533272-8 3879:978-0-7579-0612-1 3860:978-0-19-818324-2 3821:978-0-19-283924-4 3793:978-0-947623-70-8 3771:978-0-595-28090-2 3645:"Catocala myrrha" 2940:Costa Book Awards 2503:Ovidius Naso 1971 2491:Ovidius Naso 1971 2210:Ovidius Naso 1971 2189:Ovidius Naso 1971 2177:Ovidius Naso 1971 2162:Ovidius Naso 2003 2150:Ovidius Naso 1971 2138:Ovidius Naso 1971 2126:Ovidius Naso 1971 2114:Ovidius Naso 1971 1456:married underwing 1331:In 1690, Italian 1227:Domenico Alaleona 1225:Italian composer 1194:John Philip Sousa 1170: 1107:William of Orange 1066:The English poet 882:Emperor Henry VII 60:), also known as 6473: 6466:Family of Adonis 5452: 5446: 5440: 4728:Alcyone and Ceyx 4653: 4635: 4628: 4621: 4612: 4592: 4577: 4552: 4550: 4549: 4522: 4516: 4508: 4486: 4467: 4458: 4449: 4441: 4415: 4393: 4372: 4353: 4334: 4315: 4299: 4288: 4269: 4257: 4246: 4227: 4225: 4224: 4197: 4181: 4170: 4168: 4167: 4144: 4138: 4134: 4132: 4124: 4096: 4074: 4055: 4025: 4006: 3983: 3964: 3945: 3926: 3907: 3902: 3901: 3883: 3864: 3845: 3839: 3835: 3833: 3825: 3797: 3780:Alighieri, Dante 3775: 3758:Alighieri, Dante 3744: 3738: 3732: 3726: 3720: 3714: 3708: 3707: 3705: 3704: 3689: 3683: 3682: 3680: 3679: 3665: 3659: 3658: 3656: 3655: 3641: 3635: 3634: 3632: 3631: 3617: 3611: 3610: 3608: 3607: 3601:P. E. I. R. T. A 3592: 3586: 3585: 3583: 3582: 3554: 3548: 3547: 3523: 3517: 3515: 3493: 3487: 3486: 3484: 3483: 3477: 3470: 3461: 3455: 3454: 3452: 3451: 3436: 3430: 3429: 3427: 3426: 3420: 3414:. Archived from 3401: 3393: 3387: 3386: 3384: 3383: 3374:. Archived from 3364: 3358: 3352: 3346: 3345: 3343: 3342: 3330: 3324: 3323: 3321: 3320: 3308: 3302: 3301: 3299: 3298: 3282: 3276: 3275: 3273: 3272: 3260: 3254: 3253: 3251: 3250: 3235: 3229: 3228: 3223: 3222: 3206: 3200: 3199: 3191: 3185: 3184: 3182: 3181: 3166: 3160: 3159:, pp. 35–36 3154: 3148: 3147: 3145: 3144: 3126: 3117: 3116: 3114: 3113: 3099: 3093: 3092: 3090: 3089: 3075: 3069: 3063: 3057: 3056:, pp. 21–22 3051: 3045: 3044: 3016: 3001: 3000: 2992: 2983: 2982: 2980: 2979: 2964: 2958: 2957: 2955: 2954: 2948: 2942:. Archived from 2937: 2929: 2923: 2922: 2920: 2919: 2904: 2898: 2892: 2886: 2880: 2874: 2868: 2862: 2856: 2850: 2844: 2838: 2837: 2832:"Sardanapalus". 2829: 2823: 2817: 2811: 2805: 2799: 2784: 2778: 2777: 2775: 2774: 2758: 2752: 2749:Eggenberger 1972 2746: 2740: 2734: 2728: 2721: 2715: 2709: 2703: 2700:Shakespeare 1932 2697: 2691: 2688:Shakespeare 1932 2685: 2679: 2678:, pp. 78–79 2673: 2664: 2658: 2652: 2646: 2640: 2634: 2628: 2627:, pp. 58–59 2622: 2613: 2607: 2598: 2592: 2583: 2577: 2571: 2570: 2568: 2567: 2552: 2546: 2545: 2533: 2512: 2506: 2500: 2494: 2488: 2482: 2469: 2463: 2457: 2451: 2450:, pp. 63–64 2445: 2436: 2430: 2421: 2419:Genesis 19:31-36 2416: 2410: 2404: 2398: 2397: 2369: 2363: 2352: 2346: 2336: 2330: 2324: 2315: 2309: 2298: 2292: 2283: 2273: 2267: 2264:Apollodorus 1998 2261: 2252: 2249:Apollodorus 1998 2246: 2240: 2237:Apollodorus 1998 2234: 2228: 2227: 2219: 2213: 2207: 2192: 2186: 2180: 2174: 2165: 2159: 2153: 2147: 2141: 2135: 2129: 2123: 2117: 2111: 2105: 2104: 2092: 2071: 2066: 2060: 2055: 2049: 2044: 2038: 2032: 2026: 2020: 2014: 2013: 2001: 1995: 1989: 1978: 