Knowledge (XXG)

Marjetica Potrč

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533: 407: 31: 403:(2015) is an architectural case study of a community center in the Amazonian state of Acre, in Brazil. It draws its inspiration from the Universidade da Floresta, an initiative launched in Acre in 2005, that brings together knowledge from local communities with scientific knowledge, treating both systems with equal respect. In the exhibition at the Pérez Art Museum Miami, a series of lectures, seminars, and workshops were held in the building constructed in the gallery. 280:
and the others—the local residents—are testing ideas, exchanging knowledge, and becoming involved in local governance. You see that you are not “merely” a co-author but also the mediator of a process. And what can be better? The artist or designer involved in these projects has to trust the conceptual framework of the project. So basically, it’s not about following established values, but about creating new values that correspond to contemporary times."
482: 380: 357:) and residents: the city provided service core units connected to the water, energy, and sewage infrastructure, and the new residents built their homes around them. In later installations, new elements were added, such as a water tank, a satellite dish, a sunshade, a house, and urban agriculture, to illustrate the kind of growing structure built by the residents. 123:. Potrč's interdisciplinary practice includes on-site projects, research, architectural case studies, and drawings (visual essays and diagrams). Her work documents and interprets contemporary architectural practices (in particular, with regard to energy infrastructure and water use) and the ways people live together. She is especially interested in 394:
Two self-built houses from a Caracas barrio negotiate their presence and shared infrastructure. In contrast to the modernist city of Caracas, the rural-like informal city of the barrios foregrounds community and not individualism. The houses "grow" in two ways, Potrč explains. First, because you see
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class, her work explores new methodologies, tools, and strategies that local residents can use to make their communities and living environments better able to respond to future challenges. She describes such collaborative work as a "partnership in knowledge exchange" and stresses the importance of
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In an interview with Laura Bernhardt, Potrč noted: "This is how I understand my role as a mediator in participatory practices and in collaborative projects. When, as an artist, designer or architect your involvement is creating and fostering relations, you understand it as a laboratory where you
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in Hamburg, Germany, where she taught Design for the Living World, a class on participatory practices. She and her students carried out participatory design projects in various countries around the globe (Germany, Greece, Israel, Mexico, the United States, and South Africa, to name just a few). In
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Her work almost always involves collaborations, both with other artists, architects, and specialists from various disciplines as well as with local communities. "Her projects display a unique sensibility for identifying the existing social capital in a community, which she utilizes as she works to
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These research projects provide the basis not only for her architectural case studies but also for visual essays and large-format diagrams, which present her findings to wider audiences. Potrč constructs her visual essays as narratives that use simple images and text to convey and interpret the
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Potrč's large gallery installations, which she calls "architectural case studies," are a unique practice that has long been a central part of her work. These houses, which she describes as "theatrical objects", represent real-life architectural practices as they relate to environmental, social,
196:(1993–1996). At the time, she noted: "I don't make objects. I build walls" – a statement that positions her work against object-based sculpture. In 1994, she moved back to Ljubljana. Since then, Potrč's work has developed at the intersection of visual art, architecture, and the social sciences. 429:
of Amazonia, is a simple wooden house held together by fiber rope. The work combines built architecture with the notion of social architecture in dialogue with nature. The base, representing earth, supports the world of social agreements, including agreements between humanity and nature. Ropes
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these projects, Potrč and her students saw themselves as mediators and collaborators with the community and developed new methodologies and a new vocabulary for their participatory practice, such as "rituals of transition", "relational objects", and "performative actions", among others.
286:(2014) is of particular note. She and the class spent two months in the Soweto district of Johannesburg, where they worked with the residents of the Orlando East neighborhood to transform a degraded public space that was being used as a dumping ground into a community space. 430:
extending to the gallery ceiling – connecting earth and sky – represent human dependence on and coexistence with nature. Drawn images on the structure illustrate such agreement as reflected in society and the life of the planet, in particular the struggle for the
946:, talk and conversation with Nitin Bathla, Santiago del Hierro, Laura Turley, Anna Wienhues, and others, as part of the lecture series, Sessions on Territory: Urbanism in a Broken World: REPAIR, ETH Zurich D-ARCH, ONA Fokushalle E7, Zurich, May 25, 2023. 442:
Ever since her six-month research residency in Caracas, in 2003, Potrč's practice has included extended research projects in regions that are reinventing themselves. Among these, the most significant have been her projects in the Amazonian state of
268:(Relay Art Programme, King's Cross, London, 2015). In Potrč's view, sustainable solutions that are implemented and disseminated by communities serve to empower these communities and help create a democracy built from below. 1271:(Rotterdam: Centrala Foundation for Future Cities and School of Missing Studies and Ljubljana: ŠKUC Gallery, 2007). Potrč discusses the project with Peter Mörtenböck and Helge Mooshammer on the Networked Cultures 127:
and how communities and governments can work together to make stronger, more resilient cities. In later projects, she has also focused on the relationship between human society and nature, and advocated for the
224:, Venezuela, as part of the Caracas Case Project, and carry out research on the informal city. There, in collaboration with the Israeli architect Liyat Esakov and local residents, she developed the project 145:
developing new alliances, such as between environmentalists and Indigenous peoples, to create a new "hybrid" knowledge that goes beyond the standardized, objective knowledge of the modernist discourse.
773:(2003). Edited by Ana Maria Torres with essays by Kosme de Baranano, Ana Maria Torres, Marjetica Potrč, Max Protetch, and Francesco Careri. Valencia, Spain: Instituto Valenciano de Arte Moderno (IVAM). 395:
that this is self-built architecture, and second, because the architecture grows and changes as the families who live there grow and interact with each other: "Existence is always a coexistence."
466:(2007); and her multipartite installation for the 23rd Biennale of Sydney (2022), which focused on the rights of rivers and the human relationship with nature, in which she collaborated with the 331:
economic, and political issues. The source of the work is always acknowledged, and a black-and-white documentary photograph of the original situation is presented as part of the documentation.
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At Badischer Kunstverein (Karlsruhe), Art Basel, and Ar/Ge Kunst (Bolzano), all in 2003; at the 1st Łódź Biennial in 2004; and at Kunsthalle Nürnberg and KAI 10 (Dusseldorf) in 2016.
311:, on the Albano Campus of Stockholm University (2023), in which they created an island with separate heated and unheated zones that stage the effects of climate change in real time. 338:(Palm Beach Institute of Contemporary Art, Lake Worth, Florida, 2003), illustrates how three very different 21st-century communities — a Caracas barrio, a Jewish settlement on the 1491: 1370: 228:, in which an ecologically safe, waterless toilet was installed in the upper part of the La Vega barrio, a district in Caracas that has no access to the municipal water grid. 1080:
The project was carried out as part of the umbrella project Nine Urban Biotypes – Negotiating the Future of Urban Living. For more information on The Soweto Project, see the
1113: 1699: 859:, by Felix Meritis at the symposium "Actors, Agents and Attendants II: Housing the Social", SKOR, Foundation for Art and Public Domain, Amsterdam, December 13, 2011. 921:, talk for the Of Public Interest Lab, Department for Research and Further Education in Architecture and Fine Art, Royal Institute of Art, Stockholm, November 2020. 272: 1484: 154: 55: 2736: 4553: 4528: 1068: 925: 473:
Ray Woods. As noted earlier, collaboration with individuals, groups, and organizations is an integral part of nearly all her research projects.
532: 353:, first presented in 2002 at Galerie Nordenhake in Berlin, offers an example of collaboration between municipal government (in this case, in 588:
in Berlin and Stockholm, as well as, formerly, at the Max Protetch Gallery (2002–2009) and the Meulensteen Gallery (2009–2012) in New York.
