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Pinkerton has married another woman – the woman she had seen in the picture. In tears, she bids him goodbye. Crying, she tells
Trouble that his father has taken another woman, while Trouble fidgets with an ancestral heirloom, a knife. She then tells Suzuki to take Trouble to his grandfather, who will raise Trouble "in the ways of his ancestors." She tells Suzuki she will follow after she prays. As she prays, she recalls the American marriage vow "till death do us part". She unsheathes the knife and sees the inscription "To die with honor when one can no longer live with honor." Wrapping the veil Pinkerton gave her around her neck, she stabs herself. Her dying words are "I love you for always."
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to shame Cho-Cho San's family because she has been disobedient. Pinkerton asks Goro to explain why he is so angry, and Goro tells him that Cho-Cho San was supposed to marry
Yamadori. Barton takes Pinkerton aside and tells him that "marriage" to Japanese is just a formality: when husbands desert, the geishas can automatically be considered divorced. Realizing how easy the situation is, Pinkerton informs Goro of his intention to marry Cho-Cho San.
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with them. Goro interrupts so
Pinkerton wanders to a different room and, through a screen, sees a dancing silhouette. Entering further, he discovers Cho-Cho San practicing her dancing. Despite Goro's admonishment, he is immediately enchanted with Cho-Cho San, who runs away to the garden in fear. Pinkerton catches up to her and they talk.
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In Cho-Cho San's home, her grandfather asks her to marry
Yamadori, but Cho-Cho San explains that, unlike in Japan where desertion is ground for divorce, in the United States divorce can only be effected by a judge after a period of years. He asks her to return home, if only for the sake of the child,
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Meanwhile, on board an
American steamship due to arrive in Japan for several months' stay, Lieutenant Barton (Charlie Ruggles) convinces his friend Lieutenant Ben F. Pinkerton (Cary Grant) that once they arrive to skip the American Counsul's party and plan to enjoy themselves instead. Pinkerton looks
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The scene cuts to a robin building a nest. It is in the garden of a house owned by
Pinkerton and the woman, Adelaide, from the photograph. A ring on the fourth finger of her left hand indicates that she is engaged. She remarks that it is now spring to Pinkerton, who looks troubled. In response, she
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Cho-Cho San suggests to Suzuki that they surprise
Pinkerton: Suzuki will be with Trouble in the next room and only bring him out at Cho-Cho San's clap. They sit down by the window to watch for Pinkerton's approach. Suzuki and Trouble fall asleep, but Cho-Cho San continues to watch all night through
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Yamadori comes to meet Cho-Cho San again. Goro pretends she is indisposed but a neighboring geisha reveals that she is with a naval officer. Infuriated, Yamadori vows never to set foot in Goro's house again. This makes Goro angry at Cho-Cho San, since
Yamadori was Goro's best client. Goro threatens
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Back at Goro's, Mrs. Goro prepares Cho-Cho San for another meeting with
Yamadori by dressing her more elegantly. Meanwhile, Pinkerton and Barton enter Goro's, and are greeted by geishas. They are seated and watch a performance of dancing and music played by the geishas, and begin to become intimate
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Several days later, Pinkerton arrives home, where Cho-Cho San greets him with honors. He gives her a translucent veil. She offers him drink and a pipe to smoke. He asks for a change of pants and Cho-Cho San obliges. While searching for the pants within
Pinkerton's trunk, Cho-Cho San discovers the
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Back in Japan, Cho-Cho San remarks that the robins have nested three times. She goes to see the American consul and asks about the nesting habits of American robins. Understanding what has happened, he explains that, in the United States, they nest only once in three years. Relieved, Cho-Cho San
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The following day, Pinkerton is leaving but asks Cho-Cho San not to see him off at the dock. Cho-Cho San asks about the girl in the picture but Pinkerton says he loves only Cho-Cho San and promises to come back in the spring. "When the robins nest again?" asks Cho-Cho San and Pinkerton affirms.
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Several weeks later, the home altar now shows a picture of Pinkerton. Cho-Cho San happily receives Pinkerton and Barton. In an aside to Barton, Pinkerton explains that he hasn't had the courage to tell Cho-Cho San that he's leaving the following day. Barton suggests they all have dinner at the
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Pinkerton and Adelaide arrive at Cho-Cho San's house. He asks Adelaide to wait. He goes up to the house and is greeted by a wildly happy Cho-Cho San. Her happiness turns serious as he explains that he must leave soon and is never coming back. Cho-Cho San sees a woman waiting, and realizes that
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in exchange for money that will support her family. After the relatives leave, Goro introduces Prince Yamadori, a prospective husband, to Cho-Cho San. When Yamadori finds her withdrawn, Madame Goro explains that Cho-Cho San is high-born and is not yet used to the geisha life style.
