1195:
1061:
420:
918:
1259:
1598:
1225:
940:
717:
406:
1371:
617:
694:
1474:
1420:
675:
1458:
1237:
960:
1009:
819:
1359:
1041:
1025:
1408:
1335:
797:
1504:
1171:
1271:
1133:
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1097:
659:
643:
990:
123:
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781:
589:
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1570:
605:
1558:
765:
2711:, p. 126–127: "Official" Turkish figures wear a standard combination of a sharbūsh, a three-quarters length robe, and boots. Arab figures, in contrast, have different headgear (usually a turban), a robe that is either full-length or, if three-quarters length, has baggy trousers below, and they usually wear flat shoes or (...) go barefoot (...) P.127: Reference has already been made to the combination of boots and
1676:) and short close-fitting tunics, most other figures are depicted with ‘Arab’ or ‘Semitic’ facial features, and dressed in long robes and turbans. Apparently in keeping with the contemporary political and social makeup of the region in which these manuscripts were produced, a visual distinction was made along ethnic and social lines, between the non-Arab Turkish ruling elite and the indigenous Arab bourgeoisie.
3457:
1060:
1670:, in which a similar iconographic differentiation can be found. In a number of these manuscripts a careful distinction is made between royal and non-royal figures, both in terms of physical appearance and dress. Whereas princes and governors are commonly represented with the same ‘Asiatic’ or ‘Oriental’ facial features, and dressed in Turkish military garments like fur-trimmed caps (
917:
36:
3278:
1828:
amongst whom al-Hariri's
Maqamat almost immediately became a classic, soon eclipsing earlier writings of the same genre and spawning emulations in Hebrew, Syriac and Persian. So considerable was their popularity that, according to an anecdote cited by Yaqut al-Rumi (c. 1179–1229), al-Hariri had authorized seven hundred copies of the text in his lifetime.
1258:
1194:
1224:
939:
872:
2413:
While at a wedding in Sinjar (Iraq), Abu Zayd tells the story of how he lost his enslaved concubine (jāriya). The plan had been to keep her in strict seclusion, but one day, under the influence of alcohol, he made the mistake of revealing her existence to a neighbor. Word got around; eventually, Abu
2346:
Most of the illustrations are simple and at first glance quite literal, and for this reason most scholars have assigned the manuscript to the early thirteenth century, or even to the late twelfth. A more sophisticated discussion by Rice of one group of illustrations led him to a date sometime in the
1313:
This manuscript may have been made in Syria, in the early 14th century. The first and last pages are lost. Many miniatures are well preserved, but they are dull and repetitive, suggesting a copy without much invention. A governorial figure wearing typically Seljuq or Turkic costume, particularly the
1396:
This manuscript has a colophon describing the date of its manufacture as 1323. It is beautifully made, and suggests a luxury copy. Still, many of the miniatures are left blank and were never completed. It may have been copied from Paris, Bibliothèque
Nationale de France, Arabe 5847. The manuscript
444:
Other early manuscripts are known, such as London, British
Library, Or. 2790 (557 AH/1161–62 CE); Vatican City, Biblioteca Apostolica Vaticana, Sbath 265 (583 AH/1187 CE); Paris, Bibliothèque Nationale de France, Arabe 3924 (584 AH/1188 CE); Paris, Bibliothèque Nationale de France, Arabe 3926 (611
178:
Altogether, more than a hundred manuscripts of the work are known, but only thirteen are illustrated. They were mainly produced over a period of about 150 years. A first phase consists in manuscripts created between 1200 and 1256 in areas between Syria and Iraq. This phase is followed by a 50-year
1827:
Originality and realism were clearly not among the aims of their author, which has led some modern scholars to rate his work as inferior to that of the founder of the genre, al-Hamadhani (968–1008 CE). Yet this perception was not shared by Arabic-speaking audiences of the twelfth century onwards,
2717:
as markers of official status (...) the combination is standard, even being reflected in thirteenth-century Coptic paintings, and serves to distinguish, in Grabar's formulation, the world of the
Turkish ruler and that of the Arab. (...) The type worn by the official figures in the 1237 Maqāmāt,
3689:
452:
manuscripts started to appear, corresponding to a broader "explosion of figural art" in the
Islamic world, from the 12th to 13th centuries, despite religious condemnations against the depiction of living creatures "because it implies a likeness to the creative activity of God".
2718:
depicted, for example, on fol. 59r,67 consists of a gold cap surmounted by a little round top and with fur trimming creating a triangular area at the front which either shows the gold cap or is a separate plaque. A particular imposing example in this manuscript is the massive
154:. The text presents a series of tales regarding the adventures of the fictional character Abū Zayd of Saruj who travels and deceives those around him with his skill in the Arabic language to earn rewards. Although probably less creative than the work of its precursor,
1661:
of the mid-13th century. In all manuscripts, these figures of power and authority in Seljuk style are very different from the otherwise omnipresent figures in Arabic style with their long robes and turbans. Snelders summarizes the situation in socio-political terms:
419:
616:
1447:. The fronstispiece shows an enthroned Prince at his court. The style is Turkic: "In the paintings the facial cast of these Turks is obviously reflected, and so are the special fashions and accoutrements they favored". The ruler may be the Mamluk Sultan
3760:
1370:
959:
3420:
3048:
of gold roundels (bawlikir). The two musicians at the lower right both wear turkic coats and plumed caps, one of which has an upwardly turned brim. The plumes are set in a front metal plaque ('amud) (Nationalbibliothek, Vienna, ms A. F. 9, fol.
3043:
Fig. 22. Frontispiece of a court scene from a
Maqamat manuscript, probably from Egypt, dated 1334. The enthroned prince wears a brocaded qabli' maftulJ with inscribed Tiraz armbands over a qabli' turki which is clinched at the waist with a
516:
An exposition of artistic artistry towards the illustration of manuscripts occurred in the 12th and 13th century. Throughout the 13th century in the area of Syria and Iraq, there is a lot in common stylistically between the
Christian
1457:
818:
1597:
3012:
The sultan who possibly commissioned the manuscript and who may be the one depicted on the dedicatory title page is An-Nasir
Muhammad b. Qala'un, who was in power for the third time from 709 AH / 1309-10 AD to 741 AH / 1340-41
1419:
3664:
1639:, from the 13th century miniatures of North Jazira down to those of the Mamluk period. These are characteristic of the figures of princely cycle and courtly life in early Islamic art. These figures are generally similar to
2099:
The
Islamic world witnessed, in the twelfth to thirteenth centuries, an explosion of figural art. (...) The making of it is forbidden under every circumstance, because it implies a likeness to the creative activity of
1534:
Only a few pages of this manuscript remain. The colophon indicates that it was manufactured in 1337 for an official at the Mamluk court, the Mamluk amir Nasir al-Din
Muhammad, son of Husam al-Din Tarantay Silahdar, in
1236:
716:
1473:
3495:
1878:, p. 2, ..."contemporary illustrated Islamic manuscripts, which are often also referred to as ‘secular Arabic manuscripts’ when religious works such as illuminated Qur’ans are excluded from the equation".