1972: 1966: 1960: 1954: 1948: 1942: 1941: 1933: 1924: 1918: 1912: 1907: 1901: 1900:, pp. 94–95 1895: 1872: 1868: 1862: 1859: 1853: 1844: 1838: 1835: 1829: 1826: 1820: 1817: 1811: 1804: 1798: 1788: 1782: 1759: 1753: 1734: 1728: 1707: 1701: 1692:of Aphrodite or 1686: 1680: 1669: 1663: 1656: 1650: 1647: 1641: 1634: 1628: 1621: 1615: 1608: 1602: 1599: 1542: 1540:Mythology portal 1537: 1536: 1535: 1424:18-spot ladybird 1406:scientific names 1390:18-spot ladybird 1360:In 1984, artist 1172: 1171: 1152: 940:Vittorio Alfieri 929:Venus and Adonis 902:Venus and Adonis 835:Myrrha in Hell ( 821:Flavius Josephus 761:Cupid and Psyche 325:, worshipped in 227:by English poet 199:Vittorio Alfieri 69: 68: 55: 54: 6481: 6480: 6476: 6475: 6474: 6472: 6471: 6470: 6436:Incestual abuse 6406: 6405: 6404: 6399: 6386: 6355: 6314: 6283: 5963: 5912: 5773:Arethusa (Elis) 5726: 5580: 5519: 5458:Base appearance 5453: 5447: 5441: 5428: 5279:Lycian peasants 5137: 4644: 4639: 4585: 4580: 4574: 4555: 4547: 4545: 4543: 4525: 4509: 4505: 4489: 4483: 4470: 4461: 4452: 4444: 4438: 4418: 4412: 4396: 4390: 4375: 4369: 4356: 4350: 4337: 4331: 4318: 4312: 4291: 4285: 4272: 4266: 4249: 4243: 4230: 4222: 4220: 4218: 4200: 4194: 4173: 4165: 4163: 4153:William Whiston 4147: 4135: 4125: 4121: 4099: 4093: 4077: 4071: 4058: 4044: 4028: 4022: 4009: 4003: 3986: 3980: 3967: 3961: 3948: 3942: 3929: 3923: 3910: 3899: 3897: 3886: 3880: 3867: 3861: 3848: 3836: 3826: 3822: 3800: 3794: 3778: 3772: 3756: 3752: 3747: 3739: 3735: 3727: 3723: 3715: 3711: 3702: 3700: 3691: 3690: 3686: 3677: 3675: 3667: 3666: 3662: 3653: 3651: 3643: 3642: 3638: 3629: 3627: 3619: 3618: 3614: 3605: 3603: 3594: 3593: 3589: 3580: 3578: 3556: 3555: 3551: 3525: 3524: 3520: 3495: 3494: 3490: 3481: 3479: 3475: 3468: 3463: 3462: 3458: 3449: 3447: 3438: 3437: 3433: 3424: 3422: 3418: 3399: 3395: 3394: 3390: 3381: 3379: 3366: 3365: 3361: 3353: 3349: 3340: 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2431: 2424: 2417: 2413: 2405: 2401: 2394: 2386:. p. 275. 2384:Clarendon Press 2371: 2370: 2366: 2353: 2349: 2337: 2333: 2325: 2318: 2310: 2301: 2293: 2286: 2274: 2270: 2262: 2255: 2247: 2243: 2235: 2231: 2221: 2220: 2216: 2208: 2195: 2187: 2183: 2175: 2168: 2160: 2156: 2148: 2144: 2136: 2132: 2124: 2120: 2112: 2108: 2094: 2093: 2074: 2069:Matthew 2:10-11 2067: 2063: 2056: 2052: 2045: 2041: 2033: 2029: 2021: 2017: 2003: 2002: 1998: 1990: 1981: 1973: 1969: 1961: 1957: 1949: 1945: 1935: 1934: 1927: 1919: 1915: 1908: 1904: 1896: 1885: 1881: 1876: 1875: 1869: 1865: 1860: 1856: 1851: 1849: 1847: 1845: 1841: 1836: 1832: 1827: 1823: 1818: 1814: 1805: 1801: 1789: 1785: 1760: 1756: 1735: 1731: 1708: 1704: 1687: 1683: 1670: 1666: 1657: 1653: 1648: 1644: 1635: 1631: 1622: 1618: 1609: 1605: 1600: 1596: 1591: 1553:Electra complex 1538: 1533: 1531: 1528: 1452:Catocala myrrha 1433:Libythea myrrha 1382: 1286: 1245:Richard Strauss 1190: 1189: 1181: 1179: 1178: 1177: 1176: 1173: 1166: 1163: 1156: 1150: 1145: 1060: 1020:Tales from Ovid 861:Dante Alighieri 803: 798: 796:Cultural impact 699:Lot's daughters 687: 585: 558:Ceres' festival 451: 446: 430:Song of Solomon 405:, all meaning " 304:Book of Ezekiel 268: 224:Tales