771:
747:
623:
366:
290:
699:
759:
723:
711:
599:
687:
126:
611:
537:
735:
326:
302:
342:
28:
497:
587:
665:
635:
525:
647:
553:
513:
223:. The science involved in the development of multiple temperature compatible coloured lead glazes was complex, but the process itself was simple (paint, fire). This majolica is the vibrantly coloured, frequently naturalistic style of earthenware developed and named Palissy ware by Minton & Co. and introduced to the public at the 1851 Great Exhibition that was mass-produced throughout Europe and America and is widely available. In English this majolica is never spelt with an
565:
314:
354:
91:
1383:
1388:
746:
698:
722:
770:
758:
289:
710:
622:
78:
introduced to the public at the 1851 Great
Exhibition in London, later widely copied and mass-produced. Minton & Co., who developed the coloured lead glazes product, also developed and exhibited at the 1851 Exhibition a tin-glazed product in imitation of Italian maiolica which also became known as
981:
themselves, relying instead on the
Victorian version, majolica, which they used to mean wares of Renaissance inspiration, featuring hand painting on an opaque white glaze. These were therefore quite distinct from the coloured glaze decorated wares which we now call majolica, but which Minton referred
282:
was painted with thick coloured lead glazes simultaneously, then fired. The process requires just two stages and skill in painting. When fired in the kiln, every colour fuses to the body, usually without running into each other. The ceramic technology, which transformed the fortunes of
Mintons, was
1124:
Although Arnoux did produce tin-glazed, painted wares in the style of
Italian ceramics, what is now known as majolica was a range of brightly coloured low-temperature glazes launched in 1849 as 'Palissy Ware'. Only later did these become known as majolica ware. By the 1880s this name was commonly
77:
made by a simpler process (painting and then firing) whereby coloured lead silicate glazes were applied directly to an article, then fired. This resulted in brightly coloured, hard-wearing, inexpensive wares that were both useful and decorative, often naturalistic style. This type of majolica was
141:
both in process and in styles. Tin-glaze is simply plain lead glaze with a little tin oxide added. His description is often referenced, in error, as a definition of Minton's other new product, the much copied and later mass-produced ceramic sensation of the
Victorian era, Minton's coloured lead
598:
734:
686:
365:
1286:
The
Pringsheim Collection: Catalogue of the Renowned Collection of Superb Italian Majolica, the Property of Dr. Alfred Pringsheim of Munich. Which will be sold at auction by Messrs. Sotheby & Co. ... on Wednesday, the 7th of June, 1939 and following day .... The first
905:
W.B.Honey, Keeper of the
Department of Ceramics, Victoria and Albert Museum, London, Faber and Faber, 1944. "LEAD-GLAZE... silica in the form of sand or powdered quartz fused with the aid of a flux such as lime and potash… and commonly including an oxide of lead...
874:
W.B.Honey, Keeper of the
Department of Ceramics, Victoria and Albert Museum, London, Faber and Faber, 1944. "TIN-GLAZE (or 'tin-enamel'), once widely used on maiolica, faience, and delftware, is a potash-lead glaze made white and opaque with oxide (ashes) of
325:
536:
610:
1069:
ware, however, is that which appears to have created the greatest sensation among
Parisian connoisseurs. The reader will remember that the main difference in these wares is that whereas the Palissy ware is coloured by a transparent glaze
586:
341:
301:
1218:"GIMBEL ART SALES YIELDED $ 4,225,000; Disposal of Monastery From Hearst Estate Highlight of 1942-43 Season $ 89,000 FOR 34 PLATES Majolica Items Bought by a Collector -- $ 24,000 Paid for Suit of Armor (Published 1943)"
496:
704:
Left, Coloured glazes majolica, 'thick' painting on moulding in relief produces intaglio effect on green leaf. Right, tin-glazed majolica/maiolica, fine brush painting on flat surface, no intaglio effect.
