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26:, particularly associated with the German repertory, although she sang a wide range of roles. She possessed a warm lyrico-dramatic voice and a good stage presence.
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in 1903. She studied in
Cologne and made her debut there in 1923, as Micaëla in
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22:(3 March 1903 – 19 May 1959) was a German operatic
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68:(1947-52). She created the title role in
229:20th-century German women opera singers
105:), and again in 1936 on tour with the
128:Other notable roles included: Senta (
7:
34:Margarete Teschemacher was born in
14:
137:Die Meistersinger von Nürnberg
1:
89:In 1931, she appeared at the
121:). She also appeared at the
245:
125:in Buenos Aires, in 1934.
64:in Dresden (1934–46) and
54:Mannheim National Theatre
224:German operatic sopranos
109:, as Countess Almaviva (
16:German operatic soprano
219:Musicians from Cologne
112:The Marriage of Figaro
93:in London, as Pamina (
20:Margarete Teschemacher
169:La fanciulla del West
84:Heinrich Sutermeister
191:, Harold Rosenthal,
115:) and Donna Elvira (
66:Opernhaus Düsseldorf
58:Staatsoper Stuttgart
131:The Flying Dutchman
189:Grove Music Online
179:in 1959, aged 56.
153:The Bartered Bride
107:Staatsoper Dresden
44:. She sang at the
91:Royal Opera House
78:, and Miranda in
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50:Theater Dortmund
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156:), Marguerite (
96:The Magic Flute
80:Die Zauberinsel
76:Richard Strauss
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166:, and Minnie (
140:), Sieglinde (
46:Theater Aachen
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175:She died in
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123:Teatro Colón
118:Don Giovanni
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99:) and Elsa (
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214:1959 deaths
209:1903 births
195:, May 2008.
177:Bad Wiessee
150:, Marenke (
143:Die Walküre
60:(1930–34),
56:(1928–30),
52:(1926–28),
48:(1924–26),
203:Categories
193:Alan Blyth
62:Semperoper
102:Lohengrin
134:), Eva (
183:Sources
36:Cologne
24:soprano
148:Jenůfa
71:Daphne
41:Carmen
159:Faust
164:Aida
30:Life
172:).
162:),
146:),
82:by
74:by
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86:.
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