from Ovid 176:and Cinyras to 80:Greek mythology 24: 17: 12: 11: 5: 6479: 6477: 6469: 6468: 6463: 6458: 6453: 6448: 6443: 6438: 6433: 6428: 6423: 6418: 6408: 6407: 6401: 6400: 6398: 6397: 6391: 6388: 6387: 6385: 6384: 6379: 6374: 6369: 6363: 6361: 6357: 6356: 6354: 6353: 6348: 6343: 6338: 6333: 6328: 6322: 6320: 6316: 6315: 6313: 6312: 6307: 6302: 6297: 6291: 6289: 6285: 6284: 6282: 6281: 6276: 6271: 6266: 6261: 6256: 6251: 6246: 6241: 6236: 6231: 6226: 6221: 6216: 6211: 6206: 6201: 6196: 6191: 6186: 6181: 6176: 6171: 6166: 6161: 6156: 6151: 6146: 6141: 6136: 6135: 6134: 6129: 6119: 6118: 6117: 6112: 6107: 6102: 6097: 6092: 6082: 6077: 6072: 6067: 6062: 6057: 6052: 6047: 6042: 6037: 6032: 6027: 6022: 6017: 6012: 6007: 6002: 5997: 5992: 5987: 5982: 5977: 5971: 5969: 5965: 5964: 5962: 5961: 5956: 5951: 5946: 5941: 5936: 5931: 5929:Hermaphroditus 5926: 5920: 5918: 5914: 5913: 5911: 5910: 5905: 5900: 5895: 5890: 5885: 5880: 5875: 5870: 5865: 5860: 5855: 5850: 5845: 5840: 5835: 5830: 5825: 5820: 5815: 5810: 5805: 5800: 5795: 5790: 5785: 5780: 5775: 5770: 5765: 5760: 5755: 5750: 5745: 5740: 5734: 5732: 5728: 5727: 5725: 5724: 5719: 5717:Teumessian fox 5714: 5709: 5704: 5699: 5694: 5689: 5684: 5679: 5674: 5672:Lyco and Orphe 5669: 5664: 5659: 5654: 5649: 5644: 5639: 5634: 5629: 5624: 5619: 5614: 5609: 5604: 5599: 5594: 5588: 5586: 5582: 5581: 5579: 5578: 5573: 5568: 5563: 5558: 5553: 5548: 5546:Cephalus' wife 5543: 5538: 5533: 5527: 5525: 5521: 5520: 5518: 5517: 5512: 5507: 5502: 5497: 5495:Mulberry fruit 5492: 5487: 5482: 5477: 5472: 5467: 5461: 5459: 5455: 5454: 5435: 5433: 5430: 5429: 5427: 5426: 5425: 5424: 5419: 5414: 5409: 5404: 5399: 5394: 5386: 5381: 5376: 5371: 5366: 5361: 5356: 5351: 5346: 5341: 5336: 5331: 5326: 5321: 5316: 5311: 5306: 5301: 5296: 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Gale Cengage 2753: 2741: 2729: 2716: 2704: 2692: 2680: 2676:Alighieri 2007 2665: 2661:Alighieri 2007 2653: 2649:Alighieri 2003 2641: 2637:Alighieri 2003 2629: 2614: 2610:Alighieri 2003 2599: 2584: 2572: 2547: 2528: 2507: 2495: 2483: 2464: 2452: 2437: 2422: 2411: 2399: 2392: 2364: 2347: 2331: 2327:Liberalis 1992 2316: 2312:Liberalis 1992 2299: 2295:Liberalis 1992 2284: 2268: 2253: 2241: 2229: 2214: 2193: 2181: 2166: 2154: 2142: 2130: 2118: 2106: 2072: 2061: 2050: 2039: 2027: 2015: 1996: 1992:Musselman 2007 1979: 1967: 1955: 1953:, p. 1888 1943: 1925: 1913: 1902: 1882: 1880: 1877: 1874: 1873: 1863: 1854: 1839: 1830: 1821: 1812: 1799: 1783: 1754: 1729: 1702: 1681: 1664: 1651: 1642: 1629: 1616: 1603: 1593: 1592: 1590: 1587: 1586: 1585: 1580: 1575: 1570: 1565: 1560: 1555: 1550: 1544: 1543: 1527: 1524: 1499:, Arabia, and 1402:metamorphosing 1381: 1378: 1314:Bernard Picart 1285: 1282: 1235:Claude Debussy 1198:Myrrha Gavotte 1180: 1174: 1164: 1161:Myrrha Gavotte 1159: 1158: 1157: 1148: 1147: 1146: 1144: 1141: 1113:, daughter of 1086:in the volume 1059: 1056: 890:Pope Clement V 802: 799: 797: 794: 723:Ancient Greece 686: 685:Interpretation 683: 639:Bernard Picart 584: 583:Other versions 581: 450: 449:Ovid's version 447: 445: 442: 342:Modern English 267: 264: 240:Bernard Picart 211:. In the play 15: 13: 10: 9: 6: 