512:
313:
634:
56:(dip, dry, paint, fire), resulting in an opaque white glazed surface decorated with brush-painting in metal oxide enamel colour(s). During the 17th century, the English added the letter
646:
162:
Some authors describe Minton majolica as falling into two main design styles: wares inspired by the natural world (naturalistic), and those inspired by historical wares (revivalist).
1205:
If it is made of a common clay, but coated with an opaque enamel, we get the
Italian, the Delph, or the old French faience, according to the degree of opacity in the enamel.
728:
Minton coloured glazes (paint, fire) majolica cockerel/rooster base detail, 1875 cypher, unglazed base rim (not dipped), 'thick' painted coloured glaze, not fine brush-work.
490:
Ware dipped (or coated) in tin glaze, set aside to dry, brush-painted on the unfired glaze, then fired. Process requires four separate stages and high skill in painting.
716:
Minton coloured glazes (paint, fire) majolica, 'thick' painted coloured lead glazes on relief moulded surfaces making maximum use of intaglio effect. Naturalistic style.
764:
Tin-glazed Minton majolica, 1864, coated, brush-painted on flat surfaces, artist Rochfort. Possibly a combination of coloured glazes and tin-glaze decorated in enamels.
524:
752:
Minton tin-glazed (dip, dry, paint, fire) majolica, opaque white tin-glaze on flat surfaces, brush-painted 'MINTON', 1860 date cypher. Italian Renaissance style.
564:
664:
552:
1217:
740:
Minton tin-glazed (dip, dry, paint, fire) majolica, opaque white tin-glaze on flat surfaces, fine brush-painted decoration. Italian Renaissance style.
125:
1250:
150:
was well known and much admired. Mintons adopted the name 'Palissy ware' for their new coloured glazes product, but this soon became known also as
1304:
The Robert Strauss Collection of Italian Maiolica: Which Will be Sold at Auction by Christie, Manson & Woods Ltd. ... on Monday, June 21, 1976
295:
Coloured lead glazes majolica, flowers moulded in high relief. Shape first shown at the 1851 Exhibition by Minton & Co., Exhibit Number 60.
1125:
applied to all such ware, whether made by Minton or not. This colourful, popular ware is one of the most typical types of Victorian ceramics.
94:
English tin-glazed majolica. First shown at the 1851 Exhibition by Minton & Co., Exhibit Number 74. Potteries Museum, Stoke-on-Trent, UK
1439:
604:
Rare tin-glazed Minton 'majolica' Victoria plate, brush-painted decoration on flat surface in Renaissance style, mid-19th century (1853).
856:
Majolica and Fayence, Italian, Sicilian, Majorcan, Hispano-Moresque and Persian, D. Appleton and Company, New York, Meaning of Majolica
592:
Tin-glazed London Delftware charger, mid-17th century, in imitation of mid-16th century Palissy coloured glazes charger 'La Fecundite'.
692:
Coloured glazes (paint, fire) majolica, 'thick painted' on buff body (exposed by glaze miss), relief surfaces showing intaglio effect.
1031:
174:
in style. Close-up images illustrate a design suited for fine brushwork on flat surfaces. The design is for Minton's rare tin-glaze
402:. It reached Italy by the mid-15th century. It is frequently prone to flaking and somewhat delicate. The word is also spelt with a
1319:
1200:
776:
Tin-glazed Minton majolica, date cypher 1864, coated not dipped, opaque white glaze, brush-painted Rochford signature (artist).
426:
is used for both coloured glazes majolica and tin-glazed. In France and other countries, tin-glazed maiolica developed also as
934:
170:
Thomas Kirkby's design G144 in the Minton Archive is inscribed "This is the First Design for Majolica...". The design is
1251:"SCHIFF MAJOLICA ON SALE SATURDAY; Collection of Italian Ware to Be Auctioned at ParkeBernet Galleries (Published 1946)"
977:
Paul Atterbury and Maureen Batkin, 1997, 'Dictionary of Minton', Antique Collectors' Club. "Minton did not use the word
825:
628:
Rare tin-glazed Minton Majolica, mid-19th century (1870), in imitation of Italian Renaissance istoriato style maiolica.