3634:
3542:
3091:
Only one illustrated copy of the Maqamat (Oxford Marsh 458) was dedicated to a named individual, the Mamluk amir Nasir al-Din Muhammad, son of Husam al-Din Tarantay Silahdar, for whom it was completed in
1503:
1325:
2909:
218:
After a preface by al-Hariri himself, there are 50 stories altogether, generally entitled on the format "Encounter at....", with the name of a different city for each story. The chapters are in order:
3668:
693:
1040:
1649:
headgear, with distinctive facial features, and sitting cross-legged on a throne with one hand on the knee and one arm raised. These figures are also similar to those in the frontispieces of the
1270:
3617:
886:-type Turkic military dress (long braids, fur hat, boots, fitting coat), who may be the potentate the manuscript was dedicated to. This potentate seems like a Turkic emir, and may be one of the
3546:
674:
167:
The first known manuscripts date from the 13th century, with eight illustrated manuscripts known from this period. The most famous manuscripts include one from 1237 in Baghdad (now in the
475:
from the 9th century CE. They were not illustrated, but were "illuminated" with decorations of the frontispieces or headings. The tradition of illustrated manuscripts started with the
3676:
1008:
405:
3696:
1024:
1358:
758:. The date appears in several places (on the hull of the boat in folio 68, or a plate held by a schoolboy in folio 167, in the format "made in the year 619" (i.e. 1222 CE).
1252:
This manuscript (also sometimes labelled Ms. C-23), although in rather poor condition, has many elaborate illustrations. It is undated, and the place of origin is unknown.
796:
754:
by al-Hariri. The style and numerous Byzantine inspirations in the illustrations suggest it might have been drawn in the area of Damascus in Syria, under the rule of the
642:
441:
certificate of authenticity by al-Ḥarīrī himself. It is by far the earliest the earliest known manuscript, and it was copied the same year al-Ḥarīrī completed his work.
1407:
3605:
3550:
780:
3672:
1745:
1132:
1120:
1108:
1096:
3534:
743:
588:
3538:
3530:
3469:
3321:
989:
838:
541:
1148:
This manuscript has a colophon describing the date of its manufacture as 1256. It was made by an artist named Umar ibn Ali ibn al-Mubarak al-Mawsili ("from
3359:
658:
3508:
1334:
522:
180:
3824:
575:
known. The illustrations are rather simple and literal, which leads most specialists to attribute it to the early 13th or even late 12th century.
1182:
1170:
1158:
561:
431:
are known, starting from the lifetime of al-Ḥarīrī himself (1054–1122), when he was about 56 years old. The earliest known manuscript is Cairo,
3629:
1697:
529:. This synthesis seems to point to a common pictorial tradition that existed since circa 1180 CE in the region, which was highly influenced by
764:
3755:
3708:
3684:
3244:
3223:
3160:
2551:
2492:
2167:
1944:
3502:
493:
3712:
3434:
876:
604:
168:
45:
3289:
Les Makamat de Hariri; exemplaire orné de peintures exécutées par Yahya ibn Mahmoud ibn Yahya ibn Aboul-Hasan ibn Kouvarriha al-Wasiti.
2936:"The Maqamat of al-Hariri. Two Illustrated Mamluk Manuscripts at the British Library MS Or.9718 and Ms.Add.22114.pdf (MA Thesis, SOAS)"
2879:"The Maqamat of al-Hariri. Two Illustrated Mamluk Manuscripts at the British Library MS Or.9718 and Ms.Add.22114.pdf (MA Thesis, SOAS)"
907:
The book is written in red and black ink, and supplemented by 99 miniatures. These miniatures depict a wide variety of scenes from the
471:
The origins of the pictorial tradition of Arabic illustrated manuscripts are uncertain. The first known decorated manuscripts are some
3565:
3123:
A World of Beasts: A Thirteenth-Century Illustrated Arabic Book on Animals (the Kitāb Na't al-Ḥayawān) in the Ibn Bakhtīshū' Tradition
1730:Ḥarīrī al-Baṣrī, Muḥammad al-Qāsim ibn ʿAlī al- (1054-1122); texte, Al-QĀSIM ibn ʿAlī al-Ḥarīrī (Abū Muḥammad) Auteur du (1201–1300).
476:
3036:
1904:
1488:
1346:
3598:
3314:
479:
and the creation of scientific and technical treatises often based on Greek scientific knowledge, such as the Arabic versions of
1545:
1210:
The manuscript is quite damaged, and many of the miniatures were repainted in rather recent times. The original artist was from
1218:", who is known to have been born in 1232–3 and died in 1310 at the age of 80, and apparently lived in Damascus all his life).
3282:
188:
3173:
3073:
George, Alain (February 2012). "Orality, Writing and the Image in the Maqamat : Arabic Illustrated Books in Context".
2081:
George, Alain (February 2012). "Orality, Writing and the Image in the Maqamat : Arabic Illustrated Books in Context".
1960:
George, Alain (February 2012). "Orality, Writing and the Image in the Maqamat : Arabic Illustrated Books in Context".
1809:
George, Alain (February 2012). "Orality, Writing and the Image in the Maqamat : Arabic Illustrated Books in Context".
245:
156:
3641:
1581:
1569:
3338:
2397:"Automated Slaves, Ambivalent Images, and Noneffective Machines in al-Jazari's Compendium of the Mechanical Arts, 1206"
2272:"Automated Slaves, Ambivalent Images, and Noneffective Machines in al-Jazari's Compendium of the Mechanical Arts, 1206"
2215:"Automated Slaves, Ambivalent Images, and Noneffective Machines in al-Jazari's Compendium of the Mechanical Arts, 1206"
1557:
565:
3819:
3483:
3307:
172:
2911:
Islam and the West. Arabic inscriptions and pseudo inscriptions. Mantova: Universitas Studiorum. ISBN 9788833690735
2396:
2271:
2214:
846:
3003:
1086:
This manuscript is badly damaged and all the faces were erased. Its colophon bears a dedication to Abbasid Caliph
3623:
3255:
1522:
1297:
882:
The twin frontispieces show one individual in Arab dress, who may be the author himself, and a majestic ruler in
432:
192:
1285:
1000:
1321:
893:
3579:
3490:
3415:
1230:
Two camel riders in Arab bedouin costumes. Maqamat, Syria, late 13th-century, British Library, Ms. Or. 9718.
557:
481:
184:
164:
became extremely popular, with reports of seven hundred copies authorized by al-Ḥarīrī during his lifetime.
122:
2722:
with much more fur than usual that is worn by the princely official on the right frontispiece on fol. 1v."
462:
206:
belong to the category of "secular Arabic manuscripts", as opposed to religious works such as illustrated
3612:
3257:
Identity and Christian-Muslim interaction : medieval art of the Syrian Orthodox from the Mosul area
1683:
Identity and Christian-Muslim interaction : medieval art of the Syrian Orthodox from the Mosul area
854:
3558:
3464:
3234:
3703:
3427:
3150:
1772:"A Turk in the Dukhang? Comparative Perspectives on Elite Dress in Medieval Ladakh and the Caucasus"
3829:
3330:
518:
2426:
1731:
3781:
3737:
3730:
2442:"La représentation du héros des Maqāmāt d'al-Ḥarīrī dans les trois premiers manuscrits illustrés"
2318:"La représentation du héros des Maqāmāt d'al-Ḥarīrī dans les trois premiers manuscrits illustrés"
2063:
2016:
950:
147:
57:
3593:
381:
277:, "Encounter called "The Legal"", "Encounter of the West", "Encounter called "The Reversed"",
2441:
1936:
The Islamic-Byzantine Frontier: Interaction and Exchange Among Muslim and Christian Communities
3572:
3476:
3240:
3219:
3156:
3032:
2745:
2547:
2488:
2482:
2461:
2337:
2163:
2157:
2055:
2008:
1940:
1934:
1739:
1448:
897:
863:
747:
498:
487:
106:
2541:
2036:"Certificates of Transmission on a Manuscript of the Maqāmāt of Ḥarīrī (MS. Cairo, Adab 105)"
1989:"Certificates of Transmission on a Manuscript of the Maqāmāt of Ḥarīrī (MS. Cairo, Adab 105)"
3786:
3211:
3127:
3082:
2453:
2404:
2329:
2279:
2222:
2090:
2047:
2000:
1969:
1925:
1818:
502:
466:
320:
867:, which securely emanated from this city, and the fact that the name of the Abbasid Caliph
299:
3586:
2671:
2567:
2240:
2195:
1657:
1651:
1514:
249:
1087:
1152:"). The manuscript is quite damaged, and miniatures often have been clumsily repainted.
