404:. He interviews a young woman named Elsa, asking her about subjects such as politics, birth control and love. At the café, Paul tells Elisabeth that Madeleine is pregnant, but Elisabeth is skeptical. Madeleine arrives and sees the woman who shot her partner, now a prostitute. They also see a theatre director giving instructions to an actress. Paul, Madeleine, Elisabeth and Catherine go to a cinema to watch a film. During the screening, Madeleine tells Paul that she loves him. He leaves the cinema temporarily to spray-paint a slogan critical of
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381:. On the day of its release, Paul brings her to the café and attempts to propose to her. Madeleine, anxious to see the release of her record, says they will discuss the matter later. Paul records a message for Madeleine in a coin-operated record booth. He is then approached by a man with a knife, who stabs himself. In a laundromat, Paul recounts to Robert his experience of feeling that he was being followed. Robert, reading a newspaper, tells Paul about
416:, leaving behind a note that says "Peace in Vietnam". Paul and Catherine visit Madeleine in a recording studio, where she is recording a new song. She acts distant towards Paul, and after encountering a reporter, asks Paul to fetch a car for her. Paul calls the war ministry, and impersonating a military general, demands a car. One arrives, and he, Madeleine and Catherine depart the premises in it.
420:
officer that Paul purchased a high-rise apartment. Madeleine wanted to move
Elisabeth in with them, which Paul opposed. Paul reportedly fell from a window, which Catherine asserts must have been an accident rather than a suicide. Madeleine, still pregnant, tells the officer that she is not sure what she will do next.
563:, the film holds an approval rating of 96% based on 47 reviews, with an average rating of 8.4/10. The website's critics consensus reads, "A '60s time capsule stuffed with ideas about politics, pop culture, and the battle of the sexes, Masculine-Feminine is one of Godard's classic black-and-white films."
516:
Godard did not have a shooting script; instead he relied on a spiral notebook filled with ideas, sketches, and dialogue he had handwritten the previous evening. Godard was interested in working with singer
Chantal Goya because she was neither a film nor stage actress when she was introduced to him by
508:
and secured the rights to both short stories. When filming began, Godard discarded both
Maupassant short stories and Maupassant's publishers later agreed that the film was in no way an adaptation of the author's work. The only parts of either short stories that appear in the film is the fact that the
360:
Paul, a young idealist who recently fulfilled his military service, is looking for a job. In a café, he meets
Madeleine Zimmer, a young singer who wishes to make a record. They witness a woman having an argument with her partner, which culminates in the woman drawing a gun and shooting him. Paul goes
419:
From
January to March 1966, Paul continues conducting opinion polls about politics, love, and other topics. He determines that his lack of objectivity, even when unconscious, resulted in a lack of sincerity in the answers from the people he polled. At a police station, Catherine recounts to an
369:
approaches, Paul turns 21 years old and becomes romantically involved with
Madeleine. Madeleine introduces him to her roommate Elisabeth Choquet. Also present is Catherine-Isabelle, whom Robert likes. Paul helps Robert put up posters around Paris and paint the phrase
364:
Paul begins working for a magazine. In a bathroom, Paul confronts
Madeleine, saying that she promised him that they would go out that night. She asks him if "going out" means "going to bed", and he falls silent. She tells him that her promise was a lie. As the
38:
408:
on a wall outside. Later, Robert has a conversation with
Catherine, during which he asserts that she is in love with Paul. Godard, through Robert, constructs the idea of worker as a revolutionary and work as revolution.
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to meet with his friend Robert
Packard, a journalist who has Paul sign a petition to free a group of artists and writers in Rio de Janeiro accused of voicing their opposition to state policy.
371:
809:
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1986:
374:" along the side of a U.S. Army car. On a train, Paul and Robert witness a white woman and two black men antagonizing each other, which results in the woman firing a gun.
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praised the film's ability to speak to young people, while H. Chapier criticized the film for its sexual content but praised Leaud's performance. British critic
332:
was intended as a representation of 1960s France and Paris. The film contains references to various pop culture icons and political figures of the time, such as
316:
interviews about love, lovemaking, and politics. At times the main story is interrupted by various sequences and subplots, including a scene paraphrased from
1991:
492:. He decided that he also wanted another medium-length film to accompany Astruc's film and offered the project to Godard, suggesting that Godard adapt
1996:
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Daniel
Filipacchi on 7 November 1965. Shooting began on November 22, 1965. Godard used natural lighting and a minimal crew throughout the production.