680:
Examples showing detail of coloured glazes majolica (paint, fire) versus tin-glazed majolica (dip, dry, paint, fire).
1414:
1409:
1393:
353:
1424:
1115:
1429:
1419:
1156:
787:
27:
219:, e.g.: 20th-century majolica, Mexican majolica, Sarreguemines majolica, Palissy majolica, majolica-glazed
319:
Coloured lead glazes Palissy majólica, mottled glazes, applied fruits, late 19th century, Elias, Portugal
946:
Art Journal, 1850, Catalogue to Mediaeval Exhibition "...sections are thus enumerated in the catalogue:-
1179:
331:
Sarreguemines Majolica Majolique plate, moulded in relief, late 19th century, France. Good example of
1008:
307:
Coloured lead glazes majolica jardinière, moulded in high relief, Mintons, second half 19th century.
171:
835:
791:
387:
347:
Sarreguemines Majolique plate, reverse. Impressed 'MAJOLICA' for English-speaking export markets.
199:
134:
996:
1327:
1258:
1225:
1163:...we have no record or dated example of Italian pottery, coated with the stanniferous enamel
1161:. South Kensington Museum art handbooks ;no. 4. New York: University of Michigan. p. 22.
1027:
963:
Christie, Manson & Woods Catalogue, 16 June 1884, Sale of Fontaine Collection of Majolica
795:
279:
1434:
572:
464:
251:
is indeed used for both coloured glazes earthenware and for tin-glazed earthenware: French
371:
Late 20th century majolica, fake Minton, running glazes, wrong colours, fake makers marks.
178:
imitation of Italian tin-glaze maiolica. Minton's designs for Palissy ware, also known as
147:
90:
118:, wrote in 1852, "We understand by majolica a pottery formed of a calcareous clay gently
1356:
518:"Earthenware, tin-glaze (Majolica), early 15th century, Italy." Metropolitan Museum NY.
212:
929:
52:, a type of pottery reaching Italy from Spain, Majorca and beyond. This was made by a
1403:
1079:
being a little tea-service spread upon a leaf, the legs of the teapot being snails...
503:
438:. In France, Germany, Italy, Spain, Mexico and Portugal, tin-glazed wares are called
391:
208:
182:, were suited for 'thick' painting of coloured lead glazes onto surfaces moulded in
983:
143:
616:
Rare tin-glazed Minton 'majolica' Victoria plate, reverse, opaque white tin-glaze.
1302:
1284:
1145:
Light and dark created by glaze pooling in the lower areas of a relief moulding.
830:
220:
204:
53:
1058:
1187:
may be esteemed, it will always remain an article of luxury and ornament only…
820:
652:
542:
Tin-glazed majolique armoriée, France, late 16th century. Italian Renaissance
1331:
1262:
1229:
1090:
W.B.Honey, Keeper of the Department of Ceramics, Victoria and Albert Museum,
640:
Tin-glazed faience, Luneville, France, late 19th century. Renaissance style.
543:
434:
395:
332:
187:
175:
106:
to the word meaning 'coloured lead glazes, applied direct to the biscuit'.
1166:, previous to the first important production by Luca della Robbia in 1438…
978:
382:
138:
122:, and covered with an opaque enamel composed of sand, lead, and tin...".
20:
1396:"Magnificent Majolica" archive patterns for Minton tin-glazed majolica.
1320:"Review/Art; Majolica at Met: A Form for All Purposes (Published 1989)"
888:: "The first English language book to make a clear distinction between
655:
502:
Hispano-Moresque maiolica, c. 1450, tin-glazed with lustre decoration,
428:
115:
42:
1046:
developed a series of brightly coloured, temperature-compatible glazes
102:
to the word meaning 'opaque white tin-glaze, painted in enamels', and
183:
119:
418:
tends to be restricted to Renaissance Italian maiolica. In the US
124:
89:
35:
In different periods of time and in different countries, the term
26:
1378:
1061:. The Illustrated London News. 10 November 1855. p. 561.
