51:
170:
372:
307:
1217:
351:
The two paintings, nearly the same size, seem as if they were meant to complement each other. Nearly the same size, they also both had a strong vertical orientation. The eyes of the paintings were downcast and gave a contemplative feeling. The positioning and lighting within the paintings seems to
447:
The painting was determined to be the original
Raphael Madonna painting for several reasons. First, the quality of the painting is extremely high, depicting an "admirable equilibrium of motives and a subtle mixture of force and grace" of "the best works of Raphael". Second, the painting revealed
228:
The history of the painting is difficult to track for many reasons, one of them being the various names for the painting, which tell the history, or the perceived history, of the original
Raphael painting. This work is one of the most copied works of Raphael with over one hundred known copies.
202:
Saint Joseph's melancholy nature in this picture may signal his proclivity for prophecy and the coming events for the Child. Saint Joseph seemed to be an after-thought, x-rays of the painting show that Saint Joseph was painted over a window previously over the
Madonna's shoulder. Further, the
297:
of this painting is constructed based on documents, analysis of the painting and preliminary sketches. For centuries the painting was co-located with the
Portrait of Pope Julius II, first at the Santa Maria del Popolo, then in private collections, and for a time their location was unknown. The
347:
An array of
Renaissance artists were brought in to decorate the Santa Maria del Popolo church and its chapels in Rome, beginning with Raphael. Both paintings by Raphael, Julius II and the Madonna were hung on pillars during feast days or high holy days.
513:
O good Lord! If there ain't da Good Man when he was a baby. How harmless he lies there! so innocent! And here we be, we wicked sinners, turning our backs on him, and going to the Old Boy. Oh Lord, Oh Lord! we ought to be better than we be: we sartin
475:
At the Salon of 1814, Joseph Théodore
Ricomme (born 1785), a noted engraver of great paintings such as Raphael's Madonnas, received a medal for an unprecedented showing of prints, notably for the supreme quality modern engraving of Raphael's
460:. Further, in 1759 the painting disappeared and was replaced by copies of poor quality. With that in mind, the painting's name might be more appropriately named after its original home in Popolo or its resting place in Chantilly.
448:
through X-ray screening that Saint Joseph was painted after the Virgin and child were completed, based upon preparatory design or sketches, the changes could have only have been performed by
Raphael and thus rules it out as a copy.
2343:
1188:. Vol. 8. Boston and New York: Houghton Mifflin and Company. p. 67Stowe had written much about her appreciation of the great paintings of Europe, which used in the form of lithographs to decorate her home.
362:
There are many suppositions about the circumstances surrounding the
Madonna painting after Popolo, partly because there were many copies of the painting and partly due to delays in publication of vital documents.
352:
indicate that they were meant to each flank a side of an altar in the domed chapel. Although the paintings were paired for a time through change of ownership, Julius II is now located in the
National Gallery.
872:. Vol. 2. London: John Murray. pp. 108–109Much of this reference is involved in conjecture about the nature and movement of the painting. Anything later refuted has been ignored.
2913:
147:, has been difficult to unravel because of the number of copies of both paintings, the unclear ownership chain, misinformation and delay of publication of vital information.
2229:
1432:
433:
to present and document the newly cleaned and version of the painting, which was found to be the original
Raphael painting. The exhibit was held at the request of the
2404:
158:
which was at one time thought to be the original. Now is it certain that the painting at Loreto was a copy – and therefore the painting name is a misnomer.
355:
As a means of indicating Julius' appreciation of the Madonna, which resulted in the pairing of paintings, Julius commissioned another Madonna painting, the
2522:
2918:
2514:
199:, symbolizes the manner in which the Madonna wrapped the Child in the veil from her head at the Nativity and, prophetically, again at the Crucifixion.
623:
203:
change in the position of the Child's right foot was revealed via x-ray. These changes align with Raphael's preliminary drawings for the painting.