4: 3: 2: 6478: 6467: 6464: 6462: 6459: 6457: 6454: 6452: 6449: 6447: 6444: 6442: 6439: 6437: 6434: 6432: 6429: 6427: 6424: 6422: 6421:Deeds of Zeus 6419: 6417: 6414: 6413: 6411: 6396: 6395:Metamorphoses 6393: 6392: 6389: 6383: 6380: 6378: 6375: 6373: 6370: 6368: 6365: 6364: 6362: 6358: 6352: 6349: 6347: 6344: 6342: 6339: 6337: 6334: 6332: 6329: 6327: 6326:Cumaean Sibyl 6324: 6323: 6321: 6317: 6311: 6308: 6306: 6303: 6301: 6298: 6296: 6293: 6292: 6290: 6286: 6280: 6277: 6275: 6272: 6270: 6267: 6265: 6262: 6260: 6257: 6255: 6252: 6250: 6247: 6245: 6242: 6240: 6237: 6235: 6232: 6230: 6227: 6225: 6222: 6220: 6217: 6215: 6212: 6210: 6207: 6205: 6202: 6200: 6197: 6195: 6192: 6190: 6187: 6185: 6182: 6180: 6177: 6175: 6172: 6170: 6167: 6165: 6162: 6160: 6157: 6155: 6152: 6150: 6147: 6145: 6142: 6140: 6137: 6133: 6130: 6128: 6125: 6124: 6123: 6120: 6116: 6113: 6111: 6108: 6106: 6103: 6101: 6098: 6096: 6093: 6091: 6088: 6087: 6086: 6083: 6081: 6078: 6076: 6073: 6071: 6068: 6066: 6063: 6061: 6058: 6056: 6053: 6051: 6048: 6046: 6043: 6041: 6038: 6036: 6033: 6031: 6028: 6026: 6023: 6021: 6018: 6016: 6013: 6011: 6008: 6006: 6003: 6001: 5998: 5996: 5993: 5991: 5988: 5986: 5983: 5981: 5978: 5976: 5973: 5972: 5970: 5966: 5960: 5957: 5955: 5952: 5950: 5947: 5945: 5942: 5940: 5937: 5935: 5932: 5930: 5927: 5925: 5922: 5921: 5919: 5915: 5909: 5906: 5904: 5901: 5899: 5896: 5894: 5891: 5889: 5886: 5884: 5881: 5879: 5876: 5874: 5871: 5869: 5866: 5864: 5861: 5859: 5856: 5854: 5851: 5849: 5846: 5844: 5841: 5839: 5836: 5834: 5831: 5829: 5826: 5824: 5821: 5819: 5816: 5814: 5811: 5809: 5806: 5804: 5801: 5799: 5796: 5794: 5791: 5789: 5786: 5784: 5781: 5779: 5776: 5774: 5771: 5769: 5766: 5764: 5761: 5759: 5756: 5754: 5751: 5749: 5746: 5744: 5741: 5739: 5736: 5735: 5733: 5729: 5723: 5720: 5718: 5715: 5713: 5710: 5708: 5705: 5703: 5700: 5698: 5695: 5693: 5690: 5688: 5685: 5683: 5680: 5678: 5675: 5673: 5670: 5668: 5665: 5663: 5660: 5658: 5655: 5653: 5650: 5648: 5645: 5643: 5640: 5638: 5635: 5633: 5630: 5628: 5625: 5623: 5620: 5618: 5615: 5613: 5610: 5608: 5605: 5603: 5600: 5598: 5595: 5593: 5590: 5589: 5587: 5583: 5577: 5574: 5572: 5569: 5567: 5564: 5562: 5559: 5557: 5554: 5552: 5549: 5547: 5544: 5542: 5539: 5537: 5534: 5532: 5529: 5528: 5526: 5522: 5516: 5513: 5511: 5508: 5506: 5503: 5501: 5498: 5496: 5493: 5491: 5488: 5486: 5483: 5481: 5478: 5476: 5473: 5471: 5468: 5466: 5463: 5462: 5460: 5456: 5451: 5445: 5439: 5423: 5420: 5418: 5415: 5413: 5410: 5408: 5405: 5403: 5400: 5398: 5395: 5393: 5390: 5389: 5387: 5385: 5382: 5380: 5377: 5375: 5372: 5370: 5367: 5365: 5362: 5360: 5357: 5355: 5352: 5350: 5347: 5345: 5342: 5340: 5337: 5335: 5332: 5330: 5327: 5325: 5322: 5320: 5317: 5315: 5312: 5310: 5307: 5305: 5302: 5300: 5297: 5295: 5294:Melian nymphs 5292: 5290: 5287: 5285: 5282: 5280: 5277: 5275: 5272: 5270: 5267: 5265: 5262: 5260: 5257: 5255: 5252: 5250: 5247: 5245: 5242: 5240: 5237: 5235: 5232: 5230: 5227: 5225: 5222: 5220: 5217: 5215: 5212: 5210: 5207: 5205: 5202: 5200: 5197: 5195: 5192: 5190: 5187: 5185: 5182: 5180: 5177: 5175: 5172: 5170: 5167: 5165: 5162: 5160: 5157: 5155: 5152: 5150: 5147: 5146: 5144: 5140: 5134: 5131: 5129: 5126: 