1477: 1094: 4538: 4533: 1356: 4543: 3885: 305:, in London (2015), where they created a natural swimming pond with its own micro-ecological environment on a construction site; and 320: 188:. In 1990, she moved to the United States. Her installations from this period often involved various kinds of walls; for example, 4548: 880: 641: 210: 4513: 459:, which she co-organized in collaboration with a group of artists and architects; her research project on water issues in post- 299:
in Essen, Germany (2010), where they constructed a complete sustainable water supply system on an island in the Emscher River;
1363: 736: 293:(Eva Pfannes and Sylvain Hartenberg), based in Rotterdam. These projects, which focus largely on water purification, include 51: 898: 846: 1121: 1063:
Marjetica Potrč, "The Artist as Mediator: Changing the Culture and Creating New Values", interviewed by Laura Bernhardt,
979:, lecture in the series "Sessions on Territory – Urbanism in a Broken World: Repair", at the Department of Architecture, 556: 2498: 1229: 823: 470: 3135: 1288:
The New Orleans project resulted in, among things, an exhibition by Potrč at the Max Protetch Gallery in New York,
707: 249: 2791: 1188: 976: 562: 448: 354: 4416: 2455: 2411: 1234: 621: 4141: 649: 613: 398: 343: 137: 3066: 2955: 529:(2020). The diagrams are often exhibited as wall drawings, as in her presentation at 23rd Biennale of Sydney. 3977: 2523: 701: 4373: 4126: 2227: 607: 185: 4159: 2960: 2599: 1654: 1319: 1306: 1216: 1081: 406: 4523: 4225: 3801: 3110: 1264: 4197: 4182: 4061: 2358: 3534: 3491: 2932: 2882: 894:, talk for the Art, Culture and Technology Program, Massachusetts Institute of Technology, October 2015. 869: 4187: 3934: 3854: 3718: 3645: 3640: 3597: 3466: 3418: 3125: 2911: 2892: 2653: 2630: 2564: 2483: 1988: 1558: 4492: 3703: 3408: 3372: 3014: 2827: 2799: 2368: 2315: 2139: 2041: 1898: 1825: 1762: 1616: 902: 289:
Since 2010, Potrč has collaborated on a number of projects with the architectural and design practice
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See Marjetica Potrč, "Frontier Power: Human Bodies, Building Facades and Fragmented Territories," in
627: 233: 4401: 4108: 4083: 3962: 3952: 3849: 3690: 3612: 3471: 3448: 3390: 3342: 3329: 3078: 2756: 2746: 2688: 2612: 2555: 2540: 2431: 2421: 2310: 2252: 2247: 2232: 2109: 2105: 1815: 1805: 1601: 1591: 1573: 1528: 671: 346:— negotiate issues of space, security, energy, water, and communications in contested environments. 30: 4477: 4439: 4429: 4378: 4307: 4292: 4274: 4240: 4230: 4169: 4136: 4116: 4051: 4038: 4013: 3972: 3890: 3880: 3816: 3783: 3778: 3773: 3661: 3635: 3625: 3620: 3582: 3577: 3525: 3486: 3423: 3377: 3309: 3289: 3232: 3227: 3179: 3082: 3074: 3042: 3037: 3022: 2995: 2970: 2965: 2907: 2872: 2803: 2771: 2711: 2678: 2584: 2574: 2527: 2473: 2445: 2416: 2353: 2335: 2325: 2300: 2277: 2257: 2199: 2189: 2175: 2152: 1984: 1956: 1951: 1911: 1903: 1810: 1742: 1727: 1704: 1679: 1669: 1664: 1606: 1433: 300: 240:
issues, particularly in relation to energy and water infrastructures. Other important projects are
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Marjetica Potrč, "Shaping the City through Participatory Design", interviewed by Boštjan Bugarič,
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challenges and strategies of the communities she has studied. Such works include, among others,
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See Nico Saieh, "Between the Waters: The Emscher Community Garden / Marjetica Potrč and Ooze",
4406: 4259: 4235: 3900: 3670: 3602: 3544: 3539: 3161: 3061: 2902: 2726: 2237: 1752: 1689: 1543: 1501: 1246:(São Paulo Biennale, 2006; TULCA, Galway, Ireland, 2010; and Bildmuseet, Umeå, Sweden, 2018); 713: 595: 460: 369: 166: 4033: 3100: 963: 689: 646:, Eli and Edythe Broad Art Museum at Michigan State University, East Lansing, Michigan (2012) 4350: 4121: 3967: 3821: 3520: 3130: 2887: 2877: 2857: 2847: 2436: 2292: 2134: 2129: 907:, Edited by Gediminas Urbonas, Ann Lui and Lucas Freeman, MIT Press, 2017, pp. 235–243. 755: 431: 373: 245: 232:
is one of a series of community-focused on-site projects by Potrč that are characterized by
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Marjetica Potrč received degrees in architecture (1978) and sculpture (1986, 1988) from the
129: 111: 2468: 663: 306: 3252: 2915: 2852: 2222: 1380: 993: 740: 568: 456: 4482: 3592: 3362: 3271: 2985: 2731: 2305: 1966: 914:, in conversation with Dr. Gabriele Knapstein, Galerie Nordenhake Berlin, September 2019. 695: 1469: 633: 173:, was a teacher, magazine editor, and well-known children’s author. She was born in the 4449: 4421: 4264: 4220: 4202: 4164: 4071: 4028: 3985: 3806: 3793: 3386: 3337: 3257: 3184: 2532: 2493: 2272: 2162: 2124: 2017: 1921: 1863: 1850: 1840: 1767: 1757: 1747: 1717: 1397: 1391: 1276: 1137:
See also the project's presentation at the 17th Venice Biennale of Architecture, 2021,
481: 372:– Museum of Contemporary Art in Berlin in 2012, as a "three-dimensional portrait of an 237: 162: 939:, in conversation with Gilly Karjevsky, at Galerie Nordenhake, Berlin, March 17, 2023. 4507: 4459: 4358: 4215: 4056: 4023: 3990: 3867: 3788: 3587: 3476: 3461: 2940: 2776: 2569: 2204: 1916: 1523: 1409: 1272: 1049: 174: 158: 1348: 1169:, ed. Michael Rush (Lake Worth, FL: Palm Beach Institute of Contemporary Art, 2003). 4396: 4345: 4340: 2980: 2945: 2842: 2022: 1777: 1674: 1611: 1581: 1457: 1120:, Feb. 16, 2016; and for an analysis by a landscape architect, see Erik Schofield, 763: 744: 444: 170: 2287: 2075: 1961: 169:
region, and the main editor at the Mladinska Knjiga publishing house. Her mother,
1338: 766:. Ljubljana: Moderna galerija. Distributed by Revolver Archiv für aktuelle Kunst. 140:). Through these collaborations, including, especially, with the students in her 4383: 4363: 4088: 3834: 3735: 3481: 3443: 3352: 3299: 3027: 2761: 2589: 2393: 2267: 2167: 2114: 1893: 1883: 1835: 1700:
Team of the Development Department of the Decorative Fabric Factory in Ljubljana
1427: 1421: 463: 379: 1039:, exhibition catalogue (Heidelberg: Heidelberger Kunstverein, 2008), pp. 50–67. 192:(1993, made for the Slovenian Pavilion at the Venice Biennial), and the series 3995: 3924: 3811: 3649: 3347: 2194: 2036: 1203: 980: 943: 936: 918: 911: 891: 863: 856: 552:
Potrč's work has been featured in major international exhibitions, including:
539:, 2022, wall drawing based on the original drawing, 23rd Biennale of Sydney: 434:
in Australia. The work was exhibited at the 23rd Biennale of Sydney in 2022.
