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Maʻiki Aiu Lake

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songwriter who Ma’iki and her many students of Halau Hula 'O Ma'iki often performed with before her passing. Two of her known daughters, Karen Ka'ohulani Aiu, a Kumu Hula of her mother's first graduating class in Hula Kahiko (ancient hula) - 'Uniki Papa Lehua, and Coline Kaualoku Aiu, a former Miss Hawai'i, are also extremely skilled at the "Art of Hawaiian Dance". Coline teaches in Honolulu as Kumu Hula for Halau Hula 'O Ma'iki and Karen, Kumu Hula of Halau Hawai'i, continues Ma'iki's legacy by teaching and performing her hula troupe in Waikiki, as well as in several cities in Japan.
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scholar and Kumu Hula Mary Kawena Puku'i, noted ancient hula dancer 'Iolani Luahine, Vicki 'Ii Rodrigues, Bina Mossman and Kumu Hula Pua Ha'aheo regarding male hula styles. Ma'iki is noted for bringing back men dancers in hula, as they were in ancient times, the forefront performers in festivals and religious rituals. For Ma’iki, learning hula was not only about the choreography, but the culture, rich history, and deep meaning of it as well. So as a Christian it was difficult for Ma’iki to comfortably study the art of hula and its goddess, Laka, but with the help of her
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interested in learning the hula no matter their background or gender so they could “experience the art of Hawaiian dance, expressing all that we see, hear, smell touch taste and feel.” Because of this, it sparked questions during the Hawaiian Renaissance as to why men were not present in hula before. She was able to reconcile the traditional and modern aspects of hula. Whilst doing this she was able to bring back the love and appreciation for the dance in younger generations.
274:"Even if you were not born in Hawai'i or do not have Hawaiian blood - if you love the beautiful blue sky and cooling trade winds, smell the fragrant flowers of the islands, put your feet in the sand near the shore and feel the warmth of the surf, see in awe the majestic and green uplands of the verdant valleys and mountains ... If you love these things about Hawai'i - then YOU ARE HAWAIIAN." 164:(dance master). She first started her career as a hula teacher by teaching to the Hawaiian Society at Blessed Sacrament Church where they occasionally put on performances. Teaching at the church did not satisfy Ma’iki so she opened a dance studio of her own called Margaret Aiu's Hula Studio. After gaining approval from her teachers, in 1952 she changed the name of the studio to 136:, (Hawaiian term for informal adoption) Ma’iki considered them to be her grandparents. After the passing of her adoptive family, she briefly returned to live with her biological mother, Cecilia Pai’ohe (who she is now buried with). Shortly after, she went to go live with her other great aunt, Helen Pamaieulu Ha’o Correa who sparked her inspiration in hula. 222:
At the time traditional hula was becoming a dying practice but because of Lake's modern teaching style, there was a new generation infatuated with it and a huge demand from the tourist industry. As part of her revolutionary movement in the Hawaiian Renaissance, Lake would accept any students who were
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class. This was the first time that a class like that had been offered publicly. Many people were critical of Lake's decision at first until it became noticeable that a substantial number of students interested were extremely skilled and devoted to hula. Some of the students who graduated from Ma’iki
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O Ma’iki, her students learned not only the dance but the traditional genealogies, mannerisms, legends, poetry, and culture of Hawai'i. As part of Lake's new techniques, she created new pedagogical systems for her students. One new technique she utilized was requiring her students to keep notebooks