3791:
1643:
depictions of authority, wearing typically Seljuq or Turkic costumes, particularly the
1066:
Maqama 21: Amir ("the Prince of that region") with guards, wearing the Turkic headgear
901:
868:
445:
AH/1214 CE); and Paris, Bibliothèque Nationale de France, Arabe 3927 (611 AH/1214 CE).
2317:
933:
fur hat, boots, fitting coat), in the Maqamat of al-Hariri, 1237 CE, possibly Baghdad.
857:, the manuscript was copied in the year 634 AH (1237 CE). It may have been created in
3813:
3236:
The assemblies of al-Hariri : fifty encounters with the Shaykh Abu Zayd of Seruj
3086:
2094:
1973:
1822:
1640:
883:
545:
530:
506:
311:
151:
3288:
3187:
1440:
286:
2484:
The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843-1261
2159:
The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843-1261
3026:
1790:"Al Maqamat: Beautifully Illustrated Arabic Literary Tradition – 1001 Inventions"
1425:
Maqamat, British Library, Ms. Or. Add. 7293 (detail). Abū Zayd and his audience (
3797:
2713:
808:
632:
3295:
Detailed list of the illustrated Maqamas, and their illustrations with captions
3265:
Al Maqamat: Beautifully Illustrated Arabic Literary Tradition – 1001 Inventions
3215:
3131:
2408:
2283:
2226:
1928:
727:
627:
578:
The first pages are lost: the manuscript starts from the second story (second
509:, and their work is known to have been sponsored by local rulers, such as the
365:
253:
127:
2749:
2465:
2341:
2059:
2012:
3203:
3121:
1264:
Abu Zayd before the governor of Merv (Maqāma 28). Saint Petersburg Ms. S.23.
1073:
303:
295:
3375:
3004:"Al-Hariri, Maqamat ('Assemblies') - Discover Islamic Art - Virtual Museum"
704:
649:
472:
340:
207:
35:
3277:
3264:
1789:
3353:
3028:
Arab Dress: A Short History : from the Dawn of Islam to Modern Times
2687:
2685:
1672:
1645:
1603:
1398:
1382:
1316:
1215:
1211:
1068:
979:
929:
828:. Students, some wearing the Arab turban, others Turkic caps. Folio 167r
771:
755:
665:
595:
549:
510:
266:
257:
241:
233:
221:
3294:
3188:"Maqamat Al-Hariri: Illustrated Arabic Manuscript from the 13th century"
2733:
1635:, Princes or Governors appear recurrently in the various manuscripts of
302:, "The Encounter of the address", "The Encounter of the Tent-dwellers",
2457:
2333:
2067:
2035:
2020:
1988:
1047:
888:
858:
571:
This illustrated manuscript is considered the most ancient illustrated
336:
282:
270:
146:
written at the end of the 11th or the beginning of the 12th century by
1248:
Saint Petersburg, Russian Academy of Sciences, Ms. S.23 (13th century)
3408:
3390:
3299:
1631:
1615:
1279:(Maqāma 39). Saint Petersburg, Russian Academy of Sciences, Ms. S.23.
825:
623:
373:
369:
361:
352:
332:
324:
316:
278:
225:
142:
85:
22:
2935:
2878:
2524:
2298:
2051:
2004:
1771:
298:, "Encounter of the Precinct", "Encounter called "Of the Portion"",
2543:
Arab Dress, A Short History: From the Dawn of Islam to Modern Times
568:, securely dated to 1206 and displaying many design similarities).
1596:
1536:
1463:
Frontispiece with Mamluk court scene. Probably Egypt, dated 1334.
1444:
1149:
1051:
996:
973:
946:
924:
879:, holder of the manuscript, simply presents it as "Mesopotamian".
787:
731:
708:
548:, Turkey, ca. 1200×1210. This manuscript probably belongs to the "
437:
418:
411:
404:
389:
385:
357:
328:
307:
274:
262:
229:
196:
121:
2825:, pp. 84–88, Maqāma 21, "The encounter at Rayy al-Mahdiyeh".
2110:
2108:
1242:
Abū Zayd in the children's school. British Library, Ms. Or. 9718.
1625:
1609:
1377:
1324:
in other manuscripts, appears on several of the folios (such as
1309:
London, British Library, Ms. Or. Add. 22114 (early 14th century)
1200:
Abū Zayd in the children's school. British Library, Ms. Or. 1200
1031:
967:
953:
himself, in the Maqamat of al-Hariri, 1237 CE, possibly Baghdad.
803:
723:
700:
685:
681:
377:
348:
344:
291:
237:
3303:
537:
Paris, Bibliothèque Nationale de France, Arabe 3929 (1200×1210)
423:
First page of 1188 CE edition (not illustrated). BNF Arabe 3924
126:
The main character Abu Zayd travelling on horse, on his way to
21:
For the general presentation of the Maqama literary genre, see
2610:
2608:
1401:
in 1375–1376, according to an inscription on the first page.
3204:"The Schefer Ḥarīrī: A Study in Islamic Frontispiece Design"
1090:(1243–1258), but the location of its production is unknown.
191:). A second phase runs from around 1300 to 1337, during the
2654:
2652:
1082:
Istanbul, Suleymaniye Library, Esad Efendi 2961 (1242×1258)
140:(Arabic: مقامات الحريري) is a collection of fifty tales or
2583:
2581:
1443:
era, and was produced in Egypt or Syria, most probably in
834:
Paris, Bibliothèque Nationale de France, Arabe 5847 (1237)
739:
Paris, Bibliothèque Nationale de France, Arabe 6094 (1222)
552:" of painting, together with an early 1206 edition of the
2914:. Universitas Studiorum Publishing. p. 126, note 34.
1732:"Les Maqâmât d'Aboû Moḥammad al-Qâsim ibn ʿAlî al-Ḥarîrî"
1206:
London, British Library, Ms. Or. 9718 (late 13th century)
415:
written by al-Hariri himself, for the copyist in 1111 CE.
2299:"Evidence for a School of Painting at the Artuqid Court"
2125:
2123:
2974:
2972:
2970:
2957:
2955:
2953:
2951:
2949:
2860:
2858:
2856:
2854:
2852:
2839:
2837:
2835:
2833:
2831:
2765:, pp. 193–198, Maqāma 39, "The encounter at Oman".
2639:
2637:
2635:
2347:
1240. (Grabar, The Illustrations of the Maqamat, p. 8.)
875:); but this attribution remains quite conjectural. The
786:
Maqama 10: Abu Zayd and his son before the governor of
750:
region, and is the earliest securely dated illustrated
448:
After this initial non-illustrative phase, illustrated
2506:
2504:
2487:. Metropolitan Museum of Art. 1997. pp. 428–429.
2414:
Zayd was forced to sell the concubine to the governor.
2162:. Metropolitan Museum of Art. 1997. pp. 384–385.
1214:(folio 53r mentions "Work of Ghazi ibn 'Abd al-Rahman
911:
and from everyday life. Most are decorated with gold.
648:
Maqama 18: the beautiful slave maiden of Abu Zaid, a "
3697:
The Wonders of Creatures and the Marvels of Creation
3774:
3747:
3722:
3651:
3517:
3444:
3400:
3382:
3369:
3346:
3337:
3025:Yedida Kalfon Stillman, Norman A. Stillman (2003).