2538:
2362:
2237:
1957:
1901:
2923:
1722:
1608:
1548:
2661:
2206:
1394:
1221:
331:
311:
138:
1855:
1692:
2191:
1518:
2506:
2153:
1623:
1249:
1145:
1118:
1061:
1007:
941:
797:
763:
721:
691:
633:
601:
143:, first at the Santa Maria del Popolo, then in private collections, and for a time their location was unknown. Their ownership, or
50:
2744:
1972:
1302:
2775:
2320:
2221:
1318:
2431:
1533:
1447:
1417:
1199:
1091:
978:
883:
563:
35:
931:
2461:
2328:
1927:
2757:
2297:
2282:
2017:
1386:
1269:
524:
336:
which resided at Santa Maria del Popolo, at the entrance gate to Rome. During this time the painting was also known as
254:
188:
The painting is tender and intimate. The Child, just awakened, plays a game with the Madonna's veil, with a melancholy
169:
31:
2469:
2446:
1684:
1371:
2546:
2176:
2040:
1798:
1737:
216:
2738:
2423:
2123:
2093:
1503:
1348:
1294:
151:
2821:
2312:
1885:
1790:
1669:
2908:
2815:
2566:
2416:
2397:
2348:
1707:
1638:
1477:
399:
359:, in the last year of his life where his adoration is shown by the Pope kneeling at the feet of the Virgin.
2715:
2078:
1813:
1654:
1462:
211:
2554:
2063:
1825:
1242:
488:
1023:
161:
Even so, the well-copied painting has been a beloved and critically acclaimed painting for centuries.
2765:
2498:
2267:
1760:
1593:
1563:
298:
original painting by Raphael is now believed to be the version at Musée Condé in Chantilly, France.
2837:
2699:
2530:
2138:
1818:
1775:
1356:
414:
The paintings, purchased in 1608 were still recorded as part of the Borghese collection in 1693.
2761:
2687:
2653:
2025:
1578:
1402:
1286:
1193:
1168:
972:
877:
502:
434:
967:. New York: D. Appleton and Company. 1867. p. 158Any information later refuted was ignored.
755:
438:
174:
1081:
2928:
2385:
2048:
1870:
1141:
1135:
1114:
1108:
1087:
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681:
659:
629:
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559:
423:
379:
123:
1183:
787:
553:
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2626:
2618:
2610:
2602:
2594:
2586:
2577:
2168:
1646:
1310:
1235:
1110:
Copyright in the Renaissance: Prints and the Privilegio in Sixteenth-Century Venice and Rome
913:
403:
111:
999:
593:
17:
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2829:
2803:
2781:
2108:
1942:
1840:
1752:
493:
277:
127:
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2809:
2798:
1162:
792:. Berkeley and Los Angeles, CA: University of California Press. pp. 21, 199, 201.
748:
457:
178:
155:
371:
252:
but not consistently and those names has also been used for the similar painting, the
214:
which was painted about the same time as this painting. It is also reminiscent of the
2902:
2490:
2481:
1893:
1333:
1046:
1137:
Parallel lines: printmakers, painters and photographers in Nineteenth Century France
444:
Until 1979, the painting at Musée Condé had been attributed to Gianfrancesco Penni.
2853:
2771:
2732:
2377:
1987:
422:
The painting now residing in Chantilly, France, thought lost since the time of the
189:
993:
907:
587:
2711:
2692:
294:
144:
716:. Berkeley and Los Angeles, CA: University of California Press. p. 193.
592:. Berkeley, Los Angeles and London: University of California Press. pp.
269:, but that name is erroneous because the original painting was not at Loreto.
2252:
998:. Berkeley, Los Angeles and London: University of California Press. p.
836:
Gould, C (May 1980). "Afterthoughts on Raphael's so-Called Loreto Madonna".