4297: 3895: 2144: 1538: 1451: 1112:. For a perspective on the project by a local participant, see Sally Goble, 467: 339: 116: 47: 271:
From 2011 to 2018, Marjetica Potrč was a professor of social design at the
1343: 1292:. See Joshua Decter's review, "Marjetica Potrč at Max Protetch Gallery," 120: 66: 610:, Massachusetts Institute of Technology, Cambridge, Massachusetts (2004) 319: 1439: 1122:"5 Odd Things You Should Know Before Taking a Dip in King's Cross Pond" 221: 178: 153:
Potrč was born in Ljubljana, the capital of Slovenia, then part of the
1114:"Come on in, the water's freezing: The joys of a winter swimming club" 926:"The Artist as Mediator: Changing the Culture and Creating New Values" 141: 326:, 2003, Palm Beach Institute of Contemporary Art, Lake Worth, Florida 1323: 1153: 1109: 209: 531: 480: 405: 378: 318: 208: 1138: 834:(Dartmouth College, 2009) and the catalogues for the exhibitions 1322:. Many examples of both visual essays and diagrams can be found 932:(Stuttgart), no.1, 2021, p. 21–27. (In German and English.) 866:, talk at the Harvard Graduate School of Design, April 18, 2012. 1473: 1352: 864:"A Vision of the Future City and the Artist's Role as Mediator" 797:
Carlos Basualdo and Reinaldo Laddaga, "Rules of Engagement,"
747:. Lake Worth, Fla.: Palm Beach Institute of Contemporary Art. 853:, no. 143 (2010), p. 122–129. (In Italian and English.) 668:, VISUAL Centre for Contemporary Art, Carlow, Ireland (2018) 585: 1232:. The Acre project was the subject of Potrč's exhibitions 290: 136:
find solutions to everyday problems." (statement from the
887:, University of California Press, 2012, pp. 247–252. 390:, Hamburger Bahnhof – Museum of Contemporary Art, Berlin 93: 84:
Conceptual art, contemporary art, participatory design
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The Medal of Merit of the Republic of Slovenia (2023)
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To Life!: Eco Art In Pursuit of a Sustainable Planet
830:, no. 00, November 2008. The essay was reprinted in 4249: 3909: 3510: 2817: 2065: 1508: 1215:See the description on the 23rd Biennale of Sydney 881:"Marjetica Potrč: DIY Renewal for Slums and Condos" 743:, Liyat Esakov, Marjetica Potrč, Michael Rush, and 447:in western Brazil in 2006 (in conjunction with the 423:
The House of Agreement Between Humans and the Earth
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The House of Agreement Between Humans and the Earth
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Rainwater Harvesting on a Farm in the Venice Lagoon
88: 80: 72: 62: 40: 21: 1290:Future Talk Now: The Great Republic of New Orleans 254:The Cook, the Farmer, His Wife and Their Neighbour 220:In 2003, Potrč was invited to spend six months in 1238:(the Curve, Barbican Art Gallery, London, 2007); 783:Marjetica Potrč and Design for the Living World, 696:Vera List Center for Arts and Politics Fellowship 336:Hybrid House: Caracas, West Bank, West Palm Beach 324:Hybrid House: Caracas, West Bank, West Palm Beach 115:; born 1953) is an artist and architect based in 584:Since 2003, she has regularly shown her work at 296:Between the Waters: The Emscher Community Garden 3886:Komorni godalni orkester Slovenske filharmonije 1187:The work was exhibited again in the exhibition 1022:Ginger Danto, "The Nobel Garden Prize Winner", 1305:See the description on the Biennale of Sydney 543:, Museum of Contemporary Art Australia, Sydney 417:, Museum of Contemporary Art Australia, Sydney 1485: 1364: 1230:"New Territories in Acre and Why They Matter" 824:"New Territories in Acre and Why They Matter" 754:(2003). Edited by Lívia Páldi with essays by 704:(2000), administered by the Guggenheim Museum 360:Potrč describes the architectural case study 165:novelist and playwright, originally from the 157:. Her parents were both writers. Her father, 8: 260:(Sant'Erasmo Island, Venice Lagoon, 2010), 1492: 1478: 1470: 1371: 1357: 1349: 1250:(Nicolas Krupp Gallery, Basel, 2012); and 1140:Future Island in Venice: The Time of Stone 1067:(Stuttgart), no.1, 2021, p. 26, available 18: 509:(2017), and, for the Biennale of Sydney, 302:Of Soil and Water: King's Cross Pond Club 266:Of Soil and Water: King's Cross Pond Club 503:The Citizens of Duncan Village Speak Out 256:(Stedelijk Goes West, Amsterdam, 2009), 177:region of western Slovenia but moved to 155:Socialist Federal Republic of Yugoslavia 56:Socialist Federal Republic of Yugoslavia 955: 780:(2009). Hanover, NH: Dartmouth College. 342:, and a temporary housing community in 264:(9UB, Soweto, South Africa, 2014), and 1193:(2018), also at the Hamburger Bahnhof. 804:Eleanor Heartney, "A House of Parts," 676:, City Gallery, Piran, Slovenia (2022) 1339:Marjetica Potrč at Galerie Nordenhake 1252:The School of the Forest/Miami Campus 836:The School of the Forest/Miami Campus 651:The School of the Forest/Miami Campus 643:Soweto House with Prepaid Water Meter 597:Hugo Boss Prize 2000: Marjetica Potrč 400:The School of the Forest/Miami Campus 110: 7: 1242:(Temple Bar Gallery, Dublin, 2007); 1206:at Hamburger Bahnhof, June 17, 2019. 1190:Hello World: Revisiting a Collection 1167:Marjetica Potrč: Urgent Architecture 1126:Land 8: Landscape Architects Network 892:"Public Space is a Social Agreement" 838:(Perez Art Museum, Miami, 2015) and 762:, Lívia Páldi, Marjetica Potrč, and 618:, Portikus, Frankfurt am Main (2006) 600:, Guggenheim Museum, New York (2001) 591:Important solo exhibitions include: 181:, where she met Marjetica's father. 1082:Design for the Living World website 638:, Galerie Nordenhake, Berlin (2011) 928:, interviewed by Laura Bernhardt, 870:“Artists at Work: Marjetica Potrč” 388:Hello World: Revising a Collection 349:Another architectural case study, 14: 2499:Mladinski pevski zbor iz Maribora 1269:Lost Highway Expedition Photobook 1009:See Marco Scotini, "Dry Toilet", 842:(Bildmuseet, Umeå, Sweden, 2018). 