2526:
Fiction Painting : a Medieval Arabic Tradition
1886:
1884:
150:(1054–1122), a poet and government official of the
112:
102:
92:
81:
73:
63:
53:
2040:Transactions of the American Philosophical Society
1993:Transactions of the American Philosophical Society
1924:Picture from Maqamat 43 "Encounter at Al-Bakriya"
560:, devoted to the depiction of mechanical devices (
171:) and one from 1334 in Egypt or Syria (now in the
1909:Encyclopaedia of Islam, First Edition (1913-1936)
1607:fur hat, boots, close-fitting coat. He may be an
1601:Dignitary in Turkic military dress: long braids,
594:Maqama 06: Abu Zayd gratified by the Governor of
409:Ms Cairo Adab 105, folio 5a. Title and autograph
195:period, with production probably centered around
610:Maqama 30: Marriage procession. Arabe 3929, 117r
3031:. Leiden, Netherlands: Brill. pp. Fig.22.
2734:"Text and Paintings in the Al-Wāsiṭī "Maqāmāt""
2303:Oxfod Studies in Islamic Art, Vol. 1, Pp. 69-83
1664:
1435:Vienna, National Library of Austria, AF9 (1334)
849:and is probably the most applauded copy of the
525:, and Arab illustrated manuscripts such as the
427:Several early non-illustrated editions of the
3315:
3143:(in French). Geneva: Skira. pp. 104–124.
3060:
2990:
1776:Interaction in the Himalayas and Central Asia
1530:Oxford, Bodleian Library, MS Marsh 458 (1337)
1320:headgear, and quite similar to the figure of
861:, based on some stylistic parallels with the
8:
2614:
1392:London, British Library, Ms. Or. 7293 (1323)
1144:London, British Library, Ms. Or. 1200 (1256)
636:with tall cap. Maqamat 43, Arabe 3929, 157r.
435:, MS Adab 105, dated 504/1110–11 through an
179:gap, corresponding to the Mongol invasions (
28:
3291:, online digitisation of the BnF manuscript
2810:
2691:
2599:
2587:
1839:
1744:: CS1 maint: numeric names: authors list (
1717:
1482:, Vienna manuscript AF 9, 1334 CE Folio 42v
1413:Maqāmāt, British Library, Ms. Or. Add. 7293
523:Syriac Gospels (British Library, Add. 7170)
3343:
3322:
3308:
3300:
544:was probably produced in Amid, modern-day
34:
27:
3181:. University of Chicago Press. p. 7.
2786:
2708:
2658:
2257:
1778:. Austrian Academy of Science Press: 232.
1666:...thirteenth-century manuscripts of the
3103:
2182:
2141:
2129:
2114:
1875:
16:Collection of tales from the Middle East
2477:
2475:
1765:
1763:
1761:
1759:
1757:
1755:
1710:
1541:
1453:
1403:
1330:
1254:
1220:
1154:
1092:
995:Maqama 34: Slave-market in the town of
927:): ruler in Turkic dress (long braids,
913:
760:
584:
497:. The translators were most often Arab
368:, "The Encounter called "The Wintry"",
130:(Maqama 43, BNF Arabe 3929, 1200-1210).
3630:Encyclopedia of the Brethren of Purity
3202:Hillenbrand, Robert (1 January 2010).
2978:
2961:
2895:
2864:
2843:
2643:
2510:
2358:
2152:
2150:
1920:
1918:
1863:
1851:
1737:
1386:. British Library, Ms. Or. Add. 22114.
892:who ruled in the region, particularly
160:(whose author lived 968–1008 CE), the
3756:The Remaining Signs of Past Centuries
3685:The Remaining Signs of Past Centuries
2929:
2927:
2925:
2923:
2921:
2704:
2702:
2700:
2523:Keresztély, Kata (14 December 2018).
1138:Suleymaniye Library, Esad Efendi 2916
1126:Suleymaniye Library, Esad Efendi 2916
1114:Suleymaniye Library, Esad Efendi 2916
1102:Suleymaniye Library, Esad Efendi 2916
7:
3503:Book of the Ten Treatises of the Eye
2822:
2798:
2774:
2762:
2395:Balafrej, Lamia (19 December 2022).
2382:
2370:
2270:Balafrej, Lamia (19 December 2022).
2213:Balafrej, Lamia (19 December 2022).
1890:
949:): possible depiction of the author
896:, who ruled in the Mosul region and
770:Mqama 01: Abu Zayd and listeners in
494:Book of the Ten Treatises of the Eye
2574:. Bibliothèque Nationale de France.
1698:Maqamat Badi' az-Zaman al-Hamadhani
1619:, 1237 CE edition (BNF Arabe 5847).
1397:was acquired by a tax collector in
1364:British Library, Ms. Or. Add. 22114
3120:Contadini, Anna (1 January 2012).
2626:
477:Graeco-Arabic translation movement
181:invasion of Persia and Mesopotamia
14:
1933:Eger, A. Asa (18 November 2014).
983:hat. (Second frontispiece detail)
871:appears in one of the paintings (
521:illustrated manuscripts, such as
3276:
3175:The Illustrations of the Maqamat
3087:10.1111/j.1467-8365.2011.00881.x
2908:Fontana, M.V. (1 January 2020).
2540:Stillman, Norman (8 June 2022).
2095:10.1111/j.1467-8365.2011.00881.x
1974:10.1111/j.1467-8365.2011.00881.x
1823:10.1111/j.1467-8365.2011.00881.x
1580:
1568:
1556:
1544:
1502:
1487:
1472:
1456:
1418:
1406:
1369:
1357:
1345:
1333:
1296:
1284:
1269:
1257:
1235:
1223:
1193:
1181:
1169:
1157:
1131:
1119:
1107:
1095:
1059:
1039:
1023:
1007:
988:
958:
938:
916:
877:Bibliothèque Nationale de France
817:
795:
779:
763:
715:
692:
673:
657:
641:
615:
603:
587:
169:Bibliothèque Nationale de France
46:Bibliothèque Nationale de France
3825:Islamic illuminated manuscripts
3239:. London : Octagon Press.
3149:Ettinghausen, Richard (1977b).
2297:Ward, Rachel (1 January 1985).
824:Maqama 46: Abu Zayd teacher in
3139:Ettinghausen, Richard (1977).
2940:SOAS Dept. Art and Archaeology
2883:SOAS Dept. Art and Archaeology
2546:. BRILL. p. 68, note 12.
2440:Sakkal, Aya (25 August 2014).
2316:Sakkal, Aya (25 August 2014).
1376:Maqama 21: Turkic governor at
1:
3606:Risālat al-Ṣūfī fī al-kawākib
2144:, p. Chapter4, 4th page.
1770:Flood, Finbarr Barry (2017).
1188:British Library, Ms. Or. 1200
1176:British Library, Ms. Or. 1200
1164:British Library, Ms. Or. 1200
630:in Turkic dress, wearing the
401:Early, non-illustrated copies
1903:Streck, M. (24 April 2012).
1340:MS Or. Add. 22114, folio 96r
1072:, in the preaching scene at
1054:, with Abū Zayd and his son.
965:Turkic soldiers wearing the
3374:Earliest known illuminated
3155:. New York : Rizzoli.
2676:archivesetmanuscrits.bnf.fr
2572:archivesetmanuscrits.bnf.fr
2245:archivesetmanuscrits.bnf.fr
2200:archivesetmanuscrits.bnf.fr
1593:Figures of local potentates
1551:Ms. Marsh 458, Frontispiece
1509:Abū Zayd pleads before the
1352:MS Or. Add. 22114, folio 94
802:Maqama 38: the Governor of
680:Maqama 38: the Governor of
664:Maqama 06: the Governor of
173:National Library of Austria
3846:
3435:The Speech of Wild Animals
2694:, p. 126 and note 40.