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While continuing to study hula, Aiu simultaneously worked as a professional contemporary/modern hula dancer at the Club Pago Pago and La Hula Rhumba in Waikiki for the next 8 years. Aiu would continue to seek mentorship from masters of hula and cultural research while working, such as Hawaiian
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Ma’iki was married to Honolulu Fire Chief Boniface K. Aiu on February 21, 1947. The couple raised seven children together, with the two eldest from her previous marriage. Ma’iki divorced and remarried to her final husband, a Hawaiian performer named Haywood Kahauanu Lake. He was a singer and
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filled with the chants and dances they learned to help with memorization. To keep the ancient traditions of hula alive, Lake would teach them how to responsibly gather materials to make their own leis, mats, and costumes. Lake would train her students in a variety of dances like
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Margaret Ma’iki Souza was born in Honolulu, Hawai'i on May 28, 1925. Though her parents were Peter Charles Souza and Cecilia Pai’ohe Gilman Souza, she was first adopted and living with her great aunt, Cecilia Rose Mahoe, and husband John William Kealoha in the Palolo Valley. As
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Margaret Ma’iki Souza Aiu started to learn the hula dance between the ages of 14 and 15. Though her great aunt Helen was her original mentor in hula, Ma’iki would later go on to professionally study under Lōkālia Montgomery and officially graduate as an
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because of her revolutionary teaching techniques. Because of her work she was recognized as the "Mother of Hawaiian Renaissance." Many of her students became teachers themselves making her the "most important hula teacher of the 20th century."
144:(dancer) in 1964 at the age of 18. Lōkālia Montgomery was known as a “master of ancient hula.” Lōkālia had a very traditional way of teaching hula. Her teaching style was described as stern yet breathtaking. 239:(a less formal form of hula, where a ceremony is not needed). Though Ma’iki could be a tough teacher like Lōkālia according to her students, she was also seen as a mother figure to them. 176:. Normal hula studios teach the traditional Polynesian dance forms like hula, Tahitian, Maori, or Samoan dance. Students at a hula studio are taught by staff members, not the actual 507: 219:(one of the first men who participated in the reintroduction of male hula dancers in the Merrie Monarch Festival in the 1970s) of The Brothers Cazimero. 500: 302: 160:
Though Lake was studying to become a nurse through heavy influence from friends and family she was convinced to pursue her dream to become a
1517: 670: 493: 993: 330:. Biography Hawaiʻi: Five Lives: A Series of Public Remembrances. Center for Biographical Research of the University of Hawai'i at Mānoa 172:. On the islands, there is a very big distinction between a normal hula studio that can be found on any part of the mainland and a 1394: 199:
are expected to pass down this information that they are given from a specific lineage of Kumu Hula to the next generation.
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ended up becoming some of the most well-known hula teachers/performers. Some of her students included Mapuana De Silva,
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Ma’iki Aiu Lake taught people of all ages and skill levels, from young to old or beginner to advanced.  At
1260: 972: 1414: 1003: 880: 1578: 1131: 1054: 454: 720: 660: 634: 608: 1384: 1100: 1469: 1343: 1023: 1008: 957: 921: 1512: 1502: 1374: 1033: 998: 1629: 1507: 1404: 1291: 962: 906: 875: 1442: 1379: 1322: 692: 415: 1573: 1497: 1448: 1301: 1085: 817: 1624: 1619: 1454: 1317: 1312: 1217: 1172: 1121: 1013: 988: 942: 885: 870: 854: 665: 262:"People who don't know how to dance, but who have a loving spirit, can be cultivated to be dancers.” 259:"Hula is the Art of Hawaiian Dance, expressing all that we see, smell, hear, taste, touch and feel." 119: 1598: 1568: 1348: 1167: 813: 268:"Remember, you learn, but it is not yours to give until your teacher allows you that right."   1430: 1389: 1255: 1090: 849: 386: 1588: 1583: 1399: 1275: 809: 745: 1487: 1436: 1353: 1296: 911: 833: 773: 568: 1492: 1136: 1105: 1064: 680: 644: 629: 583: 524: 324: 1049: 749: 736: 700: 475: 1265: 704: 639: 603: 578: 298: 292: 1182: 753: 547: 1358: 1141: 1059: 916: 593: 439: 216: 1095: 235:(dance traditionally performed as a ceremony with chants and percussion instruments) and 168:
