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lead-glazed earthenware in a sombre earth-toned palette, using naturalistic scenes of plants and animals cast from life, was much imitated by other potters both in his own lifetime and especially in the 19th century. In this revival, pottery in
Palissy's style was produced by Charles-Jean Avisseau
153:
Bouquillon, A & Castaing, J & Barbe, F & Paine, S.R. & Christman, B & Crépin-Leblond, T & Heuer, A.H.. (2016). Lead-Glazed
Rustiques Figulines of Bernard Palissy and his Followers: Archaeometry. 59. 10.1111/arcm.12247. "Summary: Analysis confirms that Palissy used coloured
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Arnoux, Leon (1877). "Pottery, British
Manufacturing Industries". Gutenberg. pp. 392–394. "The name of majolica is now applied indiscriminately to all fancy articles of coloured pottery. When, however, it is decorated by means of coloured glazes, if these are transparent, it ought to be called
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This distinctive style of pottery is characterized by three-dimensional modeled, often aquatic, animals such as snakes, fish, lizards, frogs, and snails arranged onto large platters (wall plates, wall platters, chargers). Typically, each component is modeled and painted individually.
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Portuguese
Palissy ware was produced by the potteries of Mafra, Jose Alves Cunha, José Francisco de Sousa, Cezar, Herculano Elias, and Augusto Baptista de Carvalho. Twentieth-century reproductions are extremely common. it is now difficult to identify which 16th-century works in the
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The number of 16th-century pieces attributed to
Palissy himself is now much less than in the past, and attributions tend to be cautious, as for example: "workshop or imitator or follower of Palissy".
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was a range of vibrantly coloured lead glazes launched in 1849 as
Palissy ware. Only later did these become known as majolica ware". Victoria and Albert Museum.
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lead glazes, lead silicates with added metal oxides of copper , cobalt , manganese or iron with a small addition of tin to some of the glazes."
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of Tours, who rediscovered
Palissy's techniques in 1843, his relatives the Landais family of Tours, Georges Pull of Paris, Maurice, and Barbizet.
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163:
Hanna Rose Shell, "Casting Life, Recasting
Experience: Bernard Palissy's Occupation between Maker and Nature" (2004) Project MUSE.
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manner are actually from
Palissy's own workshop except by comparison with either fragments excavated in 1878 from remains of the
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is also the name given by Minton & Co for the earthenware later known as 'majolica', decorated with a mostly new range of
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Portuguese
Palissy ware wall plate 12.2 in, c. 1880, maker Jose F Sousa depicting crayfish, mussels, sea urchin and shells
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Grotesquerie: Form, Fantasy and Function in 19th Century European Ceramics; the Collection of Brook Hayward Duchin,
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French Palissy ware dish, 17.7ins., c.1870, maker Barbizet, depicting fish, reptiles, insects and leaves.
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Palissy ware, from the name of the great artist who used these for his beautiful works."
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Portuguese Palissy Ware: A Survey of Ceramics from Caldas da Rainha, 1853–1920
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https://collections.vam.ac.uk/item/O11488/chestnut-dish-minton-hollins-co/
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94:, who called him to Paris in 1566 or from excavations at the site of his
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40:(c. 1510–90), who referred to his own work in the familiar manner as
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A significant collection of Palissy ware is housed in the
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264:British Manufacturing Industries, Gutenberg, 1877.
36:produced in the style of the famous French potter
239:"A new look for NOMA's decorative arts galleries"
187:The Penguin Dictionary of the Decorative Arts
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16:19th-century term for a style of ceramics
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255:Atterbury, Paul, and Batkin, Maureen,
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133:, donated by the actress and writer
225:Victoria and Albert Museum, London
86:that he certainly decorated at the
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259:, Antique Collectors' Club, 1990.
50:. Palissy's distinctive style of
25:French Palissy ware dish, c. 1550
274:New Orleans Museum of Art, 1997.
185:John Fleming and Hugh Honour,
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32:is a 19th-century term for
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131:New Orleans Museum of Art
121:"...what is now known as
270:Duchin, Brooke Hayward.
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285:The Majolica Society
257:Dictionary of Minton
241:. 28 September 2018.
92:Catherine de' Medici
193:"Bernard Palissy".
172:Marshall P. Katz,
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310:American pottery
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294:Categories
250:References
52:polychrome
48:rusticware
189:(1977),
123:majolica
80:rustique
43:rustique
34:ceramics
300:Pottery
176:(1999).
84:grotto
141:Notes
96:Paris
191:s.v.
90:for
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