5124: 5121: 5119: 5116: 5114: 5111: 5109: 5106: 5104: 5101: 5099: 5096: 5094: 5091: 5089: 5086: 5084: 5081: 5079: 5076: 5074: 5071: 5069: 5066: 5064: 5061: 5059: 5056: 5054: 5051: 5049: 5046: 5044: 5041: 5039: 5036: 5034: 5031: 5029: 5026: 5024: 5021: 5019: 5016: 5014: 5011: 5009: 5006: 5004: 5001: 4999: 4996: 4994: 4991: 4989: 4986: 4984: 4981: 4979: 4976: 4974: 4971: 4969: 4966: 4964: 4961: 4959: 4956: 4954: 4951: 4949: 4946: 4944: 4941: 4939: 4936: 4934: 4931: 4929: 4926: 4924: 4921: 4919: 4916: 4914: 4911: 4909: 4906: 4904: 4901: 4899: 4896: 4894: 4891: 4889: 4886: 4884: 4881: 4879: 4876: 4874: 4871: 4869: 4866: 4864: 4861: 4859: 4856: 4854: 4851: 4849: 4846: 4844: 4841: 4839: 4836: 4834: 4831: 4829: 4826: 4824: 4821: 4819: 4816: 4814: 4811: 4809: 4806: 4804: 4801: 4799: 4796: 4794: 4791: 4789: 4786: 4784: 4781: 4779: 4776: 4774: 4771: 4769: 4766: 4764: 4761: 4759: 4758:Arne Sithonis 4756: 4754: 4751: 4749: 4746: 4744: 4741: 4739: 4736: 4734: 4731: 4729: 4726: 4724: 4721: 4719: 4716: 4714: 4711: 4709: 4706: 4704: 4701: 4699: 4696: 4694: 4691: 4689: 4686: 4684: 4681: 4679: 4676: 4674: 4671: 4669: 4666: 4664: 4661: 4660: 4658: 4654: 4651: 4647: 4643: 4636: 4631: 4629: 4624: 4622: 4617: 4616: 4613: 4607: 4604: 4602: 4599: 4596: 4591: 4587: 4586: 4582: 4575: 4569: 4565: 4561: 4560: 4554: 4544: 4538: 4534: 4533: 4528: 4527:Shelley, Mary 4524: 4520: 4514: 4506: 4504:0-679-64189-0 4500: 4496: 4492: 4488: 4484: 4478: 4474: 4469: 4465: 4460: 4456: 4451: 4447: 4443: 4439: 4433: 4429: 4425: 4421: 4417: 4413: 4411:1-4366-6586-8 4407: 4403: 4399: 4395: 4391: 4385: 4381: 4380: 4374: 4370: 4364: 4360: 4355: 4351: 4345: 4341: 4336: 4332: 4326: 4322: 4317: 4313: 4307: 4303: 4298: 4297: 4290: 4286: 4280: 4276: 4271: 4267: 4261: 4256: 4255: 4248: 4244: 4238: 4234: 4229: 4219: 4213: 4209: 4208: 4203: 4199: 4195: 4189: 4185: 4180: 4179: 4172: 4161: 4160: 4154: 4150: 4146: 4142: 4130: 4122: 4120:1-890482-93-5 4116: 4112: 4108: 4107: 4102: 4098: 4094: 4088: 4084: 4080: 4076: 4072: 4066: 4062: 4057: 4053: 4049: 4045: 4039: 4035: 4031: 4027: 4023: 4017: 4013: 4008: 4004: 3998: 3994: 3990: 3985: 3981: 3975: 3971: 3966: 3962: 3956: 3952: 3947: 3943: 3937: 3933: 3928: 3924: 3918: 3914: 3909: 3906: 3905:sardanapalus. 3895: 3894: 3889: 3885: 3881: 3875: 3871: 3866: 3862: 3856: 3852: 3847: 3843: 3831: 3823: 3817: 3813: 3809: 3808: 3803: 3799: 3795: 3789: 3785: 3781: 3777: 3773: 3767: 3763: 3759: 3755: 3754: 3749: 3742: 3741:Schmadel 2003 3737: 3734: 3731:, p. 372 3730: 3729:Schmadel 2003 3725: 3722: 3719:, p. 371 3718: 3713: 3710: 3699:on 2011-09-30 3698: 3694: 3688: 3685: 3674: 3670: 3664: 3661: 3650: 3646: 3640: 3637: 3626: 3622: 3616: 3613: 3602: 3598: 3591: 3588: 3577:on 2011-07-20 3576: 3572: 3568: 3566: 3562: 3553: 3550: 3546: 3542: 3538: 3534: 3533: 3528: 3522: 3519: 3513: 3509: 3508: 3503: 3501: 3492: 3489: 3478:on 2011-07-05 3474: 3467: 3460: 3457: 3446: 3442: 3435: 3432: 3421:on 2010-07-13 3417: 3413: 3409: 3405: 3398: 3392: 3389: 3378:on 2011-04-27 3377: 3373: 3369: 3363: 3360: 3356: 3351: 3348: 3336: 3329: 3326: 3314: 3307: 3304: 3292: 3290: 3281: 3278: 3266: 3259: 3256: 3245: 3241: 3234: 3231: 3227: 3217: 3216: 3211: 