388:(2016), the performer's tattooed body slowly mutates from an amorphous shape to an animal-like form by contracting and quivering as if struggling against powerful constraints. The body is wired to an artificial intelligence software which autonomously generates light and sound patterns in response to the performer's body signals. As a result, white pulsing lights illuminate the scene while synchronised computer-processed sound fill the theatre space. "The performance evokes a sense of a psychedelic and alien reality, at the border between physical and virtual."
365:, Donnarumma pulls two heavy concrete blocks in a circle for twenty minutes. His blood flow, muscle sound bursts and bone crackles produced during the action are amplifyed as surround sound through an eight-channel sound system and visualized as abstract organic forms through a panoramic video projection. The extreme strain of the body is thus diffused in the space and forces the audience to participate in the performer's vexation. "This process encourages tuning in to the inner state of the other and finding resonating states in one's own body."
372:(2012–2013) offers a private experience in a black booth. The visitor's body is fastened to a chair and wired to biosensors; the acoustic signals from her own heart, muscles and veins are captured and feed back to her body in the form of new sounds, vibrations and light patterns. Light and sound dynamics vary according to the unique properties of the visitor's body, thus providing an individual experience of the work. The feedback creates an acoustic phenomena known as
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274:), blood flow and bone crackles from within the human body to make music and sound effects. As a performer moves, the sounds from within the body are captured by a chip microphone worn on arm or legs. Those sounds are then live sampled using a dedicated software program and a library of modular audio effects driven by physical gestures; the performer controls the live sampling parameters by weighing force, speed and articulation of the movement.
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project by
Latvian dance company I-Dejas created the foundations for his shift to body performance. Between 2007 and 2010, he explored hybrid forms of performance with computers and new musical instruments, playing multimedia performances with an augmented electric bass guitar, interactive software
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into surreal, intense and confrontational performances. Conceptually, they are influenced by a critical approach to technology, which emphasises the relations of machines to ritualism and body politics. These works are based on a combination of choreographed and improvised movements exploring
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project) sparking widespread interest in the international media and the artistic scene. Since then, several artists and researchers have been adopting the XTH Sense as a creative and learning tool in different field of practice, such as dance, music, theatre and engineering.
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In 2010, feeling increasingly constrained by the conventional ways of interacting with computers on stage, such as digital interfaces and hand-held instruments, Donnarumma began exploring wearable body technologies. In 2011, for his Master in sound design at the
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Originally a musician and sound designer, Donnarumma's early artworks include sound and video compositions for fixed media, web-based sound installations and participative concerts. In 2007, a collaboration with a
322:(2015). Key to the series is the new kind of human-computer interaction afforded by the XTH Sense and the other technologies developed by the artist himself, such as interactive algorithms,
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systems. These custom technologies allow the artist to use the human body as an instrument by amplifying human bodily sounds and capturing physiological and corporeal activity.
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physical tension and bodily constraint. The series marked a new step in performance and new media art, paving the way for a new, transdisciplinary form of live art known as
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of Fine Arts in Milan before moving to the Venice
Academy of Fine Arts, Italy, and completing his BA in New Technologies for the Performing Arts in 2007.
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285:. He later released the schematic and the software of the XTH Sense to the public under open source licenses (GPL and CC similar to the ones used by the
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2021 : Magic
Machine Award, First Prize in Art Category. RosyDX, C. Rockefeller Center, Netzwerk Medien Kunst and Technische Sammlungen.
630:. In 2016, he collaborated with experimental filmmaker Vincent Moon in a series of live shows during the Michelberger Music event in Berlin.
197:. In 2019, together with bioartist Margherita Pevere and media artist Andrea Familari, he co-founded the artists group for hybrid live art
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606:(1957), into a sonic performance saga. In 2014, he collaborated with computer science researcher Baptiste Caramiaux to create a new work,
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165:. His work addresses the relationship between body, politics and technology. He is widely known for his performances fusing sound,
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named the XTH Sense the "world's most innovative new musical instrument" and awarded
Donnarumma with the first prize in the
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signals from life: from muscle sensing to embodied machine listening/learning within a large-scale performance piece
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artists and is acknowledged for his contribution to human-machine interfacing through the unconventional use of
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inside the visitor's body thus altering self-perception, body & mind awareness and experience of the self.
