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in 1650. Its previous provenance is unknown, though its small dimensions suggest that it was intended for private devotion.
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in Milan, which it entered in 1896. The painting had previously been in the collection of cardinal
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X-ray examination of the work has shown that the male figure to the left was repainted from
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into a portrait, possibly of the artist's most important patron
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This article about a sixteenth-century painting is a
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87:Madonna and Child with a Male Figure
311:Madonna and Child with Eight Saints
431:Paintings of the Madonna and Child
369:. You can help Knowledge (XXG) by
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343:(contains a fresco by Bramantino)
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303:Lamentation over the Dead Christ
341:Santa Maria delle Grazie, Milan
90:is an oil painting on panel of
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335:Church of San Sepolcro, Milan
279:Palazzo della Ragione Madonna
223:Adoration of the Christ Child
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441:Paintings of the Holy Family
263:Madonna and Child with a Man
162:Brera, guida alla pinacoteca
81:Madonna and Child with a Man
24:Madonna and Child with a Man
416:16th-century painting stubs
99:Italian Renaissance painter
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65:Pinacoteca di Brera, Milan
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421:Paintings by Bramantino
255:Adoration of the Kings
164:, Electa, Milano 2004
125:Gian Giacomo Trivulzio
16:Painting by Bramantino
331:(architecture master)
295:Madonna of the Towers
57:Oil painting on panel
114:Archdiocese of Milan
271:Kleinberger Madonna
129:San Nazaro in Brolo
106:Pinacoteca di Brera
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170:978-88-370-2835-0
148:"Catalogue entry"
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371:expanding it
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287:Crucifixion
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208:Bramantino
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102:Bramantino
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215:Paintings
70:Accession
160:AA.VV.,
62:Location
322:Related
104:in the
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38:Artist
239:Pietà
367:stub
166:ISBN
73:1896
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