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It can even be considered as a political statement against copyright laws and restrictions imposed by the government as well. "Reframing of the original narrative" is regarded as a way to create a new and unique product which leads to a "fresh perspective" of the original. Murray states "there’s the
60:
were ascribed a certain meaning, this meaning could be altered through rearranging them and putting them into a new context. However, it was still quite a long way to the beginning of mashup culture in music. From the early 2000s on, music was more and more distributed through the internet. With the
120:
article described the mashup of songs as a strategy of
Londoner DJs to transform music they considered bad into something they could appreciate and were willing to listen to. Even though mashup culture has its origin in online communities, it entered a more art-related realm. It is art used as a
61:
introduction of MP3 audio files, it became much easier to access and download music. Not only could music be accessed easier, it could also be transformed and mixed in ways that were not possible before. Especially for younger people, this new gained freedom when it came to the accessibility of
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lead to the development of a new form of cult around the transformation of musical pieces. This "reworking MP3 recordings pulled from the
Internet" was turning into more than just a fashion just as "the Internet is more than just a means of distribution, it becomes a
134:
who get to sanction what creative expression looks like, or one in which the freedom of this expression is valued above share price". Copyright issues have always been limiting the possibilities of mashup culture. Those implications by law have led to the problem of
139:. Mashups are often created with illegally acquired content. This closeness to illegality has become part of this culture. "In some cases, the illegality of piracy contributes to the appeal of unauthorized copies online" states Shiga in her article
187:, a book about mashup culture's influence on society. It focuses on "the nature of that transformation", stating that it has been "fuelled by rapid advances in technology that have transformed art and communication". He describes
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before, it was only with the rise of the MP3 audio file along with easy-to-use computer mash-up programs that mash-up was transformed into an own culture as such. Especially
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for a culture based on audio data’’ states
Alistair Riddell in 2001. During that time, the first versions of mashup music were published, sometimes not under the term
143:. Even though copyright laws were intentionally supposed to stop illegal downloads, they contributed to the appeal of mashup and to the culture existing around it.
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sharing was contributing to this phenomenon: People who create mashup music can easily distribute it and share it with other people through online programs.
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or DIY trend. Consumers are turning into producers as well, especially due to the simplification of online tools that help creating personalized content.
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format and spliced with audio-editing software online. The new, edited song is called mashup. The expression mashup culture is also strongly connected to
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Mashup culture is sometimes regarded as a cultural movement against common, existing music that is published by the music industry. In 2002, a
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The audience is taking on a DIY spirit, each masher becoming a mini-Burroughs, cutting the music and pasting it on a blank sheet of MP3
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28:. Even though it was not originally a political community, the production of mash-up music is related to the issue of
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32:. Mashup Culture is even regarded as "a response to larger technological, institutional, and social contexts".
238:"Mix and mash-up — An experimental musician explores how technology has transformed our cut-and-paste culture"
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question of the kind of
Internet we want moving forward – one increasingly controlled by corporate
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were the first to introduce already existing objects, which they rearranged and combined in
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Participants in an online music scene who rearrange spliced parts of musical pieces form
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340:"The Apolitical Irony of Generation Mash-Up: A Cultural Case Study in Popular Music"
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The history of mashup culture in general can be dated back to the beginnings of
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Another important aspect of the success of mashup culture nowadays lies in the
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56:, to the world of higher art. These artists believed that even though certain
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as an essential part of our society. The book was published by the
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404:"Data Culture Generation. After Content, Process as Aesthetic"
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Mashup culture is motivated by a number of different factors.
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385:"Temixing Culture And Why The Art Of The Mash-Up Matters"
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Press and has been regarded highly by scholars such as
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statement against the content music industry provides.
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185:Sound Unbound: Sampling Digital Music and Culture
289:"Copy-and-Persist: The Logic of Mash-Up Culture"
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141:Copy-and-Persist: The Logic of Mash-Up Culture
1313:Cinema / television / video
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102:Cover of the Mixtape Mash Up 2 by DJ Jopez
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248:(33–34). Nature Publishing Group: 33–34.
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296:Critical Studies in Media Communication
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841:Organization for Transformative Works
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402:Riddell, Michael; Alistair (2001).
20:. The audio-files are normally in
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662:Commercial use of copyleft works
642:Alternative compensation system
224:Mashup (web application hybrid)
1993:Intellectual property activism
826:Electronic Frontier Foundation
383:Murray, Ben. (22 March 2015).
179:Paul D. Miller, also known as
1:
1776:Pierre Menard, Author of the
1622:Archetypal literary criticism
1182:Literature / theatre
667:Commons-based peer production
535:Legal aspects of file sharing
1588:Source criticism in the arts
1256:Readymades of Marcel Duchamp
762:Access to Knowledge movement
170:Mashup in current literature
1789:Reality Hunger: A Manifesto
2009:
1895:Appropriation in sociology
1900:Articulation in sociology
1423:Revivalism (architecture)
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876:Students for Free Culture
772:Cultural environmentalism
729:Prizes instead of patents
525:Digital rights management
420:10.1162/00240940152549294
359:10.1080/03007760701214815
347:Popular Music and Society
338:Serazio, Michael (2008).
308:10.1080/07393180701262685
236:Weidenbaum, Marc (2008).