997:
https://www.themintonarchive.org.uk/in-depth-minton-majolica/
399:
158:
Majolica described according to design as opposed to process
1073:
Majolica ware contains the colour (opaque) in the material
865:. Previous to that we find it used in Spain and Majorca..."
861:
to Italy occurred previous to its use by Luca della Robbia
129:
Leon Arnoux, 1853, describing Minton's tin-glazed product.
658:, fine painted colours on opaque white tin glaze, France.
58:
917:
Lectures on the Results of the Great Exhibition of 1851
479:
Examples of tin-glazed maiolica (dip, dry, paint, fire)
398:
decoration of metal oxide enamel colour(s) is known as
1009:"Magnificent Majolica: The First – the Minton Archive"
858:, p. 23: "The introduction of a stanniferious enamel
1384:
Potteries Museum and Art Gallery, Stoke-on-Trent, UK
114:
Leon Arnoux, the artistic and technical director of
530:
Tin-glazed Italian Renaissance maiolica, 1550–1570.
268:Examples of coloured glazes majolica (paint, fire)
215:has from the mid-19th century onwards been called
1201:"Reports on the Paris Universal Exhibition, 1867"
469:
48:Firstly, from the mid-15th century onwards, was
1307:. London: Christie, Manson & Woods Limited.
558:Tin-glazed Spanish maiolica, late 17th century.
919:, David Bogue, 86 Fleet Street, London. p. 396
231:. It is, however, pronounced both with a hard
1104:, or on the glassy surface of a fired glaze."
457:
451:
258:
73:Secondly, from mid- to late 19th century was
8:
445:
439:
252:
133:Arnoux was describing the Minton & Co.
16:Term used to describe two types of pottery
1059:"Messrs. Minton and Co.'s Contributions"
670:Tin-glazed 20th century maiolica, Italy.
166:Minton Archive first design for majolica
41:has been used for two distinct types of
1136:Joseph Francois Leon Arnoux (1816–1902)
847:
682:
492:
484:
285:
283:developed by art director Leon Arnoux.
273:
1364:Atterbury, Paul, and Batkin, Maureen,
1180:"The Workshop, Vol II, No. 10, p. 148"
786:Famous collectors of majolica include
66:thereafter was commonly anglicized to
1094:, 1944, p. 9 "PAINTING is done on the
798:, Robert Strauss, and Robert Lehman.
410:. In contemporary England the use of
146:. The 16th-century French pottery of
137:product made in imitation of Italian
7:
1389:Victoria and Albert Museum, Majolica
1022:Batkin, Maureen (1982). "Majolica".
1114:Victoria and Albert Museum (2016).
1155:Fortnum, Charles Drury E. (1876).
14:
1368:, Antique Collectors' Club, 1990.
98:The notes in this article append
1358:British Manufacturing Industries
1290:. London: Sotheby & Company.
769:
757:
745:
733:
721:
709:
697:
685:
663:
645:
633:
621:
609:
597:
585:
563:
551:
535:
523:
511:
495:
364:
352:
340:
324:
312:
300:
288:
211:applied directly to an unglazed
31:Minton majolica peacock, c. 1870
1116:"Minton majolica chestnut dish"
1076:... One sample of Palissy ware
915:Arnoux, Leon, 1853, Lecture 23
432:, and in UK and Netherlands as
1:
1318:Russell, John (9 June 1989).
1101:, or on an unfired tin-glaze
886:English Grammar, 1633, London
1350:General and cited references
1098:surface of unglazed pottery
826:Talavera de la Reina pottery
1440:Types of pottery decoration
1283:Pringsheim, Alfred (1939).
1026:. England: Richard Dennis.