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Due to the portrayal of youth and sex, the film was prohibited to persons under 18 in France—"the very audience it was meant for," griped Godard.
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main character's name is Paul and the "film within the film" that the main characters go to see at a cinema was initially inspired by
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singer). Despite markedly different musical tastes and political leanings, the two soon become romantically involved and begin a
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with Madeleine's two roommates, Catherine (Duport) and Elisabeth (Jobert). The camera probes the young actors in a series of
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for several years and agreed to the project. Eventually, Dauman suggested that Godard also adapt Maupassant's short story
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The film has since garnered widespread critical acclaim and it is often cited as one of Godard's greatest works. On the
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Léaud plays Paul, a romantic young idealist who chases budding pop star Madeleine (played by Goya, a real-life
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Elsa Leroy as "Mademoiselle 19 ans", a young French woman whom Paul interviews for an IFOP poll (uncredited)
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Paul starts living with Madeleine, Elisabeth and Catherine. He leaves his job at the magazine to become a
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gave a negative review of the film and called it "entertainment of only the most loose and spotty sort."
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said that it was "that rare achievement: a work of grace and beauty in a contemporary setting."
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Yves Afonso, qui avait déjà fait une première apparition en loubard suicidaire dans
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In 1965, Anatole Dauman, the head of Argos Films, wanted to re-edit and re-release
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The film was selected for screening as part of the Cannes Classics section of the
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This article is about the film. For the Blonde Redhead compilation album, see
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Catherine-Isabelle Duport as Catherine-Isabelle, Madeleine's other roommate
289:. An international co-production between France and Sweden, the film stars
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said that it had "flashes of original wit and contemporary perceptions."
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also makes an uncredited appearance as the wife of an American officer.
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make uncredited appearances as an actress and a director in the café.
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One day, a man borrows a box of matches from Paul, and uses them to
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and Coca-Cola", which is actually an intertitle between chapters.
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called it Godard's "most complex film to date." American critic
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Tranchant, Marie-Noëlle; Guyard, Bertrand (22 January 2018).
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Trailer of the Film That Will Never Exist: "Phony Wars"
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as the man who dies by suicide by stabbing (uncredited)
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At the time of the film's release, French journalist
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Letter in Motion to Gilles Jacob and Thierry Frémaux
630:"Masculin Feminin – Box Office Brigitte Bardot 1966"
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1157:Masculine Feminine: A Film by Jean-Luc Godard
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450:Michel Debord as Robert Packard, a journalist
367:French presidential election of December 1965
8:
1722:"Anticipation, ou: l'amour en l'an 2000" in
838:"Masculin féminin and French Youth Fashion"
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438:as Elisabeth Choquet, Madeleine's roommate
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1987:Films based on works by Guy de Maupassant
500:. Godard had been interested in filming
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588:16th Berlin International Film Festival
1706:Les plus belles escroqueries du monde
1446:One Plus One (Sympathy for the Devil)
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170:Sandrew Film & Teater AB (Sweden)
7:
1422:Two or Three Things I Know About Her
544:called it "the film of the season."
385:, who Robert says is a "Vietnik" (a
278:[maskylɛ̃feminɛ̃kɛ̃zfepʁesi]
1574:JLG/JLG – Self-Portrait in December
432:as Madeleine Zimmer, a young singer
1120:Berlin International Film Festival
447:as Paul, a romantic young idealist
14:
1992:Films directed by Jean-Luc Godard
669:"Eternally 'Masculine, Feminine'"
667:Thomson, Desson (25 March 2005).
594:for his performance in the film.
269:Masculin féminin: 15 faits précis
1997:Films produced by Anatole Dauman
927:"Godard on "Masculine Feminine""
774:Godard au Travail: les années 60
1663:All the Boys Are Called Patrick
1092:. 20 April 2016. Archived from
259:Male Female: 15 Specific Events
31:Male Female: 15 Specific Events
1566:Les Enfants jouent à la Russie
709:: The Young Man for All Times"
628:Soyer, Renaud (9 March 2014).