3205: 3202: 3197: 3190: 3187: 3176: 3172: 3165: 3162: 3158: 3153: 3150: 3138: 3137: 3132: 3125: 3123: 3119: 3108: 3104: 3098: 3095: 3084: 3080: 3074: 3071: 3068:, p. 236 3067: 3062: 3059: 3055: 3050: 3047: 3042: 3038: 3034: 3030: 3026: 3022: 3015: 3013: 3011: 3009: 3007: 3003: 2998: 2991: 2989: 2985: 2973: 2969: 2963: 2960: 2949:on 2009-12-29 2945: 2941: 2934: 2928: 2925: 2914: 2910: 2903: 2900: 2897:, p. 224 2896: 2895:Gleckner 1997 2891: 2888: 2884: 2883:Gleckner 1997 2879: 2876: 2872: 2867: 2864: 2860: 2855: 2852: 2848: 2843: 2840: 2835: 2828: 2825: 2822:, p. 827 2821: 2816: 2813: 2810:, p. 123 2809: 2804: 2801: 2798:, p. 128 2797: 2793: 2789: 2783: 2780: 2768: 2764: 2757: 2754: 2750: 2745: 2742: 2739:, p. 187 2738: 2733: 2730: 2727:, p. 187 2726: 2720: 2717: 2713: 2708: 2705: 2701: 2696: 2693: 2689: 2684: 2681: 2677: 2672: 2670: 2666: 2662: 2657: 2654: 2651:, p. vii 2650: 2645: 2642: 2638: 2633: 2630: 2626: 2621: 2619: 2615: 2611: 2606: 2604: 2600: 2596: 2595:Josephus 1835 2591: 2589: 2585: 2581: 2580:Josephus 1835 2576: 2573: 2562: 2558: 2551: 2548: 2543: 2539: 2531: 2529:1-4366-6586-8 2525: 2521: 2517: 2511: 2508: 2504: 2499: 2496: 2492: 2487: 2484: 2481:, pp. 63 2480: 2479:Detienne 1994 2476: 2475: 2468: 2465: 2462:, p. 191 2461: 2456: 2453: 2449: 2448:Detienne 1994 2444: 2442: 2438: 2435:, p. 216 2434: 2429: 2427: 2423: 2420: 2415: 2412: 2409:, p. 167 2408: 2407:Newlands 1995 2403: 2400: 2395: 2393:0-19-814730-9 2389: 2385: 2381: 2377: 2376: 2368: 2365: 2362: 2359: 2356: 2351: 2348: 2344: 2340: 2335: 2332: 2328: 2323: 2321: 2317: 2314:, p. 202 2313: 2308: 2306: 2304: 2300: 2296: 2291: 2289: 2285: 2281: 2277: 2272: 2269: 2265: 2260: 2258: 2254: 2250: 2245: 2242: 2239:, p. 239 2238: 2233: 2230: 2225: 2218: 2215: 2211: 2206: 2204: 2202: 2200: 2198: 2194: 2190: 2185: 2182: 2178: 2173: 2171: 2167: 2164:, p. 373 2163: 2158: 2155: 2151: 2146: 2143: 2139: 2134: 2131: 2127: 2122: 2119: 2115: 2110: 2107: 2102: 2098: 2091: 2089: 2087: 2085: 2083: 2081: 2079: 2077: 2073: 2070: 2065: 2062: 2059: 2054: 2051: 2048: 2043: 2040: 2037:, p. 394 2036: 2031: 2028: 2025:, p. 184 2024: 2019: 2016: 2012:(9): 148–152. 2011: 2007: 2000: 1997: 1993: 1988: 1986: 1984: 1980: 1977:, p. 212 1976: 1971: 1968: 1965:, p. 600 1964: 1959: 1956: 1952: 1947: 1944: 1939: 1932: 1930: 1926: 1923:, p. 736 1922: 1917: 1914: 1911: 1906: 1903: 1899: 1894: 1892: 1890: 1888: 1884: 1878: 1867: 1864: 1858: 1855: 1843: 1840: 1834: 1831: 1825: 1822: 1816: 1813: 1809: 1803: 1800: 1796: 1792: 1787: 1784: 1780: 1776: 1772: 1768: 1764: 1758: 1755: 1751: 1747: 1746:Metamorphoses 1743: 1739: 1733: 1730: 1726: 1722: 1721: 1720:Heteroioumena 1716: 1715:Metamorphoses 1712: 1711:Metamorphoses 1706: 1703: 1699: 1695: 1691: 1685: 1682: 1678: 1674: 1668: 1665: 1661: 1655: 1652: 1646: 1643: 1639: 1633: 1630: 1626: 1625:Metamorphoses 1620: 1617: 1613: 1607: 1604: 1598: 1595: 1588: 1584: 1581: 1579: 1576: 1574: 1571: 1569: 1566: 1564: 1561: 1559: 1556: 1554: 1551: 1549: 1546: 1545: 1541: 1530: 1525: 1523: 1521: 1517: 1513: 1509: 1504: 1502: 1498: 1494: 1490: 1489: 1484: 1483: 1478: 1474: 1473: 1467: 1465: 1461: 1457: 1453: 1449: 1448:Mount Erciyes 1445: 1441: 