1024:Wedgwood Ceramics 1846–1959
933:Oxford Dictionaries online
194:Coloured glazes earthenware
1456:
1063:The collection of Palissy
1038:ichly coloured earthenware
380:
247:. In some other languages
207:coated with coloured lead
197:
109:
18:
1184:…however highly majolica
966:, Henri II, Palissy Ware
928:* Merriam-Webster Online
1301:Strauss, Robert (1976).
1182:. London: The Workshop.
570:Tin-glazed 17th century
186:to make best use of the
896:was published in 1633."
854:Arthur Beckwith, 1877,
802:In contemporary fiction
788:William Randolph Hearst
390:having an opaque white
782:Collectors of majolica
676:Majolica types, detail
470:
458:
452:
446:
440:
388:Tin-glazed earthenware
377:Tin-glazed earthenware
259:
253:
130:
95:
32:
1199:Arnoux, Leon (1868).
1178:Falke, Jacob (1869).
1092:The Art of the Potter
950:4. Italian Majolica ;
128:
93:
30:
1379:The Majolica Society
1366:Dictionary of Minton
995:Clare Blakey, 2019,
808:The Majolica Murders
359:Majolica Canopic Jar
110:Mintons' description
172:Italian Renaissance
62:to their alphabet.
1394:The Minton Archive
1361:, Gutenberg, 1877.
1324:The New York Times
1255:The New York Times
1222:The New York Times
954:7. Palissy Ware ;"
836:Victorian majolica
792:Mortimer L. Schiff
200:Victorian majolica
131:
96:
33:
1257:. 28 April 1946.
810:by Deborah Morgan
796:Alfred Pringsheim
54:tin-glaze process
1447:
1415:Austrian pottery
1410:American pottery
1343:
1342:
1340:
1338:
1315:
1309:
1308:
1298:
1292:
1291:
1280:
1274:
1273:
1271:
1269:
1247:
1241:
1240:
1238:
1236:
1224:. 24 July 1943.
1214:
1208:
1207:
1196:
1190:
1189:
1175:
1169:
1168:
1152:
1146:
1143:
1137:
1134:
1128:
1127:
1111:
1105:
1097:
1088:
1082:
1081:
1055:
1049:
1048:
1045:
1041:
1019:
1013:
1012:
1005:
999:
993:
987:
975:
969:
961:
955:
953:
949:
944:
938:
926:
920:
913:
907:
903:
897:
884:Charles Butler,
882:
876:
872:
866:
864:
852:
773:
761:
749:
737:
725:
713:
701:
689:
667:
649:
637:
625:
613:
601:
589:
567:
555:
539:
527:
515:
499:
473:
461:
455:
449:
443:
368:
356:
344:
328:
316:
304:
292:
262:
256:
239:and with a soft
227:in place of the
1455:
1454:
1450:
1449:
1448:
1446:
1445:
1444:
1425:English pottery
1400:
1399:
1375:
1352:
1347:
1346:
1336:
1334:
1317:
1316:
1312:
1300:
1299:
1295:
1282:
1281:
1277:
1267:
1265:
1249:
1248:
1244:
1234:
1232:
1216:
1215:
1211:
1198:
1197:
1193:
1177:
1176:
1172:
1154:
1153:
1149:
1144:
1140:
1135:
1131:
1113:
1112:
1108:
1095:
1089:
1085:
1057:
1056:
1052:
1043:
1039:
1034:
1021:
1020:
1016:
1007:
1006:
1002:
994:
990:
976:
972:
962:
958:
951:
947:
945:
941:
927:
923:
914:
910:
904:
900:
883:
879:
873:
869:
862:
853:
849:
844:
817:
804:
784:
777:
774:
765:
762:
753:
750:
741:
738:
729:
726:
717:
714:
705:
702:
693:
690:
678:
671:
668:
659:
650:
641:
638:
629:
626:
617:
614:
605:
602:
593:
590:
581:
568:
559:
556:
547:
540:
531:
528:
519:
516:
507:
500:
488:
487:
486:
481:
480:
385:
379:
372:
369:
360:
357:
348:
345:
336:
329:
320:
317:
308:
305:
296:
293:
277:
276:
275:
270:
269:
202:
196:
168:
160:
148:Bernard Palissy
112:
104:coloured glazes
88:
23:
17:
12:
11:
5:
1453:
1451:
1443:
1442:
1437:
1432:
1430:French pottery
1427:
1422:
1420:Ceramic glazes
1417:
1412:
1402:
1401:
1398:
1397:
1391:
1386:
1381:
1374:
1373:External links
1371:
1370:
1369:
1362:
1355:Arnoux, Leon,
1351:
1348:
1345:
1344:
1310:
1293:
1275:
1242:
1209:
1191:
1170:
1147:
1138:
1129:
1106:
1083:
1050:
1032:
1014:
1000:
988:
970:
956:
939:
937:
936:
921:
908:
898:
877:
867:
846:
845:
843:
840:
839:
838:
833:
828:
823:
816:
813:
812:
811:
803:
800:
783:
780:
779:
778:
775:
768:
766:
763:
756:
754:
751:
744:
742:
739:
732:
730:
727:
720:
718:
715:
708:
706:
703:
696:
694:
691:
684:
677:
674:
673:
672:
669:
662:
660:
651:
644:
642:
639:
632:
630:
627:
620:
618:
615:
608:
606:
603:
596:
594:
591:
584:
582:
576:, also called
569:
562:
560:
557:
550:
548:
541:
534:
532:
529:
522:
520:
517:
510:
508:
501:
494:
485:
483:
482:
478:
477:
476:
474:respectively.
414:spelt with an
381:Main article:
378:
375:
374:
373:
370:
363:
361:
358:
351:
349:
346:
339:
337:
330:
323:
321:
318:
311:
309:
306:
299:
297:
294:
287:
274:
272:
271:
267:
266:
265:
198:Main article:
195:
192:
167:
164:
159:
156:
111:
108:
87:
84:
15:
13:
10:
9:
6:
4:
3:
2:
1452:
1441:
1438:
1436:
1433:
1431:
1428:
1426:
1423:
1421:
1418:
1416:
1413:
1411:
1408:
1407:
1405:
1395:
1392:
1390:
1387:
1385:
1382:
1380:
1377:
1376:
1372:
1367:
1363:
1360:
1359:
1354:
1353:
1349:
1333:
1329:
1325:
1321:
1314:
1311:
1306:
1305:
1297:
1294:
1289:
1288:
1279:
1276:
1264:
1260:
1256:
1252:
1246:
1243:
1231:
1227:
1223:
1219:
1213:
1210:
1206:
1202:
1195:
1192:
1188:
1186:
1181:
1174:
1171:
1167:
1165:
1160:
1159:
1151:
1148:
1142:
1139:
1133:
1130:
1126:
1121:
1117:
1110:
1107:
1103:
1100:
1093:
1087:
1084:
1080:
1078:
1075:
1072:
1068:
1066:and Majolica
1065:
1060:
1054:
1051:
1047:
1035:
1033:0-903685-11-6
1029:
1025:
1018:
1015:
1010:
1004:
1001:
998:
992:
989:
985:
984:Palissy wares
980:
974:
971:
968:
965:
960:
957:
943:
940:
935:
932:
931:
930:
925:
922:
918:
912:
909:
902:
899:
895:
891:
887:
881:
878:
871:
868:
860:
857:
851:
848:
841:
837:
834:
832:
829:
827:
824:
822:
819:
818:
814:
809:
806:
805:
801:
799:
797:
793:
789:
781:
772:
767:
760:
755:
748:
743:
736:
731:
724:
719:
712:
707:
700:
695:
688:
683:
681:
675:
666:
661:
657:
654:
648:
643:
636:
631:
624:
619:
612:
607:
600:
595:
588:
583:
579:
575:
574:
