Knowledge (XXG)

Madhushala

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Harivanshrai Bachchan must have published some 30 collections of his poetry. Yet he is known mostly for his poetic trilogy of Madhushaala, Madhubaala and Madhukalash, and more so for the first of these. Published in 1935, Madhushaala did not just bring Bachchan instant fame. Rendered by the poet at
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Harivanshrai Bachchan's stardom, unique in Hindi literature, was mostly the gift of Madhushaala. It is undoubtedly one of the most enduring works of modern Hindi literature. It has been translated into English and regional Indian languages such as Bengali, Marathi and Malayalam. It has been
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various kavi sammelans, it literally became a craze. The poet's cinema-star son Amitabh Bachchan was not very far off the mark when he said that the kind of stardom he enjoyed today, had come his father's way a long time back.
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choreographed, and performed on stage. It was also one the first pieces of Hindi poetry that was set to music, with its best-selling cassettes and CDs attracting generations of listeners.
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The publication of the work in 1935 brought Harivanshrai Bachchan instant fame, and his own recitation of the poems became a "craze" at poetry symposiums.
279:, has read the verses on several occasions, most notably at Lincoln Center, New York City. The text has also been choreographed for stage performances. 489: 434: 463: 391: 564: 554: 413: 377: 363: 114: 569: 196:. The poet tries to explain the complexity of life with his four instruments, which appear in almost every verse: 243: 534: 574: 162: 37: 559: 467: 387: 373: 359: 109: 276: 178: 417: 410: 138: 47: 548: 386:
by Harivansh Rai Bachchan, in German, Draupadi-Verlag, Heidelberg (Germany), 2009.
247:, which he had earlier translated into Hindi. The other titles in the trilogy were 238: 66: 271:, while the first one was sung by Bachchan himself. The music was composed by 174: 165:(1907тАУ2003). The highly metaphorical work is still celebrated for its deeply 268: 101: 97: 154: 173:
incantations and philosophical undertones and is an important work in the
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A recording of selected Rubaai from Madhushala was released by
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Temple and mosques increases enmity but bar makes equality.
177:(Neo-romanticism) literary movement of early 20th century 120: 108: 92: 82: 72: 61: 53: 43: 33: 372:by Harivansh Rai Bachchan. Penguin Books, 1990. 306:рдореБрд╕рд▓рдорд╛рди рдФ' рд╣рд┐рдиреНрджреВ рд╣реИ рджреЛ, рдПрдХ, рдордЧрд░, рдЙрдирдХрд╛ рдкреНрдпрд╛рд▓рд╛, 267:, where twenty stanzas were chosen and sung by 312:рджреЛрдиреЛрдВ рд░рд╣рддреЗ рдПрдХ рди рдЬрдм рддрдХ рдорд╕реНрдЬрд┐рдж рдордиреНрджрд┐рд░ рдореЗрдВ рдЬрд╛рддреЗ, 8: 315:рдмреИрд░ рдмрдврд╝рд╛рддреЗ рдорд╕реНрдЬрд┐рдж рдордиреНрджрд┐рд░ рдореЗрд▓ рдХрд░рд╛рддреА рдордзреБрд╢рд╛рд▓рд╛! 287:This is the famous 50th stanza of the poem: 19: 428: 426: 329:But their bar is one and their wine is one 309:рдПрдХ, рдордЧрд░, рдЙрдирдХрд╛ рдорджрд┐рд░рд╛рд▓рдп, рдПрдХ, рдордЧрд░, рдЙрдирдХреА рд╣рд╛рд▓рд╛, 25: 18: 16:Hindi poem book by Harivansh Rai Bachchan 289: 403: 488:Sharma, Rajendra (February 1, 2003). 433:Sharma, Rajendra (February 1, 2003). 