2034:MacKay, Pierre A. (1971).
1987:MacKay, Pierre A. (1971).
1439:This copy is dated to the
847:Yahya ibn Mahmūd al-Wāsitī
460:
189:the invasion of the Levant
20:
3216:10.1163/9789004236615_011
3132:10.1163/9789004222656_005
2409:10.11588/xxi.2022.4.91685
2284:10.11588/xxi.2022.4.91685
2241:"Consultation Arabe 3929"
2227:10.11588/xxi.2022.4.91685
1939:. Bloomsbury Publishing.
1523:Austrian National Library
900:with the approval of the
433:National Library of Egypt
33:
3008:islamicart.museumwnf.org
2732:O'Kane, Bernard (2012).
2427:"Makamat de Hariri 6094"
2221:. History: 766, Fig.11.
1587:Ms. Marsh 458, Folio 77b
1575:Ms. Marsh 458, Folio 29b
1030:Maqama 39: the Queen of
244:(or "The Diversified"),
3491:The Book of Fixed Stars
3416:The Book of Fixed Stars
2813:, p. 118, note 10.
2260:, p. 120, fig. 45.
1563:Ms. Marsh 458, Folio 7b
845:, is a copy created by
558:Ibn al-Razzaz al-Jazari
482:The Book of Fixed Stars
42:Al-maqāmāt al-Harīriyya
2446:Annales islamologiques
2322:Annales islamologiques
1688:
1620:
873:15th maqama, fol. 164v
566:Topkapı Sarayı Library
463:Illuminated manuscript
424:
416:
131:
3613:Hadith Bayad wa Riyad
3566:Kitāb naʿt al-ḥayawān
3254:Snelders, B. (2010).
3172:Grabar, Oleg (1984).
2117:, p. 3, note 14.
1600:
1277:A ship bound for Oman
1016:A ship bound for Oman
945:Right frontispiece (2
806:, wearing the Turkic
422:
408:
125:
3642:Dīwān Lughāt al-Turk
3428:Timbuktu Manuscripts
3285:at Wikimedia Commons
3283:Maqamat of al-Hariri
3233:Shah, Amina (1980).
2403:. History: 767–768.
2278:. History: 739–741.
1668:Maqamat of al-Hariri
1495:Maqamat of Al-Hariri
1480:Maqamat of al-Hariri
1465:Maqamat of Al-Hariri
977:armbands, boots and
923:Left frontispiece (1
841:, also known as the
356:41-50 "Encounter at
315:31-40 "Encounter at
290:21-30 "Encounter at
261:11-20 "Encounter at
157:Maqāmāt al-Hamadhānī
3360:Letters by Muhammad
2373:, pp. 212–220.
853:. According to its
457:Pictorial tradition
220:1-10 "Encounter at
202:Manuscripts of the
64:Original title
30:
3820:Arabic manuscripts
3782:Arabic calligraphy
3738:Galland Manuscript
3731:Bijapur Collection
3331:Arabic manuscripts
3260:. Peeters, Leuven.
3061:Ettinghausen 1977b
2991:Ettinghausen 1977b
2458:10.4000/anisl.3080
2401:Inquiries into Art
2334:10.4000/anisl.3080
2276:Inquiries into Art
2219:Inquiries into Art
1621:
1322:Badr ad-Din Lu'lu'
894:Badr al-Din Lu'lu'
425:
417:
148:al-Ḥarīrī of Basra
132:
58:Al-Hariri of Basra
29:Maqamat al-Hariri
3807:
3806:
3770:
3769:
3704:Jami' al-tawarikh
3660:Maqamat al-Hariri
3573:De materia medica
3526:Maqamat al-Hariri
3509:MS Huntington 264
3477:De materia medica
3453:Maqamat al-Hariri
3281:Media related to
3246:978-0-900860-86-7
3225:978-90-04-23661-5
3162:978-0-8478-0081-0
3141:La Peinture arabe
2934:McSweeney, Anna.
2877:McSweeney, Anna.
2615:Ettinghausen 1977
2553:978-90-04-49162-5
2494:978-0-87099-777-8
2385:, pp. 74–77.
2169:978-0-87099-777-8
1946:978-0-85772-685-8
1927:. "Al-Bakriya" =
1637:Maqamat al-Hariri
1519:Maqamat al-Hariri
1449:An-Nasir Muhammad
898:Upper Mesopotamia
864:Kitab al-baytarah
790:. 1222, folio 31r
527:Maqamat al-Hariri
499:Syriac Christians
488:De materia medica
429:Maqāmāt al-Ḥarīrī
204:Maqāmāt al-Ḥarīrī
162:Maqāmāt al-Ḥarīrī
137:Maqāmāt al-Ḥarīrī
120:
119:
107:Abbasid Caliphate
103:Publication place
98:11th-12th century
88:(prose and verse)
3837:
3787:Arabic miniature
3635:Esad Efendi 3636
3580:Kitāb al-bayṭara
3543:Esad Efendi 2961
3344:
3324:
3317:
3310:
3301:
3280:
3261:
3250:
3229:
3198:
3196:
3194:
3182:
3180:
3166:
3144:
3135:
3107:
3106:, Paragraph 4.7.
3101:
3095:
3094:
3070:
3064:
3058:
3052:
3051:
3022:
3016:
3015:
3000:
2994:
2988:
2982:
2976:
2965:
2959:
2944:
2943:
2931:
2916:
2915:
2905:
2899:
2893:
2887:
2886:
2874:
2868:
2862:
2847:
2841:
2826:
2820:
2814:
2811:Hillenbrand 2010
2808:
2802:
2796:
2790:
2784:
2778:
2772:
2766:
2760:
2754:
2753:
2729:
2723:
2706:
2695:
2692:Hillenbrand 2010
2689:
2680:
2679:
2668:
2662:
2656:
2647:
2641:
2630:
2624:
2618:
2612:
2603:
2600:Hillenbrand 2010
2597:
2591:
2588:Hillenbrand 2010
2585:
2576:
2575:
2568:"BNF Arabe 5847"
2564:
2558:
2557:
2537:
2531:
2530:
2520:
2514:
2508:
2499:
2498:
2479:
2470:
2469:
2437:
2431:
2430:
2423:
2417:
2416:
2392:
2386:
2380:
2374:
2368:
2362:
2356:
2350:
2349:
2313:
2307:
2306:
2294:
2288:
2287:
2267:
2261:
2255:
2249:
2248:
2237:
2231:
2230:
2210:
2204:
2203:
2192:
2186:
2180:
2174:
2173:
2154:
2145:
2139:
2133:
2127:
2118:
2112:
2103:
2102:
2078:
2072:
2071:
2031:
2025:
2024:
1984:
1978:
1977:
1957:
1951:
1950:
1922:
1913:
1912:
1900:
1894:
1888:
1879:
1873:
1867:
1861:
1855:
1849:
1843:
1840:Hillenbrand 2010
1837:
1831:
1830:
1806:
1800:
1799:
1797:
1796:
1786:
1780:
1779:
1767:
1750:
1749:
1743:
1735:
1727:
1721:
1718:Hillenbrand 2010
1715:
1686:
1584:
1572:
1560:
1548:
1506:
1491:
1476:
1460:
1422:
1410:
1373:
1361:
1349:
1337:
1300:
1288:
1273:
1261:
1239:
1227:
1197:
1185:
1173:
1161:
1135:
1123:
1111:
1099:
1063:
1043:
1027:
1011:
992:
962:
942:
920:
821:
799:
783:
767:
746:was made in the
719:
696:
677:
661:
645:
619:
607:
598:. Arabe 3929, 7v
591:
503:Hunayn ibn Ishaq
467:Arabic miniature
292:Rayy al-Mahdiyeh
185:Siege of Baghdad
94:Publication date
38:
31:
3845:
3844:
3840:
3839:
3838:
3836:
3835:
3834:
3810:
3809:
3808:
3803:
3766:
3743:
3718:
3680:
3647:
3594:Kalīla wa-Dimna
3587:Kitab al-Aghani
3559:Kitāb al-Diryāq
3554:
3513:
3465:Kitāb al-Diryāq
3440:
3396:
3378:
3365:
3333:
3328:
3273:
3253:
3247:
3232:
3226:
3201:
3192:
3190:
3185:
3178:
3171:
3163:
3148:
3138:
3119:
3116:
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3110:
3102:
3098:
3072:
3071:
3067:
3059:
3055:
3039:
3024:
3023:
3019:
3002:
3001:
2997:
2989:
2985:
2977:
2968:
2960:
2947:
2933:
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2919:
2907:
2906:
2902:
2894:
2890:
2876:
2875:
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2863:
2850:
2842:
2829:
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2809:
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2797:
2793:
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2781:
2773:
2769:
2761:
2757:
2731:
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2726:
2707:
2698:
2690:
2683:
2670:
2669:
2665:
2657:
2650:
2642:
2633:
2625:
2621:
2613:
2606:
2598:
2594:
2586:
2579:
2566:
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2561:
2554:
2539:
2538:
2534:
2522:
2521:
2517:
2509:
2502:
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2481:
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2473:
2439:
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2434:
2425:
2424:
2420:
2394:
2393:
2389:
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2377:
2369:
2365:
2357:
2353:
2315:
2314:
2310:
2296:
2295:
2291:
2269:
2268:
2264:
2256:
2252:
2239:
2238:
2234:
2212:
2211:
2207:
2194:
2193:
2189:
2185:, pp. 1–2.
