Knowledge (XXG)

María Fernanda Cardoso

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623: 174: 251:"Cementerio—Vertical Garden" is a series of unique installation pieces made of artificial flowers placed as if growing horizontally from the wall over funerary stones outlined in pencil. The pieces, made with a group of plastic flowers and pencil, were exhibited and developed by the artist from 1990 to 1999. These kinds of installation are currently in the most important art collections worldwide such as 33: 158:. The circus toured internationally at venues including the Sydney Opera House, the Centre Pompidou, the Arts Festival Atlanta, the Fabric Workshop and Museum (Philadelphia), and the San Francisco Exploratorium. This work, including a series of videos made in collaboration with Ross Rudesch Harley, is now part of Tate Modern's permanent collection. 228:
who pulled a locomotive. Cardoso guided the behavior of the fleas by reward; when they behaved as desired, she let them feed directly on her blood. As Cardoso explained, "It's one of the hardest thing in life to train fleas, it took six years and it requires a lot of patience, no one knew how to train fleas anymore".
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In 2000, the Museum of Modern Art in New York commissioned her to create a major installation for their millennium show, "Modern Starts". Here she installed 36,000 plastic lilies in a 125-foot long wall, which subsequently toured museums throughout the United States. In 2003, she represented Colombia
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Cardoso created a flea circus that included the following "performers" and "stuntfleas": Harry Fleadini, an escape artist; Samson and Delilah, fleas that lifted cotton ball weights; Teeny and Tiny, tightrope walkers; Pipita and Pepon, a flea couple who pushed luminescent balls on a wire; and Brutus,
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She had a solo exhibition in 2011 at Melbourne's Arc One gallery centered on the genitalia of male insects entitled "It's not size that matters, it is shape". The following year, she created "The Museum of Copulatory Organs" for her doctoral project. She was awarded her PhD from the
266:"Dancing Frogs" is an assembly of dried dead frogs connected by a circular wire. The frogs appear to be spinning in circles as if in a ritual dance. The piece explicitly references the representations and indigenous symbols of the 181:
In the early 1980s, Cardoso studied architecture and the visual arts at the University of the Andes in Bogotá. In 1990, she graduated with a Master of Fine Arts in Sculpture and Installation at Yale University.
142:(born 1963) is a Colombian artist based in Australia. Her contemporary art references many types of ready-made material, including plastic, trash, plants, dried and living animals, bones and 678: 673: 239:. Because of the size of the fleas, she collaborated with Ross Rudesch Harley to add audio and video for a larger projection. It was recently acquired by the 688: 683: 256: 161:
Her works have been featured in several museums internationally in Europe, the Americas, and Australia, and have won several awards. She resides in
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at the Venice Biennale, exhibiting a large installation of starfish woven together into a submarine landscape called "Woven Water".
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Cardoso Flea Circus, The Art of Disappearance, Preserved animals, Woven Water, Cemeteries, Museum of Copulatory Organs, Corn