O Ma’iki. Lake's school was the first of the 20th century to be able to be claimed as a
1222: 1211: 1028: 696: 1613: 1593: 1227: 799: 588: 537: 180:(master). Sometimes if there are advanced enough students, they can be taught by the 1563: 1547: 1409: 1338: 1249: 1195: 1126: 947: 688: 675: 598: 573: 563: 1270: 1187: 967: 952: 901: 778: 532: 1307: 926: 794: 485: 115: 757: 542: 1069: 359: 1232: 360:"Hula for the Future: Patrick Makuakāne and the Hula Mua 'Salva Mea" 1467:(Vicky Hollinger, Kimo Hussey, Puakea Nogelmeier, Carol Wilcox), 489: 476:"What is the Difference between a Hula Studio and Hula Halau?" 325:"Maiki Aiu Lake: Kumu Hula and Preserver of Hawaiian Culture" 1473:(Dorothy Kahananui Gillett, Barbara Smith and Hui Hanai) 1304:(Alice Fredlund, Sybil Bright Andrews, Linda Dela Cruz) 1518:
Hawaiian Room musicians from the Lexington Hotel, NYC
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Peter Charles Souza and Cecilia Pai’ohe Gilman Souza
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(12 May 2005). 80:Boniface Stephen Kaweokaohelani Aiu 1464:He Mele Aloha: A Hawaiian Songbook 414:Weeks, Marnie (17 December 2010). 14: 1533:Paused due to the global pandemic 358:Shaka, Angeline (October 2015). 271:"Tomorrow is a new day - Next!" 1152:James Pihanui Kuluwaimaka Palea 438:Young, Peter T. (28 May 2017). 416:"Margaret Maiki Aiu Souza Lake" 90: 1: 1395:Jacqueline "Skylark" Rossetti 112:Margaret Maiki Souza Aiu Lake 22:Margaret Maiki Souza Aiu Lake 440:"Margaret Aiu's Hula Studio" 517:Hawaiian Music Hall of Fame 1646: 251: 184:in a separate class. In a 1019:Albert Po'ai Nahale-a Sr. 671:Robert Alexander Anderson 609:Victoria K. I`i Rodrigues 1261:Edith Kawelohea McKinzie 1004:Thomas Kihei Desha Brown 1579:Kawaikapuokalani Hewitt 1055:Thomas Sylvester Kalama 721:The Royal Hawaiian Band 661:John Kameaaloha Almeida 97:, Haywood Kahauanu Lake 1439:(Daddy and Lydia Bray) 1178:Makaha Sons of Ni'ihau 1009:Alice Angeline Johnson 635:Alvin Kaleolani Isaacs 213:Leina'ala Kalama Heine 1445:(Richard and Solomon) 1433:(Nona, Keola, Kapono) 1415:Israel Kamakawiwoʻole 1385:The Kanaka’ole ‘Ohana 1101:Richard Kauhi Quartet 973:John Pi'ilani Watkins 907:The Brothers Cazimero 881:Bill Ali'iloa Lincoln 453:Quill, Jenny (2010). 1470:The Queen’s Songbook 1344:Jean “Kini” Sullivan 1024:Leo Nahenahe Singers 958:Donald McDiarmid Sr. 922:Nina Keali`iwahamana 666:Irmgard Farden Aluli 625:Albert "Sonny" Cunha 120:Hawaiian Renaissance 1513:Kauʻi Zuttermeister 1503:David “Feet” Rogers 1375:Richard “Babe” Bell 1256:Sonny Chillingworth 1212:Kamaka Hawaii, Inc. 1132:Sam Li'a Kalainaina 1034:James Kaʻupena Wong 999:Anuhea Audrey Brown 323:Puakea Nogelmeier. 1508:Harry B. Soria Jr. 1405:Karen Keawehawai’i 1292:Lokalia Montgomery 912:Charles K.L. Davis 876:Kahauanu Lake Trio 834:Kamehameha Schools 774:Haili Church Choir 742:Hawaiian Chanters: 569:Helen Desha Beamer 1607: 1606: 1443:Ho‘opi‘i Brothers 1380:The Isaacs ‘Ohana 1266:Puakea Nogelmeier 855:Kawaiahaʻo Church 693:Ua Like No A Like 640:Haunani Kahalewai 604:Mary Kawena Pukui 579:Sol K. Bright Sr. 462:Honolulu Magazine 455:"Masters of Mele" 390:. 