1612:Aesthetic interpretation
831:Free Software Foundation
1854:The Pictures Generation
1633:The Death of the Author
962:RiP!: A Remix Manifesto
672:Electronic sell-through
567:Monopolies of knowledge
510:Censorship by copyright
94:Forms of mashup culture
74:but under the name of "
1925:Copyright infringement
1905:Cultural appropriation
976:The Internet's Own Boy
782:Free software movement
609:software patent debate
515:Copyright infringement
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147:Do-it-yourself culture
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1952:Participatory culture
1920:Intellectual property
777:Free-culture movement
687:Libertarian positions
682:Free-software license
647:Anti-copyright notice
490:Intellectual property
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1627:Artistic inspiration
1451:Intertextual figures
1418:Parody advertisement
697:Open-design movement
1962:Recontextualisation
1915:Information society
1910:History of printing
1890:Academic dishonesty
1651:Genius (literature)
1340:Literal music video
1251:Photographic mosaic
1046:Chopped and screwed
637:All rights reversed
505:Artificial scarcity
125:Political statement
1639:Divine inspiration
1428:Video game modding
1270:By source material
955:Good Copy Bad Copy
901:Alexandra Elbakyan
805:Copyright Alliance
287:Shiga, J. (2007).
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48:. Artists such as
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1882:artistic concepts
1870:Russian formalism
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1300:Statue of Liberty
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1041:Bootleg recording
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1602:Related artistic
1568:Imitation in art
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861:Public Knowledge
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702:Open music model
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414:(4): 337–343.
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68:raison d’eˆtre
50:Marcel Duchamp
46:conceptual art
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1078:Interpolation
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1068:Cover version
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1019:Appropriation
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621:Public domain
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302:(2): 93–114.
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219:Mashup (book)
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137:online piracy
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1880:Related non-
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1838:
1827:
1813:
1802:Theorization
1787:
1777:
1764:
1643:
1572:
1558:Found object
1553:DĂ©tournement
1387:YouTube poop
1382:Video mashup
1330:Collage film
1293:
1285:
1276:
1204:Found poetry
1199:Flarf poetry
1108:Parody music
1088:Music mashup
1063:Contrafactum
974:
967:
960:
953:
946:
931:Aaron Swartz
856:Pirate Party
814:Pro-copyleft
692:Open content
677:Free content
577:Orphan works
572:Music piracy
539:
411:
407:
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388:
353:(1): 79–94.
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88:peer-to-peer
71:
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39:
17:
15:
1947:Open source
1735:Plot device
1685:Originality
1668:Fan fiction
1533:After (art)
1489:Translation
1345:Parody film
1229:Visual arts
1158:Tribute act
1021:in the arts
926:Peter Sunde
921:Peter Suber
741:Share-alike
712:Open source
707:Open patent
389:Tech Crunch
132:gatekeepers
80:bastard pop
63:audio files
1982:Categories
1840:Nachahmung
1826:Dionysian
1766:L.H.O.O.Q.
1690:Simulacrum
1499:Adaptation
1479:Plagiarism
1413:Joke theft
1396:Other arts
1189:Assemblage
1051:Contrafact
851:PiratbyrĂĄn
599:biological
530:Gripe site
429:1885/41955
264:References
230:Literature
1715:Archetype
1707:and forms
1663:Fan labor
1543:Bricolage
1484:Quotation
1372:TV format
1278:Mona Lisa
1173:Vaporwave
1168:Variation
1128:Quodlibet
1123:Potpourri
1113:Pasticcio
1103:Nightcore
755:Movements
582:Biopiracy
181:DJ Spooky
175:DJ Spooky
58:artifacts
30:copyright
1935:Fair use
1828:imitatio
1821:Diegesis
1645:Afflatus
1617:Anti-art
1604:concepts
1548:Citation
1512:Literary
1474:Pastiche
1459:Allusion
1443:concepts
1441:General
1367:Supercut
1153:Standard
1143:Sampling
1027:By field
734:contests
722:software
717:hardware
657:Copyleft
630:Concepts
614:trolling
604:software
492:activism
438:33366354
408:Leonardo
367:30186562
316:55531490
203:See also
189:sampling
162:—
117:Newsweek
54:collages
1860:Pop art
1834:Mimesis
1778:Quixote
1578:Reprise
1517:Theatre
1403:In-joke
1377:Vidding
1241:Collage
969:TPB AFK
866:Sci-Hub
594:Patents
545:digital
164:Serazio
84:Hip Hop
36:History
1988:Mashup
1793:(2010)
1783:(1939)
1770:(1919)
1583:Satire
1573:Mashup
1563:Homage
1469:Parody
1464:Calque
1355:Remake
1138:Riddim
1083:Medley
1073:DJ mix
889:People
560:videos
540:Mashup
498:Issues
436:
365:
314:
242:Nature
78:" or "
72:mashup
1757:works
1675:Genre
1656:Muses
1294:PietĂ
1286:David
1261:Swipe
1214:Trope
1163:Trope
1133:Remix
1034:Music
555:novel
550:music
434:S2CID
363:S2CID
343:(PDF)
312:S2CID
292:(PDF)
1942:Meme
1809:Dada
1507:Film
1056:list
44:and
42:dada
424:hdl
416:doi
355:doi
304:doi
250:doi
246:453
193:MIT
22:MP3
1984::
1781:"
446:^
432:.
422:.
412:34
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387:.
375:^
361:.
351:31
349:.
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324:^
310:.
300:24
298:.
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271:^
244:.
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183:,
1774:"
1635:"
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1011:e
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426::
418::
391:.
369:.
357::
318:.
306::
258:.
252::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