505:, recounts comments from a woman named Minnah upon seeing the lithograph of
468:
Michaeli Grecchi Lucchese, a 16th-century engraver, produced a print of the
323:
306:
1216:
87:
120 cm × 90 cm (47 in × 35 in)
1258:
498:
456:
A copy was bequeathed by Girolamo Lottorio of Rome to the sanctuary of
115:
61:
383:
131:
2344:
Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola
206:
The Madonna's dress, frame and angle of her head are reminiscent of
370:
305:
168:
108:
150:
For instance, this painting received its name from a copy at the
406:. In 1608, he sold the paintings to Cardinal Scipione Borghese.
1231:
233:
During the time at Santa Maria del Popolo, it was known as the
1113:. Leiden, The Netherlands: Koninklijke Brill NV. p. 180.
912:. London: Alexander Gardner, Publisher to the Queen. pp.
995:
Renaissance Likeness: Art and Culture in Raphael's Julius II
683:
Visualizing Medieval Medicine and Natural History, 1200–1550
589:
Renaissance Likeness: Art and Culture in Raphael's Julius II
750:
Sociology, Religion, and Grace: A Quest for the Renaissance
1227:
429:
In October 1979, the Musée Condé held an exhibit titled
137:
For centuries the painting kept company with Raphael's
1052:. Oxford and Cambridge: Blackwell Publishers. p.
437:, administrator of Musée Condé, and organized by the
376:
Madonna del Velo with Cardinal Paolo Emilio Sfondrati
1086:. Vol. 2. Yale University Press. p. 1400.
713:
Bronzino's Chapel of Eleonora in the Palazzo Vecchio
2791:
2725:
2679:
2645:
2576:
2480:
1919:
1495:
1278:
195:The use of veil in Renaissance paintings, from the
181:, similar in dress, frame and angle of the head to
91:
83:
75:
67:
57:
43:
1045:
789:The Drawings of Raphael: With a Complete Catalogue
747:
686:. Great Britain: Ashgate Publishing. p. 189.
2230:Portrait of Andrea Navagero and Agostino Beazzano
844:(926). The Burlington Magazine Publications: 336.
754:. United States and Canada: Routledge. p.
511:
930:Müntz, E (2005) . Sir Walter Armstrong (ed.).
2914:Paintings of the Madonna and Child by Raphael
1243:
426:(1789–1799), is believed to be the original.
8:
2735:(1507–1520) (continued by other architects)
2523:The Expulsion of Heliodorus from the Temple
1083:Raphael in early modern sources (1483–1602)
1075:
1073:
936:. London: Chapman & Hall. p. 213.
781:
779:
777:
775:
581:
579:
577:
575:
1250:
1236:
1228:
402:, later Cardinal Sfondrati, and nephew of
49:
40:
2447:Portrait of Pope Leo X with Two Cardinals
957:
955:
953:
680:Givens, J; Reeds, K; Touwaide, A (2006).
653:
651:
649:
647:
645:
1024:"Santa Maria del Popolo, Rome – History"
925:
923:
901:
899:
897:
895:
893:
861:
859:
857:
855:
853:
851:
831:
829:
675:
673:
671:
2539:The Meeting of Leo the Great and Attila
1958:Portrait of Cardinal Alessandro Farnese
827:
825:
823:
821:
819:
817:
815:
813:
811:
809:
617:
615:
613:
535:
1191:
1140:. Yale University Press. p. 184.
970:
875:
34:. For the painting by Caravaggio, see
1723:Portrait of Guidobaldo da Montefeltro
1549:Portrait of Emilia Pia da Montefeltro
741:
739:
737:
735:
733:
705:
703:
558:. Yale University Press. p. 88.
501:in the days following the end of the
497:(1873), a memoir and travel guide of
272:In Chantilly, the painting is called
7:
2207:Christ Falling on the Way to Calvary
1026:. Rome: Santa Maria del Popolo. 2009
552:Roger Jones; Nicholas Penny (1987).
1856:Portrait of a Young Woman (La Muta)
1693:Madonna with Beardless Saint Joseph
1167:. Boston: James R. Osgood. p.