285:film, written and directed by
1:
2027:Swedish black-and-white films
604:List of French-language films
2037:Swedish romantic drama films
2012:French black-and-white films
1824:Ten Minutes Older: The Cello
1713:"Montparnasse-Levallois" in
16:1966 film by Jean-Luc Godard
2022:French romantic drama films
1972:1960s French-language films
1822:"Dans le noir du temps" in
1679:Charlotte and Her Boyfriend
1116:"Prizes & Honours 1966"
251:427,430 admissions (France)
197:14 September 1966
2053:
592:Silver Bear for Best Actor
20:
2032:Swedish independent films
1962:1966 romantic drama films
1848:"The Bridge of Sighs" in
1839:"Les Trois Désastres" in
1773:A Letter to Freddy Buache
1550:Germany Year 90 Nine Zero
1320:
1304:
576:2016 Cannes Film Festival
42:Theatrical release poster
35:
2017:French independent films
1807:The French as Seen by...
713:The Criterion Collection
23:Masculin Féminin (album)
740:A World History of Film
486:'s 1952 44-minute film
186:22 March 1966
1957:1966 independent films
1832:Tribute to Eric Rohmer
1086:"Cannes Classics 2016"
267:
1815:Histoire(s) du cinéma
1724:The Oldest Profession
1704:"Le Grand escroc" in
1688:The Seven Deadly Sins
1486:Every Man for Himself
703:(20 September 2005).
1805:"Le Dernier mot" in
1090:Cannes Film Festival
1066:"Masculine Feminine"
1039:"Masculine-Feminine"
2007:Films shot in Paris
1982:Films about singers
1977:1960s Swedish films
1925:Groupe Dziga Vertov
1893:Le Parti des choses
1850:Bridges of Sarajevo
1695:"The New World" in
1614:Goodbye to Language
1126:on 19 February 2012
674:The Washington Post
489:The Crimson Curtain
468:Antoine Bourseiller
145:Svensk Filmindustri
121:Jean-Jacques Debout
2002:Films set in Paris
1967:1960s French films
1912:(1972 documentary)
1904:(2010 documentary)
1896:(1964 documentary)
1888:(1963 documentary)
1758:Here and Elsewhere
1655:Une femme coquette
1647:Operation Concrete
1534:Keep Your Right Up
1502:First Name: Carmen
1334:A Woman Is a Woman
1257:TCM Movie Database
389:of "Vietnam" and "
1939:
1938:
1731:"Caméra-oeil" in
1632:
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1590:In Praise of Love
842:The Museum at FIT
778:Cahiers du Cinéma
755:978-0-8109-0606-8
657:, pp. 9–184.
557:review aggregator
494:Guy de Maupassant
445:Jean-Pierre Léaud
406:Charles de Gaulle
334:Charles de Gaulle
295:Jean-Pierre Léaud
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88:Jean-Pierre Léaud
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1733:Far from Vietnam
1671:A Story of Water
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569:weighted average
484:Alexandre Astruc
372:Peace in Vietnam
330:Masculin Féminin
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1582:For Ever Mozart
1454:Joy of Learning
1382:A Married Woman
1358:The Carabineers
1350:Le petit soldat
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1298:Jean-Luc Godard
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1241:Rotten Tomatoes
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550:Bosley Crowther
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506:Paul's Mistress
496:'s short story
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472:Françoise Hardy
464:Brigitte Bardot
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310:ménage à quatre
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283:French New Wave
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1931:Bibliography
1923:
1915:
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1891:
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1840:
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1823:
1813:
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1796:"Armide" in
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1732:
1723:
1715:Paris vu par
1714:
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1470:Tout Va Bien
1468:
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1374:Bande à part
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1342:Vivre sa vie
1340:
1332:
1324:
1251:
1235:
1218:
1203:
1186:
1161:. New York:
1156:
1143:Bibliography
1128:. Retrieved
1124:the original
1110:
1098:. Retrieved
1094:the original
1080:
1069:
1060:
1048:. Retrieved
1042:
1033:
1026:Billard 1969
1021:
1014:Billard 1969
1009:
1002:Billard 1969
997:
990:Billard 1969
985:
978:Billard 1969
973:
966:Billard 1969
961:
954:Billard 1969
949:
938:the original
911:Billard 1969
906:
899:Billard 1969
894:
887:Billard 1969
882:
875:Billard 1969
870:
863:Billard 1969
858:
846:. Retrieved
832:
820:. Retrieved
813:
803:
793:
791:
773:
764:
744:. New York:
739:
728:
716:. Retrieved
706:
678:. Retrieved
672:
662:
655:Billard 1969
650:
638:. Retrieved
633:
623:
585:
573:
554:
546:Judith Crist
538:Pauline Kael
527:
524:
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497:
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462:
430:Chantal Goya
418:
411:
395:
376:
363:
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329:
328:
321:
314:vérité-style
309:
303:
291:Chantal Goya
281:) is a 1966
268:
258:
257:
256:
214:Running time
101:Willy Kurant
83:Chantal Goya
18:
1917:Redoubtable
1697:Ro.Go.Pa.G.