1440: 1435: 1434: 1429: 1425: 1421: 1417: 1413: 1412: 1407: 1403: 1395: 1391: 1386: 1379: 1377: 1375: 1371: 1367: 1366:Divine Comedy 1363: 1358: 1356: 1355: 1350: 1346: 1342: 1338: 1334: 1329: 1327: 1326:Divine Comedy 1323: 1319: 1315: 1311: 1307: 1306:Metamorphoses 1303: 1299: 1295: 1291: 1290:Metamorphoses 1283: 1281: 1279: 1278:Metamorphoses 1275: 1271: 1267: 1266:Carnegie Hall 1263: 1258: 1256: 1252: 1251: 1246: 1242: 1241: 1236: 1232: 1228: 1223: 1220: 1215: 1211: 1207: 1203: 1202:Maurice Ravel 1200:and in 1901, 1199: 1195: 1188: 1186: 1162: 1142: 1139: 1134: 1132: 1131:Julian Hoppit 1127: 1124: 1118: 1116: 1112: 1108: 1104: 1100: 1099:Metamorphoses 1095: 1093: 1089: 1085: 1081: 1077: 1069: 1064: 1055: 1052: 1050: 1046: 1041: 1040:Metamorphoses 1037: 1033: 1028: 1026: 1022: 1021: 1016: 1012: 1011:Metamorphoses 1006: 1001: 999: 995: 991: 990:Metamorphoses 987: 983: 982:Anne Isabella 979: 978:autobiography 975: 971: 967: 962: 959: 954: 951:, written by 950: 949: 943: 941: 937: 932: 930: 926: 925:Metamorphoses 922: 921: 915: 912: 908: 905:, written by 904: 903: 897: 895: 891: 887: 883: 878: 875: 870: 866: 862: 858: 857: 852: 851: 850:Divine Comedy 842: 841:Divine Comedy 838: 833: 829: 826: 822: 818: 814: 810: 809: 800: 795: 793: 791: 785: 783: 782:Metamorphoses 779: 778:Metamorphoses 775: 774: 768: 766: 762: 756: 751: 749: 743: 741: 740:Metamorphoses 737: 736: 731: 726: 724: 719: 717: 716:Sigmund Freud 712: 707: 702: 700: 695: 693: 684: 682: 680: 675: 673: 669: 665: 664:Metamorphoses 660: 658: 653: 651: 644: 640: 636: 632: 630: 626: 622: 617: 615: 611: 607: 606: 600: 598: 594: 590: 589:Metamorphoses 582: 580: 578: 574: 570: 566: 561: 559: 550: 546: 544: 538: 536: 532: 528: 524: 521:According to 518: 513: 510: 506: 505:Metamorphoses 502: 498: 497:Metamorphoses 494: 493: 488: 484: 483: 478: 474: 473:Metamorphoses 470: 469:Metamorphoses 463: 459: 455: 443: 441: 439: 438:New Testament 435: 431: 427: 426:Old Testament 423: 418: 416: 412: 408: 404: 401: 397: 394: 390: 387: 383: 380: 379:Ancient Greek 376: 372: 368: 364: 361: 357: 353: 349: 348: 343: 334: 330: 328: 324: 319: 317: 313: 309: 305: 301: 297: 293: 289: 285: 281: 272: 265: 263: 261: 257: 253: 252:Divine Comedy 249: 245: 241: 237: 234: 230: 226: 225: 220: 216: 215: 210: 206: 205: 200: 196: 192: 188: 187: 186:Divine Comedy 181: 179: 175: 171: 167: 163: 160:or depicting 159: 155: 151: 147: 146:Metamorphoses 143: 139: 135: 134: 129: 128:Helvius Cinna 125: 121: 120: 119:Metamorphoses 114: 112: 108: 104: 100: 95: 93: 89: 85: 81: 77: 73: 63: 59: 49: 45: 38: 34: 30: 26: 22: 6346:Milk of Hera 6310:Periclymenus 6263: 5917:Opposite sex 4558: 4546:. Retrieved 4531: 4494: 4472: 4463: 4454: 4445: 4423: 4401: 4378: 4358: 4339: 4320: 4295: 4274: 4253: 4232: 4221:. Retrieved 4206: 4177: 4164:. Retrieved 4157: 4105: 4082: 4060: 4033: 4011: 3992: 3989:Sardanapalus 3988: 3969: 3950: 3931: 3912: 3904: 3898:. Retrieved 3892: 3869: 3850: 3806: 3783: 3761: 3736: 3724: 3712: 3701:. Retrieved 3697:the original 3687: 3676:. Retrieved 3663: 3652:. Retrieved 3648: 3639: 3628:. Retrieved 3624: 3615: 3604:. Retrieved 3600: 3590: 3579:. Retrieved 3575:the original 3570: 3564: 3560: 