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Maria Benedita Bormann

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242:(1894). Her works feature controversial themes that had not been seen before in Brazilian fiction, and which were seen as inappropriate for women to discuss, including female sexuality, female body imagery, and conflicts between mothers and daughters. Their protagonists are often intellectually active and sensually aware women attempting to overcome oppression from 28: 362:
After her death, Bormann's works were largely forgotten until the mid-1970s, when a new wave of interest in Brazilian women writers began. During this wave, Bormann's writings, as well those of as other neglected Brazilian women writers such as
168:. He continued to be active in military work after their marriage, and was away for lengthy periods. (He was made Brazilian War Secretary in 1910, filling the post until 1914.) 593: 344:
Because of their controversial treatment of female sexuality, Bormann's novels were criticized by at least two contemporary writers: Araripe JĂșnior dismissed
203:. Her published work included essays, short stories, and serialized novels. For writing, she took up the pseudonym DĂ©lia, a name suggesting the Greek goddess 598: 321:
According to a contemporary, the writer InĂȘs Sabino, Bormann was known as an elegant and sophisticated woman who often attended intellectual
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From her youth onward, Bormann both wrote and drew prolifically, but destroyed all work she did not wish to have published.
254:, tells the story of a creative woman who, in pursuit of both erotic and cerebral passions, breaks through her society's 409: 191:. From then on until 1895, Bormann's writings were published in wide-circulation Rio de Janeiro newspapers, including 508: 364: 540: 70: 368: 149:, and LuĂ­sa Bormann de Lima; she also had a sister, Julieta. In 1863, Bormann moved with her family to 573: 568: 372: 160:
In 1872, at the age of 19, Bormann married her maternal uncle, José Bernardino Bormann, a military
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while accompanying herself on the piano. In addition to Portuguese, she spoke English and French.
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One Hundred Years After Tomorrow: Brazilian Women's Fiction in the 20th Century
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social structures, especially those relating to families and domestic life.
119: 211:) as well as the ancient Roman woman Delia mentioned in the love poems of 212: 180: 115: 204: 114:(November 25, 1853 – July 1895) was a Brazilian writer who published 383:
describes Bormann as one of the most important writers of her era.
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The Cambridge History of Latin American Women's Literature
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The Cambridge History of Latin American Women's Literature
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In 1881, Bormann publicly joined the ongoing struggle for
464:, in AndrĂ©, MarĂ­a Claudia; Bueno, Eva Paulino (eds.), 101: 93: 85: 77: 59: 34: 18: 408:Brandolt, Marlene Rodrigues (July–December 2014), 141:. Her parents were PatrĂ­cio de Fontoura Lima, a 207:(whose birthplace was said to be the island of 466:Latin American Women Writers: An Encyclopedia 8: 501:RodrĂ­guez, Ileana; Szurmuk, MĂłnica (2015), 496: 494: 492: 490: 488: 403: 401: 399: 397: 395: 26: 15: 183:in Brazil by publishing her first novel, 455: 453: 451: 449: 447: 445: 443: 441: 439: 437: 435: 433: 431: 429: 427: 410:"Sob o olhar de Maria Benedita Bormann" 391: 7: 594:19th-century Brazilian women writers 14: 462:"Bormann, Maria Benedita (DĂ©lia)" 118:novels and other works under the 63:July 1895 (aged 41–42) 599:19th-century Brazilian novelists 535:, in Sadlier, Darlene J. (ed.), 379:, were brought back into print. 