660:, FLORA ars+natura, Bogotá (2017) 519:The Great Republic of New Orleans 413:, 2022, 23rd Biennale of Sydney: 1254:(Pérez Art Museum, Miami, 2015). 1065:Current – Kunst und Urbaner Raum 930:Current - Kunst und Urbaner Raum 872:, interviewed by Berit Fischer, 857:"Interview with Marjetica Potrč" 654:, Pérez Art Museum, Miami (2015) 507:The Struggle for Natural Justice 495:The Struggle for Spatial Justice 29: 801:, March 2004, pp. 166–170. 527:The World in the Age of Stories 216:, 2003, La Vega barrio, Caracas 4554:Slovenian contemporary artists 4529:University of Ljubljana alumni 787:(2014). Berlin: Archive Books. 252:, Detroit, Mich., USA, 2005), 112:[maˈɾjeːtitsapɔˈtəɾtʃ] 52:Socialist Republic of Slovenia 16:Slovenian artist and architect 1: 3136:Pihalni kvintet RTV Ljubljana 1013:, no. 891 (April 2006): 88-91 819:(April 2006), pp. 88–91. 811:Marco Scotini, "Dry Toilet," 808:, May 2004, pp. 140–143. 537:The Time on the Lachlan River 517:(2022). Her diagrams include 515:The Life of the Lachlan River 488:, 2010, no. 10 of 12 drawings 161:, was a well-known Slovenian 4298:Lilijana Praprotnik Zupančič 2792:Studio 7 v Biroju 71-Domžale 1154:"Architectural Case Studies" 904:Public Space? Lost and Found 792:Articles, reviews, and talks 273:University of Fine Arts/HFBK 248:, Rajasthan, India, and the 1344:Design for the Living World 1318:See the Biennale of Sydney 194:Theatrum Mundi: Territories 149:Background and early career 142:Design for the Living World 4570: 4534:Slovenian women architects 4417:Slovene Percussion Project 2412:Delavska godba iz Trbovelj 1326:, on the artist's website. 977:"The Personhood of Nature" 944:"The Personhood of Nature" 708:Pollock-Krasner Foundation 681:Selected awards and grants 477:Visual essays and diagrams 315:Architectural case studies 250:Catherine Ferguson Academy 4544:Architects from Ljubljana 1387: 992:Quoted in Goran Tomčić's 962:Curry Stone Foundation, 557:Skulptur Projekte Münster 355:East London, South Africa 28: 4216:Sabina Cvilak Damjanovič 3067:Slovenski kvintet trobil 996:with Marjetica Potrč in 690:Curry Stone Design Prize 665:Shelter: Closed and Open 574:Yinchuan Biennial (2018) 455:, in nine cities in the 425:(2022), inspired by the 351:Duncan Village Core Unit 344:West Palm Beach, Florida 35:Marjetica Potrc in 2010 4549:Slovenian women artists 4539:Jakopič Award laureates 3978:Godalni kvartet Tartini 1275:; see also the related 1263:See Katherine Carl and 1108:See the description on 1000:, no. 58, Jan. 1, 1997. 608:List Visual Arts Center 453:Lost Highway Expedition 384:Caracas: Growing Houses 362:Caracas: Growing Houses 186:University of Ljubljana 4514:Artists from Ljubljana 4127:Nataša Barbara Gračner 2228:Alenka Bartl-Prevoršek 1296:, April 2008, 371–372. 1294:Artforum International 1265:Srdjan Jovanović Weiss 799:Artforum International 710:grants (1993 and 1999) 569:Venice Biennale of Art 544: 489: 449:São Paulo Art Biennial 418: 391: 327: 217: 138:Curry Stone Foundation 4160:Vesna in Matej Vozlič 3492:Marija Lucija Stupica 2961:Janez Hočevar - Rifle 1655:Nives Kalin - Vehovar 721:Selected bibliography 535: 511:The Rights of a River 484: 409: 382: 364:, first exhibited in 322: 212: 4280:Andrej Rozman - Roza 3802:Bjanka Adžić Ursulov 3111:Vesna Gaberšček Ilgo 899:"The Soweto Project" 628:Barbican Art Gallery 234:participatory design 4062:Alenka Ribič Laufer 2456:Ivan Seljak - Čopič 2359:Angela Janko-Jenčič 1502:Prešeren Fund Award 1434:Hans-Peter Feldmann 1244:Xapuri Rural School 851:Lotus International 733:Urgent Architecture 714:Prešeren Fund Award 626:, The Curve at the 604:Urgent Architecture 548:Notable exhibitions 236:and a concern with 190:Two Faces of Utopia 125:social architecture 3935:Vinko Möderndorfer 3535:Alenka Šček Lorenz 2956:Herman Gvardjančič 2933:Dušan Engelsberger 2883:Bogdan Reichenberg 2484:Svetlana Makarovič 1500:Recipients of the 1416:Rirkrit Tiravanija 1379:Recipients of the 1228:See Potrč's essay 1024:The New York Times 919:"On Collaboration" 785:The Soweto Project 760:Hans Ulrich Obrist 735:(2003). Edited by 586:Galerie Nordenhake 578:Biennale of Sydney 571:(1993, 2003, 2009) 563:São Paulo Biennial 545: 523:The Earth Drawings 490: 419: 392: 328: 284:The Soweto Project 262:The Soweto Project 218: 4501: 4500: 4374:Gorazd Kocijančič 4188:Sebastijan Horvat 3855:Eta Sadar Breznik 3719:Svetlana Visintin 3646:Novi kolektivizem 3641:Damir Zlatar Frey 3598:Matjaž Počivavšek 3540:Filip Robar Dorin 3467:Harald Draušbaher 3419:Peter Gabrijelčič 3126:Branko Madžarevič 2912:Matjaž Garzarolli 2893:Dubravka Sambolec 2565:Valentin Polanšek 2243:France Forstnerič 1989:Aleksander Peršin 1467: 1466: 1248:Acre Rural School 1202:Marjetica Potrč, 1152:Marjetica Potrč, 1037:Islands + Ghettos 975:Marjetica Potrč, 964:"Marjetica Potrč" 942:Marjetica Potrč, 935:Marjetica Potrč, 924:Marjetica Potrč, 917:Marjetica Potrč, 910:Marjetica Potrč, 897:Marjetica Potrč, 890:Marjetica Potrč, 879:Linda Weintraub, 862:Marjetica Potrč, 822:Marjetica Potrč, 776:Marjetica Potrč, 771:Urban Negotiation 769:Marjetica Potrč, 750:Marjetica Potrč, 731:Marjetica Potrč, 726:Book publications 525:(2009–2019), and 438:Research projects 370:Hamburger Bahnhof 242:Power from Nature 104: 103: 76:Artist, Architect 4561: 4493:Katarina Stegnar 4351:Andrej E. Skubic 4198:Boštjan Lipovšek 3704:Komorni zbor Ave 3409:Peter Boštjančič 3378:Milko Šparemblek 3373:Vladimir Pezdirc 3043:Branko Gradišnik 3015:Marjan Gašperšič 2848:Irena Grafenauer 2828:Danilo Benedičič 2800:Radislav Popović 2369:Avgust Lavrenčič 2316:Vladimir Lakovič 2293:Marlenka Stupica 2140:Marjan Vodopivec 2042:Vladimir Škerlak 1985:Ilija Arnautović 1899:Aleksander Valič 1826:Zlata Ognjanović 1763:Alojz Srebotnjak 1617:Marjan Pogačnuik 1494: 1487: 1480: 1471: 1373: 1366: 1359: 1350: 1327: 1316: 1310: 1303: 1297: 1286: 1280: 1261: 1255: 1226: 1220: 1213: 1207: 1200: 1194: 1185: 1179: 1176: 1170: 1163: 1157: 1150: 1144: 1135: 1129: 1128:, Dec. 22, 2015. 