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in Caracas, Colección Diane and Bruce Halle in Arizona, Colección D.O.P. in Madrid, Perez Art Museum in Miami,
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Thomas Riggs; N. Y.) Association of Hispanic Arts (New York; Association for Latin American Art (2002).
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La imposibilidad de la naturaleza: arte y naturaleza en el arte colombiano contemporáneo, 1991–2003
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St. James Guide to Hispanic Artists: Profiles of Latino and Latin American Artists
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María Fernanda Cardoso; Museum of Contemporary Art (Sydney, N.S.W.) (2003).
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Allegories of Communication: Intermedial Concerns from Cinema to the Digital
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of the Cardoso Flea Circus took place in October 1996 at San Francisco's
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Books in Spanish for Children and Young Adults: An Annotated Guide
172: 633: 648: 643: 638: 366: 364: 129: 119: 93: 67: 45: 23: 634:The Wonderful World of Professor Cardoso (2012) 629:18th Biennale of Sydney, Expert of Flea Circus 185:Cardoso moved to Sydney, Australia, in 1997. 177:"Dancing Frogs" (1990), made with dried frogs 8: 621: 566:. Univ. Nacional de Colombia. p. 69. 341:Carlos Arturo Fernández (1 January 2007). 31: 20: 593:"Maria Fernanda Cardoso : mestizaje" 377:. Indiana University Press. p. 288. 16:Colombian contemporary artist (born 1963) 347:. Universidad de Antioquia. p. 73. 536:Art: Histories, Theories and Exceptions 279: 433:. Australian Broadcasting Corporation 425: 423: 421: 257:Colección Patricia Phelps de Cisneros 7: 679:21st-century Colombian women artists 674:20th-century Colombian women artists 560:Óscar Mauricio Ardila Luna (2008). 371:John Fullerton; Jan Olsson (2004). 37:Cardoso's portrait by photographer 639:Interview – Maria Fernanda Cardoso 509:Zoomorphia: Maria Fernanda Cardoso 479:Giovanni Aloi (15 December 2011). 261:San Francisco Museum of Modern Art 14: 649:Cardoso Flea Circus Live in Paris 398:Germán Rubiano Caballero (2001). 689:21st-century Colombian sculptors 684:Colombian emigrants to Australia 401:Art of Latin America, 1981–2000 320:. Scarecrow Press. p. 37. 314:Isabel Schon (1 January 1993). 215:and her sister is the director 512:. Museum of Contemporary Art. 1: 263:, California, among others. 204:Her mother is the architect 644:Shearing Sheep: the Process 591:Mundine, Djon (June 2015). 533:Adam Geczy (15 July 2008). 485:. I.B.Tauris. p. 128. 344:Arte en Colombia, 1981–2006 206:Eugenia Mantilla de Cardoso 705: 458:. MCA Store. p. 208. 455:Volume One: MCA Collection 199:Sydney College of the Arts 146:. One of her most famous 30: 85:Universidad de los Andes 452:Glenn Barkley (2012). 178: 140:María Fernanda Cardoso 25:María Fernanda Cardoso 539:. Berg. p. 156. 176: 255:(MoMA) in New York, 253:Museum of Modern Art 195:University of Sydney 75:University of Sydney 404:. IDB. p. 15. 