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260:. That building was destroyed in 1785 by an earthquake and this work was detached from the walls and placed over the high altar of a new cemetery chapel; in 1992 it was moved to the Museo della Madonna del Parto in Monterchi. It was only in 1889 that the work was attributed to Piero della Francesca. Its dating has been the subject of debate, with estimates ranging from 1450 to 1475. The 16th century artist and writer
300:
Piero della
Francesca's Madonna has neither books nor royal attributes as in most previous versions of the image, nor does she wear the girdle. She is portrayed with a hand against her side to support her prominent belly. She is flanked by two angels, who are holding open the curtains of a pavilion
112:
in the Museum of
Monterchi, in the province of Arezzo, is considered the most famous one. The Madonna was portrayed standing, alone, often with a closed book on her stomach, an allusion to the Incarnate Word. These works were associated with the devotions of pregnant women, praying for a safe
312:. Mary would be thus the new Ark of Alliance in her role as Mother of Christ. For other scholars the tent is a symbol of the Catholic Church, and the Madonna would symbolize the tabernacle, as she is portrayed containing
305:, a symbol of Christ's Passion. The upper part of the painting has been lost. The two angels are specular, as they were executed by the artist using the same perforated cartoons to copy them.
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128:, which was however known as a Madonna del Parto, because it was especially associated with devotions related to pregnancy.
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The theological symbolism behind the representation is complex. Maurizio
Calvesi has suggested that the tent represents the
388:, Vol. 30, No. 2 (1991), pp. 91–99, The University of Chicago Press on behalf of the International Center of Medieval Art,
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Piero della
Francesca finished it in seven days, using high quality colors, including a large quantity of
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Cassidy, Brendan, "A Relic, Some
Pictures and the Mothers of Florence in the Late Fourteenth Century",
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The most famous work showing this subject is a fresco painting by the
Italian Renaissance master
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as a tribute to Piero della
Francesca and this work, borrowing the title from an essay by
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Piero della
Francesca, Madonna del parto: ein Kunstwerk zwischen Politik und Devotion
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Gli affreschi di Piero della
Francesca ad Arezzo e Monterchi: luogo teologico mariano
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The fresco was at one time located in Santa Maria di
Momentana, (formerly
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260 cm × 203 cm (100 in × 80 in)
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wrote that it was completed in 1459, when Piero della Francesca was in
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The fresco also plays an important role in Richard Hayer's novel
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and the Function of Images of the Pregnant Virgin Mary",
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Calvesi, Maurizio (March 1989). "Nel grembo dell'Arca".
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Diptych of Federico da Montefeltro and Battista Sforza
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51:Madonna del Parto portrayed by Roman artisans
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139:, a belt of knotted cloth cord that was a
604:Portrait of Sigismondo Pandolfo Malatesta
492:Ferrie, Frank, "Piero della Francesca's
147:, which many versions show her wearing.
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16:Religious depictions of the Virgin Mary
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801:The Frescoes of Piero della Francesca
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281:, and in the poem "San Sepolcro" by
355:"L'Icône paradoxale, Gérard Grisey"
834:Paintings by Piero della Francesca
275:, in Andrei Tarkovsky's 1983 film
96:Notable examples include works by
81:) is a religious depiction of the
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782:De quinque corporibus regularibus
463:Zapperi Walter, Ingeborg (1992).
209:Musei Civici Madonna del Parto,
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268:because of his mother's death.
124:in Rome, the depiction is of a
116:Sometimes, as with a statue by
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504:. Date accessed: 15 May. 2017
839:Paintings of the Virgin Mary
619:Saint Julian the Hospitaller
849:Fresco paintings in Tuscany
500:, London, 2 December 2010.
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681:Saint Augustine Altarpiece
93:during the 14th—century.
844:Fresco paintings in Italy
771:(treatise on perspective)
574:History of the True Cross
162:
122:Basilica of Sant'Agostino
89:which was popularised in
777:(treatise on arithmetic)
785:(treatise on polyhedra)
768:De Prospectiva pingendi
650:Saint Louis of Toulouse
79:Our Lady of Parturition
804:(1955 orchestral work)
566:Flagellation of Christ
440:Renzi, Giulio (1994).
289:wrote a musical piece
727:Madonna di Senigallia
551:Piero della Francesca
400:Piero della Francesca
297:on the same subject.
254:Santa Maria in Silvis
220:Piero della Francesca
176:Piero della Francesca
151:Piero della Francesca
110:Piero della Francesca
704:Polyptych of Perugia
108:, but the fresco by
71:La Madonna del Parto
344:Cassidy, throughout
310:Ark of the Covenant
83:Blessed Virgin Mary
367:Maurizio Calvesi,
291:L'Icône paradoxale
247:Republic of Venice
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627:Madonna del Parto
589:Baptism of Christ
494:Madonna del Parto
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742:The Nativity
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467:. Frankfurt.
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53:Taddeo Gaddi
735: 1474
722:(1472–1474)
712: 1470
684:(1454–1469)
674: 1465
661:(1460–1462)
643: 1460
622:(1454–1458)
612: 1451
582: 1447
569:(1455–1460)
266:Sansepolcro
243:Afghanistan
133:Virgin Mary
131:Herein the
113:delivery.
818:Categories
379:References
278:Nostalghia
198:Dimensions
185:after 1457
135:wears the
558:Paintings
498:Dandelion
473:cite book
450:cite book
418:cite book
258:Monterchi
230:, Italy.
224:Monterchi
211:Monterchi
118:Sansovino
760:Writings
666:Hercules
402:. Rome.
398:(1927).
320:See also
316:' body.
206:Location
143:held in
87:pregnant
793:Related
245:by the
228:Tuscany
120:in the
75:English
653:(1460)
502:online
406:
371:, 1989
172:Artist
435:(33).
390:JSTOR
386:Gesta
332:Notes
314:Jesus
273:Visus
141:relic
479:link
456:link
424:link
404:ISBN
190:Type
182:Year
104:and
59:and
85:as
820::
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