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46:(1847–1905), who was a well-known musician and "one of the first to use native Cuban music in his compositions". She also studied music from Gonzalo Nunez and Enriqueta Garcia.
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30:(30 November 1885 – 8 February 1981) was a Cuban pianist, singer, and composer.
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She was active as a musician until her death on 8 February 1981 in Havana.
167:. Minneapolis, Minnesota: University of Minnesota Press. p. 206.
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269:. North Chelmsford, Massachusetts: Courier Corporation. p. iv.
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She made records in the United States. She interpreted her father’s
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Tangos, milongas and other Latin-American dances: for solo piano
198:
Latin
American Classical Composers: A Biographical Dictionary
87:. Durham, North Carolina: Duke University Press. p. 50.
121:. Chicago, Illinois: Chicago Review Press. p. 154.
118:
Cuba and Its Music: From the First Drums to the Mambo
201:. Lanham, Maryland: Scarecrow Press. p. 132.
38:María Cervantes was born on 30 November 1885 in
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232:The Garland Handbook of Latin American Music
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42:. She learned music from her father
16:Cuban pianist, singer, and composer
195:Ficher, Miguel (16 October 2002).
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263:Smith, Joseph (1 January 2003).
235:. Oxon: Routledge. p. 122.
229:Olsen, Dale (17 December 2007).
81:Orovio, Helio (12 March 2004).
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161:Carpentier, Alejo (2001).
44:Ignacio Cervantes Kawanag
84:Cuban Music from A to Z
115:Sublette, Ned (2007).
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354:Cuban women composers
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349:Cuban women pianists
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276:978-0-486-42787-4
242:978-1-135-90008-3
208:978-1-461-66911-1
174:978-0-816-63229-9
128:978-1-569-76420-6
94:978-0-822-33212-1
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344:1981 deaths
339:1885 births
297:Ficher 2002
333:Categories
60:References
34:Biography
282:20 April
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100:20 April
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51:danzas
40:Havana
284:2022
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