223:Cardoso Flea Circus 154:that featured live 133:Ross Rudesch Harley 39:Ross Rudesch Harley 179: 573:978-958-701-922-3 546:978-1-84520-701-4 519:978-1-875632-84-8 492:978-1-84885-525-0 465:978-1-921034-54-1 411:978-1-931003-02-5 384:978-0-86196-651-6 354:978-958-714-017-0 327:978-0-8108-2622-9 300:978-1-55862-470-2 231:The first public 148:art installations 137: 136: 696: 625: 620: 619: 617:Official website 604: 578: 577: 557: 551: 550: 530: 524: 523: 503: 497: 496: 476: 470: 469: 449: 443: 442: 440: 438: 427: 416: 415: 395: 389: 388: 368: 359: 358: 338: 332: 331: 311: 305: 304: 293:. Cengage Gale. 284: 217:Patricia Cardoso 214: 122: 114:Contemporary art 55: 53: 35: 21: 704: 703: 699: 698: 697: 695: 694: 693: 654: 653: 615: 614: 611: 590: 587: 585:Further reading 582: 581: 574: 559: 558: 554: 547: 532: 531: 527: 520: 505: 504: 500: 493: 482:Art and Animals 478: 477: 473: 466: 451: 450: 446: 436: 434: 429: 428: 419: 412: 397: 396: 392: 385: 370: 369: 362: 355: 340: 339: 335: 328: 313: 312: 308: 301: 286: 285: 281: 276: 249: 225: 208: 171: 120: 89: 80:Yale University 63: 57: 56:2 February 1963 51: 49: 41: 26: 17: 12: 11: 5: 702: 700: 692: 691: 686: 681: 676: 671: 666: 656: 655: 652: 651: 646: 641: 636: 631: 626: 610: 609:External links 607: 606: 605: 586: 583: 580: 579: 572: 552: 545: 525: 518: 498: 491: 471: 464: 444: 417: 410: 390: 383: 360: 353: 333: 326: 306: 299: 278: 277: 275: 272: 248: 245: 224: 221: 197:linked to the 170: 167: 135: 134: 131: 127: 126: 123: 117: 116: 95: 94:Known for 91: 90: 88: 87: 82: 77: 71: 69: 65: 64: 58: 47: 43: 42: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 701: 690: 687: 685: 682: 680: 677: 675: 672: 670: 669:Living people 667: 665: 662: 661: 659: 650: 647: 645: 642: 640: 637: 635: 632: 630: 627: 624: 618: 613: 612: 608: 602: 598: 594: 589: 588: 584: 575: 569: 565: 564: 556: 553: 548: 542: 538: 537: 529: 526: 521: 515: 511: 510: 502: 499: 494: 488: 484: 483: 475: 472: 467: 461: 457: 456: 448: 445: 432: 426: 424: 422: 418: 413: 407: 403: 402: 394: 391: 386: 380: 376: 375: 367: 365: 361: 356: 350: 346: 345: 337: 334: 329: 323: 319: 318: 310: 307: 302: 296: 292: 291: 283: 280: 273: 271: 269: 264: 262: 258: 254: 246: 244: 242: 238: 237:Exploratorium 234: 229: 222: 220: 218: 212: 207: 202: 200: 196: 190: 186: 183: 175: 168: 166: 164: 159: 157: 153: 149: 145: 141: 132: 128: 124: 118: 115: 111: 107: 103: 99: 96: 92: 86: 83: 81: 78: 76: 73: 72: 70: 66: 61: 48: 44: 40: 34: 29: 22: 19: 600: 596: 562: 555: 535: 528: 508: 501: 481: 474: 454: 447: 435:. Retrieved 400: 393: 373: 343: 336: 316: 309: 289: 282: 265: 250: 230: 226: 203: 191: 187: 184: 180: 160: 139: 138: 121:Notable work 18: 664:1963 births 603:(2): 30–32. 247:Other works 241:Tate Modern 233:performance 209: [ 152:flea circus 110:Photography 658:Categories 437:26 October 274:References 62:, Colombia 52:1963-02-02 201:in 2012. 169:Biography 156:cat fleas 144:styrofoam 106:Video art 102:Sculpture 68:Education 98:Painting 597:Artlink 570:  543:  516:  489:  462:  408:  381:  351:  324:  297:  268:Muisca 163:Sydney 150:was a 130:Spouse 60:Bogotá 213:] 568:ISBN 541:ISBN 514:ISBN 487:ISBN 460:ISBN 439:2013 406:ISBN 379:ISBN 349:ISBN 322:ISBN 295:ISBN 46:Born 660:: 601:35 599:. 595:. 420:^ 363:^ 243:. 219:. 211:es 165:. 112:, 108:, 104:, 100:, 576:. 549:. 522:. 495:. 468:. 441:. 414:. 387:. 357:. 330:. 303:. 54:) 50:(

Index


Ross Rudesch Harley
Bogotá
University of Sydney
Yale University
Universidad de los Andes
Painting
Sculpture
Video art
Photography
Contemporary art
styrofoam
art installations
flea circus
cat fleas
Sydney

University of Sydney
Sydney College of the Arts
Eugenia Mantilla de Cardoso
es
Patricia Cardoso
performance
Exploratorium
Tate Modern
Museum of Modern Art
Colección Patricia Phelps de Cisneros
San Francisco Museum of Modern Art
Muisca
St. James Guide to Hispanic Artists: Profiles of Latino and Latin American Artists

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