67:), founded the Center at MIT as a way to encourage artistic collaboration on a large civic scale. During its 45-year existence, the CAVS hosted more than 200 artists and fellows that "pioneered collaborative works in light, kinetic, environmental and inflatable sculpture, laser, steam, video, electronic music, holography, dance, computer graphics and animation, among other media".
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to the new
Stratton Student Center. This CAVS space was later reassigned to on-campus religious counseling groups, and the CAVS was moved to 265 Massachusetts Avenue (MIT Building N52), north of the main campus. In 2009, the CAVS merged with the MIT Visual Arts Program (VAP), to become the MIT
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Archives, artworks, and artifacts from the history of the CAVS are preserved in the Center for
Advanced Visual Studies Special Collection (CAVSSC). As of 2015, the collection is being cataloged; items are available to researchers, either remotely or in person, with advance notice.
82:. The CAVS began a revitalization program which included numerous site visits by international artists, long-term residencies, and the commissioning of new artistic projects. Some of the later visitors included
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78:, who, after a hiatus, continued as director. In 2004, Wodiczko brought on board a new staff including Associate Director Larissa Harris, Meg Rotzel, and
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43:. In 2009, CAVS merged with the MIT Visual Arts Program, to become the MIT Program in Art, Culture and Technology (ACT). The Program is part of the
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The CAVS was originally located at 40 Massachusetts Avenue (MIT Building W11) near the center of the
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succeeded Kepes as the director of the CAVS. Piene retired in 1994 and the CAVS was taken over by
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Studies, Massachusetts
Institute of Technology Center for Advanced Visual (November 24, 1980).
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Program in Art, Culture and
Technology (ACT), and moved into a new annex to the
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Reading
Modernism with Machines: Digital Humanities and Modernist Literature
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39:(MIT), an arts and research center founded in 1967 by artist and teacher
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303:"MIT Center for Advanced Visual Studies Special Collection"
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This Life of Sounds: Evenings for New Music in
Buffalo
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Some of the center's early fellows included artists
134:building, at 75 Amherst Street (MIT Building E14).
421:ACT: MIT program in Art, Culture and Technology
342:ACT: MIT program in Art, Culture and Technology
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275:Ross, Shawna; O'Sullivan, James (2016-11-30).
338:"The Center in Print: CAVS Poster Exhibition"
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29:MIT Program in Art, Culture and Technology
18:MIT Program in Art Culture and Technology
423:. Massachusetts Institute of Technology.
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45:MIT School of Architecture and Planning
362:Packer, Renee Levine (July 23, 2010).
463:Massachusetts Institute of Technology
37:Massachusetts Institute of Technology
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417:"CAVS Special Collection: Policies"
33:Center for Advanced Visual Studies
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55:György Kepes, who taught at the
127:Harvard/MIT Cooperative Society
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31:(ACT) has its origins in the
368:. Oxford University Press.
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405:– via Google Books.
378:– via Google Books.
448:CAVS Special Collection
61:IIT Institute of Design
438:Archived home page
76:Krzysztof Wodiczko
375:978-0-19-978153-9
324:"A brief history"
208:Charlotte Moorman
16:(Redirected from
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240:Tamiko Thiel
224:Alan Sonfist
220:Keiko Prince
196:Susan Gamble
184:Peter Campus
176:Joan Brigham
168:Jürgen Claus
156:Jack Burnham
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104:John Malpede
92:Vito Acconci
88:Miranda July
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41:György Kepes
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326:. MIT CAVS.
307:act.mit.edu
256:Bill Parker
236:Bill Seaman
200:Dieter Jung
57:New Bauhaus
392:Centerbeam
348:2015-09-09
262:References
248:Don Ritter
148:Otto Piene
123:MIT campus
112:Fritz Haeg
72:Otto Piene
232:Joe Davis
70:In 1974,
59:(now the
457:Category
116:Mel Chin
80:Joe Zane
142:Fellows
65:Chicago
51:History
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397:ISBN
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