658:Raphael, Hermann Knackfuss (1966).
547:
545:
543:
541:
539:
107:is an oil on panel painting by the
2192:Portrait of Baldassare Castiglione
933:Raphael: His Life, Works and Times
866:Crowe, J; Cavalcaselle, G (1885).
30:For the painting by Perugino, see
25:
2507:Disputation of the Holy Sacrament
625:The Complete Paintings of Raphael
197:Meditations on the Life of Christ
173:Justice, Stanza della Segnatura,
2515:Cardinal and Theological Virtues
1215:
418:Musée Condé at Chantilly, France
398:were removed from the church by
2776:Antonio da Sangallo the Younger
2321:Saint Michael Vanquishing Satan
1319:Madonna and Child with the Book
992:Partridge, L; Starn, R (1980).
586:Partridge, L; Starn, R (1980).
2849:Multi-Purpose Logistics Module
2635:Saint Paul Preaching in Athens
1534:Portrait of Elisabetta Gonzaga
464:Engraved prints or lithographs
36:Madonna di Loreto (Caravaggio)
1:
2748:
2745:Palazzo Branconio dell'Aquila
2704:
2666:
2559:
2451:
2436:
2409:
2390:
2367:
2363:Saint Margaret and the Dragon
2352:
2333:
2302:
2287:
2272:
2257:
2242:
2238:Portrait of Cardinal Bibbiena
2211:
2196:
2181:
2158:
2143:
2128:
2113:
2098:
2083:
2068:
2053:
2030:
2007:
1992:
1977:
1962:
1947:
1932:
1928:Portrait of Tommaso Inghirami
1906:
1902:Saint Catherine of Alexandria
1875:
1860:
1845:
1830:
1803:
1780:
1765:
1742:
1727:
1712:
1697:
1674:
1659:
1628:
1613:
1598:
1583:
1568:
1553:
1538:
1523:
1508:
1482:
1467:
1452:
1437:
1422:
1407:
1376:
1361:
1338:
1323:
261:It is most frequently called
192:looking on from the shadows.
2924:Paintings of the Holy Family
2919:Paintings in the Musée Condé
2587:Miraculous Draught of Fishes
2298:Madonna with the Blue Diadem
2283:The Ecstasy of Saint Cecilia
1185:Household Papers and Stories
525:List of paintings by Raphael
326:commissioned of Raphael the
255:Madonna with the Blue Diadem
32:Madonna of Loreto (Perugino)
2818:(disciple and collaborator)
2619:Conversion of the Proconsul
2470:Self-Portrait with a Friend
1609:Saint George and the Dragon
1222:Madonna of Loreto (Raphael)
1048:Julius II: The Warrior Pope
906:Grimm, H; Adams, S (1886).
869:Raphael: His Life and Works
18:Madonna of Loreto (Raphael)
2945:
2774:(1518–1525) (completed by
2760:(1509–1575) (completed by
2662:Adoration of the Shepherds
2547:Deliverance of Saint Peter
2177:Portrait of Bindo Altoviti
2041:Portrait of Pope Julius II
1817:(1507–1508) (completed by
1799:Madonna of the Baldacchino
1738:Portrait of Maddalena Doni
1395:The Marriage of the Virgin
1198:: CS1 maint: postscript (
977:: CS1 maint: postscript (
882:: CS1 maint: postscript (
394:and what was later called
333:Portrait of Pope Julius II
312:Portrait of Pope Julius II
217:Madonna of the Blue Diadem
140:Portrait of Pope Julius II
122:1511. It is housed in the
29:
2875:
2758:Sant'Eligio degli Orefici
2739:Palazzo Jacopo da Brescia
2405:Portrait of a Young Woman
2094:Madonna of the Candelabra
1265:
152:Basilica della Santa Casa
48:
2823:Raphael and La Fornarina
2595:Christ's Charge to Peter
2313:Holy Family of Francis I
1886:Niccolini-Cowper Madonna
1670:Young Woman with Unicorn
1519:Portrait of Pietro Bembo
964:Berlin and its treasures
628:. Penguin. p. 108.