2181:
2177:
2170:
2156:
2155:
2148:
2140:
2136:
2128:
2121:
2113:
2106:
2080:
2079:
2075:
2052:10.2307/1006055
2033:
2032:
2028:
2005:10.2307/1006055
1986:
1985:
1981:
1959:
1958:
1954:
1947:
1932:
1923:
1916:
1902:
1901:
1897:
1889:
1882:
1874:
1870:
1862:
1858:
1850:
1846:
1838:
1834:
1808:
1807:
1803:
1794:
1792:
1788:
1787:
1783:
1769:
1768:
1753:
1736:
1729:
1728:
1724:
1716:
1712:
1707:
1693:
1687:
1680:
1658:Kitab al-Diryaq
1652:Kitab al-Aghani
1595:
1588:
1585:
1576:
1573:
1564:
1561:
1552:
1549:
1532:
1525:
1507:
1498:
1492:
1483:
1477:
1468:
1461:
1441:Egyptian Mamluk
1437:
1430:
1423:
1414:
1411:
1394:
1387:
1374:
1365:
1362:
1353:
1350:
1341:
1338:
1311:
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1301:
1292:
1289:
1280:
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1100:
1084:
1077:
1064:
1055:
1044:
1035:
1028:
1019:
1012:
1003:
993:
984:
968:aqbiya turkiyya
963:
954:
943:
934:
921:
836:
829:
822:
813:
800:
791:
784:
775:
768:
741:
734:
722:Maqama 09: the
720:
711:
699:Maqama 37: the
697:
688:
678:
669:
662:
653:
646:
637:
622:Maqama 43: the
620:
611:
608:
599:
592:
539:
469:
459:
403:
398:
355:
314:
289:
260:
219:
216:
214:List of stories
193:Egyptian Mamluk
113:Media type
95:
49:
26:
17:
12:
11:
5:
3843:
3841:
3833:
3832:
3827:
3822:
3812:
3811:
3805:
3804:
3802:
3801:
3794:
3792:Baghdad School
3789:
3784:
3778:
3776:
3772:
3771:
3768:
3767:
3765:
3764:
3751:
3749:
3745:
3744:
3742:
3741:
3734:
3726:
3724:
3720:
3719:
3717:
3716:
3700:
3693:
3681:
3665:Or. Add. 22114
3655:
3653:
3649:
3648:
3646:
3645:
3638:
3626:
3621:
3618:Vat. Arabo 368
3609:
3602:
3590:
3583:
3576:
3569:
3562:
3555:
3521:
3519:
3515:
3514:
3512:
3511:
3506:
3499:
3487:
3484:Kitāb-al-Daraj
3480:
3473:
3461:
3448:
3446:
3442:
3441:
3439:
3438:
3431:
3424:
3412:
3404:
3402:
3398:
3397:
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3394:
3386:
3384:
3380:
3379:
3373:
3371:
3367:
3366:
3364:
3363:
3356:
3350:
3348:
3341:
3335:
3334:
3329:
3327:
3326:
3319:
3312:
3304:
3298:
3297:
3292:
3286:
3272:
3271:External links
3269:
3268:
3267:
3262:
3251:
3245:
3230:
3224:
3199:
3186:Grabar, Oleg.
3183:
3169:
3168:
3167:
3161:
3147:Translated as
3136:
3115:
3112:
3109:
3108:
3096:
3065:
3063:, p. 148.
3053:
3037:
3017:
2995:
2993:, p. 162.
2983:
2966:
2945:
2917:
2900:
2888:
2869:
2848:
2827:
2815:
2803:
2791:
2789:, p. 143.
2787:Contadini 2012
2779:
2777:, p. 193.
2767:
2755:
2738:Ars Orientalis
2724:
2709:Contadini 2012
2696:
2681:
2672:"Consultation"
2663:
2661:, p. 155.
2659:Contadini 2012
2648:
2631:
2619:
2617:, p. 104.
2604:
2602:, p. 117.
2592:
2577:
2559:
2552:
2532:
2529:. p. 351.
2515:
2500:
2493:
2471:
2432:
2418:
2387:
2375:
2363:
2351:
2308:
2289:
2262:
2258:Contadini 2012
2250:
2232:
2205:
2196:"Consultation"
2187:
2175:
2168:
2146:
2134:
2119:
2104:
2073:
2026:
1979:
1952:
1945:
1914:
1895:
1880:
1868:
1856:
1844:
1842:, p. 119.
1832:
1801:
1781:
1751:
1722:
1720:, p. 118.