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2010 : Golden Shield Music & The
Invisible Suns Project, Finalist, Screengrab New Media Art Award.
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Donnarumma's work has appeared in numerous exhibitions and festival worldwide including, among the others,
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and Martin Howse. The work expanded the last 12 minute of
Kurosawa's adaptation of Shakespeare's Macbeth,
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173:. Ritual, shock and entrainment are key elements to his aesthetics. Donnarumma is often associated with
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1390:"Bio-interfacing Meets Music: Journal, Berlin Opening, and Get Started with Open Hardware Right Now"
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1957:"10e édition des Bains Numériques : Marco Donnarumma remporte le prix Arts Vivants Adami"
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Donnarumma collaborated with a range of artists across disciplines including performance art,
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618:. In 2015, the spatial sound collective 4DSOUND commissioned him a new monumental work,
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Donnarumma was born in Naples, Italy. Between 2003 and 2004, he studied painting at the
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Saiber, Arielle. "Sound Bytes: Experimental
Electronic Music and Sound Art in Italy".
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2014:
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1083:"Configuring Corporeality: Performing bodies, vibrations and new musical instruments"
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1350:"Marco Donnarumma's Xth Sense Named World's Most Innovative New Musical Instrument"
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2018 : Prix Adami, First Prize for
Performing Arts, Bains Numériques Biennial.
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909:"Posthuman Body and Interactivity: an international project in the time of Brexit"
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1302:"From Your Body to Music: Interview with Biophysical Xth Sense Interface Creator"
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2018 : Prix Adami, First Prize of the Press Jury, Bains Numériques
Biennial.
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as a new instrument for music and body performance. The XTH Sense is a wearable
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2014 : TransitioMX Award for New Media Art, Centro
Nacional de las Artes.
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Donnarumma gained international recognition with a series of works entitled
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350:, and contributed to the field of human-computer interaction, by creating
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Innovative Hand Exoskeleton Design for Extravehicular Activities in Space
1328:"Perceived Control and Mimesis in Digital Musical Instrument Performance"
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586:. In 2012, together with cyberfeminist artists Francesca da Rimini (of
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in 2016. His supervisors were performer Atau Tanaka and media theorist
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in 2012, and a PhD in performing arts, computing and body theory from
1267:"Marco Donnarumma. A performative techno-body for the SHAPE platform"
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2012 : Margaret Guthman New Musical Instrument Competition,
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2018 : Romaeuropa Festival, First Prize in Digital category.
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801:"#A.I.L – artists in laboratories, episode 38: Marco Donnarumma"
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662:(São Paulo), RPM: Ten Years of Sound Art in China (Shanghai),
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2012 : Creativity + Technology = Enterprise Fellowship,
670:(Paris), Némo International Biennal of Digital Arts (Paris),
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1611:"16 Artists Using Machine Learning to Transform Digital Art"
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1163:"La Costruzione del Suono 2005 II Live!iXem.05 - giorno 1"
702:
2018 : Wissenschaftsjahr Preis for Art and Science,
1786:"Mechanisms of Augmentation in Proprioceptive Media Art"
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in collaboration with the Neurorobotics Research Lab at
1931:"Vincent Moon, Filmmaker and Explorer of the Invisible"
1240:"Multimedial mystery "Eyes Fluttering in the Kneecaps""
2148:"Finalist in Screengrab 2010 award for New Media Arts"
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techniques to physically interface human and machine.
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that amplifies and manipulate muscle sounds (known as
2181:
Donnarumma's video portrait by BBC Arabic (in Arabic)
1559:. SpringerBriefs in Applied Sciences and Technology.