2799:Giovanni Santi (father)
2603:Healing of the Lame Man
2154:Portrait of a Young Man
1708:Portrait of Agnolo Doni
1624:Young Man with an Apple
838:The Burlington Magazine
710:Cox-Rearick, J (1993).
400:Paolo Camillo Sfondrati
244:It is sometimes called
2716:Raffaello da Montelupo
2124:Madonna dell'Impannata
2079:Madonna della Seggiola
1973:Portrait of a Cardinal
1655:Madonna del Cardellino
1303:Resurrection of Christ
746:Szakolczai, A (2007).
516:
387:
330:and his likeness, the
320:
302:Santa Maria del Popolo
212:Stanza della Segnatura
185:
95:Musée Condé, Chantilly
2555:The Fire in the Borgo
2222:Creation of the World
2064:Madonna with the Fish
1826:Canigiani Holy Family
786:Joannides, P (1983).
489:Harriet Beecher Stowe
392:Portrait of Julius II
374:
309:
172:
2812:(mistress and model)
2806:(mistress and model)
2778:and other disciples)
2766:Bastiano da Sangallo
2710:–1524) (executed by
2691:(1520) (executed by
2565:–1517) (executed by
2499:The School of Athens
1761:Madonna of the Pinks
1594:Madonna del Granduca
1564:Small Cowper Madonna
1418:Portrait of Perugino
1224:at Wikimedia Commons
1107:Witcombe, L (2004).
1080:Shearman, J (2003).
664:. pp. 129, 342.
431:La Madona de Lorette
390:In 1591, Raphael's
274:La Madona de Lorette
237:or described as the
2880:Also attributed to
2627:Sacrifice at Lystra
2531:The Mass at Bolsena
2462:Madonna of the Rose
2139:Madonna della Tenda
1819:Ridolfo Ghirlandaio
1814:La belle jardinière
1776:Bridgewater Madonna
1357:Conestabile Madonna
909:The Life of Raphael
507:Madonna of the Veil
410:Borghese Collection
328:Madonna of the Veil
250:Madonna of the Veil
235:Madonna del Popolo,
27:Painting by Raphael
2762:Baldassare Peruzzi
2026:Madonna of Foligno
2018:The Prophet Isaiah
1579:Terranuova Madonna
1433:Colonna Altarpiece
1403:Diotallevi Madonna
1387:Vision of a Knight
1287:Baronci Altarpiece
503:American Civil War
435:Institut de France
388:
367:Cardinal Sfondrati
338:Madonna del Popolo
321:
315:, paired with the
186:
2896:
2895:
2578:Tapestry cartoons
2432:Madonna de Bogota
2386:Small Holy Family
2003:Madonna of Loreto
1871:Esterhazy Madonna
1685:Madonna del Prato
1496:Florentine period
1372:Portrait of a Man
1270:List of paintings
1220:Media related to
1182:Stowe, H (1896).
1161:Stowe, H (1873).
1044:Shaw, C (1996) .
622:Cooke, R (1987).