1686:"Sloth" in
1430:La Chinoise
1307:Filmography
1163:Grove Press
1130:24 February
822:22 November
818:(in French)
640:29 December
636:(in French)
454:Yves Afonso
387:portmanteau
379:RCA Records
318:LeRoi Jones
218:103 minutes
141:Argos Films
66:Produced by
48:Directed by
1952:1966 films
1946:Categories
1789:Meetin' WA
1478:Number Two
1390:Alphaville
1326:Breathless
1225:Metacritic
1071:Metacritic
718:17 January
615:References
565:Metacritic
511:The Signal
502:The Signal
498:The Signal
478:Production
342:James Bond
274:pronounced
248:Box office
201:1966-09-14
190:1966-03-22
128:Production
58:Written by
1885:Paparazzi
1637:Short and
1526:King Lear
1518:Détective
1510:Hail Mary
815:Le Figaro
582:Accolades
534:Tom Milne
521:Reception
383:Bob Dylan
346:Bob Dylan
223:Countries
130:companies
107:Edited by
1909:One P.M.
1438:Week-end
1366:Contempt
1209:AllMovie
1171:68-22022
1100:21 April
772:(2006).
736:(2002).
598:See also
559:website
398:pollster
323:Dutchman
240:Language
167:(France)
149:Sandrews
117:Music by
76:Starring
1877:Related
1639:segment
1494:Passion
1314:Feature
1255:at the
1050:27 July
848:12 June
586:At the
391:beatnik
320:' play
199: (
188: (
1869:(2023)
1861:(2014)
1853:(2014)
1844:(2013)
1835:(2010)
1827:(2002)
1818:(1998)
1810:(1988)
1801:(1987)
1792:(1986)
1784:(1985)
1776:(1982)
1761:(1976)
1753:(1972)
1745:(1969)
1736:(1967)
1727:(1965)
1718:(1964)
1709:(1963)
1700:(1962)
1691:(1962)
1682:(1958)
1674:(1958)
1666:(1957)
1658:(1955)
1650:(1955)
1625:(2018)
1617:(2014)
1609:(2010)
1601:(2004)
1593:(2001)
1585:(1996)
1577:(1995)
1569:(1993)
1561:(1993)
1553:(1991)
1545:(1990)
1537:(1987)
1529:(1987)
1521:(1985)
1513:(1985)
1505:(1983)
1497:(1982)
1489:(1980)
1481:(1975)
1473:(1972)
1465:(1969)
1457:(1969)
1449:(1968)
1441:(1967)
1433:(1967)
1425:(1967)
1417:(1966)
1409:(1966)
1401:(1965)
1393:(1965)
1385:(1964)
1377:(1964)
1369:(1963)
1361:(1963)
1353:(1963)
1345:(1962)
1337:(1961)
1329:(1960)
1194:
1169:
784:
752:
680:6 July
344:, and
264:French
243:French
232:Sweden
229:France
941:(PDF)
930:(PDF)
609:Yé-yé
306:yé-yé
1841:3X3D
1798:Aria
1192:IMDb
1167:LCCN
1132:2010
1102:2016
1052:2024
850:2024
824:2020
782:ISBN
750:ISBN
720:2019
682:2012
642:2014
466:and
424:Cast
402:IFOP
400:for
393:").
356:Plot
350:Marx
1239:at
1223:at
1207:at
1190:at
1948::
1165:.
1118:.
1088:.
1068:.
1041:.
932:.
918:^
840:.
812:.
790:.
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690:^
671:.
632:.
578:.
513:.
340:,
336:,
326:.
297:,
293:,
272:,
266::
1290:e
1283:t
1276:v
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1134:.
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1074:.
1054:.
852:.
826:.
796:.
758:.
722:.
705:"
684:.
644:.
370:"
262:(
203:)
192:)
25:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.