751:
2012 : Alt-w Festival Award, New Media Scotland.
879:"Cyborgism, relationship with tech under microscope"
704:
Federal Ministry of Education and Research (Germany)
1189:"Golden Shield Music Turns Web Censorship Into Art"
937:. No. November/December 2015. IEEE. IEEE Pulse
333:Aesthetically, Donnarumma's body series integrates
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727:Award for Computer Based Art, Transmedia Hellerau.
827:"The Sonic Body: Interview with Marco Donnarumma"
2186:Donnarumma's video portrait by ARTE (in English)
2096:"Creativity + Technology = Enterprise Residency"
1498:"Clasp Together: Composing for Mind and Machine"
1138:"Dal video mapping alla performance (e ritorno)"
189:. From 2016 to 2018 he was a Research Fellow at
1640:"Experimental musicians use body as instrument"
1215:"Golden Shield Music (2009) - Marco Donnarumma"
674:Festival for Art and Digital Culture (Berlin),
283:Margaret Guthman Musical Instrument Competition
216:He obtained a Master in sound design from the
1696:"Biophysical Music Sound and Video Anthology"
8:
1900:Santarcangelo, Vincenzo (28 December 2015).
594:, Donnarumma performed in the 12-hour saga
247:and live visuals in various configurations.
1981:"Gewinner des Kunstwettbewerbes steht fest"
1555:Freni, Pierluigi (2014). "Concept Layout".
658:Symposium on Electronic Art (Albuquerque),
195:Beuth University of Applied Sciences Berlin
660:Electronic Language International Festival
29:
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1010:"Anteprima: Giovani Artisti da Conoscere"
984:"Kuenstliche Intelligenz im Volkstheater"
626:Festival in The Hague within the program
539:Web-based and participative installations
1740:"Entrepreneurs Corner: Marco Donnarumma"
935:"Entrepreneurs Corner: Marco Donnarumma"
735:Georgia Tech Center for Music Technology
678:for Adventurous Music and Art (Berlin).
650:+D Advanced Music Festival (Barcelona),
279:Georgia Tech Center for Music Technology
791:
2146:Callanan, Martin John (25 June 2011).
1929:Sedita, Gabrielle Grace (2016-11-30).
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1167:Citta di Venezia, Cultura e Spettacolo
646:Center for Art and Media (Karlsruhe),
1876:"Art Hack Day Transmediale Afterglow"
1530:"Poslušajte unutarnje organe glumaca"
642:(Venice), Steirischer Herbst (Graz),
7:
2152:Martin John Callanan, notes and news
1536:. Hrvatski Telekom. 28 December 2012
1033:"Artist Interview: Marco Donnarumma"
1854:"Moving Forest moves in on Chelsea"
1742:. No. November/December 2015.
877:Schultz, Elena (17 February 2016).
825:Bertolotti, Silvia (14 June 2012).
2122:"Alt-W Cycle 8 New Media Scotland"
1738:Morsi, Ahmed (December 18, 2015).
1265:Udvardyova, Lucia (17 July 2015).
1187:Solon, Olivia (25 November 2010).
933:Morsi, Ahmed (December 18, 2015).
713:Award of Distinction in Sound Art.
14:
1819:"CYNETART Award - Jury Statement"
853:"Cynetart Award: Jury Statements"
598:, conceived by new media artists
555:Early video and performance works
550:The Invisible Suns Project (2010)
1856:. University of the Arts, London
1790:M/C Journal of Media and Culture
1638:Cottrell, Chris (19 July 2012).
913:Juliet Contemporary Art Magazine
222:Goldsmiths, University of London
66:Goldsmiths, University of London
2037:"LATEST CYNETART Award winners"
1784:Fedorova, Ksenia (2013-11-07).
1213:Gaboury, Jacob (21 June 2010).
1058:"Archive for Marco Donnarumma"
799:Debatty, Regine (2013-07-16).