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picture inscribed to Pinkerton by a blonde woman (which Pinkerton hid in the earlier scene). With a serious face, she brings it to Pinkerton and asks if he is in love with that woman. He denies it; she embraces him, happy again, but he maintains a serious face.
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The scene cuts to the next spring, and Butterfly happily holds her infant son. She points out that a robin has nested and speaks to her son, revealing his name as "Trouble" for now, but when Pinkerton returns, it will be changed to "Joy".
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hotel. While eating, the commander of the naval vessel visits the table, mentioning they are due to leave tomorrow. Cho-Cho San is taken aback. Returning home, Cho-Cho San is upset, so Pinkerton sings to her "My Flower Of Japan".
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At the ship dock, Pinkerton arrives with Barton and is met by Adelaide. Barton mentions that the Consul will be having a party that night, and Pinkerton thinks that's why he sent the telegram.
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In their hotel room, Pinkerton explains the situation to his Adelaide. She suggests that once he talks with Cho-Cho San, all will be cleared up. He asks her to accompany him and she assents.
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but she rejects her grandfather's ways, saying that she and the entire house belong to Pinkerton. Angrily, her grandfather disowns her and asks that she never enter his house again.
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the morning. Suzuki wakes and encourages Cho-Cho San to go to bed. Dejected, she still believes Pinkerton will come, despite Suzuki's warnings that "men always forget."
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mentions that ever since he's returned from Japan he has been different. He offers to tell her something that might upset her and she agrees. The scene ends.
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Meanwhile, Pinkerton and his newly married wife Adelaide walk down the marriage aisle to the strains of Mendelssohn's music and rice being thrown by guests.
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leaves happily. The consul sends a telegram to Pinkerton asking him to come. Meanwhile, Cho-Cho San goes to a temple to pray.
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Cho-Cho San sees a naval ship in the distance and is overjoyed at Pinkerton's imminent return, explaining it to her son.
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When Pinkerton gets the idea to marry Cho-Cho San (and after the wedding ceremony) the music of the love duet is heard.
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at a photograph of a blonde woman inscribed to him 'from Adelaide' and hides it in his clothing trunk.
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In the first scene between Pinkerton and his wife Adelaide, the underscoring is of the popular song
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Cho-Cho San's relatives assemble at the couple's new house, and the marriage takes place as a
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The end of the film has the same music as the final minutes of the opera.
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When Cho-Cho San, Suzuki, and Trouble sit down at the window, the
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The opening title is a modified version of the introduction.
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by removing unnecessary details and making it more concise.
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748:Le ménage moderne du Madame Butterfly
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313:directed by Marion Gering, based on
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60:"Madame Butterfly" 1932 film
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372:too long or excessively detailed
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503:as Lieutenant B. F. Pinkerton
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368:This article's plot summary
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1079:She Married an Artist
539:as Adelaide Pinkerton
1175:1930s American films
1155:American drama films
801:" (1898 short story)
509:as Lieutenant Barton
172:Joseph Moncure March
45:improve this article
1071:Thunder in the City
1031:Thirty-Day Princess
886:Madame Chrysanthème
814:Madame Chrysanthème
756:The Toll of the Sea
306:is a 1932 American
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1055:Rose of the Rancho
991:Devil and the Deep
953:Films directed by
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860:Un bel dì, vedremo
599:E Izaghi e Izanami
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43:Please help
38:verification
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869:discography
841:Miss Saigon
836:(1988 play)
809:(1900 play)
743:(1919 film)
515:as Yamadori
225:Jane Loring
179:Produced by
143:Directed by
1110:1932 films
1104:Categories
630:References
501:Cary Grant
409:At Goro's
327:Cary Grant
311:drama film
279:86 minutes
263:1932-12-30
215:David Abel
197:Cary Grant
153:Written by
71:newspapers
1023:Good Dame
910:Pinkerton
625:is heard.
623:Un bel di
615:is heard.
608:is heard.
606:Un bel di
594:is heard.
578:is heard.
551:as Sazuki
411:Tea House
341:'s opera
221:Edited by
16:1932 film
975:24 Hours
862:" (aria)
740:Harakiri
387:May 2015
308:pre-Code
292:Language
231:Music by
189:Starring
1087:Sarumba
1007:Pick-Up
878:Related
705:Commons
377:Please
370:may be
295:English
284:Country
261: (
85:scholar
1090:(1950)
1082:(1937)
1074:(1937)
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791:Source
783:(1993)
775:(1954)
767:(1932)
759:(1922)
751:(1920)
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415:geisha
159:(play)
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1047:Rumba
852:Music
825:Stage
724:Films
715:Audio
556:Music
92:JSTOR
78:books
647:IMDb
489:Cast
351:Plot
329:and
319:play
64:news
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