1106: 1100: 1091: 1085: 1078: 1072: 1061: 1055: 1054:, Nov. 22, 2014. 1046: 1040: 1033: 1027: 1026:, June 27, 2004. 1020: 1014: 1007: 1001: 990: 984: 973: 967: 960: 756:Zdenka Badovinac 752:Next Stop, Kiosk 432:rights of nature 366:Architektonika 2 246:Barefoot College 205:On-site projects 130:rights of nature 114: 100: 97: 95: 33: 19: 4569: 4568: 4564: 4563: 4562: 4560: 4559: 4558: 4504: 4503: 4502: 4497: 4412:Vesna Pernarčič 4369:Marija Javoršek 4318:Branko Robinšak 4245: 4104:Nataša Matjašec 4019:Mateja Koležnik 3905: 3714:Marjetica Potrč 3560:Snežana Vrhovec 3506: 3502:Franko Vecchiet 3395:Jernej Habjanič 3315:Tomaž Medvešček 3285:Mijo Basailović 3253:Taras Kermauner 3167:Peter Ternovšek 3048:Lidija Kozlovič 3033:Bronislav Fajon 2976:Silvester Komel 2951:Alenka Gerlovič 2916:Vojteh Ravnikar 2863:Norina Jankovič 2853:Niko Grafenauer 2813: 2808:Bogdan Špindler 2767:Ana Pusar Jerič 2737:Dušan Jovanović 2674:Miroslav Košuta 2654:Vladimir Kavčič 2631:Milena Zupančič 2626:Ciril Škerjanec 2621:Alenka Velkavrh 2595:Radojka Vrančič 2580:Zvone Šedlbauer 2560:Koni Steinbaher 2461:Matjaž Vipotnik 2451:Stane Raztresen 2389:Bogdana Stritar 2223:Zvest Apollonio 2081:Albert Kastelic 2061: 2047:Arnold Tovornik 2003:Janez Gradišnik 1942:Branko Kraševec 1879:Tatjana Remškar 1831:Milena Ogorelec 1597:Sveta Jovanović 1587:Dejan Bravničar 1559:Dubravka Tomšič 1554:Marko Šuštaršič 1504: 1498: 1468: 1463: 1404:Marjetica Potrč 1383: 1381:Hugo Boss Prize 1377: 1335: 1330: 1317: 1313: 1304: 1300: 1287: 1283: 1262: 1258: 1227: 1223: 1214: 1210: 1201: 1197: 1186: 1182: 1177: 1173: 1164: 1160: 1151: 1147: 1136: 1132: 1110:Potrč's website 1107: 1103: 1099:, July 6, 2010. 1092: 1088: 1079: 1075: 1062: 1058: 1047: 1043: 1034: 1030: 1021: 1017: 1008: 1004: 991: 987: 983:, May 15, 2023. 974: 970: 961: 957: 953: 874:Afterall Online 840:Eco-Visionaries 794: 741:Carlos Basualdo 739:with essays by 728: 723: 702:Hugo Boss Prize 683: 630:, London (2007) 615:Personal States 550: 479: 457:Western Balkans 440: 421:The case study 317: 207: 202: 151: 107:Marjetica Potrč 92: 58: 45: 36: 24: 23:Marjetica Potrč 17: 12: 11: 5: 4567: 4565: 4557: 4556: 4551: 4546: 4541: 4536: 4531: 4526: 4521: 4516: 4506: 4505: 4499: 4498: 4496: 4495: 4490: 4485: 4480: 4475: 4470: 4462: 4457: 4452: 4450:Marjan Strojan 4447: 4442: 4437: 4432: 4424: 4422:Alenka Sottler 4419: 4414: 4409: 4404: 4402:Jernej Lorenci 4399: 4391: 4386: 4381: 4376: 4371: 4366: 4361: 4353: 4348: 4343: 4338: 4333: 4328: 4320: 4315: 4310: 4305: 4300: 4295: 4287: 4282: 4277: 4272: 4267: 4265:Peter Musevski 4262: 4260:Miklavž Komelj 4253: 4251: 4247: 4246: 4244: 4243: 4238: 4236:Goran Vojnović 4233: 4228: 4223: 4218: 4210: 4205: 4200: 4195: 4190: 4185: 4177: 4172: 4167: 4165:Suzana Tratnik 4162: 4157: 4152: 4144: 4139: 4134: 4129: 4124: 4119: 4111: 4109:Milan Vincetič 4106: 4101: 4096: 4091: 4086: 4084:Vasa J.Perović 4074: 4069: 4064: 4059: 4054: 4049: 4041: 4036: 4031: 4026: 4021: 4016: 4008: 4003: 3998: 3993: 3988: 3986:Andrej Blatnik 3980: 3975: 3970: 3965: 3963:Nataša Prosenc 3960: 3955: 3953:Gregor Baković 3947: 3942: 3937: 3932: 3927: 3922: 3913: 3911: 3907: 3906: 3904: 3903: 3901:Andrej Zdravič 3898: 3893: 3888: 3883: 3874: 3862: 3857: 3852: 3850:Milada Kalezić 3847: 3842: 3837: 3829: 3824: 3819: 3814: 3809: 3804: 3796: 3791: 3786: 3781: 3776: 3771: 3763: 3758: 3753: 3748: 3743: 3738: 3730: 3725: 3716: 3711: 3706: 3698: 3693: 3691:Andraž Šalamun 3688: 3683: 3678: 3673: 3665: 3643: 3638: 3633: 3628: 3623: 3615: 3613:Aleš Vodopivec 3610: 3605: 3603:Marko Pogačnik 3600: 3595: 3590: 3585: 3580: 3575: 3570: 3562: 3557: 3552: 3547: 3545:Franček Rudolf 3542: 3537: 3528: 3523: 3514: 3512: 3508: 3507: 3505: 3504: 3499: 3494: 3489: 3484: 3479: 3474: 3472:Veronika Drolc 3469: 3464: 3459: 3451: 3449:Lujo Vodopivec 3446: 3441: 3436: 3431: 3426: 3421: 3416: 3411: 3406: 3398: 3391:Ksenija Hribar 3380: 3375: 3370: 3365: 3360: 3355: 3350: 3345: 3343:Emerik Bernard 3340: 3332: 3330:Renato Quaglia 3327: 3322: 3317: 3312: 3307: 3302: 3297: 3292: 3287: 3279: 3274: 3269: 3264: 3258:Miljenko Licul 3255: 3250: 3245: 3240: 3235: 3230: 3222: 3217: 3212: 3207: 3202: 3197: 3195:Klavdij Palčič 3192: 3187: 3185:Boris A. Novak 3182: 3177: 3169: 3164: 3162:Milan Pogačnik 3159: 3133: 3128: 3123: 3118: 3113: 3108: 3103: 3095: 3090: 3079:Viljem Trampuš 3064: 3055: 3050: 3045: 3040: 3035: 3030: 3025: 3017: 3008: 3003: 2998: 2993: 2988: 2983: 2978: 2973: 2968: 2963: 2958: 2953: 2948: 2943: 2935: 2922: 2905: 2900: 2895: 2890: 2885: 2880: 2875: 2870: 2865: 2860: 2855: 2850: 2845: 2840: 2835: 2830: 2821: 2819: 2815: 2814: 2812: 2811: 2789: 2784: 2779: 2774: 2769: 2764: 2759: 2757:Pavel Mihelčič 2754: 2749: 2747:Stojan Kerbler 2744: 2739: 2734: 2729: 2724: 2719: 2714: 2706: 2701: 2696: 2691: 2689:Janez Suhadolc 2686: 2681: 2676: 2671: 2666: 2661: 2656: 2651: 2646: 2641: 2633: 2628: 2623: 2613:Milan Štrukelj 2602: 2600:Joco Žnidaršič 2597: 2592: 2587: 2582: 2577: 2572: 2567: 2562: 2556:Janez Marinšek 2553: 2548: 2543: 2541:Hubert Bergant 2535: 2533:Tinca Stegovec 2530: 2521: 2516: 2511: 2506: 2501: 2496: 2491: 2486: 2481: 2476: 2471: 2463: 2458: 2453: 2448: 2439: 2434: 2432:Tomaž Kržišnik 2429: 2424: 2422:Mile de 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Vrhunc 4037: 4035: 4032: 4030: 4027: 4025: 4024:Andrej Medved 4022: 4020: 4017: 4015: 4014:Jan Cvitković 4012: 4009: 4007: 4004: 4002: 3999: 3997: 3994: 3992: 3991:Bernarda Fink 3989: 3987: 3984: 3981: 3979: 3976: 3974: 3973:Karmina Šilec 3971: 3969: 3968:Peter Semolič 