1: 414:Revista Educação e Linguagens 112:Maria Benedita CĂąmara Bormann 531:Sadlier, Darlene J. (1992), 133:Bormann was born in 1853 in 351:s protagonist as an insane 615: 584:Brazilian feminist writers 509:Cambridge University Press 153:, then the capital of the 589:Writers from Porto Alegre 579:Brazilian women novelists 460:FĂ©lix, Regina R. (2008), 218:Bormann's novels include 25: 541:Indiana University Press 369:Maria Firmina dos Reis 365:JĂșlia Lopes de Almeida 164:who had served in the 20:Maria Benedita Bormann 325:, sometimes singing 507:(ebook), New York: 472:, pp. 248–52, 468:(ebook), New York: 187:, in the newspaper 332:Bormann died of a 197:Gazeta de NotĂ­cias 416:(in Portuguese), 145:in the Brazilian 139:Rio Grande do Sul 109: 108: 102:Years active 45:November 25, 1853 606: 554: 553: 543:, pp. 6–8, 528: 522: 521: 498: 483: 482: 457: 422: 421: 405: 350: 155:Brazilian Empire 86:Other names 44: 42: 30: 16: 614: 613: 609: 608: 607: 605: 604: 603: 559: 558: 557: 551: 539:, Bloomington: 530: 529: 525: 519: 511:, p. 212, 500: 499: 486: 480: 459: 458: 425: 407: 406: 393: 389: 373:Albertina Berta 348: 342: 319: 276: 193:Gazeta de Tarde 177: 131: 73: 64: 55: 46: 40: 38: 21: 12: 11: 5: 612: 610: 602: 601: 596: 591: 586: 581: 576: 571: 561: 560: 556: 555: 549: 533:"Introduction" 523: 517: 484: 478: 423: 390: 388: 385: 377:Carmen Dolores 341: 338: 336:in July 1895. 318: 315: 314: 313: 307: 301: 295: 289: 283: 275: 272: 176: 173: 166:Paraguayan War 151:Rio de Janeiro 130: 127: 107: 106: 103: 99: 98: 95: 91: 90: 87: 83: 82: 79: 75: 74: 67:Rio de Janeiro 65: 61: 57: 56: 47: 36: 32: 31: 23: 22: 19: 13: 10: 9: 6: 4: 3: 2: 611: 600: 597: 595: 592: 590: 587: 585: 582: 580: 577: 575: 572: 570: 567: 566: 564: 552: 546: 542: 538: 534: 527: 524: 520: 518:9781316419106 514: 510: 506: 505: 497: 495: 493: 491: 489: 485: 481: 479:9781317726340 475: 471: 467: 463: 456: 454: 452: 450: 448: 446: 444: 442: 440: 438: 436: 434: 432: 430: 428: 424: 419: 415: 411: 404: 402: 400: 398: 396: 392: 386: 384: 382: 378: 374: 370: 366: 360: 358: 354: 347: 339: 337: 335: 334:stomach ulcer 330: 328: 327:mezzo-soprano 324: 317:Personal life 316: 311: 308: 305: 302: 299: 296: 293: 290: 287: 284: 281: 278: 277: 273: 271: 269: 268:Bildungsroman 265: 261: 257: 253: 252:KĂŒnstlerroman 249: 245: 241: 237: 233: 229: 225: 221: 216: 214: 210: 206: 202: 198: 194: 190: 186: 182: 174: 172: 169: 167: 163: 158: 156: 152: 148: 144: 143:civil servant 140: 136: 128: 126: 124: 121: 117: 113: 104: 100: 96: 92: 88: 84: 80: 76: 72: 68: 62: 58: 54: 50: 37: 33: 29: 24: 17: 536: 526: 503: 465: 417: 413: 380: 361: 345: 343: 331: 320: 309: 303: 297: 291: 285: 279: 263: 256:gender roles 247: 239: 238:(1890), and 235: 231: 227: 223: 219: 217: 200: 196: 192: 188: 184: 178: 170: 159: 147:middle class 135:Porto Alegre 132: 122: 111: 110: 49:Porto Alegre 574:1895 deaths 569:1853 births 420:(5): 165–74 353:erotomaniac 258:to explore 244:patriarchal 78:Nationality 563:Categories 550:0253115698 387:References 357:Émile Zola 310:Angelina ( 292:Duas irmĂŁs 228:Duas irmĂŁs 224:Uma VĂ­tima 129:Early life 94:Occupation 41:1853-11-25 470:Routledge 340:Reception 304:Celeste ( 280:Magdalena 260:androgyny 220:Magdalena 189:O Sorriso 185:Magdalena 120:pseudonym 105:1881–1895 81:Brazilian 298:LĂ©sbia ( 234:(1883), 230:(1884), 226:(1883), 222:(1881), 213:Tibullus 181:feminism 116:feminist 346:Celeste 286:AurĂ©lia 264:Celeste 240:Celeste 232:AurĂ©lia 205:Artemis 162:marshal 547:  515:  476:  323:salons 294:(1884) 288:(1883) 282:(1881) 248:LĂ©sbia 236:LĂ©sbia 201:O Paiz 199:, and 175:Career 97:Writer 71:Brazil 53:Brazil 349:' 312:1894) 306:1893) 300:1890) 274:Works 209:Delos 123:DĂ©lia 89:DĂ©lia 545:ISBN 513:ISBN 474:ISBN 375:and 266:, a 250:, a 60:Died 35:Born 565:: 487:^ 426:^ 412:, 394:^ 371:, 367:, 359:. 262:. 215:. 195:, 157:. 137:, 125:. 69:, 51:, 418:3 43:) 39:(

Index

Portrait of Maria Benedita Bormann
Porto Alegre
Brazil
Rio de Janeiro
Brazil
feminist
pseudonym
Porto Alegre
Rio Grande do Sul
civil servant
middle class
Rio de Janeiro
Brazilian Empire
marshal
Paraguayan War
feminism
Artemis
Delos
Tibullus
patriarchal
KĂŒnstlerroman
gender roles
androgyny
Bildungsroman
salons
mezzo-soprano
stomach ulcer
erotomaniac
Émile Zola
JĂșlia Lopes de Almeida

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