566:
561:
554:
549:
545:
538:
533:
526:
521:
514:
509:
505:
504:Moorish Spain
498:
493:
491:
475:
472:
467:
466:
460:
454:
448:
442:
437:
436:
431:
430:
425:
422:spelt with a
421:
417:
413:
409:
405:
401:
397:
394:with painted
393:
389:
384:
376:
367:
362:
355:
350:
343:
338:
334:
327:
322:
315:
310:
303:
298:
291:
286:
284:
281:
264:
261:
255:
250:
246:
242:
238:
234:
230:
226:
222:
218:
214:
210:
206:
201:
193:
191:
189:
185:
181:
177:
173:
165:
163:
157:
155:
153:
149:
145:
140:
136:
127:
123:
121:
117:
107:
105:
101:
92:
85:
83:
81:
76:
71:
69:
65:
61:
60:
55:
51:
46:
44:
40:
39:
29:
25:
22:
1365:
1357:
1335:. Retrieved
1323:
1313:
1303:
1296:
1285:
1278:
1266:. Retrieved
1254:
1245:
1233:. Retrieved
1221:
1212:
1204:
1194:
1185:
1183:
1173:
1164:
1162:
1157:
1150:
1141:
1132:
1123:
1119:
1109:
1102:
1099:
1091:
1086:
1077:
1074:
1071:
1067:
1064:
1062:
1053:
1037:
1023:
1017:
1003:
991:
973:
967:
964:
959:
942:
924:
916:
911:
901:
893:
889:
885:
880:
870:
859:
855:
850:
807:
785:
679:
577:
571:
489:
463:
433:
427:
423:
419:
415:
411:
407:
403:
386:
278:
257:and Italian
248:
244:
240:
236:
232:
228:
224:
216:
203:
179:
169:
161:
151:
144:Palissy ware
132:
113:
103:
99:
97:
79:
74:
72:
67:
63:
57:
49:
47:
37:
36:
34:
24:
1042:Leon Arnoux
831:Tin-glazing
280:Biscuitware
221:Parian ware
205:Earthenware
86:Terminology
1404:Categories
1122:. London.
821:Lustreware
653:Tin-glazed
135:tin-glazed
100:tin-glazed
19:See also:
1332:0362-4331
1263:0362-4331
1230:0362-4331
842:Citations
580:, Mexico.
544:Grotesque
441:maiolique
435:delftware
396:overglaze
254:maiolique
1337:14 March
1268:14 March
1235:14 March
1158:MAIOLICA
979:maiolica
815:See also
578:majolica
573:Talavera
471:majólica
465:talavera
459:mayólica
453:maiolica
447:majolika
420:majolica
412:maiolica
408:majolica
400:maiolica
383:Maiolica
333:intaglio
260:maiolica
245:maiolica
217:majolica
190:effect.
188:intaglio
180:majolica
176:majolica
152:majolica
142:glazes,
139:maiolica
80:majolica
75:majolica
68:majolica
64:Maiolica
50:maiolica
38:majolica
21:Maiolica
1435:Pottery
1287:portion
656:faience
429:faience
335:effect.
116:Mintons
43:pottery
1330:
1261:
1228:
1096:
1044:
1040:
1030:
982:to as
952:
948:
863:
546:style.
468:, and
243:as in
235:as in
209:glazes
184:relief
875:tin."
392:glaze
237:major
120:fired
1339:2021
1328:ISSN
1270:2021
1259:ISSN
1237:2021
1226:ISSN
1028:ISBN
892:and
213:body
1120:VAM
1406::
1326:.
1322:.
1253:.
1220:.
1203:.
1118:.
1036:.
986:."
794:,
790:,
462:,
456:,
450:,
444:,
406:,
263:.
154:.
82:.
70:.
45:.
1341:.
1272:.
1239:.
1011:.
906:"
894:j
890:i
506:.
424:j
416:i
404:j
249:i
241:j
233:j
229:j
225:i
59:j
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