1 November 2005 304:978-0-19-522202-9 243:Family and legacy 109: 108: 1637: 1574:Mapuana de Silva 1498:Leila Hohu Kiaha 1449:Kahananui ‘Ohana 1302:Halekulani Girls 1086:Pat Namaka Bacon 510: 503: 496: 487: 480: 479: 472: 466: 465: 459: 450: 444: 443: 435: 420: 419: 411: 400: 399: 397: 395: 378: 372: 371: 355: 340: 339: 337: 335: 329: 320: 309: 308: 288: 94: 92: 53: 41:Honolulu, Hawaii 37: 35: 18: 1645: 1644: 1640: 1639: 1638: 1636: 1635: 1634: 1610: 1609: 1608: 1603: 1552: 1536: 1522: 1476: 1460:Literary award: 1455:Saichi Kawahara 1419: 1363: 1359:Danny Kaleikini 1327: 1318:Thaddius Wilson 1313:Darrell Lupenui 1280: 1237: 1218:Matthew H. Kane 1214:(ukulele maker) 1200: 1173:George Kainapau 1156: 1142:Alice Namakelua 1122:Joseph Ilalaole 1110: 1106:Keali'i Reichel 1074: 1065:Ma'iki Aiu Lake 1060:Dennis Kamakahi 1038: 1014:John Keola Lake 977: 931: 917:Linda Dela Cruz 890: 886:Henry W. Waia`u 871:Alfred Alohikea 859: 838: 822: 783: 762: 725: 709: 649: 645:Mekia Kealakaʻi 613: 594:Charles E. King 552: 519: 514: 484: 483: 474: 473: 469: 457: 452: 451: 447: 437: 436: 423: 413: 412: 403: 393: 391: 380: 379: 375: 364:Theatre Journal 357: 356: 343: 333: 331: 327: 322: 321: 312: 305: 290: 289: 285: 280: 256:“Hula is Life” 254: 245: 217:Robert Cazimero 158: 129: 96: 93: 1947) 88: 84: 81: 51: 42: 39: 33: 31: 23: 12: 11: 5: 1643: 1641: 1633: 1632: 1627: 1622: 1612: 1611: 1605: 1604: 1602: 1601: 1599:Mary P. Robins 1596: 1591: 1586: 1581: 1576: 1571: 1569:Kihei de Silva 1566: 1560: 1558: 1554: 1553: 1551: 1550: 1544: 1542: 1538: 1537: 1535: 1534: 1530: 1528: 1524: 1523: 1521: 1520: 1515: 1510: 1505: 1500: 1495: 1490: 1484: 1482: 1478: 1477: 1475: 1474: 1457: 1452: 1446: 1440: 1434: 1427: 1425: 1421: 1420: 1418: 1417: 1412: 1407: 1402: 1397: 1392: 1387: 1382: 1377: 1371: 1369: 1365: 1364: 1362: 1361: 1356: 1351: 1349:John Kaimikaua 1346: 1341: 1335: 1333: 1329: 1328: 1326: 1325: 1320: 1315: 1310: 1305: 1299: 1294: 1288: 1286: 1282: 1281: 1279: 1278: 1273: 1268: 1263: 1258: 1253: 1245: 1243: 1239: 1238: 1236: 1235: 1230: 1225: 1223:Iolani Luahine 1220: 1215: 1208: 1206: 1202: 1201: 1199: 1198: 1190: 1185: 1180: 1175: 1170: 1168:Ka Leo Hawai‘i 1164: 1162: 1158: 1157: 1155: 1154: 1149: 1144: 1139: 1134: 1129: 1124: 1118: 1116: 1112: 1111: 1109: 1108: 1103: 1098: 1093: 1088: 1082: 1080: 1076: 1075: 1073: 1072: 1067: 1062: 1057: 1052: 1046: 1044: 1040: 1039: 1037: 1036: 1031: 1029:Palani Vaughan 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1207: 1203: 1197: 1194: 1193:Song honored: 1191: 1189: 1186: 1184: 1183:George Na'ope 1181: 1179: 1176: 1174: 1171: 1169: 1166: 1165: 1163: 1159: 1153: 1150: 1148: 1145: 1143: 1140: 1138: 1135: 1133: 1130: 1128: 1125: 1123: 1120: 1119: 1117: 1113: 1107: 1104: 1102: 1099: 1097: 1094: 1092: 1091:Andy Cummings 1089: 1087: 1084: 1083: 1081: 1077: 1071: 1068: 1066: 1063: 1061: 1058: 1056: 1053: 1051: 1048: 1047: 1045: 1041: 1035: 1032: 1030: 1027: 1025: 1022: 1020: 1017: 1015: 1012: 1010: 1007: 1005: 1002: 1000: 997: 995: 992: 990: 987: 986: 984: 980: 974: 971: 969: 966: 964: 961: 959: 956: 954: 951: 949: 946: 944: 941: 940: 938: 934: 928: 925: 923: 920: 918: 915: 913: 910: 908: 905: 903: 900: 899: 897: 893: 887: 884: 882: 879: 877: 874: 872: 869: 868: 866: 862: 856: 853: 851: 850:Kahauanu Lake 848: 847: 845: 841: 835: 832: 831: 829: 825: 819: 818:Wehiwehi 'Oe 815: 811: 808: 805: 804: 801: 800:Gabby Pahinui 798: 796: 793: 792: 790: 786: 780: 777: 775: 772: 771: 769: 765: 759: 755: 751: 747: 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19: 16: 1630:Hula dancers 1589:Makua Laiana 1584:David Kalama 1564:Jules Ah See 1548:Jules Ah See 1468: 1462: 1459: 1410:Melveen Leed 1400:Kimo Kahoano 1339:Johnny Noble 1276:Lani Custino 1250:Hawaii Calls 1248: 1196:Hawaii Ponoi 1192: 1127:Benny Kalama 1096:Ernest Kaʻai 948:Jesse Kalima 806: 746:Ka`opulupulu 744:Keaulumoku, 741: 689:Hawaii Aloha 685: 676:Bina Mossman 630:Sol Hoʻopiʻi 599:Lena Machado 574:Henri Berger 564:Alfred Apaka 470: 461: 448: 392:. Retrieved 385: 376: 367: 363: 332:. 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Index

kumu hula
Hawaiian Renaissance
Leina'ala Kalama Heine
Robert Cazimero
American National Biography: Supplement 2
ISBN
978-0-19-522202-9



"Maiki Aiu Lake: Kumu Hula and Preserver of Hawaiian Culture"





"Hula for the Future: Patrick Makuakāne and the Hula Mua 'Salva Mea"
"The Honolulu 100 – Maiki Aiu Lake to Kimo McVay"
Honolulu



"Margaret Maiki Aiu Souza Lake"





"Margaret Aiu's Hula Studio"
"Masters of Mele"

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