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30:(13 June 1872 - 2 November 1960) was a Swiss-Uruguayan pianist, composer and music teacher. She was the first to approach the symphonic repertoire, the first to write an opera, a piano sonata and the first to venture into Latin American rhythms without forgetting the inclusion of tango (prohibitive for the females in her time).
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was presented by the maestro
Vicente Pablo, conducting the Uruguayan Orchestral Society. Some time later, Galli founded her own conservatory, called the "Modern Piano School", located at 1217 Colonia Street. There the musician put into practice the education received in Europe and reflected her own
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awarded her the title of "honorary member", as well as the "magisterium of the pianist class". Besides important musical training, Galli also learned French, English, Italian and German languages. In this period prior to her return to
Uruguay, she gave numerous concerts. In Lugano, her work
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María Galli had no children and wrote her will on May 21, 1957, in which she left her possessions to her students María del Carmen and Luis
Eduardo Garicoits, who looked after her until the day she died. María Galli died on 2 November 1960 in Montevideo.
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Galli toured several
European cities from 1920, such as London, Milan, Paris and Geneva. In the latter, she received musical education at the piano school of Professor Glaubert. In Bern, within the framework of the Swiss national holiday, her works
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She moved to Italy where she took an advanced course in Milan, where she was in charge of Luigi
Nappelli in composition and Giuseppe Frugatta in piano. Some Italian influence can be distinguished in Galli’s romances and songs. Later, the
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premiered in
December 1904 and was conducted by Virgilio Scarabelli. Parallel to her work as a composer, she appeared on many occasions as a soloist on the piano or as a member of a trio with that instrument along with
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María Galli was born in
Montevideo on June 13, 1872, daughter of the Swiss Galli Agustoni and Aurora Bagutti Bagutti who were based in Uruguay. On August 15, 1872, she was baptized in the
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Together with her family, María Galli returned to
Uruguay around 1900, settling in a house located at Calle Juncal No. 135 (today No. 1395) in the Old City.
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42:. Around 1875 her parents moved to Switzerland. There her brothers, Rafael in 1878, the twins Carlos and Luisa in 1881 and Félix in 1883 were born.
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Conservatorio
Musical de Montevideo was founded on August 5, 1904 based in the Victoria Hall Theater. María Galli and
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Her musical studies began in the Swiss capital at the conservatory directed by the composer, conductor and violinist
313:. Departamento De Música Da Escola De Comunicações e Artes Da Universidade De São Paulo ECA/USP. p. 39.
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premiered in 1907 and years later it was transcribed for piano. On June 11, 1912, the teacher and composer
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at the first audition, in addition to rerunning, with great public and critical acceptance, the work
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teaching method for piano in a text entitled "The Piano Mentor", which remained unpublished.
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In 1902 a series of commemorations took place in honor of the
Uruguayan independence hero
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who conducted the National Orchestra, premiered in public Galli's compositions entitled
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while on piano and organ she was instructed by Walter Lang and Lutz, respectively.
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132:. The following year Sambucetti with the same orchestra, performed her work
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Personalidades de la cultura en el Uruguay: humanistas y científicos
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Artigas-Washington: boletín de la Biblioteca Artigas-Washington
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Los Compositores del Uruguay, 1860 - 1960: su obra pianística
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earned her the first prize among a group of sixty composers.
462:"Catálogo en línea Museo y Centro de Documentación AGADU"
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were premiered on August 1, 1924, directed by Caligaris.
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were appointed responsible of the Piano Department.
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Swiss-Uruguayan pianist, composer and music teacher
330:(in Spanish). Ediciones de la Plaza. p. 234.
262:(in Spanish). Vol. 3. 1947. p. 131.
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304:de Almeida Monteiro da Silva, Eliana Maria.
100:Galli’s work for string orchestra entitled
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273:Huertas, Julio Cesar (13 March 2017).
109:on violin and Avelino Baños on cello.
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512:Uruguayan women classical composers
275:"Las mujeres de la música uruguaya"
28:María Felicia Antonia Galli Bagutti
426:. Editorial Campo. pp. 31–52.
393:"Museo Nacional de Artes Visuales"
378:Bulletin of the Pan American Union
95:Catalina Debernardis de Scarabelli
59:Royal Bologna Philharmonic Academy
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40:Montevideo Metropolitan Cathedral
155:On September 28, 1929, the work
532:Uruguayan women music educators
307:COMPOSITORAS LATINO-AMERICANAS
49:. Her composition teacher was
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507:Uruguayan classical composers
420:Huertas, Julio César (1990).
517:20th-century women composers
502:20th-century Uruguayan women
375:Union, Pan American (1932).
547:20th-century women pianists
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438:"María Galli | Autores.uy"
527:Uruguayan music educators
522:Musicians from Montevideo
381:. The Union. p. 775.
542:Uruguayan women pianists
34:Early life and education
112:Her work for orchestra
279:Diario EL PAIS Uruguay
79:Juan Antonio Lavalleja
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324:Rela, Walter (2002).
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89:Pianist and composer
185:Marcha a Lavalleja,
537:Uruguayan pianists
83:Marcha a Lavalleja
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337:978-9974-48-041-4
70:Return to Uruguay
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173:Works (selected)
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118:Luis Sambucetti
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47:Friedrich Hegar
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134:Marcha Nupcial
130:Chanson triste
107:Eduardo Fabini
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64:Himno Triunfal
51:Lothar Kempier
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497:1872 births
492:1960 deaths
397:mnav.gub.uy
358:Maria Galli
203:Toccata n°1
197:Lontananza,
23:Maria Galli
486:Categories
471:2021-09-18
447:2021-09-18
442:autores.uy
403:2021-09-18
285:2021-09-18
244:References
164:Last years
138:Lontananza
114:Lontananza
466:agadu.org
237:Victoire,
146:Lontanaza
219:Nórdica,
157:Victoire
209:Floreal
191:Gavota,
150:Toccata
126:Toccata
122:Nórdica
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214:Gloria
205:, 1912
181:, 1899
102:Gavota
362:(PDF)
311:(PDF)
332:ISBN
239:1929
233:1913
227:1912
221:1912
199:1907
193:1904
187:1902
148:and
128:and
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