56:), founded the Center at MIT as a way to encourage artistic collaboration on a large civic scale. During its 45-year existence, the CAVS hosted more than 200 artists and fellows that "pioneered collaborative works in light, kinetic, environmental and inflatable sculpture, laser, steam, video, electronic music, holography, dance, computer graphics and animation, among other media".
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to the new
Stratton Student Center. This CAVS space was later reassigned to on-campus religious counseling groups, and the CAVS was moved to 265 Massachusetts Avenue (MIT Building N52), north of the main campus. In 2009, the CAVS merged with the MIT Visual Arts Program (VAP), to become the MIT
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Archives, artworks, and artifacts from the history of the CAVS are preserved in the Center for
Advanced Visual Studies Special Collection (CAVSSC). As of 2015, the collection is being cataloged; items are available to researchers, either remotely or in person, with advance notice.
71:. The CAVS began a revitalization program which included numerous site visits by international artists, long-term residencies, and the commissioning of new artistic projects. Some of the later visitors included
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67:, who, after a hiatus, continued as director. In 2004, Wodiczko brought on board a new staff including Associate Director Larissa Harris, Meg Rotzel, and
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32:. In 2009, CAVS merged with the MIT Visual Arts Program, to become the MIT Program in Art, Culture and Technology (ACT). The Program is part of the
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The CAVS was originally located at 40 Massachusetts Avenue (MIT Building W11) near the center of the
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succeeded Kepes as the director of the CAVS. Piene retired in 1994 and the CAVS was taken over by
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Studies, Massachusetts
Institute of Technology Center for Advanced Visual (November 24, 1980).
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Program in Art, Culture and
Technology (ACT), and moved into a new annex to the
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Reading
Modernism with Machines: Digital Humanities and Modernist Literature
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28:(MIT), an arts and research center founded in 1967 by artist and teacher
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This Life of Sounds: Evenings for New Music in
Buffalo
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Some of the center's early fellows included artists
123:building, at 75 Amherst Street (MIT Building E14).
410:ACT: MIT program in Art, Culture and Technology
331:ACT: MIT program in Art, Culture and Technology
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264:Ross, Shawna; O'Sullivan, James (2016-11-30).
327:"The Center in Print: CAVS Poster Exhibition"
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18:MIT Program in Art, Culture and Technology
412:. Massachusetts Institute of Technology.
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34:MIT School of Architecture and Planning
351:Packer, Renee Levine (July 23, 2010).
452:Massachusetts Institute of Technology
26:Massachusetts Institute of Technology
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406:"CAVS Special Collection: Policies"
22:Center for Advanced Visual Studies
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44:György Kepes, who taught at the
116:Harvard/MIT Cooperative Society
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20:(ACT) has its origins in the
357:. Oxford University Press.
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394:– via Google Books.
367:– via Google Books.
437:CAVS Special Collection
50:IIT Institute of Design
427:Archived home page
65:Krzysztof Wodiczko
364:978-0-19-978153-9
313:"A brief history"
197:Charlotte Moorman
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335:. Retrieved
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229:Tamiko Thiel
213:Alan Sonfist
209:Keiko Prince
185:Susan Gamble
173:Peter Campus
165:Joan Brigham
157:Jürgen Claus
145:Jack Burnham
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93:John Malpede
81:Vito Acconci
77:Miranda July
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30:György Kepes
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315:. MIT CAVS.
296:act.mit.edu
245:Bill Parker
225:Bill Seaman
189:Dieter Jung
46:New Bauhaus
381:Centerbeam
337:2015-09-09
251:References
237:Don Ritter
137:Otto Piene
112:MIT campus
101:Fritz Haeg
61:Otto Piene
221:Joe Davis
59:In 1974,
48:(now the
446:Category
105:Mel Chin
69:Joe Zane
131:Fellows
54:Chicago
40:History
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