3966: 3964: 3961: 3959: 3956: 3954: 3951: 3948: 3946: 3943: 3941: 3938: 3936: 3933: 3931: 3928: 3926: 3923: 3921: 3918: 3915: 3914: 3912: 3908: 3902: 3899: 3897: 3894: 3892: 3891:Živko Marušič 3889: 3887: 3884: 3882: 3881:Nataša Valant 3878: 3875: 3873: 3869: 3866: 3863: 3861: 3858: 3856: 3853: 3851: 3848: 3846: 3843: 3841: 3838: 3836: 3833: 3830: 3828: 3825: 3823: 3822:Jernej Šugman 3820: 3818: 3817:Matjaž Pogrjc 3815: 3813: 3810: 3808: 3805: 3803: 3800: 3797: 3795: 3792: 3790: 3787: 3785: 3784:Brane Šturbej 3782: 3780: 3779:Zdravko Papič 3777: 3775: 3774:Milena Morača 3772: 3770: 3767: 3764: 3762: 3759: 3757: 3754: 3752: 3749: 3747: 3746:Feri Lainšček 3744: 3742: 3739: 3737: 3734: 3731: 3729: 3726: 3724: 3720: 3717: 3715: 3712: 3710: 3707: 3705: 3702: 3699: 3697: 3694: 3692: 3689: 3687: 3684: 3682: 3679: 3677: 3674: 3672: 3669: 3666: 3663: 3662:Roman Uranjek 3659: 3655: 3651: 3647: 3644: 3642: 3639: 3637: 3636:Marjan Tomšič 3634: 3632: 3629: 3627: 3626:Janez Gregorc 3624: 3622: 3621:Gustav Gnamuš 3619: 3616: 3614: 3611: 3609: 3606: 3604: 3601: 3599: 3596: 3594: 3591: 3589: 3588:Marko Letonja 3586: 3584: 3583:Vladimir Jurc 3581: 3579: 3578:Radovan Jenko 3576: 3574: 3571: 3569: 3566: 3563: 3561: 3558: 3556: 3553: 3551: 3548: 3546: 3543: 3541: 3538: 3536: 3532: 3529: 3527: 3526:Lojze Drašler 3524: 3522: 3521:Aleš Debeljak 3519: 3516: 3515: 3513: 3509: 3503: 3500: 3498: 3495: 3493: 3490: 3488: 3487:Maks Strmčnik 3485: 3483: 3480: 3478: 3477:Maja Haderlap 3475: 3473: 3470: 3468: 3465: 3463: 3462:Milan Dekleva 3460: 3458: 3455: 3452: 3450: 3447: 3445: 3442: 3440: 3437: 3435: 3432: 3430: 3427: 3425: 3424:Zdenko Huzjan 3422: 3420: 3417: 3415: 3412: 3410: 3407: 3405: 3402: 3399: 3396: 3392: 3388: 3384: 3381: 3379: 3376: 3374: 3371: 3369: 3366: 3364: 3361: 3359: 3356: 3354: 3351: 3349: 3346: 3344: 3341: 3339: 3336: 3333: 3331: 3328: 3326: 3323: 3321: 3318: 3316: 3313: 3311: 3310:Mirko Lipužič 3308: 3306: 3303: 3301: 3298: 3296: 3293: 3291: 3290:Dragica Čadež 3288: 3286: 3283: 3280: 3278: 3275: 3273: 3270: 3268: 3265: 3263: 3259: 3256: 3254: 3251: 3249: 3246: 3244: 3241: 3239: 3236: 3234: 3233:Jožica Avbelj 3231: 3229: 3228:Stanko Arnold 3226: 3223: 3221: 3218: 3216: 3213: 3211: 3208: 3206: 3203: 3201: 3198: 3196: 3193: 3191: 3188: 3186: 3183: 3181: 3180:Miloš Mlejnik 3178: 3176: 3173: 3170: 3168: 3165: 3163: 3160: 3157: 3153: 3149: 3145: 3141: 3140:Jože Pogačnik 3137: 3134: 3132: 3131:Adriana Maraž 3129: 3127: 3124: 3122: 3119: 3117: 3114: 3112: 3109: 3107: 3104: 3102: 3099: 3096: 3094: 3091: 3088: 3084: 3083:Boris Šinigoj 3080: 3076: 3075:Stanko Arnold 3072: 3068: 3065: 3063: 3059: 3056: 3054: 3051: 3049: 3046: 3044: 3041: 3039: 3038:Branko Gombač 3036: 3034: 3031: 3029: 3026: 3024: 3023:Danilo Bezlaj 3021: 3018: 3016: 3012: 3009: 3007: 3004: 3002: 2999: 2997: 2996:Valentin Oman 2994: 2992: 2991:Janez Matičič 2989: 2987: 2984: 2982: 2979: 2977: 2974: 2972: 2971:Miša Jelnikar 2969: 2967: 2966:Andrej Inkret 2964: 2962: 2959: 2957: 2954: 2952: 2949: 2947: 2944: 2942: 2941:Janez Albreht 2939: 2936: 2934: 2930: 2926: 2923: 2921: 2917: 2913: 2909: 2908:Marko Dekleva 2906: 2904: 2901: 2899: 2896: 2894: 2891: 2889: 2888:Marjan Rožanc 2886: 2884: 2881: 2879: 2878:Tone Partljič 2876: 2874: 2873:Rudolf Kotnik 2871: 2869: 2866: 2864: 2861: 2859: 2858:Stane Jagodič 2856: 2854: 2851: 2849: 2846: 2844: 2841: 2839: 2836: 2834: 2831: 2829: 2826: 2823: 2822: 2820: 2816: 2809: 2805: 2804:Jurij Princes 2801: 2797: 2793: 2790: 2788: 2785: 2783: 2780: 2778: 2777:Evgen Sajovic 2775: 2773: 2772:Milan Rijavec 2770: 2768: 2765: 2763: 2760: 2758: 2755: 2753: 2750: 2748: 2745: 2743: 2740: 2738: 2735: 2733: 2730: 2728: 2725: 2723: 2720: 2718: 2715: 2713: 2712:Pavla Brunčko 2710: 2707: 2705: 2702: 2700: 2697: 2695: 2692: 2690: 2687: 2685: 2682: 2680: 2679:Janko Messner 2677: 2675: 2672: 2670: 2667: 2665: 2662: 2660: 2657: 2655: 2652: 2650: 2647: 2645: 2642: 2640: 2637: 2634: 2632: 2629: 2627: 2624: 2622: 2618: 2614: 2610: 2606: 2603: 2601: 2598: 2596: 2593: 2591: 2588: 2586: 2585:Anton Tomašič 2583: 2581: 2578: 2576: 2575:Milan Stibilj 2573: 2571: 2570:Majda Potokar 2568: 2566: 2563: 2561: 2557: 2554: 2552: 2549: 2547: 2544: 2542: 2539: 2536: 2534: 2531: 2529: 2528:Judita Skalar 2525: 2522: 2520: 2517: 2515: 2512: 2510: 2507: 2505: 2502: 2500: 2497: 2495: 2492: 2490: 2487: 2485: 2482: 2480: 2479:Jože Javoršek 2477: 2475: 2474:Vojko Duletič 2472: 2470: 2467: 2464: 2462: 2459: 2457: 2454: 2452: 2449: 2447: 2446:Fedja Klavora 2443: 2440: 2438: 2437:Florjan Lipuš 2435: 2433: 2430: 2428: 2425: 2423: 2420: 2418: 2417:Bogomil Fatur 2415: 2413: 2410: 2407: 2405: 2402: 2400: 2397: 2395: 2392: 2390: 2387: 2385: 2382: 2380: 2377: 2375: 2372: 2370: 2367: 2365: 2362: 2360: 2357: 2355: 2354:Marjan Gnamuš 2352: 2349: 2347: 2344: 2342: 2341:Tomaž Šalamun 2339: 2337: 2336:Rosanda Sajko 2334: 2332: 2329: 2327: 2326:Danilo Merlak 2324: 2322: 2319: 2317: 2314: 2312: 2309: 2307: 2304: 2302: 2301:Boris Cavazza 2299: 2296: 2294: 2291: 2289: 2286: 2284: 2281: 2279: 2278:Staš Potočnik 2276: 2274: 2271: 2269: 2266: 2264: 2261: 2259: 2258:Franci Križaj 2256: 2254: 2251: 2249: 2246: 2244: 2241: 2239: 2236: 2234: 2231: 2229: 2226: 2224: 2221: 2218: 2216: 2213: 2211: 2208: 2206: 2203: 2201: 2200:France Peršin 2198: 2196: 2193: 2191: 2190:Borut Pečenko 2188: 2186: 2183: 2181: 2177: 2176:Jankom Sušnik 2173: 2169: 2166: 2164: 2161: 2159: 2156: 2154: 2153:Lojze Filipič 2151: 2148: 2146: 2143: 2141: 2138: 2136: 2135:Jože Tisnikar 2133: 2131: 2130:Zlatko Šugman 2128: 2126: 2123: 2121: 2118: 2116: 2113: 2111: 2107: 2104: 2102: 2099: 2097: 2094: 2092: 2089: 2087: 2084: 2082: 2079: 2077: 2074: 2071: 2070: 2068: 2064: 2058: 2055: 2053: 2050: 2048: 2045: 2043: 2040: 2038: 2035: 2033: 2029: 2026: 2024: 2021: 2019: 2016: 2014: 2013:Lojze Kovačič 2011: 