478:Madonna of Loreto
470:Madonna di Loreto
424:French Revolution
396:Madonna of Loreto
317:Madonna of Loreto
282:Madonna of Loreto
267:Madonna di Loreto
263:Madonna of Loreto
183:Madonna of Loreto
104:Madonna of Loreto
99:
98:
44:Madonna of Loreto
16:(Redirected from
2936:
2889:
2884:
2882:Lorenzo di Credi
2862:Raphael (crater)
2753:
2750:
2709:
2706:
2671:
2668:
2611:Death of Ananias
2564:
2561:
2456:
2453:
2441:
2438:
2414:
2411:
2395:
2392:
2372:
2369:
2357:
2354:
2338:
2335:
2329:Ezekiel's Vision
2307:
2304:
2292:
2289:
2277:
2274:
2262:
2259:
2247:
2244:
2216:
2213:
2201:
2198:
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2183:
2163:
2160:
2148:
2145:
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2130:
2118:
2115:
2103:
2100:
2088:
2085:
2073:
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2035:
2032:
2012:
2009:
1997:
1994:
1982:
1979:
1967:
1964:
1952:
1949:
1937:
1934:
1911:
1908:
1880:
1877:
1865:
1862:
1850:
1847:
1835:
1832:
1808:
1805:
1785:
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1747:
1744:
1732:
1729:
1717:
1714:
1702:
1699:
1679:
1676:
1664:
1661:
1647:La donna gravida
1633:
1630:
1618:
1615:
1603:
1600:
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1570:
1558:
1555:
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1510:
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1439:
1427:
1424:
1412:
1409:
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1366:
1363:
1343:
1340:
1328:
1325:
1311:Mond Crucifixion
1252:
1245:
1238:
1229:
1219:
1204:
1203:
1197:
1189:
1179:
1173:
1172:
1158:
1152:
1151:
1134:Bann, S (2001).
1131:
1125:
1124:
1104:
1098:
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1067:
1051:
1041:
1035:
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989:
983:
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968:
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947:
927:
918:
917:
903:
888:
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863:
846:
845:
833:
804:
803:
783:
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743:
728:
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707:
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677:
666:
665:
655:
640:
639:
619:
608:
607:
583:
570:
569:
549:
404:Pope Gregory XIV
340:or described as
246:Madonna del Velo
112:High Renaissance
53:
41:
21:
2944:
2943:
2939:
2938:
2937:
2935:
2934:
2933:
2899:
2898:
2897:
2892:
2887:
2879:
2871:
2867:Vatican loggias
2825:(1813 painting)
2804:Imperia Cognati
2787:
2782:Villa Farnesina
2751:
2721:
2707:
2675:
2669:
2641:
2572:
2562:
2476:
2454:
2439:
2424:Transfiguration
2412:
2393:
2370:
2355:
2336:
2305:
2290:
2275:
2260:
2245:
2214:
2199:
2184:
2161:
2146:
2131:
2116:
2109:Sistine Madonna
2101:
2086:
2071:
2056:
2033:
2010:
1995:
1980:
1965:
1950:
1943:Garvagh Madonna
1935:
1915:
1909:
1878:
1863:
1848:
1841:Colonna Madonna
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79:Oil on panel
2841:(1944 film)
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2741:(1515–1519)
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2011: 1511
1996: 1511
1981: 1510
1966: 1509
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1314:(1502–1503)
1306:(1499–1502)
1298:(1501–1502)
1290:(1500–1501)
1279:Early works
378:, c. 1591 (
239:Holy Family
165:Description
124:Musée Condé
118:, executed
2903:Categories
2888:Attributed
2712:Lorenzetto
2693:Lorenzetto
2680:Sculptures
2268:Visitation
1349:Oddi Altar
1093:0300099185
1030:2011-03-11
565:0300040520
531:References
295:provenance
289:Provenance
145:provenance
84:Dimensions
2856:Raffaello
2847:Raffaello
2726:Buildings
2253:La velata
1194:cite book
973:cite book
878:cite book
472:in 1553.
324:Julius II
128:Chantilly
2929:Nude art
2654:Lucretia
2646:Drawings
1552: (
1537: (
1421: (
519:See also
280:for the
114:painter
92:Location
2831:Raphael
2792:Related
2657:(1500s)
2049:Galatea
1259:Raphael
661:Raphaël
555:Raphael
499:Florida
210:in the
208:Justice
116:Raphael
109:Italian
71:c. 1511
62:Raphael
2700:Elijah
2550:(1514)
2518:(1511)
2457:–1520)
2442:–1520)
2347:(with
2324:(1518)
2316:(1518)
2308:–1518)
2293:–1517)
2233:(1516)
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