20:
379:, Gianna Pederzini, Nora Rose, Luciana Serafini, Elda Ribatti, Laura Zanini, Maria Cristina de Castro, Alfredo Kraus, Renato Cesari, Piero De Palma, Vito Susca, Manuel Leitão, Alessandro Maddalena, Armando Guerreiro, Giorgio Giorgetti, Álvaro Malta; Maestro Oliviero de Fabrittis; Stage Designer Alfredo Furiga.
136:
to Nazi
Germany, due to her "non-aryan" descent, she was let go, as was her soon to be divorced husband, Hugo Burghauser. While Burghauser, on 12 September 1938, fled via Hungary, Yugoslavia and Italy to Canada and finally to the United States, Wallmann found employment as ballet director at the
215:, with the composer "becoming like an elder brother to me". After directing the premiere she worked closely with him again when she re-staged the production in other theatres. Her husband at this time was the president of
70:
Born probably in Berlin, Wallmann received classical dancing education from
Eugenia Eduardowa (1882–1960) in Berlin, and later from Heinrich Kröller (1880–1930) and Anna Ornelli in Munich. From 1923, she attended
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Alexander
Mejstrik & al., Berufsschädigungen in der nationalsozialistischen Neuordnung der Arbeit, Oldenbourg Wissenschaftsverlag, 2004, Seite 528
670:
Toepfer, Karl: Empire of
Ecstasy: Nudity and Movement in German Body Culture, 1910-1935. Berkeley: University of California Press, 1997, p. 290
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In 1958, on 19 and 20 April was the director in the
Dialogues of the Carmelites in the Teatro Nacional de São Carlos in Lisbon, with
156:(1958). Since 1952, she devoted herself mainly to directing operas. Wallmann became the choice to direct premiere performances, from
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75:'s ballet school in Dresden and for a time belonged to Wigman's touring company, whose members included such future dance stars as
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572:, published in 1976 under the name Margarita Wallmann, is of no help since it deals mainly with her career after 1933.
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Kriechbaumer, Robert: Der
Geschmack der Vergänglichkeit. Jüdische Sommerfrische in Salzburg. Wien 2002, p. 352
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and performed there again the following year. Due to an accident, however, Wallmann had to quit dancing.
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The date and place of
Wallmann's birth are uncertain, and nothing is known about her family. The memoir
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which in 1931 had already grown to 37 members. Their first production was the "movement drama"
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for the Fete
Nationale, in the Monte Carlo Opera, on 19 November 1990.
83:. In 1928 she traveled to New York and held lectures there on Wigman's
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In 1933 she moved to Vienna, and in 1934 became ballet master at the
141:
in Buenos Aires and became a leading figure of dance in
Argentine.
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during the composition process and in evolving the structure for
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In 1957 Wallmann returned to the Vienna State Opera to stage
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In 1949 she returned to Europe and became ballet director of
681:
Wallfrau – a new work from Renato
Zanella, Oct. 10, 2008,
87:. In 1929 she became head of the Wigman School in Berlin.
46:) (22 June or July 1901 or 1904 – 2 May 1992) was a
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and head of its ballet school. In 1938, after Austria's
198:(1955, the last few seconds of which were filmed), and
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in Milan. One of the new ballets she created there was
407:(1987), and her very last production was Donizetti's
117:in Los Angeles. In 1931 the company staged Emmel's
113:as Orpheus. Shawn invited Wallmann to teach at his
755:Jewish emigrants from Austria after the Anschluss
236:), followed in later years by new productions of
340:, starring Birgit Nilsson, Giuseppe di Stefano,
8:
115:Denishawn School of Dancing and Related Arts
205:In the 1950s Wallmann worked closely with
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770:20th-century Austrian ballet dancers
609:Hans Christian, Harald Hoyer (ed.):
90:In 1930 she founded her own company
715:20th-century Austrian women artists
633:Sous le ciel de l'opéra. Mémoires.
174:. Also at the Scala, she directed
14:
397:One of her last productions was
164:to La Scala's 1958 rendition of
657:Biography of Margarete Wallmann
677:Wallmann at austria-lexikon.at
626:Les balcons du ciel. Mémoires.