2009: 2006: 2004: 2001: 1999: 1996: 1994: 1990: 1986: 1983: 1980: 1978: 1975: 1973: 1970: 1968: 1965: 1963: 1960: 1958: 1957:Dušan Moravec 1955: 1953: 1952:Milan Mihelič 1950: 1948: 1945: 1943: 1940: 1938: 1935: 1933: 1930: 1928: 1925: 1923: 1920: 1918: 1915: 1913: 1912:Milka Badjura 1910: 1907: 1905: 1904:Rudi Vaupotič 1902: 1900: 1897: 1895: 1892: 1890: 1887: 1885: 1882: 1880: 1877: 1875: 1872: 1870: 1867: 1865: 1862: 1860: 1857: 1854: 1852: 1849: 1847: 1846:Jože Pogačnik 1844: 1842: 1839: 1837: 1834: 1832: 1829: 1827: 1824: 1822: 1819: 1817: 1814: 1812: 1811:Janez Lenassi 1809: 1807: 1804: 1802: 1799: 1797: 1794: 1792: 1789: 1787: 1784: 1781: 1779: 1776: 1774: 1771: 1769: 1766: 1764: 1761: 1759: 1756: 1754: 1751: 1749: 1746: 1744: 1743:Janez Lajovic 1741: 1739: 1736: 1734: 1731: 1729: 1728:Bogdan Borčič 1726: 1724: 1721: 1719: 1716: 1714: 1711: 1708: 1706: 1705:Karel Zelenko 1703: 1701: 1698: 1696: 1693: 1691: 1688: 1686: 1683: 1681: 1680:Nace Simončič 1678: 1676: 1673: 1671: 1670:Andrej Kurent 1668: 1666: 1665:Stanko Kristl 1663: 1661: 1658: 1656: 1653: 1651: 1648: 1646: 1643: 1641: 1638: 1635: 1633: 1630: 1628: 1625: 1623: 1620: 1618: 1615: 1613: 1610: 1608: 1607:Branko Kocmut 1605: 1603: 1600: 1598: 1595: 1593: 1590: 1588: 1585: 1583: 1580: 1577: 1575: 1572: 1570: 1567: 1565: 1562: 1560: 1557: 1555: 1552: 1550: 1549:Primož Ramovš 1547: 1545: 1542: 1540: 1537: 1535: 1532: 1530: 1527: 1525: 1522: 1520: 1517: 1514: 1513: 1511: 1507: 1503: 1495: 1490: 1488: 1483: 1481: 1476: 1475: 1472: 1459: 1456: 1453: 1450: 1447: 1444: 1441: 1438: 1435: 1432: 1429: 1426: 1423: 1420: 1417: 1414: 1411: 1410:Pierre Huyghe 1408: 1405: 1402: 1399: 1396: 1393: 1390: 1389: 1386: 1382: 1374: 1369: 1367: 1362: 1360: 1355: 1354: 1351: 1345: 1342: 1340: 1337: 1336: 1332: 1325: 1321: 1315: 1312: 1308: 1302: 1299: 1295: 1291: 1285: 1282: 1278: 1274: 1270: 1266: 1260: 1257: 1253: 1249: 1245: 1241: 1237: 1236: 1235:Forest Rising 1231: 1225: 1222: 1218: 1212: 1209: 1205: 1199: 1196: 1192: 1191: 1184: 1181: 1175: 1172: 1168: 1162: 1159: 1155: 1149: 1146: 1142: 1141: 1134: 1131: 1127: 1123: 1119: 1115: 1111: 1105: 1102: 1098: 1097: 1090: 1087: 1083: 1077: 1074: 1070: 1066: 1060: 1057: 1053: 1052: 1045: 1042: 1038: 1032: 1029: 1025: 1019: 1016: 1012: 1006: 1003: 999: 995: 989: 986: 982: 978: 972: 969: 965: 959: 956: 950: 945: 941: 938: 937:"Artist Talk" 934: 931: 927: 923: 920: 916: 913: 912:"Artist Talk" 909: 906: 905: 900: 896: 893: 889: 886: 882: 878: 875: 871: 868: 865: 861: 858: 855: 852: 848: 844: 841: 837: 833: 829: 825: 821: 818: 814: 810: 807: 803: 800: 796: 795: 791: 786: 782: 779: 775: 772: 768: 765: 761: 757: 753: 749: 746: 742: 738: 734: 730: 729: 725: 720: 715: 712: 709: 706: 703: 700: 697: 694: 691: 688: 685: 684: 680: 675: 674: 670: 667: 666: 662: 659: 656: 653: 652: 648: 645: 644: 640: 637: 636: 635:In a New Land 632: 629: 625: 624: 623:Forest Rising 620: 617: 616: 612: 609: 605: 602: 599: 598: 594: 593: 592: 589: 587: 579: 576: 573: 570: 567: 564: 561: 558: 555: 554: 553: 547: 542: 538: 534: 530: 528: 524: 520: 516: 512: 508: 504: 500: 496: 487: 483: 476: 474: 472: 469: 465: 462: 458: 454: 450: 446: 437: 435: 433: 428: 424: 416: 412: 408: 404: 402: 401: 396: 389: 385: 381: 377: 375: 374:informal city 371: 367: 363: 358: 356: 352: 347: 345: 341: 337: 334:For example, 332: 325: 321: 314: 312: 310: 309: 308:Future Island 304: 303: 298: 297: 292: 287: 285: 281: 277: 274: 269: 267: 263: 259: 255: 251: 247: 243: 239: 235: 231: 227: 223: 215: 211: 204: 199: 197: 195: 191: 187: 182: 180: 176: 172: 168: 164: 160: 156: 148: 146: 143: 139: 133: 131: 126: 122: 118: 113: 108: 99: 91: 87: 83: 79: 75: 73:Occupation(s) 71: 68: 65: 61: 57: 53: 49: 43: 39: 32: 27: 20: 4488:Mojca Smerdu 4483:Cvetka Lipuš 4473:Janusz Kisca 4464: 4426: 4397:Vladimir Kos 4393: 4355: 4346:Iztok Mlakar 4341:Ivica Buljan 4336:Stojan Kuret 4326:Maruša Zorec 4322: 4313:Jure Miklavc 4289: 4256: 4226:Marko Mandić 4212: 4179: 4146: 4113: 4094:Mirjam Kalin 4076: 4047:Mate Bekavac 4043: 4010: 4001:Matevž Medja 3982: 3949: 3920:Mirsad Begić 3916: 3864: 3840:Matjaž Farič 3831: 3798: 3769:Marko Japelj 3765: 3732: 3728:Judita Zidar 3713: 3700: 3686:Zorko Simčič 3676:Evald Fliser 3667: 3658:Darko Pokorn 3631:Igor Samobor 3617: 3593:Tomaž Pandur 3573:Andrej Brvar 3564: 3531:Tomaž Lorenz 3517: 3457:Emil Baronik 3453: 3400: 3368:Eduard Miler 3363:Ivanka Mežan 3358:Berta Meglič 3334: 3305:Silvij Kobal 3281: 3272:Rudi Španzel 3243:Gustav Januš 3238:Olga Gracelj 3224: 3220:Marija Vidau 3210:Lane Stranič 3200:Edvard Sršen 3190:Franc Novinc 3171: 3144:Božo Rogelja 3121:Mojmir Lasan 3116:Andrej Kokot 3106:Janez Bermež 3097: 3087:Boris Gruden 3053:Božo Rogelja 3019: 3006:Jože Privšek 2986:Uroš Lajovic 2981:Marko Kravos 2946:Ljerka Belak 2937: 2925:Janez Bizjak 2920:Egon Vatovec 2843:Karpo Godina 2838:Anton Demšar 2824: 2796:Štefan Kacin 2732:Drago Jančar 2722:Zdenka Golob 2708: 2704:Vojko Vidmar 2694:Janez Šibila 2644:Meta Hočevar 2635: 2609:Hugo Porenta 2551:Tone Lapajne 2546:Vlado Habjan 2537: 2524:Peter Skalar 2519:Frane Puntar 2504:Milena Muhič 2465: 2408: 2384:Dušan Moškon 2379:Dušan Mlakar 2350: 2321:Saša Mächtig 2306:Primož Kozak 2297: 2219: 2210:France Rotar 2180:Boris Ferlat 2172:Stane Bernik 2158:Pavel Jeršin 2149: 2120:Tone Svetina 2091:Tone Kuntner 2072: 2032:Branko Uršič 2023:Alojz Rebula 2008:Miran Herzog 1981: 1977:Iva Zupančič 1967:Danilo Švara 1937:Mirč Kragelj 1932:Gregor Košak 1927:Marjan Kolar 1908: 1889:Slavko Tihec 1874:Vasja Predan 1869:Floris Oblak 1855: 1821:Bogdan Meško 1791:Janez Boljka 1782: 1778:Ciril Zlobec 1733:Andrej Jemec 1709: 1685:France Slana 1675:Ivan Minatti 1636: 1612:Lojze Krakar 1582:Janez Bernik 1578: 1515: 1458:Simone Leigh 1403: 1314: 1301: 1293: 1289: 1284: 1268: 1259: 1251: 1247: 1243: 1239: 1233: 1224: 1211: 1198: 1189: 1183: 1174: 1166: 1161: 1148: 1139: 1133: 1125: 1118:The Guardian 1117: 1104: 1095: 1089: 1076: 1064: 1059: 1051:Architectuul 1050: 1044: 1036: 1031: 1023: 1018: 1010: 1005: 997: 988: 971: 958: 929: 903: 884: 876:, June 2012. 