Knowledge (XXG)

Maria Margherita Grimani

Source 📝

249: 55:
She was born Maria Margherita Vitalini, and married Giovanni Andrea Grimani (1672 - 1723), Doctor of Law, lawyer and lecturer at the University of Bologna from 1696 until his death. He wrote several legal works as well as some poetry and a wedding song for the marriage of senator Piriteo Malvezzi,
32:
for periods between 1713 and 1718; however, she was not employed at the court as a musician. She may also have been one of a number of women composers at the Viennese court who were
315: 145: 355: 286: 310: 345: 305: 193: 188:
edited by James R. Briscoe. "Maria Margherita Grimani" by Barbara Garvey Jackson, pp 99–100. Indiana University Press, Bloomington IN, 2004.
180: 158: 340: 279: 105:
All of Grimani's works use small forces—two singers, a couple of obbligato instruments, and a continuo group, including cello and
325: 320: 360: 28:. Among her compositions was the first opera by a woman to be performed at the Vienna court theater. She may have lived at the 350: 80: 41: 272: 330: 140: 335: 83:
on November 4, 1713, at the imperial theater. It was scored for two voices, oboe and string orchestra.
150: 110: 45: 189: 176: 172: 154: 256: 49: 24:(1680 – c.1720) was an Italian composer who, at some points in her life, was active in 299: 136: 114: 29: 102:
are unknown. Both celebrate Charles's military success against the "infidels".
122: 118: 99: 33: 175:
and Rudolf Klein, pg. 198, Norton and Company, New York and London, 1995.
171:, edited by Julie Anne Sadie and Rhian Samuel. "Maria Margherita Grimani" 87: 59:
Maria Margherita Grimani's known works include an opera, specifically a
106: 76: 72: 56:
Marquis of Castel Guelfo, and the Marquise Artemisia Magnani in 1696.
248: 75:
on April 5, 1713, and first performed at the imperial theater on the
25: 109:. Their form follows the standards of the time, as exemplified in 37: 260: 135:
Klein, Rudolf (2001). "Maria Margherita Grimani". In
146:The New Grove Dictionary of Music and Musicians 169:The Norton/Grove Dictionary of Women Composers 280: 90:were also performed at the imperial theater: 8: 255:This article about an Italian composer is a 316:Italian classical composers of church music 94:, performed in 1713 and again in 1718, and 287: 273: 186:New Historical Anthology of Music by Women 67:, which may or may not have been staged, 211: 209: 205: 96:La decollazione di S Giovanni Battista 7: 356:18th-century Italian women composers 245: 243: 113:'s works. This included a number of 259:. You can help Knowledge (XXG) by 14: 311:Italian women classical composers 247: 346:18th-century Austrian musicians 306:18th-century Italian composers 1: 42:Caterina Benedicta Grazianini 92:La visitazione di Elisabetta 377: 242: 341:Italian Baroque composers 98:, performed in 1715. The 149:(2nd ed.). London: 36:, a type of Augustinian 22:Maria Margherita Grimani 326:Italian opera composers 321:Italian Roman Catholics 361:Italian composer stubs 61:componimento dramatico 351:Women opera composers 151:Macmillan Publishers 111:Alessandro Scarlatti 331:Oratorio composers 46:Maria de Raschenau 40:; others included 268: 267: 194:978-0-253-21683-0 181:978-0-393-03487-5 173:Suzanne G. Cusick 160:978-1-56159-239-5 368: 336:Augustinian nuns 289: 282: 275: 251: 244: 234: 231: 225: 222: 216: 213: 164: 123:recitative secco 50:Camilla de Rossi 16:Italian composer 376: 375: 371: 370: 369: 367: 366: 365: 296: 295: 294: 293: 240: 238: 237: 232: 228: 223: 219: 214: 207: 202: 161: 134: 131: 71:, dedicated in 69:Pallade e Marte 65:opus dramaticum 17: 12: 11: 5: 374: 372: 364: 363: 358: 353: 348: 343: 338: 333: 328: 323: 318: 313: 308: 298: 297: 292: 291: 284: 277: 269: 266: 265: 252: 236: 235: 226: 217: 204: 203: 201: 198: 197: 196: 183: 166: 159: 137:Sadie, Stanley 130: 127: 15: 13: 10: 9: 6: 4: 3: 2: 373: 362: 359: 357: 354: 352: 349: 347: 344: 342: 339: 337: 334: 332: 329: 327: 324: 322: 319: 317: 314: 312: 309: 307: 304: 303: 301: 290: 285: 283: 278: 276: 271: 270: 264: 262: 258: 253: 250: 246: 241: 230: 227: 221: 218: 212: 210: 206: 199: 195: 191: 187: 184: 182: 178: 174: 170: 167: 162: 156: 152: 148: 147: 142: 141:Tyrrell, John 138: 133: 132: 128: 126: 124: 120: 116: 115:da capo arias 112: 108: 103: 101: 97: 93: 89: 84: 82: 78: 74: 70: 66: 62: 57: 53: 51: 47: 43: 39: 35: 31: 27: 23: 19: 261:expanding it 254: 239: 229: 220: 185: 168: 144: 104: 95: 91: 85: 68: 64: 60: 58: 54: 21: 20: 18: 100:librettists 79:of Emperor 30:noble court 300:Categories 129:References 119:ritornelli 81:Charles VI 34:canonesses 88:oratorios 143:(eds.). 233:Jackson 107:theorbo 77:nameday 73:Bologna 224:Cusick 192:  179:  157:  48:, and 26:Vienna 215:Klein 200:Notes 117:with 257:stub 190:ISBN 177:ISBN 155:ISBN 121:and 86:Her 63:or 38:nun 302:: 208:^ 153:. 139:; 125:. 52:. 44:, 288:e 281:t 274:v 263:. 165:‎ 163:.

Index

Vienna
noble court
canonesses
nun
Caterina Benedicta Grazianini
Maria de Raschenau
Camilla de Rossi
Bologna
nameday
Charles VI
oratorios
librettists
theorbo
Alessandro Scarlatti
da capo arias
ritornelli
recitative secco
Sadie, Stanley
Tyrrell, John
The New Grove Dictionary of Music and Musicians
Macmillan Publishers
ISBN
978-1-56159-239-5
Suzanne G. Cusick
ISBN
978-0-393-03487-5
ISBN
978-0-253-21683-0

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.