1709:
1708:
1706:
1703:
1702:
1701:
1692:
1689:
1678:
1594:
1591:
1590:
1589:
1586:
1579:
1577:
1574:
1567:
1565:
1562:
1555:
1553:
1550:
1543:
1531:
1528:
1527:
1526:
1508:
1501:
1499:
1493:
1486:
1484:
1478:
1471:
1469:
1462:
1455:
1436:
1433:
1432:
1431:
1424:
1417:
1415:
1412:
1405:
1393:
1390:
1389:
1388:
1375:
1368:
1366:
1363:
1356:
1354:
1351:
1344:
1342:
1339:
1332:
1310:
1307:
1306:
1305:
1302:
1295:
1293:
1290:
1283:
1281:
1275:
1268:
1266:
1263:
1256:
1249:
1246:
1245:
1244:
1241:
1234:
1232:
1229:
1222:
1207:
1204:
1203:
1202:
1199:
1192:
1190:
1187:
1180:
1178:
1175:
1168:
1166:
1163:
1156:
1145:
1142:
1141:
1140:
1137:
1130:
1128:
1125:
1118:
1116:
1113:
1106:
1104:
1101:
1094:
1083:
1080:
1079:
1078:
1065:
1058:
1056:
1045:
1038:
1036:
1029:
1022:
1020:
1013:
1006:
1004:
994:
987:
985:
964:
957:
955:
944:
937:
935:
922:
915:
902:Abbasid caliph
843:Schefer Ḥarīrī
835:
832:
831:
830:
823:
816:
814:
801:
794:
792:
785:
778:
776:
769:
762:
740:
737:
736:
735:
721:
714:
712:
698:
691:
689:
679:
672:
670:
663:
656:
654:
647:
640:
638:
621:
614:
612:
609:
602:
600:
593:
586:
562:Ahmet III 3472
550:Artuqid school
538:
535:
458:
455:
402:
399:
397:
394:
215:
212:
118:
117:
114:
110:
109:
104:
100:
99:
96:
93:
90:
89:
83:
79:
78:
75:
71:
70:
68:مقامات الحريري
65:
61:
60:
55:
51:
50:
39:
15:
13:
10:
9:
6:
4:
3:
2:
3842:
3831:
3828:
3826:
3823:
3821:
3818:
3817:
3815:
3800:
3799:
3795:
3793:
3790:
3788:
3785:
3783:
3780:
3779:
3777:
3773:
3762:
3758:
3757:
3753:
3752:
3750:
3746:
3740:
3739:
3735:
3733:
3732:
3728:
3727:
3725:
3721:
3714:
3710:
3706:
3705:
3701:
3699:
3698:
3694:
3691:
3687:
3686:
3682:
3678:
3674:
3670:
3666:
3662:
3661:
3657:
3656:
3654:
3650:
3644:
3643:
3639:
3636:
3632:
3631:
3627:
3625:
3622:
3619:
3615:
3614:
3610:
3608:
3607:
3603:
3600:
3596:
3595:
3591:
3589:
3588:
3584:
3582:
3581:
3577:
3575:
3574:
3570:
3568:
3567:
3563:
3561:
3560:
3556:
3552:
3548:
3544:
3540:
3536:
3532:
3528:
3527:
3523:
3522:
3520:
3516:
3510:
3507:
3505:
3504:
3500:
3497:
3496:TSMK, A. 3493
3493:
3492:
3488:
3486:
3485:
3481:
3479:
3478:
3474:
3471:
3467:
3466:
3462:
3459:
3455:
3454:
3450:
3449:
3447:
3443:
3437:
3436:
3432:
3430:
3429:
3425:
3422:
3418:
3417:
3413:
3411:
3410:
3406:
3405:
3403:
3399:
3393:
3392:
3388:
3387:
3385:
3381:
3377:
3372:
3368:
3362:
3361:
3357:
3355:
3352:
3351:
3349:
3345:
3342:
3340:
3336:
3332:
3325:
3320:
3318:
3313:
3311:
3306:
3305:
3302:
3296:
3293:
3290:
3287:
3284:
3279:
3275:
3274:
3270:
3266:
3263:
3259:
3258:
3252:
3248:
3242:
3238:
3237:
3231:
3227:
3221:
3217:
3213:
3209:
3208:Arab Painting
3205:
3200:
3189:
3184:
3177:
3176:
3170:
3164:
3158:
3154:
3153:
3152:Arab painting
3146:
3145:
3142:
3137:
3133:
3129:
3125:
3124:
3118:
3117:
3113:
3105:
3104:Snelders 2010
3100:
3097:
3093:
3088:
3084:
3080:
3076:
3069:
3066:
3062:
3057:
3054:
3050:
3047:
3040:
3038:9789004113732
3034:
3030:
3029:
3021:
3018:
3014:
3009:
3005:
2999:
2996:
2992:
2987:
2984:
2981:, p. 15.
2980:
2975:
2973:
2971:
2967:
2964:, p. 14.
2963:
2958:
2956:
2954:
2952:
2950:
2946:
2941:
2937:
2930:
2928:
2926:
2924:
2922:
2918:
2913:
2912:
2904:
2901:
2898:, p. 11.
2897:
2892:
2889:
2884:
2880:
2873:
2870:
2867:, p. 13.
2866:
2861:
2859:
2857:
2855:
2853:
2849:
2846:, p. 12.
2845:
2840:
2838:
2836:
2834:
2832:
2828:
2824:
2819:
2816:
2812:
2807:
2804:
2801:, p. 86.
2800:
2795:
2792:
2788:
2783:
2780:
2776:
2771:
2768:
2764:
2759:
2756:
2751:
2747:
2743:
2739:
2735:
2728:
2725:
2721:
2716:
2715:
2710:
2705:
2703:
2701:
2697:
2693:
2688:
2686:
2682:
2677:
2673:
2667:
2664:
2660:
2655:
2653:
2649:
2646:, p. 10.
2645:
2640:
2638:
2636:
2632:
2628:
2623:
2620:
2616:
2611:
2609:
2605:
2601:
2596:
2593:
2589:
2584:
2582:
2578:
2573:
2569:
2563:
2560:
2555:
2549:
2545:
2544:
2536:
2533:
2528:
2527:
2519:
2516:
2512:
2507:
2505:
2501:
2496:
2490:
2486:
2485:
2478:
2476:
2472:
2467:
2463:
2459:
2455:
2452:(1): 79–102.
2451:
2448:(in French).
2447:
2443:
2436:
2433:
2428:
2422:
2419:
2415:
2410:
2406:
2402:
2398:
2391:
2388:
2384:
2379:
2376:
2372:
2367:
2364:
2360:
2355:
2352:
2348:
2343:
2339:
2335:
2331:
2328:(1): 79–102.
2327:
2324:(in French).
2323:
2319:
2312:
2309:
2304:
2300:
2293:
2290:
2285:
2281:
2277:
2273:
2266:
2263:
2259:
2254:
2251:
2246:
2242:
2236:
2233:
2228:
2224:
2220:
2216:
2209:
2206:
2201:
2197:
2191:
2188:
2184:
2183:Snelders 2010
2179:
2176:
2171:
2165:
2161:
2160:
2153:
2151:
2147:
2143:
2142:Snelders 2010
2138:
2135:
2131:
2130:Snelders 2010
2126:
2124:
2120:
2116:
2115:Snelders 2010
2111:
2109:
2105:
2101:
2096:
2092:
2088:
2084:
2077:
2074:
2069:
2065:
2061:
2057:
2053:
2049:
2045:
2041:
2037:
2030:
2027:
2022:
2018:
2014:
2010:
2006:
2002:
1998:
1994:
1990:
1983:
1980:
1975:
1971:
1967:
1963:
1956:
1953:
1948:
1942:
1938:
1937:
1931:according to
1930:
1926:
1921:
1919:
1915:
1910:
1906:
1899:
1896:
1892:
1887:
1885:
1881:
1877:
1876:Snelders 2010
1872:
1869:
1866:, p. 17.
1865:
1860:
1857:
1853:
1848:
1845:
1841:
1836:
1833:
1829:
1824:
1820:
1816:
1812:
1805:
1802:
1791:
1785:
1782:
1777:
1773:
1766:
1764:
1762:
1760:
1758:
1756:
1752:
1747:
1741:
1733:
1726:
1723:
1719:
1714:
1711:
1704:
1700:
1699:
1695:
1694:
1690:
1684:
1677:
1675:
1674:
1669:
1663:
1660:
1659:
1654:
1653:
1648:
1647:
1642:
1638:
1634:
1633:
1628:
1627:
1618:
1617:
1612:
1611:
1606:
1605:
1599:
1592:
1583:
1578:
1571:
1566:
1559:
1554:
1547:
1542:
1540:
1538:
1529:
1524:
1520:
1516:
1512:
1505:
1500:
1496:
1490:
1485:
1481:
1475:
1470:
1466:
1459:
1454:
1452:
1450:
1446:
1442:
1434:
1428:
1421:
1416:
1409:
1404:
1402:
1400:
1391:
1385:
1384:
1379:
1372:
1367:
1360:
1355:
1348:
1343:
1336:
1331:
1329:
1327:
1323:
1319:
1318:
1308:
1299:
1294:
1287:
1282:
1278:
1272:
1267:
1260:
1255:
1253:
1247:
1238:
1233:
1226:
1221:
1219:
1217:
1213:
1205:
1196:
1191:
1184:
1179:
1172:
1167:
1160:
1155:
1153:
1151:
1143:
1134:
1129:
1122:
1117:
1110:
1105:
1098:
1093:
1091:
1089:
1081:
1075:
1071:
1070:
1062:
1057:
1053:
1049:
1042:
1037:
1034:giving birth.