3552: 3544: 3536: 3531: 3521: 3505: 3499: 3491: 3480:. Retrieved 3473:the original 3459: 3448:. Retrieved 3444: 3434: 3423:. Retrieved 3416:the original 3408:Getty Center 3391: 3380:. Retrieved 3376:the original 3371: 3362: 3350: 3339:. Retrieved 3328: 3317:. Retrieved 3306: 3295:. Retrieved 3288: 3280: 3269:. Retrieved 3258: 3247:. Retrieved 3243: 3233: 3225: 3219:. Retrieved 3213: 3204: 3195: 3189: 3178:. Retrieved 3175:The Guardian 3174: 3164: 3152: 3141:. Retrieved 3136:The Guardian 3134: 3110:. Retrieved 3106: 3097: 3086:. Retrieved 3082: 3073: 3066:Bierley 2001 3061: 3049: 3024: 3020: 2996: 2976:. Retrieved 2974:. 1999-04-23 2971: 2962: 2951:. Retrieved 2944:the original 2939: 2927: 2916:. Retrieved 2912: 2902: 2890: 2878: 2866: 2854: 2849:, p. 38 2847:Hochman 1984 2842: 2833: 2827: 2815: 2808:Shelley 1997 2803: 2796:Shelley 1997 2791: 2787: 2782: 2771:. Retrieved 2766: 2756: 2751:, p. 38 2744: 2732: 2719: 2714:, p. 58 2707: 2695: 2683: 2663:, p. 69 2656: 2644: 2632: 2582:, p. 23 2575: 2564:. Retrieved 2561:The Guardian 2560: 2550: 2541: 2537: 2534:as cited in 2519: 2510: 2498: 2486: 2477:as cited in 2472: 2467: 2455: 2414: 2402: 2374: 2367: 2357: 2350: 2342: 2339:Hyginus 1960 2334: 2279: 2276:Hyginus 1960 2271: 2244: 2232: 2223: 2217: 2184: 2157: 2145: 2133: 2128:, p. 15 2121: 2109: 2100: 2096: 2064: 2053: 2042: 2030: 2018: 2009: 2005: 1999: 1970: 1958: 1946: 1937: 1916: 1910:Ezekiel 8:14 1905: 1866: 1857: 1842: 1833: 1824: 1815: 1807: 1802: 1786: 1762: 1757: 1745: 1732: 1718: 1714: 1710: 1705: 1684: 1672: 1667: 1654: 1645: 1632: 1624: 1619: 1606: 1597: 1505: 1492: 1486: 1482:C. erythraea 1480: 1470: 1468: 1462:lists seven 1451: 1437: 1431: 1427: 1409: 1399: 1393: 1369: 1365: 1359: 1352: 1340: 1330: 1325: 1322:Gustave Doré 1317: 1310:Samuel Garth 1305: 1302:Virgil Solis 1289: 1287: 1277: 1269: 1261: 1259: 1254: 1248: 1238: 1230: 1224: 1219:The Guardian 1218: 1214:Prix de Rome 1209: 1206:André Caplet 1197: 1191: 1136: 1128: 1119: 1098: 1096: 1091: 1087: 1073: 1053: 1048: 1047:sweet, like 1044: 1039: 1035: 1032:Frank Bidart 1029: 1018: 1010: 1008: 1003: 998:Sardanapalus 997: 993: 989: 974:Sardanapalus 966:Sardanapalus 965: 964:The tragedy 963: 957: 953:Mary Shelley 946: 945:The novella 944: 935: 934:The tragedy 933: 928: 924: 918: 916: 900: 899:In the poem 898: 879: 854: 848: 846: 840: 837:Gustave Doré 824: 806: 804: 786: 781: 777: 773:The Guardian 771: 769: 757: 753: 748:Roman Empire 745: 739: 733: 730:Annie Proulx 727: 720: 713: 709: 704: 696: 688: 676: 663: 661: 656: 654: 647: 642: 618: 603: 601: 588: 586: 562: 555: 539: 520: 515: 504: 496: 490: 480: 472: 468: 466: 461: 458:Virgil Solis 422:frankincense 419: 414: 410: 402: 395: 388: 381: 374: 370: 366: 362: 355: 345: 339: 320: 295: 294:", meaning " 291: 286:form of the 279: 277: 251: 248:Gustave Doré 236:Virgil Solis 222: 214:Sardanapalus 212: 209:Mary Shelley 202: 194: 184: 182: 145: 137: 131: 117: 115: 96: 71: 61: 57: 43: 42: 36: 25: 6360:False myths 6244:Psalacantha 6080:Eteocleides 5707:Propoetides 5632:Britomartis 5515:White raven 5103:Polytechnus 4159:observation 4137:|work= 3896:. J. 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