569:I C::ntr::l Nature (2007–2010)
1:
2176:Donnarumma's personal website
2041:Trans-Media-Akademie Hellerau
1668:"Marco Donnarumma: Interview"
1666:Ludovico, Alessandro (2015).
962:Berlin University of the Arts
718:Berlin University of the Arts
368:The interactive installation
268:electronic musical instrument
191:Berlin University of the Arts
2231:Italian contemporary artists
654:World Music Days (Antwerp),
566:Risveglio n.1 Venezia (2005)
530:The Moving Forest (2012) by
1569:10.1007/978-3-319-03958-9_5
1503:Empirical Musicology Review
706:and Wissenschaft im Dialog.
380:2015–2019: 7 Configurations
361:(2012), a work inspired by
58:Venice Academy of Fine Arts
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2236:Italian conceptual artists
1767:California Italian Studies
1496:Whalley, J. Harry (2014).
1388:Kirn, Peter (2012-07-11).
1348:Georgia Tech News Center.
1300:Kirn, Peter (2012-03-13).
1087:Leonardo Abstracts Service
746:The Rockefeller Foundation
547:Golden Shield Music (2009)
523:Signs of Life (2013) with
481:Live art with Fronte Vacuo
294:2011–2015: The Body Series
16:Italian performance artist
1694:Donnarumma, Marco (ed.).
990:. OeThG. 22 February 2022
686:Selected awards include:
403:Music for Flesh II (2011)
28:
2085:Georgia Tech News Center
1136:Monteverdi, Anna Maria.
664:Laboratorio Arte Alameda
544:High Spheres (2007–2010)
475:The AI Prostheses (2020)
352:unconventional computing
260:Edinburgh College of Art
218:Edinburgh College of Art
62:Edinburgh College of Art
1453:10.1145/2790994.2791015
1443:Van Nort, Doug (2015).
1369:Arabic. 7 November 2012
682:Awards and distinctions
461:commissioned by 4DSOUND
420:with Baptiste Caramiaux
324:artificial intelligence
2062:"TransitioMX Concurso"
2005:Prix Ars Electronica.
1985:Wissenschaftsjahr 2018
1823:CYNETART Festival 2014
1701:Computer Music Journal
1112:"Transmediale Archive"
770:Marcel·lí Antúnez Roca
433:with Margherita Pevere
1563:. p. Chapter 5.
957:"UdK Graduate School"
805:We Make Money Not Art
622:, which premiered at
582:, spatial sound, and
161:and scholar based in
1715:10.1162/COMJ_a_00333
1447:. pp. 124–127.
720:Research Fellowship.
711:Prix Ars Electronica
563:6 Giugno 1999 (2004)
507:¦MPOSSIBILITY (2023)
465:Amygdala (2015-2018)
1062:Sound Lab Edinburgh
454:Nigredo (2012-2013)
442:Ex Silens (2023-24)
437:Alia: Zǔ tài (2018)
413:Ominous (2012-2013)
408:Hypo Chrysos (2012)
139:marcodonnarumma.com
2126:New Media Scotland
1352:, 5 February 2012.
1031:Hallam, Patricia.
656:ISEA International
610:, commissioned by
502:δISSOLUTION (2023)
304:Music for Flesh II
205:Life and education
155:performance artist
119:Amygdala (2015-18)
2216:New media artists
2102:. 11 October 2014
1902:"Techno in Space"
1578:978-3-319-03957-2
851:Hustić, Deborah.
596:The Moving Forest
527:and Double Vision
525:Heidi J. Boisvert
512:R∄SOLUTION (2023)
459:0-Infinity (2015)
431:Eingeweide (2018)
425:Stage productions
418:Corpus Nil (2016)
397:Solo performances
348:biophysical music
262:, he created the
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2013:. Archived from
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668:La Gaîté Lyrique
634:Main exhibitions
590:collective) and
534:and Martin Howse
497:ΣXHALE (2021-22)
159:new media artist
153:) is an Italian
147:Marco Donnarumma
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