332:Both are equal until they enter in a 7: 535:рдордзреБрд╢рд╛рд▓рд╛ рдХреА рдкреВрд░реА рдХрд╡рд┐рддрд╛ рдПрдХ рд╕реНрдерд╛рди рдкреЗ 327:are two but their glasses are one 14: 1: 216:(cup or glass) and of course 147:The Tavern/The House of Wine 591: 283:Example Text from the Poem 565:Indian poetry collections 540:Madhushala at Kavita Kosh 153:": verses of four lines ( 142: 24: 555:Hindi poetry collections 411:Madhushala (The Tavern) 317: 163:Harivansh Rai Bachchan 38:Harivansh Rai Bachchan 304: 570:Music based on poems 299:English translation 149:) is a book of 135 " 259:Madhushala in Media 253:Madhukalash рдордзреБрдХрд▓рд╢) 249:Madhubala (рдордзреБрдмрд╛рд▓рд╛) 21: 516:рдордзреБрд╢рд╛рд▓рд╛ рдХрд╛ рдореВрд▓ рдкрд╛рда 464:"Madhushala Audio" 416:2008-05-14 at the 192:) end in the word 392:978-3-937603-40-7 347: 346: 275:. His son, actor 130: 129: 83:Publication place 582: 522:рд╣рд░рд┐рд╡рдВрд╢ рд░рд╛рдп рдмрдЪреНрдЪрди 509: 508: 502: 500: 485: 479: 478: 476: 475: 466:. Archived from 460: 454: 453: 447: 445: 430: 421: 420:www.cs.rice.edu. 408: 290: 277:Amitabh Bachchan 233:was part of his 188:(the plural for 179:Hindi literature 161:poet and writer 144: 121:Followed by 74:Publication date 29: 22: 590: 589: 585: 584: 583: 581: 580: 579: 545: 544: 531: 512: 498: 496: 487: 486: 482: 473: 471: 462: 461: 457: 443: 441: 432: 431: 424: 418:Wayback Machine 409: 405: 401: 352: 285: 261: 125:Madhubala  93:Media type 75: 17: 12: 11: 5: 588: 586: 578: 577: 572: 567: 562: 557: 547: 546: 543: 542: 537: 530: 529:External links 527: 526: 525: 524:(рд╡рд┐рдХреАрд╕реНрд░реЛрдд рдкрд░) 519: 518:(рд╡рд┐рдХреАрд╕реНрд░реЛрдд рдкрд░) 511: 510: 480: 455: 422: 402: 400: 397: 396: 395: 381: 367: 351: 348: 345: 344: 318: 301: 300: 297: 296:transcription 284: 281: 260: 257: 128: 127: 122: 118: 117: 112: 106: 105: 94: 90: 89: 84: 80: 79: 76: 73: 70: 69: 63: 59: 58: 55: 51: 50: 45: 41: 40: 35: 31: 30: 15: 13: 10: 9: 6: 4: 3: 2: 587: 576: 575:1935 in India 573: 571: 568: 566: 563: 561: 558: 556: 553: 552: 550: 541: 538: 536: 533: 532: 528: 523: 520: 517: 514: 513: 507: 495: 491: 484: 481: 470:on 2007-05-18 469: 465: 459: 456: 452: 440: 436: 429: 427: 423: 419: 415: 412: 407: 404: 398: 393: 389: 385: 382: 379: 378:0-14-012009-2 375: 371: 368: 365: 364:81-216-0125-8 361: 357: 354: 353: 349: 343: 340: 339: 335: 330: 326: 322: 319: 316: 313: 310: 307: 303: 302: 298: 295: 292: 291: 288: 282: 280: 278: 274: 270: 266: 258: 256: 254: 250: 246: 245: 240: 236: 232: 228: 225: 223: 219: 215: 211: 207: 203: 199: 195: 191: 187: 182: 180: 176: 172: 168: 164: 160: 156: 152: 148: 140: 136: 135: 126: 123: 119: 116: 115:81-216-0125-8 113: 111: 107: 103: 99: 95: 91: 88: 85: 81: 77: 71: 68: 64: 60: 56: 52: 49: 46: 42: 39: 36: 32: 28: 23: 504: 497:. Retrieved 493: 483: 472:. Retrieved 468:the original 458: 449: 442:. Retrieved 438: 406: 383: 369: 355: 341: 331: 328: 314: 311: 308: 305: 286: 262: 252: 248: 242: 239:Omar Khayyam 237:inspired by 230: 229: 226: 221: 217: 213: 209: 205: 201: 197: 193: 189: 185: 183: 146: 133: 132: 131: 124: 67:Pocket Books 251:(1936) and 224:(pub/bar). 20:Madhushala 560:1935 poems 549:Categories 474:2008-04-20 399:References 384:Madhushala 370:Madhushala 231:Madhushala 222:madiralaya 218:madhushala 212:(server), 194:madhushala 175:Chhayavaad 134:Madhushala 57:Hindi Poem 494:Frontline 439:Frontline 269:Manna Dey 151:quatrains 102:Paperback 62:Publisher 414:Archived 336:or in a 294:Devnagri 255:(1937). 244:Rubaiyat 208:(wine), 186:rubaaiaa 184:All the 167:Vedantic 98:Hardback 44:Language 499:6 March 444:6 March 321:Muslims 235:trilogy 143:рдордзреБрд╢рд╛рд▓рд╛ 96:Print ( 390:  376:  362:  338:mosque 334:temple 325:Hindus 273:Jaidev 214:pyaala 202:madira 190:rubaai 155:Ruba'i 100:& 34:Author 358:рд╢рд╛рд▓рд╛ 210:saaki 206:haala 198:madhu 159:Hindi 157:) by 139:Hindi 87:India 65:Hind 54:Genre 48:Hindi 501:2014 446:2014 388:ISBN 374:ISBN 360:ISBN 350:Text 323:and 171:Sufi 169:and 110:ISBN 78:1935 356:рдордзреБ 265:HMV 241:'s 204:or 145:) ( 551:: 503:. 492:. 448:. 437:. 425:^ 220:, 200:, 181:. 141:: 477:. 394:. 380:. 366:. 137:( 104:)

Index


Harivansh Rai Bachchan
Hindi
Pocket Books
India
Hardback
Paperback
ISBN
81-216-0125-8
Hindi
quatrains
Ruba'i
Hindi
Harivansh Rai Bachchan
Vedantic
Sufi
Chhayavaad
Hindi literature
trilogy
Omar Khayyam
Rubaiyat
HMV
Manna Dey
Jaidev
Amitabh Bachchan
Devnagri
Muslims
Hindus
temple
mosque

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