1033:
1026:
1021:
1017:
1010:
1005:
1002:
998:
991:
986:
982:
981:
976:
975:
970:
969:
961:
956:
952:
948:
941:
936:
932:
931:
926:
919:
914:
912:
910:
905:
904:at the time.
903:
899:
895:
891:
890:
885:
880:
878:
874:
870:
866:
865:
860:
856:
852:
848:
844:
840:
833:
827:
820:
815:
811:
810:
805:
798:
793:
789:
782:
777:
773:
766:
761:
759:
757:
753:
749:
745:
738:
733:
729:
725:
718:
713:
710:
706:
702:
695:
690:
687:
683:
676:
671:
667:
660:
655:
651:
644:
639:
635:
634:
629:
625:
618:
613:
606:
601:
597:
590:
585:
583:
581:
576:
574:
569:
567:
563:
559:
555:
551:
547:
543:
536:
534:
532:
531:Byzantine art
528:
524:
520:
514:
512:
508:
507:Yahya ibn Adi
504:
500:
496:
495:
490:
489:
484:
483:
478:
474:
468:
464:
456:
454:
451:
446:
442:
440:
439:
434:
430:
421:
414:
413:
407:
400:
395:
393:
391:
387:
383:
379:
375:
371:
367:
363:
359:
354:
350:
346:
342:
338:
334:
330:
326:
322:
318:
313:
309:
305:
301:
297:
293:
288:
284:
280:
276:
272:
268:
264:
259:
255:
251:
247:
243:
239:
235:
231:
227:
223:
213:
211:
209:
205:
200:
198:
194:
190:
187:in 1258, and
186:
182:
176:
174:
170:
165:
163:
159:
158:
153:
152:Seljuk Empire
149:
145:
144:
139:
138:
129:
124:
115:
111:
108:
105:
101:
97:
91:
87:
84:
80:
76:
72:
69:
66:
62:
59:
56:
52:
48:(Arabe 5847).
47:
43:
37:
32:
24:
19:
3796:
3754:
3748:17th century
3736:
3729:
3723:15th century
3702:
3695:
3683:
3659:
3658:
3652:14th century
3640:
3628:
3611:
3604:
3592:
3585:
3578:
3571:
3564:
3557:
3525:
3524:
3518:13th century
3501:
3489:
3482:
3475:
3463:
3452:
3451:
3445:12th century
3433:
3426:
3414:
3407:
3401:11th century
3389:
3383:10th century
3358:
3256:
3235:
3207:
3191:. Retrieved
3174:
3151:
3140:
3122:
3099:
3090:
3081:(1): 10–37.
3078:
3074:
3068:
3056:
3045:
3042:
3027:
3020:
3011:
3007:
2998:
2986:
2939:
2910:
2903:
2891:
2882:
2872:
2818:
2806:
2794:
2782:
2770:
2758:
2741:
2737:
2727:
2719:
2712:
2675:
2666:
2622:
2595:
2571:
2562:
2542:
2535:
2525:
2518:
2513:, p. 9.
2483:
2449:
2445:
2435:
2421:
2412:
2400:
2390:
2378:
2366:
2361:, p. 8.
2354:
2345:
2325:
2321:
2311:
2302:
2292:
2275:
2265:
2253:
2244:
2235:
2218:
2208:
2199:
2190:
2178:
2158:
2137:
2132:, p. 3.
2098:
2089:(1): 10–37.
2086:
2082:
2076:
2043:
2039:
2029:
1996:
1992:
1982:
1968:(1): 10–37.
1965:
1961:
1955:
1935:
1908:
1898:
1871:
1859:
1854:, p. 7.
1847:
1835:
1826:
1817:(1): 10–37.
1814:
1810:
1804:
1793:. Retrieved
1784:
1775:
1725:
1713:
1696:
1682:
1671:
1667:
1665:
1656:
1650:
1644:
1636:
1630:
1624:
1622:
1614:
1608:
1602:
1533:
1518:
1510:
1494:
1479:
1464:
1438:
1426:
1395:
1381:
1315:
1312:
1276:
1251:
1209:
1147:
1088:Al-Musta'sim
1085:
1067:
1050:Governor of
1015:
978:
972:
966:
928:
908:
906:
887:
881:
869:al-Mustansir
862:
850:
842:
837:
807:
751:
742:
631:
579:
577:
572:
570:
553:
540:
526:
515:
492:
486:
480:
470:
449:
447:
443:
436:
428:
426:
410:
287:Mayyafariqin
217:
203:
201:
177:
166:
161:
155:
141:
136:
135:
133:
67:
41:
18:
3370:9th century
3347:7th century
3339:Manuscripts
3210:: 117–134.
3075:Art History
2979:Grabar 1984
2962:Grabar 1984
2896:Grabar 1984
2865:Grabar 1984
2844:Grabar 1984
2644:Grabar 1984
2511:Grabar 1984
2359:Grabar 1984
2083:Art History
1999:(4): 1–81.
1962:Art History
1864:Grabar 1984
1852:Grabar 1984
1811:Art History
1623:Figures of
1216:al-Dimashqi
1046:Maqama 10:
1014:Maqama 39:
396:Manuscripts
183:, with the
3830:1237 works
3814:Categories
3761:Arabe 1489
3599:Arabe 3465
3539:Arabe 5847
3535:Arabe 6094
3531:Arabe 3929
3470:Arabe 2964
3458:Arabe 3924
3193:24 January
1929:Diyar Bakr
1905:"Barḳaʿīd"
1795:2023-07-28
1539:, Egypt.
1521:, (1334),
839:Arabe 5847
774:. Folio 6r
744:Arabe 6094
728:Alexandria
628:Diyar Bakr
546:Diyarbakır
542:Arabe 3929
501:, such as
485:(965 CE),
461:See also:
382:Harmamiyeh
366:Al-Bakriya
254:Alexandria
128:Diyar Bakr
116:Manuscript
3690:Or Ms 161
3677:Marsh 458
3421:Marsh 144
3126:. Brill.
2823:Shah 1980
2799:Shah 1980
2775:Shah 1980
2763:Shah 1980
2750:0571-1371
2466:0570-1716
2383:Shah 1980
2371:Shah 1980
2342:0570-1716
2060:0065-9746
2013:0065-9746
1891:Shah 1980
1681:Snelders
1326:maqama 21
1303:Travelers
951:al-Hariri
304:Samarkand
296:Euphrates
3798:Sharbūsh
3775:Concepts
3709:Or Ms 20
3669:Or. 7293
3547:Or. 9718
3354:PERF 558
2942:: 29–30.
2720:sharbūsh
2714:sharbūsh
2305:: 76–77.
2046:(4): 6.
1911:. Brill.
1740:cite web
1691:See also
1679:—
1673:sharbush
1646:sharbush
1604:sharbush
1399:Damascus
1383:sharbush
1317:sharbush
1291:Assembly
1212:Damascus
1069:Sharbush
980:sharbush
930:Sharbush
855:colophon
809:sharbūsh
756:Ayyubids
666:Maraghah
633:sharbūsh
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