109:with Wallmann as Euridike and
1:
730:Austrian women choreographers
687:3sat Kulturzeit Oct. 9, 2008
558:Österreichisches Musiklexikon
472:La donna piu bella del mondo.
121:(The Last Judgement) for the
631:re-edition under the title:
596:. Dialogues des Carmelites.
409:Il campanello dello speziale
745:German emigrants to Austria
659:, Jewish Women Encyclopedia
611:Wiener Staatsoper 1945-1980
338:Francesco Molinari-Pradelli
277:Assassinio nella cattedrale
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538:, 1967 (Legato Classics).
750:20th-century German Jews
735:Austrian opera directors
372:, Giulietta Simionato).
239:Dialogues des Carmelites
217:Ricordi music publishers
212:Dialogues des Carmélites
725:Austrian choreographers
740:Female opera directors
272:Anneliese Rothenberger
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666:in TIME 12 March 1965
628:Robert Laffont, 1976.
600:, April 1983, p21-23.
350:Oliviero de Fabritiis
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462:Camillo Mastrocinque
392:La forza del destino
384:Deutsche Oper Berlin
348:(1962; conducted by
336:(1961; conducted by
312:(1960; conducted by
310:La forza del destino
242:(1959; conducted by
200:Un ballo in maschera
765:Dancers from Vienna
760:Dancers from Berlin
720:Austrian ballerinas
570:Les balcons du ciel
458:Regina della Scala.
330:Giulietta Simionato
322:Giuseppe di Stefano
314:Dimitri Mitropoulos
244:Heinrich Hollreiser
230:Herbert von Karajan
192:Carlo Maria Giulini
119:Das jüngste Gericht
36:Margarethe Wallmann
130:Vienna State Opera
44:Margarita Wallmann
40:Margherita Wallman
28:Margarete Wallmann
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689:3sat.de/mediathek
508:Clemente Fracassi
480:Gina Lollobrigida
476:Robert Z. Leonard
405:Monte Carlo Opera
400:Der Rosenkavalier
326:Ettore Bastianini
318:Antonietta Stella
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123:Salzburg Festival
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66:Life and career
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264:Christel Goltz
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228:(conducted by
190:(conducted by
182:(conducted by
172:Birgit Nilsson
158:Darius Milhaud
150:Vita dell'uomo
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705:1900s births
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534:, Conductor
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512:Sophia Loren
506:Directed by
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460:Directed by
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434:Directed by
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414:She died in
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390:(1965), and
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366:Sena Jurinac
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81:Gret Palucca
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27:
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710:1992 deaths
492:Anne Vernon
488:Robert Alda
440:Greta Garbo
422:Videography
416:Monte Carlo
362:Hans Hotter
352:, starring
316:; starring
282:Hans Hotter
260:Hilde Zadek
246:; starring
103: [
100:Felix Emmel
73:Mary Wigman
699:Categories
546:References
540:operone.de
524:Director:
346:Don Carlos
77:Hanya Holm
683:uncoy.com
252:Ivo Žídek
194:, 1954),
186:, 1953),
134:Anschluss
111:Ted Shawn
48:ballerina
691:4:42 min
594:Milnes R
527:Turandot
518:, 1953.
494:. 1955.
464:. 1937.
450:. 1935.
403:for the
394:(1970).
388:Turandot
382:For the
334:Turandot
202:(1957).
167:Turandot
146:La Scala
510:, with
478:, with
438:, with
344:), and
207:Poulenc
188:Alceste
170:, with
32:Wallman
639:
620:Memoir
58:, and
530:with
225:Tosca
196:Norma
180:Médée
162:David
107:]
34:(aka
637:ISBN
520:IMDB
503:Aida
496:IMDB
466:IMDB
452:IMDB
79:and
332:),
308:),
274:),
178:in
160:'s
152:by
98:by
42:or
30:or
701::
655:,
598:3
586:^
514:/
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219:.
105:de
62:.
54:,
50:,
38:,
613:.
432:.
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