873: 850: 839: 835: 831: 827: 816: 812: 805: 798: 784: 777: 770: 764:Goran Tomčić 751: 745:Eyal Weizman 737:Michael Rush 732: 672: 664: 657: 650: 642: 634: 622: 614: 603: 596: 590: 583: 565:(1996, 2006) 551: 540: 536: 526: 522: 518: 514: 510: 506: 502: 498: 494: 491: 485: 452: 441: 426: 422: 420: 414: 410: 399: 397: 393: 387: 383: 365: 361: 359: 350: 348: 335: 333: 329: 323: 307: 301: 295: 288: 283: 282: 278: 270: 265: 261: 257: 253: 241: 229: 225: 219: 213: 193: 189: 183: 171:Branka Jurca 152: 134: 106: 105: 4519:1953 births 4468:Ambrož Čopi 4455:Pia Zemljič 4435:Marko Jakše 4407:Jože Možina 4384:Metod Pevec 4364:Marcos Fink 4331:Franc Kosem 4221:Nenad Firšt 4203:Uroš Smolej 4155:Urška Pompe 4150:Anton Bogov 4142:Maja Vidmar 4099:Milko Lazar 4089:Edward Clug 4080:Matija Bevk 4072:Igor Štuhec 4029:Alen Ožbolt 4006:Tanja Zgonc 3958:Ivo Prančič 3945:Vito Taufer 3940:Saša Pavček 3930:Miran Kolbl 3845:Uroš Kalčič 3835:Jakov Brdar 3827:Tugo Sušnik 3807:Alojz Ajdič 3794:Vlado Žabot 3761:Sergej Verč 3756:Trio Lorenz 3751:Srečko Špik 3736:Mate Dolenc 3709:Iztok Kovač 3696:Petar Ugrin 3681:Janez Pipan 3654:Miran Mohor 3555:Mario Uršič 3497:Vito Taufer 3482:Franci Slak 3444:Ivo Svetina 3434:Edi Majaron 3414:Silva Čušin 3404:Jani Bavčar 3387:Lojze Lebič 3353:Lojze Logar 3338:Aleš Berger 3325:Vlado Novak 3320:Marko Munih 3300:Milan Jesih 3295:Karel Jerič 3267:Rajko Ranfl 3262:Ranko Novak 3248:Zmago Jeraj 3205:Tone Stojko 3152:Jože Falout 3148:Alojz Zupan 3093:Vinko Tušek 3071:Anton Grčar 3058:Barbara Rot 3028:Janez Drozg 3011:Biba Bertok 2929:Marko Cotič 2898:Mira Sardoč 2868:Minu Kjuder 2782:Meta Vrhunc 2762:Anton Nanut 2752:Anica Kumer 2699:Dušan Tršar 2684:Janez Povše 2669:Fedja Košir 2664:Marija Kobi 2659:Rudi Kosmač 2649:Jane Kavčič 2639:Anton Grčar 2617:Jože Dobrin 2605:Zala Dobnik 2590:Janez Vidic 2514:Borut Pečar 2509:Marko Muhič 2494:Janez Mejač 2442:Ciril Oblak 2404:Jelica Žuža 2394:Veno Taufer 2374:Trio Lorenz 2364:Jože Koželj 2283:Emil Smasek 2273:Radko Polič 2268:Pavle Merku 2263:Peter Levec 2238:Peter Božič 2185:Mitja Mejak 2168:Oskar Kogoj 2163:Lojze Lebič 2125:Rudi Šeligo 2115:Bine Rogelj 2101:Anton Petje 2096:Marko Munih 2086:Maks Kavčič 2052:Uroš Vagaja 2028:Mirko Romih 1998:Peter Černe 1972:Drago Tršar 1947:Jožko Lukeš 1922:Hilda Hölzl 1894:Vilko Ukmar 1884:Savin Sever 1864:Lojze Lebič 1859:Sandi Krošl 1841:Žarko Petan 1796:Miha Gunzek 1786:Tone Bitenc 1773:Mirko Zdovc 1768:Pavel Šivic 1748:Tone Pavček 1738:Rok Klopčič 1723:Miloš Bonča 1718:Polde Bibič 1645:Jože Falout 1640:Boris Čampa 1627:Pavle Zidar 1569:France Šmid 1564:Janez Trenz 1544:Duša Počkaj 1534:Mitja Mejak 1519:Ljubo Humek 1428:Emily Jacir 1422:Tacita Dean 1240:Florestania 832:Florestania 815:, no. 891, 778:Florestania 698:(2007–2008) 513:(2021) and 499:Florestania 486:Florestania 464:New Orleans 63:Nationality 4508:Categories 4460:Vito Žuraj 4389:Jože Vidic 4285:Maja Delak 4270:Aldo Kumar 4193:Ema Kugler 4132:Milan Kleč 4067:Oto Rimela 3996:Polona Juh 3925:Jani Golob 3877:Marko Fink 3872:Milan Erič 3868:Zvonko Čoh 3860:Igor Šterk 3812:Maja Novak 3789:Uroš Zupan 3741:Jurij Kobe 3650:Dejan Knez 3608:Metka Rojc 3568:Drago Bajt 3550:Janez Škof 3439:Uroš Rojko 3429:Niko Košir 3348:Alojz Ihan 3277:Dare Valič 3215:Aleš Valič 3175:Bine Matoh 3156:Jože Banič 3001:Milan Pajk 2717:Ervin Friz 2489:Niko Matul 2469:Jože Babič 2427:Mina Jeraj 2399:Žaro Tušar 2346:Dane Škerl 2331:Dušan Povh 2215:Jože Zupan 2205:Ivo Petrič 2195:Ela Peroci 2057:Fran Žižek 2037:Mako Sajko 1993:Janez Vovk 1917:Jože Ciuha 1695:Milan Šega 1660:Mile Korun 1650:Stane Jarm 1632:Rudi Zupan 1524:Franci Čop 981:ETH Zurich 951:References 817:Geo-Design 230:Dry Toilet 226:Dry Toilet 214:Dry Toilet 159:Ivan Potrč 4445:Jure Pukl 4208:Bor Turel 4175:Jože Slak 3896:Jani Virk 3723:Leo Kulaš 3383:Fauvel 86 2833:Evgen Car 2787:Saša Vuga 2742:Boris Juh 2288:Jože Snoj 2145:Dane Zajc 2076:Jakob Jež 1962:Ive Šubic 1801:Mija Jarc 1713:Jože Bevc 1622:Ali Raner 1539:Matej Bor 1452:Anicka Yi 1446:Paul Chan 1096:ArchDaily 994:interview 501:(2006), 468:Wiradjuri 427:palafitas 368:, at the 340:West Bank 117:Ljubljana 67:Slovenian 48:Ljubljana 3671:Edi Berk 3062:Božo Rot 2903:Ati Soss 2727:Aleš Jan 1836:Božo Kos 1267:, eds., 1204:speaking 521:(2007), 505:(2012), 497:(2005), 386:, 2018, 121:Slovenia 4034:Slowind 3101:Ivo Ban 1440:Danh Vo 1320:website 1307:website 1273:website 1217:website 461:Katrina 451:); the 222:Caracas 179:Maribor 89:Website 1460:(2018) 1454:(2016) 1448:(2014) 1442:(2012) 1436:(2010) 1430:(2008) 1424:(2006) 1418:(2004) 1412:(2002) 1406:(2000) 1400:(1998) 1394:(1996) 716:(1994) 692:(2008) 580:(2022) 559:(1997) 167:Styria 96:.potrc 4465:2016: 4427:2015: 4394:2014: 4356:2013: 4323:2012: 4290:2011: 4257:2010: 4250:2010s 4213:2009: 4180:2008: 4147:2007: 4114:2006: 4077:2005: 4044:2004: 4011:2003: 3983:2002: 3950:2001: 3917:2000: 3910:2000s 3865:1999: 3832:1998: 3799:1997: 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Index


Ljubljana
Socialist Republic of Slovenia
Socialist Federal Republic of Yugoslavia
Slovenian
www.potrc.org
[maˈɾjeːtitsapɔˈtəɾtʃ]
Ljubljana
Slovenia
social architecture
rights of nature
Curry Stone Foundation
Design for the Living World
Socialist Federal Republic of Yugoslavia
Ivan Potrč
social realist
Styria
Branka Jurca
Karst
Maribor
University of Ljubljana

Caracas
participatory design
sustainability
Barefoot College
Catherine Ferguson Academy
University of Fine Arts/HFBK
Ooze
Between the Waters: The Emscher Community Garden

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